Generative Art 2000: Unterschied zwischen den Versionen
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Version vom 16. Dezember 2014, 19:49 Uhr
Inhaltsverzeichnis
Reference
DOI
Abstract
Extended Abstract
Reviews
Bibtex
Table of contents
• Celestino Soddu: From Forming to Transforming.
• Hans Dehlinger: Experimental Search for Order in the Code of Generated Drawings.
• Howard Riley: Algorithms of the Mind. The generative art of drawing.
• Andreas Lund: Evolving the Shape of Things to Come. A Comparison of Interactive Evolution and Direct Manipulation for Creative Tasks.
• Enrica Colabella: Mater Matuta.
• Jan Kubasiewicz: InfoGEOMETRY. Conceptual Prototype for Navigating InfoSPACE.
• Kenneth E. Rinaldo
• Paul Coates, Pablo Miranda: Swarm modelling.
• Alexander Koutamanis: Redirecting design generation in architecture.
• Matthew Lewis: Aesthetic Evolutionary Design with Data Flow Networks.
• Artemis Moroni, F. Von Zuben, J. Manzolli: ArTbitrariness in Music.
• Aaron Wolf Baum, Generative Interactive Music.
• Gabriel Maldonado: Travels in Space and Time, Explorations of Virtual SoundScapes, Multi-dimensionalism of Digital Music.
• Philip Galanter: GA2: a Programming Environment for Abstract Generative Fine Art.
• Mauro Annunziato: Artificial Worlds, Virtual Generations
• Kevin McGuire: Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes.
• Roel Daru, Eric Vreedenburgh: Architectural Innovation as an evolutionary process
• Christian Derix, Robert Thum: Artificial Neural Network Spaces.
• Alex McLean, Adrian Ward, Geoff Cox: The aesthetics of generative code.
• Quinsan Ciao: 45 PM Session 8 • Hearing Architectural Design: Simulation and Auralization for Generating Better Acoustic Spaces.
• Cristiano Ceccato: On the Translation of Design Data into Design Form in Evolutionary Design.
• Matteo Codignola: Generative Recognizable Codes from Gaudi'.
• Maya Kagawa, Marcello Pinzero: Teaching Generative Design Approaches
• John Eacott: Generative music composition in practice - a critical evaluation.
• Nao Tokui and Hitoshi Iba: Music Composition with Interactive Evolutionary Computation.
• PierPaolo Brotzu: A Generative Approach to Variations in Production Processes.
• Paolo Ferrara and Gabriele Foglia: TEAnO or the computer assisted generation of manufactured aesthetic goods seen as a constrained flux of technological unconsciousness.
• Andrea Chiodi, Marco M. Vernillo: Deep architectures and exterior communication in Generative Art.
• Owen F. Ransen: Possible Futures in Computer Art Generation.
• E. Bilotta, P. Pantano and V. Talarico: Music Generation through Cellular Automata.
• J. Kabala, C. Conrado, K. van Overveld: Communicative Profiles.Generative Art Applied in Information Access Interfaces
• Marianne Selsjord
Performances
• Tim Didymus, Emilia Telese • Marianne Selsjord • Douglas Repetto • Luca Tanzini (http://www.generativeart.com/on/cic/abst2000/abst67.htm)
Posters, Artworks and Installations
Robert J. Krawczyk, Antonio Pozzi, Alessandra Venino, Emilia Castellani, Francesco Deriu, Yoshiyuki Abe, Matjaz Hmeljak, Jean-Pierre Hebert, Francesco Martin, A. Spizzichino, Kenneth E. Rinaldo.
Links
Full Text
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