Steve DiPaola: Unterschied zwischen den Versionen

Aus de_evolutionary_art_org
Wechseln zu: Navigation, Suche
(Person)
 
Zeile 16: Zeile 16:
 
* Choi S. K., [[Steve DiPaola]]: [[How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity]]. In: Proc. Electronic Visualisation and the Arts, pp. 127-134. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013b.pdf (c&p problems)
 
* Choi S. K., [[Steve DiPaola]]: [[How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity]]. In: Proc. Electronic Visualisation and the Arts, pp. 127-134. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013b.pdf (c&p problems)
  
* [[Steve DiPaola]], Smith A.: [[Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica]]. In: Proc: Electronic Visualisation and the Arts, pp. 25-31. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013a.pdf
+
* [[Steve DiPaola]], Smith A.: [[Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica]]. In: Proc. Electronic Visualisation and the Arts, pp. 25-31. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013a.pdf
  
 
===2012===
 
===2012===
Zeile 56: Zeile 56:
 
* [[Steve DiPaola]], Gabora L.: [[Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm_2007 | Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm]]. In: GECCO Conf Companion on Genetic and Evolutionary Computation, (London,, July 07 - 11, 2007). GECCO '07, pp 2450-2456., ACM, New York, NY, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.153.1183 http://dx.doi.org/10.1007/s10710-008-9074-x http://www.vub.ac.be/CLEA/liane/papers/gecco07.pdf (c&p problems in references)
 
* [[Steve DiPaola]], Gabora L.: [[Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm_2007 | Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm]]. In: GECCO Conf Companion on Genetic and Evolutionary Computation, (London,, July 07 - 11, 2007). GECCO '07, pp 2450-2456., ACM, New York, NY, 2007. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.153.1183 http://dx.doi.org/10.1007/s10710-008-9074-x http://www.vub.ac.be/CLEA/liane/papers/gecco07.pdf (c&p problems in references)
  
* Arya A, [[Steve DiPaola]]: [[Face Modeling and Animation Language for MPEG-4 XMT Framework]]. IEEE Transactions on Multimedia, Vol 9, No 6, pp 1137-1146, 2007. http://dx.doi.org/10.1109/TMM.2007.902862 http://ivizlab.sfu.ca/papers/ieeemm2007.pdf
+
* Arya A., [[Steve DiPaola]]: [[Face Modeling and Animation Language for MPEG-4 XMT Framework]]. IEEE Transactions on Multimedia, Vol 9, No 6, pp 1137-1146, 2007. http://dx.doi.org/10.1109/TMM.2007.902862 http://ivizlab.sfu.ca/papers/ieeemm2007.pdf
  
 
* [[Steve DiPaola]]: [[Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach]]. In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, Keynote paper. pp 33-43, 2007. DOI: http://dx.doi.org/10.1117/12.706594  http://ivizlab.sfu.ca/papers/spiehvision2007.pdf
 
* [[Steve DiPaola]]: [[Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach]]. In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, Keynote paper. pp 33-43, 2007. DOI: http://dx.doi.org/10.1117/12.706594  http://ivizlab.sfu.ca/papers/spiehvision2007.pdf
Zeile 66: Zeile 66:
  
 
===2005===
 
===2005===
* [[Steve DiPaola]]: [[Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function]]. In Proc: Electronic Visualisation and the Arts, 10 pages, London. July. 2005. http://www.dipaola.org/evolve/darwin/dipaola_eva05.doc
+
* [[Steve DiPaola]]: [[Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function]]. In: Proc. Electronic Visualisation and the Arts, 10 pages, London. July. 2005. http://www.dipaola.org/evolve/darwin/dipaola_eva05.doc
  
 
===2004===
 
===2004===
Zeile 74: Zeile 74:
 
* [[Steve DiPaola]]: [[Investigating Face Space]]. In ACM SIGGRAPH 2002 Conference Abstracts and Applications, (San Antonio, Texas, July 21 - 26, 2002). SIGGRAPH '02. ACM, New York, NY, pp 207-207. 2002. http://dx.doi.org/10.1145/1242073.1242220 http://www.dipaola.org/facespace/ http://www.dipaola.org/facespace/facespace.pdf
 
* [[Steve DiPaola]]: [[Investigating Face Space]]. In ACM SIGGRAPH 2002 Conference Abstracts and Applications, (San Antonio, Texas, July 21 - 26, 2002). SIGGRAPH '02. ACM, New York, NY, pp 207-207. 2002. http://dx.doi.org/10.1145/1242073.1242220 http://www.dipaola.org/facespace/ http://www.dipaola.org/facespace/facespace.pdf
  
* [[Steve DiPaola]]: [[FaceSpace: A Facial Spatial-Domain Toolkit]]. In Proc: IEEE Information Visualization, London, pp 105-109, 2002. http://dx.doi.org/10.1109/IV.2002.1028763 no references
+
* [[Steve DiPaola]]: [[FaceSpace: A Facial Spatial-Domain Toolkit]]. In: Proc. IEEE Information Visualization, London, pp 105-109, 2002. http://dx.doi.org/10.1109/IV.2002.1028763 no references
  
 
===1991===
 
===1991===

Aktuelle Version vom 20. Januar 2015, 17:29 Uhr

zurück zur Liste der Personen

Person

Steve DiPaola ist ein Kognitionswissenschaftler, Künstler und Computerwissenschaftler mit den Forschungsschwerpunkten Künstlische Intelligenz, Interaktion und Computergrafik. Er ist Direktor des Kognitionswissenschaftlichen Programmes an der Simon Fraser University (Vancouver, Canada) und Associate Professor an der School of Interactive Arts and Technology, einer interdisziplinären Forschungs- und Ausbildungseinrichtung für computerunterstützte Kunst und Wissenschaft.

Wissenschaftliche Tätigkeit

Künstlerische Tätigkeit

Publikationen

2013

2012

2011

2010

2009

Steve DiPaola: Following the masters: Viewer gaze is directed by relative detail in painted portraits. In: Riebe C, Steve DiPaola, Enns J,: Abstracts of the Vision Sciences Society, 9th Annual Meeting, #144, May, 2009. http://www2.psych.ubc.ca/~ennslab/Vision_Lab/Research_files/Riebe%20et%20al.%202009%20Following%20the%20masters-%20Viewer%20gaze%20is%20directed%20by%20relative%20detail%20in%20painted%20portraits_1.pdf one page ppt

Steve DiPaola: Darwin, Creativity, and Evolutionary Programming. In: 150 Years after Origin: Biological, Historical and Philosophical Perspectives, Proceedings of Canadian Darwin Conference, University of Toronto, 4 pages, 2009.

Steve DiPaola: Quantifying artist’s use of human vision constructs to influence viewer eye gaze, In: Proc. SPIE Human Vision and Imaging, Int. Society for Optical Engineering, 6 pages, 2009.

2008

Steve DiPaola: Computationally Rendered Painterly Portrait Spaces. Artciencia: Art & Science Journal, Vol 4, No 9, pp 1-8, October-January, 2008. http://summit.sfu.ca/system/files/iritems1/604/dipaola-computationallyrendered.pdf no references

Kevin Padian: Darwin’s Enduring Legacy – Images of computational evolution of creativity research. The Journal Nature, Selected by the Nature editors to accompany this essay (Commissioned, not peer reviewed). Vol 451, pp 632-633, Feb, 2008. http://ivizlab.sfu.ca/papers/nature2008.pdf

2007

2006

Steve DiPaola: Artificial Intelligence Systems in New Media Art and Design. Artciencia: Art & Science Journal, Vol 2, No 4, pp 1-8, August-October, 2006. http://summit.sfu.ca/item/603 http://summit.sfu.ca/system/files/iritems1/603/dipaola-artificialintelligence.pdf no references

2005

2004

2002

1991


Externe Links

http://www.dipaola.org/ homepage

http://www.dipaola.org/work.php?category=publications

sdipaola ät sfu.ca

http://www.dipaola.org/contact.php#Email

https://www.researchgate.net/profile/Steve_Dipaola

Mitglied der Masterminds of Evolutionary Art


zurück zur Liste der Personen