Brush Stroke Ordering Techniques for Painterly Rendering
Inhaltsverzeichnis
Reference
Lesley Northam, Joe Istead, Craig S. Kaplan: Brush Stroke Ordering Techniques for Painterly Rendering. In: Pauline Jepp, Oliver Deussen (Eds.): Eurographics Workshop on Computational Aesthetics, 2010. 59-66
DOI
http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH10/059-066
Abstract
Painterly rendering algorithms often mimic classical hand-painting techniques to automatically generate stylized paintings from input images. These algorithms use a combination of techniques to express a variety of styles and artistic properties (e.g., contrast, mood), but often restrict the user from controlling the rendering order of overlapping brush strokes. This paper illustrates the importance of brush stroke ordering in creating stylistic effects and presents a layer-based painterly rendering algorithm that allows the user to specify a brush stroke ordering. Several of the presented orderings enable the renderer to reduce detail obstruction, simulate handpainting techniques and enhance artistic styles.
Extended Abstract
Bibtex
@inproceedings{Northam:2010:BSO:2381312.2381323,
author = {Northam, L. and Istead, J. and Kaplan, C.},
title = {Brush Stroke Ordering Techniques for Painterly Rendering},
booktitle = {Proceedings of the Sixth International Conference on Computational Aesthetics in Graphics, Visualization and Imaging},
series = {Computational Aesthetics'10},
year = {2010},
isbn = {978-3-905674-24-8},
location = {London, United Kingdom},
pages = {59--66},
numpages = {8},
url = {http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH10/059-066, http://de.evo-art.org/index.php?title=Brush_Stroke_Ordering_Techniques_for_Painterly_Rendering },
doi = {10.2312/COMPAESTH/COMPAESTH10/059-066},
acmid = {2381323},
publisher = {Eurographics Association},
address = {Aire-la-Ville, Switzerland, Switzerland},
}
Used References
J. P. Collomosse , P. M. Hall, Painterly Rendering using Image Salience, Proceedings of the 20th UK conference on Eurographics, p.122, June 11-13, 2002 http://dl.acm.org/citation.cfm?id=787788&CFID=588525319&CFTOKEN=29804931
Bruce Gooch , Greg Coombe , Peter Shirley, Artistic Vision: painterly rendering using computer vision techniques, Proceedings of the 2nd international symposium on Non-photorealistic animation and rendering, June 03-05, 2002, Annecy, France http://doi.acm.org/10.1145/508530.508545
Paul Haeberli, Paint by numbers: abstract image representations, Proceedings of the 17th annual conference on Computer graphics and interactive techniques, p.207-214, September 1990, Dallas, TX, USA http://doi.acm.org/10.1145/97879.97902
James Hays , Irfan Essa, Image and video based painterly animation, Proceedings of the 3rd international symposium on Non-photorealistic animation and rendering, June 07-09, 2004, Annecy, France http://doi.acm.org/10.1145/987657.987676
Aaron Hertzmann, Painterly rendering with curved brush strokes of multiple sizes, Proceedings of the 25th annual conference on Computer graphics and interactive techniques, p.453-460, July 1998 http://doi.acm.org/10.1145/280814.280951
Aaron Hertzmann, Paint By Relaxation, Computer Graphics International 2001, p.47-54, July 03-06, 2001 http://dl.acm.org/citation.cfm?id=735238&CFID=588525319&CFTOKEN=29804931
Peter Litwinowicz, Processing images and video for an impressionist effect, Proceedings of the 24th annual conference on Computer graphics and interactive techniques, p.407-414, August 1997 http://doi.acm.org/10.1145/258734.258893
MAYER R.: The Artist's Handbook of Materials and Techniques, 3rd ed. The Viking Press, Inc., New York, 1970.
MUGNAINI J.: Oil Painting: Techniques and Materials. Reinhold Book Corporation, New York, 1969.
O'BRIAN P.: Pablo Ruiz Picasso. W. W. Norton and Co., New York, 1994.
Sven C. Olsen , Bruce A. Maxwell, Fluid simulation as a tool for painterly rendering, ACM SIGGRAPH 2004 Posters, August 08-12, 2004, Los Angeles, California http://doi.acm.org/10.1145/1186415.1186444
Youngsup Park , Kyunghyun Yoon, Painterly animation using motion maps, Graphical Models, v.70 n.1-2, p.1-15, January, 2008 http://dx.doi.org/10.1016/j.gmod.2007.06.001
RICHMOND L.: Fundamentals of Oil Painting. Watson-Guptill Publications, New York, 1970.
Maria Shugrina , Margrit Betke , John Collomosse, Empathic painting: interactive stylization through observed emotional state, Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, June 05-07, 2006, Annecy, France http://doi.acm.org/10.1145/1124728.1124744
STEFAN SCHLECHTWEG T. G., STROTHOTTE T.: Renderbots-multi-agent systems for direct image generation. Computer Graphics Forum 24, 2 (2005), 137-148.
Links
Full Text
[extern file]
Sonstige Links
http://dl.acm.org/citation.cfm?id=2381312.2381323&coll=DL&dl=GUIDE&CFID=588525319&CFTOKEN=29804931
