New directions for evolving expressions

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Gary Greenfield: New directions for evolving expressions. In: Bridges 1998. Pages 29–36



In trying to improve upon Sims' art-by-choice technique known as "evolving expressions," artists have taken up the challenge of developing second generation implementations incorpo- rating additional features, modifications, and controls. In this paper we provide a context for this movement, and present a model which both simplifies and refines the original technique. Technical considerations include the. role of color space, tools for exploring image space, and rendering issues

Extended Abstract


Used References

[1] Margaret A. Boden, Agents and creativity, Communications of the ACM, 37 No.7 (July, 1994), 117-121.

[2] Richard Dawkins, The evolution of evolvability, 201-220, Artificial Life, Christopher Langton (ed.), Addison Wesley, Reading, MA 1989.

[3] Gary Greenfield, An algorithmic palette tool, UR Technical Report TR-94-02, 1994.

[4] Lev Manovich, The engineering of vision and the aesthetics of computer art, Computer Graph- ics, 28 No.4 (November, 1994) 259-263.

[5] Gregory J. E. Rawlins (ed), Foundations of Genetic Algorithms, Morgan Kaufmann, San Ma- teo, CA 1991.

[6] Karl Sims, Artificial evolution for computer graphics, Computer Graphics, 25 (1991) 319-328.

[7] Will Tait, The space between: fine art and technology, Computer Graphics, 32 (Febuary, 1998), 17-19.

[8] Steven Todd & William Latham, Evolutionary Art and Computers, Academic Press, San Diego, CA 1992.

[9] Steven Todd & William Latham, Mutator, a subjective interface for evolution of computer sculpture, IBM UKSC Report 248, 1991.

[10] Mark Wilson, Drawing with Computers, Perigee Books, New York, NY 1985.


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