Philip Galanter: Unterschied zwischen den Versionen
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[[Personen_zur_Evolution%C3%A4ren_Kunst | zurück zur Liste der Personen]] | [[Personen_zur_Evolution%C3%A4ren_Kunst | zurück zur Liste der Personen]] | ||
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== Person == | == Person == | ||
| + | Philip Galanter ist ein US amerikanischer Künstler mit dem Schwerpunkt Generative Kunst und ein Universitätsdozent in Generativer Kunst und Physical Computing an der [http://de.wikipedia.org/wiki/Texas_A%26M_University Texas A&M University]. | ||
== Wissenschaftliche Tätigkeit == | == Wissenschaftliche Tätigkeit == | ||
| + | Die wissenschaftlichen Arbeiten von Philip Galanter beschäftigen sich mit Generativer Kunst, Kunsttheorie und Komplexitätswissenschaft (Complexity Science). Seine akademische Ausbildung umfasst einen Batchler in Philosophie an der Eastern Illinois University 1976 und einen Master in Visual Arts 1999. | ||
== Künstlerische Tätigkeit == | == Künstlerische Tätigkeit == | ||
| + | Die künstlerischen Arbeiten von Philip Galanter umfassen das Design generativer Hardware Systeme, Sound Art und Musik, Installationen, digitale Fine Art Drucke und Tranzparentdrucke (light-box transparencies). Seine Arbeiten wurden in den USA, Kanada, den Niederlanden und Peru gezeigt. Als Kurator war er 2002 und 2003 an der Ausstellung ArtBots in New York City beteiligt und an COMPLEXITY, der ersten gößeren Kunstausstellung, die sich auf komplexe Systeme und Emergenz fokussierte. | ||
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== Publikationen == | == Publikationen == | ||
===2014=== | ===2014=== | ||
===2013=== | ===2013=== | ||
| + | * [[Philip Galanter]]: [[Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation]]. Proceedings of the IEEE VIS Arts Program (VISAP), IEEE, 2013. http://philipgalanter.com/downloads/ieee_vis_2013_galanter_xepa.pdf | ||
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| + | * [[Philip Galanter]]: [[Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music]]. In: Proceeding of the fifteenth annual conference companion on Genetic and evolutionary computation conference companion GECCO 2013, 1005-1038. http://philipgalanter.com/downloads/gecco_2013_with_notes.pdf | ||
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===2012=== | ===2012=== | ||
| + | * Harold Cohen, Frieder Nake, David C. Brown, Paul Brown, [[Philip Galanter]], [[Jon McCormack]] …: [[Evaluation of Creative Aesthetics]]. In: McCormack & d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 95-111 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_4 | ||
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| + | * [[Philip Galanter]]: [[Computational Aesthetic Evaluation: Past and Future]]. In: McCormack & d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 255-293 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_10 http://philipgalanter.com/downloads/galanter_computational_aesthetic_evaluation_springer.pdf | ||
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| + | * [[Philip Galanter]]: [[Generative Art after Computers + artwork: TSP Analytics: solver]]. [[Generative Art 2012]], 271-282. http://www.generativeart.com/GA2012/phil.pdf http://www.generativeart.com/GA2012/z-phil.pdf | ||
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| + | * [[Philip Galanter]]: Computational Aesthetic Evaluation: Steps Towards Machine Creativity. In: ACM SIGGRAPH 2012 Courses. http://philipgalanter.com/downloads/galanter_computational_aesthetic_evaluation_siggraph_2012.pdf | ||
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===2011=== | ===2011=== | ||
| − | + | * [[Philip Galanter]]: [[The Evolution of Style and Gigantism]]. In: New Media Art. http://philipgalanter.com/downloads/ga2011_evolution_of_style_and_gigantism_in_new_media_art.pdf | |
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| − | + | * [[Philip Galanter]]: [[Shot by Both Sides: Art-Science And The War Between Science And The Humanities]]. In: the Artnodes Journal of Art, Science, and Technology 2011/11 16 (http://artnodes.uoc.edu/). http://philipgalanter.com/downloads/galanter_artnodes_shot_by_both_sides.pdf | |
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| − | + | ===2010=== | |
| + | * [[Philip Galanter | Galanter, Philip]]: [[The Problem with Evolutionary Art Is]]. In: EvoMUSART 2010, 321-330. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_33 http://philipgalanter.com/downloads/evostar2010%20-%20galanter%20-%20the%20problem%20with%20evo%20art.pdf | ||
| − | + | * [[Philip Galanter]]: [[Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation]]. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/2010_31.pdf | |
| − | + | ===2009=== | |
| + | * [[Philip Galanter]]: [[Truth to Process – Evolutionary Art and the Aesthetics of Dynamism]]. In: [[Generative Art 2009]]. http://www.generativeart.com/on/cic/GA2009Papers/p20.pdf | ||
| − | + | * [[Philip Galanter]]: Thoughts on Computational Creativity Position. In: Schloss Dagstuhl seminar Computational Creativity 2009 http://www.dagstuhl.de/09291 http://philipgalanter.com/downloads/schloss%20dagstuhl%20position%20paper.pdf | |
| − | + | ===2008=== | |
| + | * Galanter, P.: [[What is Complexism? Generative Art and the Cultures of Science and the Humanities]]. In: [[Generative Art 2008]]. http://www.generativeart.com/on/cic/papersga2008/13.pdf | ||
| − | + | ===2007=== | |
| + | * [[Philip Galanter]]: [[Complexism and the Role of Evolutionary Art]]. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, 311-332. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_15 http://www.philipgalanter.com/downloads/complexism_chapter.pdf | ||
| − | + | [[Philip Galanter]]: [[Complexism and the Role of Evolutionary Art]]. In: Romero, Juan; Machado, Penousal: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, S. 311-332. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_15 | |
| − | + | ===2006=== | |
| + | * [[Philip Galanter]]: Generative Art And Rules-Based Art Originally. In: in Vague Terrain (http://vagueterrain.net/) http://philipgalanter.com/downloads/vague_terrain_2006.pdf | ||
| − | What is | + | ===2004=== |
| + | * [[Philip Galanter]]: [[What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity]]. In: [[Generative Art 2004]]. http://www.generativeart.com/on/cic/papersGA2004/34.htm | ||
| − | What is | + | ===2003=== |
| + | * [[Philip Galanter]]: [[What is generative art? complexity theory as a context for art theory]]. In: [[Generative Art 2003]]. http://citeseer.uark.edu:8380/citeseerx/viewdoc/summary;jsessionid=B267893AA43EFABD967145A05F4FAAF4?doi=10.1.1.90.2634 http://www.philipgalanter.com/downloads/ga2003_paper.pdf | ||
| − | + | * [[Philip Galanter]], Ellen K Levy: Complexity. In: Leonardo 2003/1 259-267. | |
| − | + | ===2002=== | |
| + | * [[Philip Galanter]]: [[Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies]]. In: PhysicaPlus Complexity and Philosophy Workshop 2002/7 (http://physicaplus.org.il/) http://philipgalanter.com/downloads/physicaplus.pdf | ||
| − | + | ===2001=== | |
| + | * [[Philip Galanter]]: [[Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students]]. In: [[Generative Art 2001]]. http://www.generativeart.com/on/cic/ga2001_PDF/galanter.pdf | ||
| − | + | ===2000=== | |
| − | + | * [[Philip Galanter]]: [[GA2: a Programming Environment for Abstract Generative Fine Art]]. In: [[Generative Art 2000]]. http://www.generativeart.com/on/cic/2000/PHILIP_GALANTER.HTM | |
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Version vom 6. Januar 2015, 14:31 Uhr
Inhaltsverzeichnis
Person
Philip Galanter ist ein US amerikanischer Künstler mit dem Schwerpunkt Generative Kunst und ein Universitätsdozent in Generativer Kunst und Physical Computing an der Texas A&M University.
Wissenschaftliche Tätigkeit
Die wissenschaftlichen Arbeiten von Philip Galanter beschäftigen sich mit Generativer Kunst, Kunsttheorie und Komplexitätswissenschaft (Complexity Science). Seine akademische Ausbildung umfasst einen Batchler in Philosophie an der Eastern Illinois University 1976 und einen Master in Visual Arts 1999.
Künstlerische Tätigkeit
Die künstlerischen Arbeiten von Philip Galanter umfassen das Design generativer Hardware Systeme, Sound Art und Musik, Installationen, digitale Fine Art Drucke und Tranzparentdrucke (light-box transparencies). Seine Arbeiten wurden in den USA, Kanada, den Niederlanden und Peru gezeigt. Als Kurator war er 2002 und 2003 an der Ausstellung ArtBots in New York City beteiligt und an COMPLEXITY, der ersten gößeren Kunstausstellung, die sich auf komplexe Systeme und Emergenz fokussierte.
Publikationen
2014
2013
- Philip Galanter: Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation. Proceedings of the IEEE VIS Arts Program (VISAP), IEEE, 2013. http://philipgalanter.com/downloads/ieee_vis_2013_galanter_xepa.pdf
- Philip Galanter: Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music. In: Proceeding of the fifteenth annual conference companion on Genetic and evolutionary computation conference companion GECCO 2013, 1005-1038. http://philipgalanter.com/downloads/gecco_2013_with_notes.pdf
2012
- Harold Cohen, Frieder Nake, David C. Brown, Paul Brown, Philip Galanter, Jon McCormack …: Evaluation of Creative Aesthetics. In: McCormack & d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 95-111 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_4
- Philip Galanter: Computational Aesthetic Evaluation: Past and Future. In: McCormack & d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 255-293 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_10 http://philipgalanter.com/downloads/galanter_computational_aesthetic_evaluation_springer.pdf
- Philip Galanter: Generative Art after Computers + artwork: TSP Analytics: solver. Generative Art 2012, 271-282. http://www.generativeart.com/GA2012/phil.pdf http://www.generativeart.com/GA2012/z-phil.pdf
- Philip Galanter: Computational Aesthetic Evaluation: Steps Towards Machine Creativity. In: ACM SIGGRAPH 2012 Courses. http://philipgalanter.com/downloads/galanter_computational_aesthetic_evaluation_siggraph_2012.pdf
2011
- Philip Galanter: The Evolution of Style and Gigantism. In: New Media Art. http://philipgalanter.com/downloads/ga2011_evolution_of_style_and_gigantism_in_new_media_art.pdf
- Philip Galanter: Shot by Both Sides: Art-Science And The War Between Science And The Humanities. In: the Artnodes Journal of Art, Science, and Technology 2011/11 16 (http://artnodes.uoc.edu/). http://philipgalanter.com/downloads/galanter_artnodes_shot_by_both_sides.pdf
2010
- Galanter, Philip: The Problem with Evolutionary Art Is. In: EvoMUSART 2010, 321-330. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_33 http://philipgalanter.com/downloads/evostar2010%20-%20galanter%20-%20the%20problem%20with%20evo%20art.pdf
- Philip Galanter: Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation. In: Generative Art 2010. http://www.generativeart.com/on/cic/GA2010/2010_31.pdf
2009
- Philip Galanter: Truth to Process – Evolutionary Art and the Aesthetics of Dynamism. In: Generative Art 2009. http://www.generativeart.com/on/cic/GA2009Papers/p20.pdf
- Philip Galanter: Thoughts on Computational Creativity Position. In: Schloss Dagstuhl seminar Computational Creativity 2009 http://www.dagstuhl.de/09291 http://philipgalanter.com/downloads/schloss%20dagstuhl%20position%20paper.pdf
2008
- Galanter, P.: What is Complexism? Generative Art and the Cultures of Science and the Humanities. In: Generative Art 2008. http://www.generativeart.com/on/cic/papersga2008/13.pdf
2007
- Philip Galanter: Complexism and the Role of Evolutionary Art. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, 311-332. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_15 http://www.philipgalanter.com/downloads/complexism_chapter.pdf
Philip Galanter: Complexism and the Role of Evolutionary Art. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Springer, Berlin, 2007, S. 311-332. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_15
2006
- Philip Galanter: Generative Art And Rules-Based Art Originally. In: in Vague Terrain (http://vagueterrain.net/) http://philipgalanter.com/downloads/vague_terrain_2006.pdf
2004
- Philip Galanter: What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity. In: Generative Art 2004. http://www.generativeart.com/on/cic/papersGA2004/34.htm
2003
- Philip Galanter: What is generative art? complexity theory as a context for art theory. In: Generative Art 2003. http://citeseer.uark.edu:8380/citeseerx/viewdoc/summary;jsessionid=B267893AA43EFABD967145A05F4FAAF4?doi=10.1.1.90.2634 http://www.philipgalanter.com/downloads/ga2003_paper.pdf
- Philip Galanter, Ellen K Levy: Complexity. In: Leonardo 2003/1 259-267.
2002
- Philip Galanter: Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies. In: PhysicaPlus Complexity and Philosophy Workshop 2002/7 (http://physicaplus.org.il/) http://philipgalanter.com/downloads/physicaplus.pdf
2001
- Philip Galanter: Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students. In: Generative Art 2001. http://www.generativeart.com/on/cic/ga2001_PDF/galanter.pdf
2000
- Philip Galanter: GA2: a Programming Environment for Abstract Generative Fine Art. In: Generative Art 2000. http://www.generativeart.com/on/cic/2000/PHILIP_GALANTER.HTM
Externe Links
web ät philipgalanter punkt com
