Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 831 bis 880 angezeigt.
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- Implementing an Intuitive Mutation Operator for Interactive Evolutionary 3D Design (2 Links)
- Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All? (2 Links)
- Genetic Algorithm for the Evolution of Feature Trajectories in Time-Dependent Arts (2 Links)
- Artistic Stylization of Images and Video (2 Links)
- Evolving a Library of Artistic Scene Descriptors (2 Links)
- Improving face detection (2 Links)
- Organic visualisation of high-dimensional objects: exploration of a world of forms based on heart transform (2 Links)
- Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test (2 Links)
- Evolving art with scalable vector graphics (2 Links)
- Self-design and ontogenetic evolution (2 Links)
- Incorporating characteristics of human creativity into an evolutionary art algorithm (2 Links)
- P3m1 Reference Implementation (2 Links)
- Semantic aware methods for evolutionary art (2 Links)
- Information aesthetics: an heroic experiment (2 Links)
- Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric (2 Links)
- Evolving virtual creatures (2 Links)
- Abstract Art by Shape Classification (2 Links)
- Color Mixing using Colliding Particles (2 Links)
- MediaFlies – An Interactive Flocking Based Tool for the Remixing of Media (2 Links)
- Automated collage generation — with intent (2 Links)
- Experiments in Objet Trouve Browsing (2 Links)
- Interactive Evolution of L-System Grammars for Computer Graphics Modelling (2 Links)
- Metaheuristics for Genetic Optimal Design (2 Links)
- Ungegenständliche Kunst (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Developmental modelling with SDS (2 Links)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization (2 Links)
- Dimension Reduction for Object Ranking (2 Links)
- Complexity measures as a basis for mass customisation of novel designs (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Grammatical Evolution: Evolving Programs for an Arbitrary Language (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Feature Extraction Languages and Visual Pattern Recognition (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- Computational Aesthetics Conferences (2 Links)
- Filterscape: Energy Recycling in a Creative Ecosystem (2 Links)
- Stepping stones in the mist (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Stimulating creative flow through computational feedback (2 Links)
- Evaluating Search Engine Relevance with Click-Based Metrics (2 Links)
- Pmm Reference Implementation (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Stroke surfaces: Temporally coherent non-photorealistic animations from video (2 Links)
- Population (2 Links)
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