Seiten mit den meisten Links
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- The Creative Mind: Myths and Mechanisms Dagstuhl (2 Links)
- Abstract Art by Shape Classification (2 Links)
- Search Strategies and the Creative Process (2 Links)
- Automated collage generation — with intent (2 Links)
- Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All? (2 Links)
- The Evolution of Style and Gigantism in New Media Art (2 Links)
- Organic visualisation of high-dimensional objects: exploration of a world of forms based on heart transform (2 Links)
- Zufallsprozess (2 Links)
- Fitness and Novelty in Evolutionary Art (2 Links)
- Self-design and ontogenetic evolution (2 Links)
- P3m1 Reference Implementation (2 Links)
- Adding Dynamics to Sketch-based Character Animations (2 Links)
- Künstliches Leben (2 Links)
- Semantic aware methods for evolutionary art (2 Links)
- EvoFashion: Customising Fashion Through Evolution (2 Links)
- Aesthetic 3D Model Evolution 2013 (2 Links)
- Autonomously Managing Competing Objectives to Improve the Creation and Curation of Artifacts (2 Links)
- The Painting Fool Teaching Interface (2 Links)
- Learning SVM Ranking Functions from User Feedback Using Document Metadata and Active Learning in the Biomedical Domain (2 Links)
- Idea in a Bottle — A New Method for Creativity in Open Innovation (2 Links)
- EvoSpace-Interactive: A Framework to Develop Distributed Collaborative-Interactive Evolutionary Algorithms for Artistic Design (2 Links)
- Fractal expressionism - where art meets science (2 Links)
- Bubble Hierarchies (2 Links)
- Patternista: Learning Element Style Compatibility and Spatial Composition for Ring-based Layout Decoration (2 Links)
- Lichtsuchende: Exploring the Emergence of a Cybernetic Society (2 Links)
- Crooked Houses: Visualizing the Polychora with Hyperbolic Patchwork (2 Links)
- Live Algorithms (2 Links)
- Frankensteinian Methods for Evolutionary Music Composition (2 Links)
- Some Aspects of Analogical Reasoning in Mathematical Creativity (2 Links)
- Can a Computationally Creative System Create Itself? Creative Artefacts and Creative Processes (2 Links)
- Curve, Draft, and Style: Three Steps to the Image (2 Links)
- From Frank Lloyd Wright to Mondrian (2 Links)
- Spatial complexity measure for characterising cellular automata generated 2D patterns (2 Links)
- Casually Evolving Creative Technology Systems (2 Links)
- Peter Weibel (2 Links)
- Stepping Back to Progress Forwards: Setting Standards for Meta-Evaluation of Computational Creativity (2 Links)
- Chris Coyne (2 Links)
- Evolutionary and Swarm Design in Science, Art, and Music (2 Links)
- Database Design for Represent Genetic Information and Environment Impression in Architectural Design (2 Links)
- A 3D Modeling System for Creative Design (2 Links)
- Improving Pareto optimal designs using genetic algorithms (2 Links)
- Decision Chain Encoding: Evolutionary Design Optimization with Complex Constraints (2 Links)
- A Complexity Approach for Identifying Aesthetic Composite Landscapes (2 Links)
- Strategies for creating new informational primitives in minds and machines (2 Links)
- Dependent Creativity: A Domain Independent Metric for the Assessment of Creative Artifacts (2 Links)
- A Fitness Function for Creativity in Jazz Improvisation and Beyond (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Towards MCTS for Creative Domains (2 Links)
- Preference Learning and Ranking by Pairwise Comparison (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
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