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  1. A model of co-evolutionary design‏‎ (11:10, 14. Nov. 2014)
  2. Aesthetic experience and human evolution‏‎ (14:01, 14. Nov. 2014)
  3. Fractals and Self-Similarity‏‎ (14:03, 14. Nov. 2014)
  4. Emergence as a Construct: History and Issues‏‎ (14:10, 14. Nov. 2014)
  5. The science of art: a neurological theory of aesthetic experience‏‎ (14:15, 14. Nov. 2014)
  6. Fractal analysis of Pollock’s drip paintings‏‎ (14:19, 14. Nov. 2014)
  7. Information Distance‏‎ (15:19, 14. Nov. 2014)
  8. Tom Ray’s hammer: emergence and excess in A-life art‏‎ (15:21, 14. Nov. 2014)
  9. A Review of the Fractal Image Coding Literature‏‎ (17:43, 14. Nov. 2014)
  10. Explaining emergence: Towards an ontology of levels‏‎ (17:54, 14. Nov. 2014)
  11. No Free Lunch Theorems for Optimization‏‎ (18:24, 14. Nov. 2014)
  12. No free lunch theorems for search‏‎ (18:33, 14. Nov. 2014)
  13. Quantifying aesthetic preference for chaotic patterns‏‎ (11:57, 15. Nov. 2014)
  14. Creativity, emergence and evolution in design‏‎ (12:10, 15. Nov. 2014)
  15. Fractal analysis and aesthetic evaluation of geometrically overlapping patterns‏‎ (12:12, 15. Nov. 2014)
  16. The further exploits of Aaron, painter‏‎ (13:22, 15. Nov. 2014)
  17. What is complexity?‏‎ (13:25, 15. Nov. 2014)
  18. Mixed IFS: resolution of the inverse problem using genetic programming‏‎ (13:31, 15. Nov. 2014)
  19. Towards automated artificial evolution for computer-generated images‏‎ (13:38, 15. Nov. 2014)
  20. Automatic generation of iterated function systems‏‎ (13:45, 15. Nov. 2014)
  21. Is beauty in the eye of the beholder?‏‎ (13:48, 15. Nov. 2014)
  22. Interactive Evolution of Equations for Procedural Models‏‎ (13:51, 15. Nov. 2014)
  23. Automatic generation of strange attractors‏‎ (13:54, 15. Nov. 2014)
  24. Image Coding Based on a Fractal Theory of Iterated Contractive Image Transformations‏‎ (13:59, 15. Nov. 2014)
  25. Amplitude spectra of natural images‏‎ (14:05, 15. Nov. 2014)
  26. Almost automatic computer painting‏‎ (14:07, 15. Nov. 2014)
  27. Habitat selection as an evolutionary game‏‎ (14:12, 15. Nov. 2014)
  28. Co-evolving parasites improves simulated evolution as an optimization procedur‏‎ (14:17, 15. Nov. 2014)
  29. Transformations of De Stijl art: the paintings of Georges Vantongerloo and Fritz Glarner‏‎ (14:22, 15. Nov. 2014)
  30. Low-dimensional procedure for the characterization of human faces‏‎ (14:28, 15. Nov. 2014)
  31. The illusion of beauty‏‎ (14:31, 15. Nov. 2014)
  32. The empirical determination of an aesthetic formula‏‎ (14:32, 15. Nov. 2014)
  33. The Criteria used in Preferential Judgments of Geometrical Forms‏‎ (14:33, 15. Nov. 2014)
  34. Further Evidence Regarding Preferential Judgment of Polygonal Forms‏‎ (14:35, 15. Nov. 2014)
  35. A bona fide ethological view of art: The artification hypothesis‏‎ (18:28, 15. Nov. 2014)
  36. Genetic Programming for Non-Photorealistic Rendering‏‎ (18:47, 15. Nov. 2014)
  37. Interactive Evolutionary Computation by Duplication and Diversification of L-Systems‏‎ (18:57, 15. Nov. 2014)
  38. Autonomous Evolutionary Art‏‎ (19:29, 15. Nov. 2014)
  39. Illustrating Evolutionary Computation with Mathematica‏‎ (11:51, 16. Nov. 2014)
  40. Curious Design Agents and Artificial Creativity‏‎ (12:14, 16. Nov. 2014)
  41. Learning Aesthetic Measure of a Document Page Layout From Designers’ Interaction‏‎ (12:21, 16. Nov. 2014)
  42. Evolution of Supershapes for the Generation of Three-Dimensional Designs‏‎ (13:11, 16. Nov. 2014)
  43. Exploring promising stepping stones by combining novelty search with interactive evolution‏‎ (14:43, 16. Nov. 2014)
  44. Life as Evolving Software‏‎ (11:52, 17. Nov. 2014)
  45. A mathematical theory of evolutionand biological creativity‏‎ (12:13, 17. Nov. 2014)
  46. Semiotic machine‏‎ (12:34, 17. Nov. 2014)
  47. What is a Picture?: Depiction, Realism, Abstraction‏‎ (12:39, 17. Nov. 2014)
  48. Evolutionary Art Using Summed Multi-objective Ranks‏‎ (14:22, 17. Nov. 2014)
  49. The Art of Self-Assembly: the Self-Assembly of Art‏‎ (14:37, 17. Nov. 2014)
  50. The arts are more than aesthetics: Neuroaesthetics as narrow aesthetics‏‎ (14:44, 17. Nov. 2014)

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