Information aesthetics: an heroic experiment

Aus de_evolutionary_art_org
Wechseln zu: Navigation, Suche

Referenz

Nake, F.: Information aesthetics: an heroic experiment. J. Math. Arts 6(2–3), 65–75 (2012)

DOI

http://dx.doi.org/10.1080/17513472.2012.679458

Abstract

Information Aesthetics was a short-lived but influential attempt to establish a mathematically rigorous aesthetic theory without subjective elements. It was based on information theory, semiotics and communication theory. It was mainly developed in Germany and France during the 1960s. It not only gained some influence among designers and artists, but also among teachers of art. Its concepts turned out to be reductionist and schematic, which we argue led to its eventual disappearance, if not failure. We provide a retrospective of its assumptions and results, and draw conclusions for current attempts at algorithmically evaluating the aesthetic merits of a work of art.

Extended Abstract

Bibtex

@article{doi:10.1080/17513472.2012.679458,
author = { Frieder   Nake },
title = {Information Aesthetics: An heroic experiment},
journal = {Journal of Mathematics and the Arts},
volume = {6},
number = {2-3},
pages = {65-75},
year = {2012},
doi = {10.1080/17513472.2012.679458},
URL = {http://dx.doi.org/10.1080/17513472.2012.679458 http://de.evo-art.org/index.php?title=Information_aesthetics:_an_heroic_experiment },
eprint = {http://dx.doi.org/10.1080/17513472.2012.679458}
}

Used References

[1] A.G. Baumgarten, Ästhetik, Vol 2, Meiner, Latin/ German, Hamburg, 2007. (First publ. 1750/1758).

[2] M. Bense, Aesthetica. Einfu¨hrung in die neue Ästhetik, Agis, Baden-Baden, 1965 (4 vols in one, first 1954–1960).

[3] M. Bense, Einfu¨hrung in die informationstheoretische Ästhetik, Rowohlt, Reinbek, 1969.

[4] M. Bense, ‘The projects of generative aesthetics, in Cybernetics, Art, and Ideas, J. Reichardt, ed., Studio Vista, London, 1971, pp. 57–60.

[5] M. Bense and G. Nees, Computer-grafik, rot 19, Distribution Elisabeth Walther, Stuttgart, 1965.

[6] D.E. Berlyne, Aesthetics and Psychobiology, Appleton- Century-Crofts, New York, 1971.

[7] G.D. Birkhoff, A mathematical theory of aesthetics, The Rice Inst. Pamphlet. 19 (1932), pp. 189–342 (again in Collected Mathematical Papers, Vol. 3, New York, 1950, pp. 392–535).

[8] H. Bro¨ g, Semiotische und numerische Analyse zweier Holzschnitte von Albrecht Du¨rer, Dr. phil. diss., University of Stuttgart, 1968.

[9] R.C. Davis, An evaluation and test of Birkhoff’s aesthetic measure formula, J. Gen. Psychology. 15 (1936), pp. 231–240.

[10] H.J. Eysenck, The empirical determination of an aesthetic formula, Psychol. Rev. 48 (1941), pp. 83–92.

[11] H.J. Eysenck, The experimental study of the ‘‘good gestalt’’ – a new approach, Psychol. Rev. 49 (1942), pp. 344–364.

[12] H.G. Frank, Informations a¨sthetik und erste Anwendung auf die mime pure, Schnelle, Quickborn, 1959, 1968.

[13] H.G. Frank, Kybernetische Analysen subjektiver Sachverhalte, Schnelle, Quickborn, 1964.

[14] H.G. Frank and H.W. Franke, A¨ sthetische Information. Eine Einfu¨hrung in die kybernetische A¨ sthetik, KoPa¨ d, Munich, 1997.

[15] R. Garnich, Konstruktion Design Ästhetik, Dr. phil. diss., University of Stuttgart, 1968.

[16] C. Gianetti, Cybernetic aesthetics and communication, a theme in the MediaArtNet database, no date. Available at http://www.medienkunstnetz.de/themes/aesthetics_of_the_digital/cybernetic_aesthetics, accessed 1 August 2011.

[17] R. Gunzenha¨ user, Ästhetisches Maß und ästhetische Information, Schnelle, Quickborn, 1962.

[18] G.R. Kiefer, Zur Semiotisierung der Umwelt. Eine exemplarische Ero¨rterung der sekunda¨ren Architektur, Dr. phil. diss., University of Stuttgart, 1970.

[19] M. Kiemle, Ästhetische Probleme der Architektur unter dem Aspekt der Informations a¨sthetik, Schnelle, Qickborn, 1967.

[20] T. Lutz, U¨ ber ein Programm zur Erzeugung stochastischlogistischer Texte, Grundl. studien aus Kyb. u. Geisteswiss. 1 (1960), pp. 11–16.

[21] S. Maser, Numerische Ästhetik, Habil. diss., University of Stuttgart, 1970.

[22] A.A. Moles, Information Theory and Esthetic Perception, University of Illinois Press, Urbana, IL, 1968 (French original 1958).

[23] F. Nake, Äthetik als Informationsverarbeitung, Springer, Wien and New York, 1974.

[24] G. Nees, Generative Computergraphik, Siemens, Munich, 1969 (2nd ed. with a new introduction, Kaleidoskopien 6, Berlin, 2006).

[25] C.E. Shannon and W. Weaver, The Mathematical Theory of Communication, University of Illinois Press, Urbana, IL, 1964 (first printing 1949).

[26] C.P. Snow, The Two Cultures and the Scientific Revolution, The Rede Lecture 1959, Cambridge University Press, Cambridge, 1959. Journal of Mathematics and the Arts 75 Downloaded by

Links

Full Text

internal file


Sonstige Links