Generative Art 2000

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Reference

DOI

Abstract

Extended Abstract

Reviews

Bibtex

Table of contents

• Celestino Soddu: From Forming to Transforming. In: Generative Art 2000. http://www.generativeart.com/on/cic/abst2000/soddu/soddu.htm

• Hans Dehlinger: Experimental Search for Order in the Code of Generated Drawings. In: Generative Art 2000. http://www.generativeart.com/on/cic/abst2000/abst100.htm

• Howard Riley: Algorithms of the Mind. The generative art of drawing. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/RILEY.HTM

• Andreas Lund: Evolving the Shape of Things to Come: A Comparison of Direct Manipulation and Interactive Evolutionary Design. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/lund.htm

• Enrica Colabella: Mater Matuta. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/colabella.htm

• Jan Kubasiewicz: InfoGEOMETRY. Conceptual Prototype for Navigating InfoSPACE. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/INFOGEOMETRYABSTRACT.HTM

• Kenneth E. Rinaldo: Autopoiesis. In: Generative Art 2000. http://www.generativeart.com/on/cic/abst2000/abst65.htm

• Paul Coates, Pablo Miranda: Swarm modelling. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/CARRANZA_COATES.HTM

• Alexander Koutamanis: Redirecting design generation in architecture. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/KOUTAMANIS_GA_2000.HTM

Matthew Lewis: Aesthetic Evolutionary Design with Data Flow Networks. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/MATTLEWIS.HTM

• Artemis Moroni, F. Von Zuben, J. Manzolli: ArTbitrariness in Music. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/MORONI.HTM

• Aaron Wolf Baum, Generative Interactive Music. no link

• Gabriel Maldonado: Travels in Space and Time, Explorations of Virtual SoundScapes, Multi-dimensionalism of Digital Music. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/MALDONADO.HTM

Philip Galanter: GA2: a Programming Environment for Abstract Generative Fine Art. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/PHILIP_GALANTER.HTM

• Mauro Annunziato: Artificial Worlds, Virtual Generations. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/ANNUNZIATO.HTM

• Kevin McGuire: Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/MCGUIRE.HTM

• Roel Daru, Eric Vreedenburgh: Architectural Innovation as an evolutionary process. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/DARU1.HTM

• Christian Derix, Robert Thum: Artificial Neural Network Spaces. In: Generative Art 2000. http://www.generativeart.com/on/cic/abst2000/abst76.pdf

• Alex McLean, Adrian Ward, Geoff Cox: The aesthetics of generative code. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/ADEWARD.HTM

• Quinsan Ciao: 45 PM Session 8 • Hearing Architectural Design: Simulation and Auralization for Generating Better Acoustic Spaces. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/CIAO.HTM

• Cristiano Ceccato: On the Translation of Design Data into Design Form in Evolutionary Design. In: Generative Art 2000. http://www.generativeart.com/on/cic/abst2000/abst99.htm

• Matteo Codignola: Generative Recognizable Codes from Gaudi'. In: Generative Art 2000. http://www.generativeart.com/on/cic/abst2000/abst95.htm

• Maya Kagawa, Marcello Pinzero: Teaching Generative Design Approaches . In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/ka-pi.htm

• John Eacott: Generative music composition in practice - a critical evaluation. In: Generative Art 2000. http://www.generativeart.com/on/cic/abst2000/abst83.htm

• Nao Tokui and Hitoshi Iba: Music Composition with Interactive Evolutionary Computation. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/ga2000-tokui.htm

• PierPaolo Brotzu: A Generative Approach to Variations in Production Processes. In: Generative Art 2000. http://www.generativeart.com/on/cic/abst2000/abst68.htm

• Paolo Ferrara and Gabriele Foglia: TEAnO or the computer assisted generation of manufactured aesthetic goods seen as a constrained flux of technological unconsciousness. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/TEANO.HTM

• Andrea Chiodi, Marco M. Vernillo: Deep architectures and exterior communication in Generative Art. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/CHIODI2.HTM

• Owen F. Ransen: Possible Futures in Computer Art Generation. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/OWEN.HTM

• E. Bilotta, P. Pantano and V. Talarico: Music Generation through Cellular Automata. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/BILOTTAPANTANOTALARICO.HTM

• J. Kabala, C. Conrado, K. van Overveld: Communicative Profiles.Generative Art Applied in Information Access Interfaces. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/KABALA.HTM

• Marianne Selsjord no link


Performances

• Tim Didymus, Emilia Telese • Marianne Selsjord • Douglas Repetto • Luca Tanzini (http://www.generativeart.com/on/cic/abst2000/abst67.htm)


Posters, Artworks and Installations

Robert J. Krawczyk, Antonio Pozzi, Alessandra Venino, Emilia Castellani, Francesco Deriu, Yoshiyuki Abe, Matjaz Hmeljak, Jean-Pierre Hebert, Francesco Martin, A. Spizzichino, Kenneth E. Rinaldo.

Links

Full Text

[extern file]

intern file

Sonstige Links

http://www.generativeart.com/on/cic/GA2000.htm