The artist’s intentions and genetic coding in algorithmically generated drawings
Inhaltsverzeichnis
Reference
Dehlinger, H.E. (1998). The artist’s intentions and genetic coding in algorithmically generated drawings. In: Proceedings of Generative Art 1998. Milan, Italy.
DOI
Abstract
Art-work, based on line drawings, is challenging for a number of reasons. It is a very much reduced art form relying on and exploiting the calligraphic qualities of lines only. It is more related to writing than to painting and it has a transient element in it, which is attributed to the movements of the pen equipped hand. With the aid of compu- ter programs line drawings can be produced, exhibiting very specific qualities. In asking what a single line is composed of, we may draw analogies to genetic coding and gene- rate variations within a population of lines belonging to the same family. An artist can cast his intentions into the definition of such a genetic code and the drawings produced accordingly will populate a specific domain of the universe of machine generated drawings.
Extended Abstract
Bibtex
Used References
[1] Goldberg, D. E., Genetic Algorithms in Search Optimization and Machine Learning, Addison-Wesley, 1989.
[2] Blobel, W., Schneider, W., „Computerkunst 86“ p. 19, Staedtische Galerie im Rathauspark, Catlalog of Exhibition Stadt Gladbeck, Germany, ISBN3-923815-10-7
[3] http://www.uni-kassel.de/~dehl-www/LVEinf/Morphologien.html 404
[4] Reiling, Patricia, The Cognitive Line in Russian Avant-Garde Art, Leonardo, Journal of the International Society for the Arts, Sciences and Technology, Vol. 31, No. 1, p. 67-83, MIT-Press, 1998
[5] Schneider, W., Computerkunst 88, Museum der Stadt Gladbeck, ISBN 3-923815-15-8
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[7] “WY4”, Contribution “DADA/DATA”, Developing Medias Sience 1970, Fine Arts Gallery of University of Maryland, Baltimore County, 1991, ISBN 0-9624565-1-9
[8] “Bildnerische Experimente mit der geplotteten Linie” in: Bauer, Dehlinger, Mathias; “Desi- gn, Kunst, Computer: Computer in den künstlerischen Bereichen”, Verlag Jenior und Preßler, Kassel, Okt. 1991, ISBN 3-928172-07-7
[9] Dehlinger, H.; Qi, Dongxu “Art Experiments and Mathematical Explorations into the Universe of Machine Generated Drawings”, Proceedings of the International Conference on Electronic Arts, Chicago, ISEA 1997 (in print)
[10] “Junge Digitale Bilderkunst”, Katalog zur Ausstellung, Kulturamt der Stadt Leverkusen, November 1995
Links
Full Text
http://www.generativeart.com/on/cic/ga98/book/4.pdf
