Steve DiPaola: Unterschied zwischen den Versionen
Aus de_evolutionary_art_org
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== Publikationen == | == Publikationen == | ||
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===2013=== | ===2013=== | ||
| − | [[Steve DiPaola]]: Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space. In: Electronic Visualisation in Arts and Culture, Bowen, Keene, Ng, (Eds), pp 213-227, Springer, 2013. http://ivizlab.sfu.ca/papers/evabook2013.pdf | + | * [[Steve DiPaola]]: [[Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space]]. In: Electronic Visualisation in Arts and Culture, Bowen, Keene, Ng, (Eds), pp 213-227, Springer, 2013. http://ivizlab.sfu.ca/papers/evabook2013.pdf |
| − | [[Steve DiPaola]], McCaig R., Carson K., Salevati S., & Sorenson N.: Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition. In: Proc. International Conference on Computational Creativity, pp 40-4, 2013. http://ivizlab.sfu.ca/papers/iccc2013.pdf | + | * [[Steve DiPaola]], McCaig R., Carson K., Salevati S., & Sorenson N.: [[Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition]]. In: Proc. International Conference on Computational Creativity, pp 40-4, 2013. http://ivizlab.sfu.ca/papers/iccc2013.pdf |
| − | Choi S. K., [[Steve DiPaola]]: How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity. In: Proc. Electronic Visualisation and the Arts, pp. 127-134. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013b.pdf | + | * Choi S. K., [[Steve DiPaola]]: [[How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity]]. In: Proc. Electronic Visualisation and the Arts, pp. 127-134. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013b.pdf |
| − | [[Steve DiPaola]], Smith A.: Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica. In: Proc: Electronic Visualisation and the Arts, pp. 25-31. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013a.pdf | + | * [[Steve DiPaola]], Smith A.: [[Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica]]. In: Proc: Electronic Visualisation and the Arts, pp. 25-31. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013a.pdf |
===2012=== | ===2012=== | ||
* Hasti Seifi, [[Steve DiPaola]], James T. Enns: [[Exploring the Effect of Color Palette in Painterly Rendered Character Sequences]]. In: Douglas W. Cunningham, Donald H. House (Eds.): Workshop on [[Computational Aesthetics 2012]]. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH12/089-097 http://ivizlab.sfu.ca/papers/cae2012.pdf | * Hasti Seifi, [[Steve DiPaola]], James T. Enns: [[Exploring the Effect of Color Palette in Painterly Rendered Character Sequences]]. In: Douglas W. Cunningham, Donald H. House (Eds.): Workshop on [[Computational Aesthetics 2012]]. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH12/089-097 http://ivizlab.sfu.ca/papers/cae2012.pdf | ||
| − | Gabora, L., [[Steve DiPaola]]: How Did Humans Become So Creative? A Computational Approach. In: Proc. International Conference on Computational Creativity, pp 203-211, 2012. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.388.5479 http://ivizlab.sfu.ca/papers/iccc2012.pdf | + | Gabora, L., [[Steve DiPaola]]: [[How Did Humans Become So Creative? A Computational Approach]]. In: Proc. International Conference on Computational Creativity, pp 203-211, 2012. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.388.5479 http://ivizlab.sfu.ca/papers/iccc2012.pdf |
===2011=== | ===2011=== | ||
* [[Steve DiPaola]] and Nathan Sorenson: [[CGP, Creativity and Art]]. In: Cartesian Genetic Programming, Natural Computing Series, pp. 293-307, Springer, 2011. http://dx.doi.org/10.1007/978-3-642-17310-3_10 http://ivizlab.sfu.ca/papers/cgp2010.pdf | * [[Steve DiPaola]] and Nathan Sorenson: [[CGP, Creativity and Art]]. In: Cartesian Genetic Programming, Natural Computing Series, pp. 293-307, Springer, 2011. http://dx.doi.org/10.1007/978-3-642-17310-3_10 http://ivizlab.sfu.ca/papers/cgp2010.pdf | ||
| − | * [[Steve DiPaola]] Sorenson, N., Pasquier, P.: A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels. Transactions on Computational Intelligence and AI in Games, Vol 3, No 3, pp 229-244, 2011. http://dx.doi.org/10.1109/TCIAIG.2011.2161310 http://ivizlab.sfu.ca/papers/tciaig2011.pdf | + | * [[Steve DiPaola]] Sorenson, N., Pasquier, P.: [[A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels]]. Transactions on Computational Intelligence and AI in Games, Vol 3, No 3, pp 229-244, 2011. http://dx.doi.org/10.1109/TCIAIG.2011.2161310 http://ivizlab.sfu.ca/papers/tciaig2011.pdf |
===2010=== | ===2010=== | ||
| − | * [[Steve DiPaola]], S, Riebe C, Enns J,: Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science. Leonardo, Vol 43, No 3, pp 145-151, 2010. http://dx.doi.org/10.1162/leon.2010.43.2.145 http://ivizlab.sfu.ca/papers/leonardo2009.pdf | + | * [[Steve DiPaola]], S, Riebe C, Enns J,: [[Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science]]. Leonardo, Vol 43, No 3, pp 145-151, 2010. http://dx.doi.org/10.1162/leon.2010.43.2.145 http://ivizlab.sfu.ca/papers/leonardo2009.pdf |
| − | * [[Steve DiPaola]], Dalvandi A, Amini P: Exploring Persian Rug Design Using a Computational Evolutionary Approach. In: Proc. Electronic Visualisation and the Arts, pp. 121-128. British Computer Society. London, 2010. http://dl.acm.org/citation.cfm?id=2227200 http://ivizlab.sfu.ca/papers/eva2010b.pdf | + | * [[Steve DiPaola]], Dalvandi A, Amini P: [[Exploring Persian Rug Design Using a Computational Evolutionary Approach]]. In: Proc. Electronic Visualisation and the Arts, pp. 121-128. British Computer Society. London, 2010. http://dl.acm.org/citation.cfm?id=2227200 http://ivizlab.sfu.ca/papers/eva2010b.pdf |
===2009=== | ===2009=== | ||
* [[Steve DiPaola]], Gabora, L.: [[Incorporating characteristics of human creativity into an evolutionary art algorithm]]. Genetic Programming and Evolvable Machines 10(2), 97–110 (2009). DOI: http://link.springer.com/article/10.1007%2Fs10710-008-9074-x http://arxiv.org/pdf/1001.1401 http://ivizlab.sfu.ca/papers/genprog2009.pdf | * [[Steve DiPaola]], Gabora, L.: [[Incorporating characteristics of human creativity into an evolutionary art algorithm]]. Genetic Programming and Evolvable Machines 10(2), 97–110 (2009). DOI: http://link.springer.com/article/10.1007%2Fs10710-008-9074-x http://arxiv.org/pdf/1001.1401 http://ivizlab.sfu.ca/papers/genprog2009.pdf | ||
| − | * [[Steve DiPaola]]: Following the masters: Viewer gaze is directed by relative detail in painted portraits. In: Riebe C, [[Steve DiPaola]], Enns J,: Abstracts of the Vision Sciences Society, 9th Annual Meeting, #144, May, 2009. http://www2.psych.ubc.ca/~ennslab/Vision_Lab/Research_files/Riebe%20et%20al.%202009%20Following%20the%20masters-%20Viewer%20gaze%20is%20directed%20by%20relative%20detail%20in%20painted%20portraits_1.pdf | + | * [[Steve DiPaola]]: [[Following the masters: Viewer gaze is directed by relative detail in painted portraits]]. In: Riebe C, [[Steve DiPaola]], Enns J,: Abstracts of the Vision Sciences Society, 9th Annual Meeting, #144, May, 2009. http://www2.psych.ubc.ca/~ennslab/Vision_Lab/Research_files/Riebe%20et%20al.%202009%20Following%20the%20masters-%20Viewer%20gaze%20is%20directed%20by%20relative%20detail%20in%20painted%20portraits_1.pdf |
| − | * [[Steve DiPaola]]: Exploring a Parameterized Portrait Painting Space. Intl Journal of Art and Technology, Vol 2, No 1-2, pp 82-93, 2009. http://dx.doi.org/10.1504/IJART.2009.024059 http://ivizlab.sfu.ca/papers/ijat2009.pdf | + | * [[Steve DiPaola]]: [[Exploring a Parameterized Portrait Painting Space]]. Intl Journal of Art and Technology, Vol 2, No 1-2, pp 82-93, 2009. http://dx.doi.org/10.1504/IJART.2009.024059 http://ivizlab.sfu.ca/papers/ijat2009.pdf |
| − | [[Steve DiPaola]]: Darwin, Creativity, and Evolutionary Programming. In: 150 Years after Origin: Biological, Historical and Philosophical Perspectives, Proceedings of Canadian Darwin Conference, University of Toronto, 4 pages, 2009. | + | * [[Steve DiPaola]]: Darwin, Creativity, and Evolutionary Programming. In: 150 Years after Origin: Biological, Historical and Philosophical Perspectives, Proceedings of Canadian Darwin Conference, University of Toronto, 4 pages, 2009. |
| − | [[Steve DiPaola]]: Quantifying artist’s use of human vision constructs to influence viewer eye gaze, In: Proc. SPIE Human Vision and Imaging, Int. Society for Optical Engineering, 6 pages, 2009. | + | * [[Steve DiPaola]]: Quantifying artist’s use of human vision constructs to influence viewer eye gaze, In: Proc. SPIE Human Vision and Imaging, Int. Society for Optical Engineering, 6 pages, 2009. |
===2008=== | ===2008=== | ||
| − | [[Steve DiPaola]]: The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv. In: Proc. Electronic Visualisation and the Arts, 8 pages, London, 2008. http://ivizlab.sfu.ca/papers/eva2008.pdf | + | * [[Steve DiPaola]]: [[The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv]]. In: Proc. Electronic Visualisation and the Arts, 8 pages, London, 2008. http://ivizlab.sfu.ca/papers/eva2008.pdf |
| − | [[Steve DiPaola]]: Darwin’s Enduring Legacy – Images of computational evolution of creativity research. The Journal Nature, Selected by the Nature editors to accompany this essay (Commissioned, not peer reviewed). Vol 451, pp 632-633, Feb, 2008. http://ivizlab.sfu.ca/papers/nature2008.pdf | + | * [[Steve DiPaola]]: [[Darwin’s Enduring Legacy – Images of computational evolution of creativity research]]. The Journal Nature, Selected by the Nature editors to accompany this essay (Commissioned, not peer reviewed). Vol 451, pp 632-633, Feb, 2008. http://ivizlab.sfu.ca/papers/nature2008.pdf |
| − | [[Steve DiPaola]]: Computationally Rendered Painterly Portrait Spaces. Artciencia: Art & Science Journal, Vol 4, No 9, pp 1-8, October-January, 2008. http://summit.sfu.ca/system/files/iritems1/604/dipaola-computationallyrendered.pdf | + | * [[Steve DiPaola]]: [[Computationally Rendered Painterly Portrait Spaces]]. Artciencia: Art & Science Journal, Vol 4, No 9, pp 1-8, October-January, 2008. http://summit.sfu.ca/system/files/iritems1/604/dipaola-computationallyrendered.pdf |
===2007=== | ===2007=== | ||
| − | [[Steve DiPaola]]: A Knowledge Based Approach to Modeling Portrait Painting Methodology. In: Proc. Electronic Visualisation and the Arts, 10 pages, London, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.86.2686 http://ivizlab.sfu.ca/media/DiPaola_EVA07.pdf | + | * [[Steve DiPaola]]: [[A Knowledge Based Approach to Modeling Portrait Painting Methodology]]. In: Proc. Electronic Visualisation and the Arts, 10 pages, London, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.86.2686 http://ivizlab.sfu.ca/media/DiPaola_EVA07.pdf |
| − | [[Steve DiPaola]], Gabora L.: [[Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm_2007 | Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm]]. In: GECCO Conf Companion on Genetic and Evolutionary Computation, (London,, July 07 - 11, 2007). GECCO '07, pp 2450-2456., ACM, New York, NY, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.153.1183 http://dx.doi.org/10.1007/s10710-008-9074-x http://www.vub.ac.be/CLEA/liane/papers/gecco07.pdf | + | * [[Steve DiPaola]], Gabora L.: [[Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm_2007 | Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm]]. In: GECCO Conf Companion on Genetic and Evolutionary Computation, (London,, July 07 - 11, 2007). GECCO '07, pp 2450-2456., ACM, New York, NY, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.153.1183 http://dx.doi.org/10.1007/s10710-008-9074-x http://www.vub.ac.be/CLEA/liane/papers/gecco07.pdf |
| − | Arya A, [[Steve DiPaola]]: Face Modeling and Animation Language for MPEG-4 XMT Framework. IEEE Transactions on Multimedia, Vol 9, No 6, pp 1137-1146, 2007. http://dx.doi.org/10.1109/TMM.2007.902862 http://ivizlab.sfu.ca/papers/ieeemm2007.pdf | + | * Arya A, [[Steve DiPaola]]: [[Face Modeling and Animation Language for MPEG-4 XMT Framework]]. IEEE Transactions on Multimedia, Vol 9, No 6, pp 1137-1146, 2007. http://dx.doi.org/10.1109/TMM.2007.902862 http://ivizlab.sfu.ca/papers/ieeemm2007.pdf |
| − | [[Steve DiPaola]]: Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach. In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, Keynote paper. pp 33-43, 2007. DOI: http://dx.doi.org/10.1117/12.706594 http://ivizlab.sfu.ca/papers/spiehvision2007.pdf | + | * [[Steve DiPaola]]: [[Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach]]. In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, Keynote paper. pp 33-43, 2007. DOI: http://dx.doi.org/10.1117/12.706594 http://ivizlab.sfu.ca/papers/spiehvision2007.pdf |
===2006=== | ===2006=== | ||
| − | [[Steve DiPaola]]: Evolving Portrait Painter Programs using Genetic Programming to Explore Computer Creativity. In Proc: iDMAa Conference (Intl Digital Media and Arts Association), 7 pages, 2006. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.152.8968 http://www.units.muohio.edu/codeconference/papers/papers/idmapaper1.pdf | + | * [[Steve DiPaola]]: [[Evolving Portrait Painter Programs using Genetic Programming to Explore Computer Creativity]]. In Proc: iDMAa Conference (Intl Digital Media and Arts Association), 7 pages, 2006. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.152.8968 http://www.units.muohio.edu/codeconference/papers/papers/idmapaper1.pdf |
| − | [[Steve DiPaola]]: Artificial Intelligence Systems in New Media Art and Design. Artciencia: Art & Science Journal, Vol 2, No 4, pp 1-8, August-October, 2006. http://summit.sfu.ca/item/603 http://summit.sfu.ca/system/files/iritems1/603/dipaola-artificialintelligence.pdf | + | * [[Steve DiPaola]]: [[Artificial Intelligence Systems in New Media Art and Design]]. Artciencia: Art & Science Journal, Vol 2, No 4, pp 1-8, August-October, 2006. http://summit.sfu.ca/item/603 http://summit.sfu.ca/system/files/iritems1/603/dipaola-artificialintelligence.pdf |
===2005=== | ===2005=== | ||
| − | [[Steve DiPaola]]: Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness | + | * [[Steve DiPaola]]: [[Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function]]. In Proc: Electronic Visualisation and the Arts, 10 pages, London. July. 2005. http://www.dipaola.org/evolve/darwin/dipaola_eva05.doc |
===2004=== | ===2004=== | ||
| − | [[Steve DiPaola]]: Face, Portrait, Mask - the Virtuality of the Synthetic Face. New Forms Festival Conference, Vancouver Art Gallery, 7 pages, Vancouver, 2004. http://summit.sfu.ca/item/566 http://summit.sfu.ca/system/files/iritems1/566/dipaola-faceportraitmask.pdf | + | * [[Steve DiPaola]]: [[Face, Portrait, Mask - the Virtuality of the Synthetic Face]]. New Forms Festival Conference, Vancouver Art Gallery, 7 pages, Vancouver, 2004. http://summit.sfu.ca/item/566 http://summit.sfu.ca/system/files/iritems1/566/dipaola-faceportraitmask.pdf |
===2002=== | ===2002=== | ||
| − | [[Steve DiPaola]]: Investigating Face Space | + | * [[Steve DiPaola]]: [[Investigating Face Space]]. In ACM SIGGRAPH 2002 Conference Abstracts and Applications, (San Antonio, Texas, July 21 - 26, 2002). SIGGRAPH '02. ACM, New York, NY, pp 207-207. 2002. http://dx.doi.org/10.1145/1242073.1242220 http://www.dipaola.org/facespace/ http://www.dipaola.org/facespace/facespace.pdf |
| − | [[Steve DiPaola]]: FaceSpace: A Facial Spatial-Domain Toolkit. In Proc: IEEE Information Visualization, London, pp 105-109, 2002. http://dx.doi.org/10.1109/IV.2002.1028763 | + | * [[Steve DiPaola]]: [[FaceSpace: A Facial Spatial-Domain Toolkit]]. In Proc: IEEE Information Visualization, London, pp 105-109, 2002. http://dx.doi.org/10.1109/IV.2002.1028763 |
===1991=== | ===1991=== | ||
| − | [[Steve DiPaola]]: Extending the Range of Facial Types. IEEE Journal of Visualization and Computer Animation, Vol 2, No 4, pp 129-131, 1991. http://summit.sfu.ca/system/files/iritems1/50/dipaola-extendingtherange_rev.pdf | + | * [[Steve DiPaola]]: [[Extending the Range of Facial Types]]. IEEE Journal of Visualization and Computer Animation, Vol 2, No 4, pp 129-131, 1991. http://summit.sfu.ca/system/files/iritems1/50/dipaola-extendingtherange_rev.pdf |
Version vom 19. Januar 2015, 18:13 Uhr
Inhaltsverzeichnis
Person
Steve DiPaola ist ein Kognitionswissenschaftler, Künstler und Wissenschaftler mit den Forschungsschwerpunkten Künstlische Intelligenz, Interaktion und Computergrafik. Er ist Direktor des Kognitionswissenschaftlichen Programmes an der Simon Fraser University (Vancouver, Canada) und Associate Professor an der School of Interactive Arts and Technology, einer interdisziplinären Forschungs- und Ausbildungseinrichtung für computerunterstützte Kunst und Wissenschaft.
Wissenschaftliche Tätigkeit
Künstlerische Tätigkeit
Publikationen
2013
- Steve DiPaola: Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space. In: Electronic Visualisation in Arts and Culture, Bowen, Keene, Ng, (Eds), pp 213-227, Springer, 2013. http://ivizlab.sfu.ca/papers/evabook2013.pdf
- Steve DiPaola, McCaig R., Carson K., Salevati S., & Sorenson N.: Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition. In: Proc. International Conference on Computational Creativity, pp 40-4, 2013. http://ivizlab.sfu.ca/papers/iccc2013.pdf
- Choi S. K., Steve DiPaola: How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity. In: Proc. Electronic Visualisation and the Arts, pp. 127-134. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013b.pdf
- Steve DiPaola, Smith A.: Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica. In: Proc: Electronic Visualisation and the Arts, pp. 25-31. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013a.pdf
2012
- Hasti Seifi, Steve DiPaola, James T. Enns: Exploring the Effect of Color Palette in Painterly Rendered Character Sequences. In: Douglas W. Cunningham, Donald H. House (Eds.): Workshop on Computational Aesthetics 2012. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH12/089-097 http://ivizlab.sfu.ca/papers/cae2012.pdf
Gabora, L., Steve DiPaola: How Did Humans Become So Creative? A Computational Approach. In: Proc. International Conference on Computational Creativity, pp 203-211, 2012. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.388.5479 http://ivizlab.sfu.ca/papers/iccc2012.pdf
2011
- Steve DiPaola and Nathan Sorenson: CGP, Creativity and Art. In: Cartesian Genetic Programming, Natural Computing Series, pp. 293-307, Springer, 2011. http://dx.doi.org/10.1007/978-3-642-17310-3_10 http://ivizlab.sfu.ca/papers/cgp2010.pdf
- Steve DiPaola Sorenson, N., Pasquier, P.: A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels. Transactions on Computational Intelligence and AI in Games, Vol 3, No 3, pp 229-244, 2011. http://dx.doi.org/10.1109/TCIAIG.2011.2161310 http://ivizlab.sfu.ca/papers/tciaig2011.pdf
2010
- Steve DiPaola, S, Riebe C, Enns J,: Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science. Leonardo, Vol 43, No 3, pp 145-151, 2010. http://dx.doi.org/10.1162/leon.2010.43.2.145 http://ivizlab.sfu.ca/papers/leonardo2009.pdf
- Steve DiPaola, Dalvandi A, Amini P: Exploring Persian Rug Design Using a Computational Evolutionary Approach. In: Proc. Electronic Visualisation and the Arts, pp. 121-128. British Computer Society. London, 2010. http://dl.acm.org/citation.cfm?id=2227200 http://ivizlab.sfu.ca/papers/eva2010b.pdf
2009
- Steve DiPaola, Gabora, L.: Incorporating characteristics of human creativity into an evolutionary art algorithm. Genetic Programming and Evolvable Machines 10(2), 97–110 (2009). DOI: http://link.springer.com/article/10.1007%2Fs10710-008-9074-x http://arxiv.org/pdf/1001.1401 http://ivizlab.sfu.ca/papers/genprog2009.pdf
- Steve DiPaola: Following the masters: Viewer gaze is directed by relative detail in painted portraits. In: Riebe C, Steve DiPaola, Enns J,: Abstracts of the Vision Sciences Society, 9th Annual Meeting, #144, May, 2009. http://www2.psych.ubc.ca/~ennslab/Vision_Lab/Research_files/Riebe%20et%20al.%202009%20Following%20the%20masters-%20Viewer%20gaze%20is%20directed%20by%20relative%20detail%20in%20painted%20portraits_1.pdf
- Steve DiPaola: Exploring a Parameterized Portrait Painting Space. Intl Journal of Art and Technology, Vol 2, No 1-2, pp 82-93, 2009. http://dx.doi.org/10.1504/IJART.2009.024059 http://ivizlab.sfu.ca/papers/ijat2009.pdf
- Steve DiPaola: Darwin, Creativity, and Evolutionary Programming. In: 150 Years after Origin: Biological, Historical and Philosophical Perspectives, Proceedings of Canadian Darwin Conference, University of Toronto, 4 pages, 2009.
- Steve DiPaola: Quantifying artist’s use of human vision constructs to influence viewer eye gaze, In: Proc. SPIE Human Vision and Imaging, Int. Society for Optical Engineering, 6 pages, 2009.
2008
- Steve DiPaola: The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv. In: Proc. Electronic Visualisation and the Arts, 8 pages, London, 2008. http://ivizlab.sfu.ca/papers/eva2008.pdf
- Steve DiPaola: Darwin’s Enduring Legacy – Images of computational evolution of creativity research. The Journal Nature, Selected by the Nature editors to accompany this essay (Commissioned, not peer reviewed). Vol 451, pp 632-633, Feb, 2008. http://ivizlab.sfu.ca/papers/nature2008.pdf
- Steve DiPaola: Computationally Rendered Painterly Portrait Spaces. Artciencia: Art & Science Journal, Vol 4, No 9, pp 1-8, October-January, 2008. http://summit.sfu.ca/system/files/iritems1/604/dipaola-computationallyrendered.pdf
2007
- Steve DiPaola: A Knowledge Based Approach to Modeling Portrait Painting Methodology. In: Proc. Electronic Visualisation and the Arts, 10 pages, London, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.86.2686 http://ivizlab.sfu.ca/media/DiPaola_EVA07.pdf
- Steve DiPaola, Gabora L.: Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm. In: GECCO Conf Companion on Genetic and Evolutionary Computation, (London,, July 07 - 11, 2007). GECCO '07, pp 2450-2456., ACM, New York, NY, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.153.1183 http://dx.doi.org/10.1007/s10710-008-9074-x http://www.vub.ac.be/CLEA/liane/papers/gecco07.pdf
- Arya A, Steve DiPaola: Face Modeling and Animation Language for MPEG-4 XMT Framework. IEEE Transactions on Multimedia, Vol 9, No 6, pp 1137-1146, 2007. http://dx.doi.org/10.1109/TMM.2007.902862 http://ivizlab.sfu.ca/papers/ieeemm2007.pdf
- Steve DiPaola: Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach. In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, Keynote paper. pp 33-43, 2007. DOI: http://dx.doi.org/10.1117/12.706594 http://ivizlab.sfu.ca/papers/spiehvision2007.pdf
2006
- Steve DiPaola: Evolving Portrait Painter Programs using Genetic Programming to Explore Computer Creativity. In Proc: iDMAa Conference (Intl Digital Media and Arts Association), 7 pages, 2006. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.152.8968 http://www.units.muohio.edu/codeconference/papers/papers/idmapaper1.pdf
- Steve DiPaola: Artificial Intelligence Systems in New Media Art and Design. Artciencia: Art & Science Journal, Vol 2, No 4, pp 1-8, August-October, 2006. http://summit.sfu.ca/item/603 http://summit.sfu.ca/system/files/iritems1/603/dipaola-artificialintelligence.pdf
2005
- Steve DiPaola: Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function. In Proc: Electronic Visualisation and the Arts, 10 pages, London. July. 2005. http://www.dipaola.org/evolve/darwin/dipaola_eva05.doc
2004
- Steve DiPaola: Face, Portrait, Mask - the Virtuality of the Synthetic Face. New Forms Festival Conference, Vancouver Art Gallery, 7 pages, Vancouver, 2004. http://summit.sfu.ca/item/566 http://summit.sfu.ca/system/files/iritems1/566/dipaola-faceportraitmask.pdf
2002
- Steve DiPaola: Investigating Face Space. In ACM SIGGRAPH 2002 Conference Abstracts and Applications, (San Antonio, Texas, July 21 - 26, 2002). SIGGRAPH '02. ACM, New York, NY, pp 207-207. 2002. http://dx.doi.org/10.1145/1242073.1242220 http://www.dipaola.org/facespace/ http://www.dipaola.org/facespace/facespace.pdf
- Steve DiPaola: FaceSpace: A Facial Spatial-Domain Toolkit. In Proc: IEEE Information Visualization, London, pp 105-109, 2002. http://dx.doi.org/10.1109/IV.2002.1028763
1991
- Steve DiPaola: Extending the Range of Facial Types. IEEE Journal of Visualization and Computer Animation, Vol 2, No 4, pp 129-131, 1991. http://summit.sfu.ca/system/files/iritems1/50/dipaola-extendingtherange_rev.pdf
Externe Links
http://www.dipaola.org/ homepage
http://www.dipaola.org/work.php?category=publications
sdipaola ät sfu.ca
http://www.dipaola.org/contact.php#Email
https://www.researchgate.net/profile/Steve_Dipaola
Mitglied der Masterminds of Evolutionary Art
