NEvAr – the assessment of an evolutionary art tool
Inhaltsverzeichnis
Reference
Machado, P., Cardoso, A.: NEvAr – the assessment of an evolutionary art tool. In: Proceedings of the AISB 2000 Symposium on Creative and Cultural Aspects and Applications of AI and Cognitive Science (2000).
DOI
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.36.6858
Abstract
The use of Evolutionary Computation approaches to create images has reached a great popularity, leading to the appearance of a new art form -- Evolutionary Art -- and to the proliferation of Evolutionary Art Tools. In this paper we present and make an assessment of one of these tools: NEvAr. We also systematise and describe the work methodology currently used to generate images. When working with NEvAr we focus on the reuse of useful individual, which we store in an image database. The size of this database, and the importance of its role, led us to the development of automatic seeding procedures, which we also describe.
Extended Abstract
Bibtex
Used References
P. J. Angeline. Evolving Fractal Movies. Genetic Pro- gramming: Proceedings of the First Annual Confer- ence, MIT Press, Stanford University, CA, USA, pp. 503-511, 1996.
E. Baker. Evolving Line Drawings, Technical Report TR-21-93, Harvard University Center for Research in Computing Technology, 1993
S. Baluja, D. Pomerlau, and J. Todd. Towards Auto- mated Artificial Evolution for Computer-Generated Images. Connection Science, 6, 325-354, 1994.
P. Bentley, (Ed.) Evolutionary Design by Computers, Morgan Kaufman, 1999.
J. Biles A genetic algorithm for generating jazz solos. International Computer Music Conference, Aarhus, Denmark, 1994.
R. Dawkins, R. The Blind Watchmaker, W.W. Norton & Company, Inc., New York, 1987.
E. De Bono. El pensamiento lateral. Manual de la cre- atividad. Barcelona, Spain: Paidós (in Spanish), 1986.
J. Dewey. How we think. Boston: D. C. Heath, 1919.
D. Goldberg. The design of innovation: lessons from genetic algorithms, lessons for the real world, Illi- GAL Report No 98004, Department of General Engineering, University of Illinois at Urbana-Champain, 1998.
J. Graf, and W. Banzhaf. Interactive Evolution for Simulated Natural Evolution. Artificial Evolution, Vol. 1063, Springer Verlag, pp. 259-272, 1996.
J. P. Guilford. The Nature of Human Intelligence. McGraw-Hill, New York, 1967.
P. Hodgson. Understanding Computing, Cognition, and Creativity. University of the West of England, 1990.
P. Hodgson. Gene-e Evolutionary Dance Music Pro- gram, 1996.
P. Hodgson. Understanding Computing, Cognition, and Creativity. AISB Symposium on Musical Creativity, Edinburgh, UK, 1999.
A. Horner, D. Goldberg. Genetic algorithms and com- puter-assisted composition. Genetic Algorithms and Their Applications: Proceedings of the Fourth Inter- national Conference on Genetic Algorithms, pp. 427- 441, 1991.
D. Horowitz. Generating Rythms with Genetic Algo- rithms. International Computer Music Conference, Aarhus, Denmark, 1994.
B. L. Jacob. Composing with Genetic Algorithms. In- ternational Computer Music Conference, 1995.
W. Latham, and S. Todd. Evolutionary Art and Compu- ers, Academic Press, Winchester, UK, 1992.
R. A. McIntyre. Bach in a Box: The Evolution of Four- Part Barroque Harmony Using Genetic Algorithms. In IEEE Conference on Evolutionary Computation, 1994.
G. Papadopoulos, and G. Wiggins. AI Methods for algo- rithmic composition: A Survey, a Critical View and Future Prospects. AISB Symposium on Musical Creativity, Edinburgh, UK, 1999.
D. Ralley. Genetic algorithm as a tool for melodic de- velopment. International Computer Music Confer- ence, 1995.
S. Rooke. The Evolutionary Art of Steven Rooke, http://www.azstarnet.com/~srooke/, 1996. 404
K. Sims. Artificial Evolution for Computer Graphics. ACM Computer Graphics, 25, 319--328, 1991.
L. Spector, and A. Alpern. Criticism, culture, and the automatic generation of artworks. Proceedings of Twelfth National Conference on Artificial Intelli- gence, AAAI Press/MIT Press, Seattle, Washington, USA, pp. 3--8, 1994.
L. Spector, and A. Alpern. Induction and Recapitulation of Deep Musical Structure. International Joint Con- ference on Artificial Intelligence, IJCAI’95 Work- shop on Music and AI, Montreal, Canada, 1995.
J. Ventrella. Animated Artificial Life. Virtual Worlds - Synthetic Universes, Digital Life, and Complexity, Heudin, J. C. (ed.) Perseus Books, pp. 67-94, 1999.
G. Wallas. The art of thought. Nova Iorque: Harcourt Brace, 1926.
G. Wiggins et al. Evolutionary Methods for Musical Composition. International Journal of Computing Anticipatory Systems, 1999.
Links
Full Text
http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mc00.pdf
