Natural Processes and Artificial Procedures
Inhaltsverzeichnis
Referenz
Driessens, Erwin; Verstappen, Maria: Natural Processes and Artificial Procedures. In: Hingston & Barone & Michalewicz: Design by Evolution, Springer, Berlin, 2008. S. 101-120.
DOI
http://link.springer.com/10.1007/978-3-540-74111-4_7
Abstract
The boundaries between nature, culture and technology are increasingly fading. Nature has become increasingly less natural in everyday life and technological applications have become more and more natural. Our relation to nature has rested on technical control and scientific and economic analysis for many years. Technology is at a stage where it is virtually invisible, having become a natural part of our life. New worlds open up as boundaries disappear. If technology itself sets the preconditions for survival of existing species and ecosystems, as well as the development of new and artificial ones, then this becomes an inseparable part of our experience of nature.
Extended Abstract
Bibtex
@incollection{
year={2008},
isbn={978-3-540-74109-1},
booktitle={Design by Evolution},
series={Natural Computing Series},
editor={Hingston, PhilipF. and Barone, LuigiC. and Michalewicz, Zbigniew},
doi={10.1007/978-3-540-74111-4_7},
title={Natural Processes and Artificial Procedures},
url={http://dx.doi.org/10.1007/978-3-540-74111-4_7 http://de.evo-art.org/index.php?title=Natural_Processes_and_Artificial_Procedures },
publisher={Springer Berlin Heidelberg},
author={Driessens, Erwin and Verstappen, Maria},
pages={101-120},
language={English}
}
Used References
Arp, J.: Abstract art, concrete art. In: Art of This Century. New York (1942)
Baudrillard, J.: Les Stratégies Fatales. Grasset & Fasquelle, Paris (1983)
Dawkins, R.: The Blind Watchmaker. W. W. Norton & Company (1986)
Grassé, P.: La réconstruction du nid et les coördinations interindividuelles. La théorie de la stigmergie. Insectes Sociaux 6, 41–84 (1959).
Kant, I.: Kritiek der Urteilskraft (Critique of Judgement). Lagarde und Friederich, Berlin (1790)
Koza, J.: Genetic Programming — On the Programming of Computers by Means of Natural Selection. MIT Press (1992)
Kuitenbrouwer, K.: E-volver. In: E-volver, SKOR, Foundation Art and Public Space, pp. 7–22. Amsterdam (2006)
Langton, C.: Studying artificial life with cellular automata. Physica 22D, 120–149 (1986)
Leutz, W.: Art and scientific research. In: E-volver, SKOR, Foundation Art and Public Space, pp. 4–6. Amsterdam (2006)
Lewin, R.: Complexity: Life at the Edge of Chaos. Macmillan, New York (1992)
McCormack, J., Dorin, A.: Art, emergence, and the computational sublime. In: Second Iteration — Proceedings of the Second International Conference on Generative Systems in the Electronic Arts, pp. 67–81. CEMA, Monash University, Melbourne (2001)
Pollan, M.: The Botany of Desire. Random House (2001)
Prigogine, I., Stengers, I.: Order out of Chaos — Man’s New Discourse with Nature. Flamingo (1984)
Sims, K.: Artificial evolution for computer graphics. In: Proceedings of SIGGRAPH, pp. 319–328. ACM Press, Las Vegas, Nevada (1991)
Todd, S., Latham, W.: Evolutionary Art and Computers. Academic Press (1992)
Whitelaw, M.: Tom Ray’s hammer: emergence and excess in A-life art. Leonardo 31(5), 377–381 (1998)
Whitelaw, M.: Morphogenetics: generative processes in the work of Driessens & Verstappen. Digital Creativity 14(1), 45–53 (2003). Swets & Zeitlinger
Whitelaw, M.: Metacreation, Art and Artificial Life. MIT Press (2004) van der Zaag, D.: Die Gewone Aardappel (That Ordinary Potato). Wageningen University (1996)
Links
Full Text
[extern file]
