Creative Evolutionary Systems: Unterschied zwischen den Versionen
(→Table of contents (xx chapters)) |
|||
| Zeile 28: | Zeile 28: | ||
John A. Biles: GenJam: evolution of a jazz improviser. 165 - 187 | John A. Biles: GenJam: evolution of a jazz improviser. 165 - 187 | ||
| − | + | Eduardo Reck Miranda: On the origins and evolution of music in virtual worlds. 189 - 204 | |
| − | + | ||
| − | + | Artemis Moroni, Jonatas Manzolli, Fernando Von Zuben, Ricardo Gudwin: Vox populi: evolutionary for music evolution. 205 - 221 | |
| − | + | ||
| − | + | Sam Woolf, Andrian Thomas: The sound gallery---an interactive A-life artwork. 223 - 250 | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
===Creative evolutionary design=== | ===Creative evolutionary design=== | ||
| − | + | John Frazer: Creative design and the generative evolutionary paradigm. 253 - 274 | |
| − | |||
| − | |||
| − | + | John R. Koza, Forrest H. Bennett, III, David Andre, Martin A. Keane: Genetic programming: biologically inspired computation that exhibits creativity in producing human-competitive results. 275 - 298 | |
| − | |||
| − | |||
| − | + | Helen Jackson: Toward a symbiotic coevolutionary approach to architecture. 299 - 313 | |
| − | |||
| − | |||
| − | + | Peter von Buelow: Using evolutionary algorithms to aid designers of architectural structures. 315 - 336 | |
| − | |||
| − | |||
===Evolutionary art=== | ===Evolutionary art=== | ||
| + | [[Steven Rooke]]: [[Eons of genetically evolved algorithmic images]]. 339 - 365 | ||
| − | + | [[Luigi Pagliarini]], [[Henrik Hautop Lund]]: Arts, robots, and evolution as a tool for creativity. 367 - 385 | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | + | [[Paul Brown]]: Stepping stones in the mist. 387 - 407 | |
| − | |||
| − | |||
| − | + | [[Peter J. B. Hancock]], [[Charlie D. Frowd]]: [[Evolutionary generation of faces]]. 409 - 423 | |
| − | |||
| − | |||
| − | + | [[A. E. Eiben]], [[R. Nabuurs]], [[I. Booij]]: [[The Escher evolver: evolution to the people]]. 425 - 439 | |
| − | |||
| − | |||
===Evolutionary innovation=== | ===Evolutionary innovation=== | ||
Version vom 20. Oktober 2014, 20:37 Uhr
Inhaltsverzeichnis
Reference
- Peter J. Bentley, David W. Corne: Creative Evolutionary Systems. 1 Aufl., Academic Press Inc, Orlando, 2001, ISBN 978-1558606739, 576 Seiten.
DOI
Abstract
The use of evolution for creative problem solving is one of the most exciting and potentially significant areas in computer science today. Evolutionary computation is a way of solving problems, or generating designs, using mechanisms derived from natural evolution. This book concentrates on applying important ideas in evolutionary computation to creative areas, such as art, music, architecture, and desgn. It shows how human interaction, new representations, and approaches such as open-ended evolution can extend the capabiities of evolutionary computation from optimization of existing solutions to innovation and the generation of entirely new and original solutions. This book takes a fresh look at creativity, exploring what it is and how the actions of evolution can resemble it. Examples of novel evolved solutions are presented in a variety of creative disciplines. The editors have compiled contributions by leading researchers in each discipline.
Extended Abstract
Reviews
Bibtex
Table of contents (23 chapters)
Peter J. Bentley, David W. Corne: Introduction to creative evolutionary systems. 1 - 75
Evolutionary creativity
Tim Taylor: Creativity in evolution: individuals, interactions, and environments. 79 - 108
Celestino Soddu: Recognizability of the idea: the evolutionary process of Argenìa. 109 - 127
Mitchell Whitelaw: Breeding aesthetic objects: art and artificial evolution. 129 - 145
Liane Gabora: The beer can theory of creativity. 147 - 161
Evolutionary music
John A. Biles: GenJam: evolution of a jazz improviser. 165 - 187
Eduardo Reck Miranda: On the origins and evolution of music in virtual worlds. 189 - 204
Artemis Moroni, Jonatas Manzolli, Fernando Von Zuben, Ricardo Gudwin: Vox populi: evolutionary for music evolution. 205 - 221
Sam Woolf, Andrian Thomas: The sound gallery---an interactive A-life artwork. 223 - 250
Creative evolutionary design
John Frazer: Creative design and the generative evolutionary paradigm. 253 - 274
John R. Koza, Forrest H. Bennett, III, David Andre, Martin A. Keane: Genetic programming: biologically inspired computation that exhibits creativity in producing human-competitive results. 275 - 298
Helen Jackson: Toward a symbiotic coevolutionary approach to architecture. 299 - 313
Peter von Buelow: Using evolutionary algorithms to aid designers of architectural structures. 315 - 336
Evolutionary art
Steven Rooke: Eons of genetically evolved algorithmic images. 339 - 365
Luigi Pagliarini, Henrik Hautop Lund: Arts, robots, and evolution as a tool for creativity. 367 - 385
Paul Brown: Stepping stones in the mist. 387 - 407
Peter J. B. Hancock, Charlie D. Frowd: Evolutionary generation of faces. 409 - 423
A. E. Eiben, R. Nabuurs, I. Booij: The Escher evolver: evolution to the people. 425 - 439
Evolutionary innovation
Julian F. Miller, Tatianna Kalganova, Dominic Job, Natalia Lipnitskaya: The genetic algorithm as a discovery engine: strange circuits and new principles. 443 - 466
R. E. Smith, B. A. Dike, B. Ravichandran, A. El-Fallah, R. K. MehraDiscovering novel fighter combat maneuvers: simulating test pilot creativity. 467 - 486
Derek S. Linden: Innovative antenna design using genetic algorithms. 487 - 510
Jordan B. Pollack, Hod Lipson, Sevan Ficici, Pablo Funes, Greg Hornby, Richard A. Watson: Evolutionary techniques in physical robotics. 511 - 523
Shail Patel, Ian Stott, Manmohan Bhakoo, Peter Elliot: Patenting evolved batericidal peptides. 525 - 545
Links
Full Text
[extern file]
Sonstige Links
http://dl.acm.org/citation.cfm?id=510349&picked=prox&cfid=441144972&cftoken=22938962
