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- Music by Interaction among Two Flocking Species and Human (2 Links)
- Driven by Compression Progress: A Simple Principle Explains Essential Aspects of Subjective Beauty, Novelty, Surprise, Interestingness, Attention, Curiosity, Creativity, Art, Science, Music, Jokes (2 Links)
- Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines (2 Links)
- John Mount (2 Links)
- Swarm Painting Atelier (2 Links)
- Artistic Stylization of Images and Video (2 Links)
- Echo (2 Links)
- No Free Lunch in the Search for Creativity (2 Links)
- Swarmic Sketches and Attention Mechanism (2 Links)
- Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test (2 Links)
- Reduced Human Fatigue Interactive Evolutionary Computation for Micromachine Design (2 Links)
- Keith Wiley (2 Links)
- Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric (2 Links)
- Abstract Art by Shape Classification (2 Links)
- Knowledge-Level Creativity in Game Design (2 Links)
- Automated collage generation — with intent (2 Links)
- Higher-Order Functions in Aesthetic EC Encodings (2 Links)
- Fitness and Novelty in Evolutionary Art (2 Links)
- Computer-aided aesthetic evaluation of visual patterns (2 Links)
- How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity (2 Links)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (2 Links)
- Label Ranking Algorithms: A Survey (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Hybrid Biological-Digital Systems in Artistic and Entertainment Computing (2 Links)
- Learning Comparative User Models for Accelerating Human-Computer Collaborative Search (2 Links)
- The ABCs of evolutionary design: Investigating the evolvability of embryogenies for morphogenesis (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Scott Neil-Teilly (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Fractal geometry describes the beauty of infinity in nature (2 Links)
- Line-Based Rendering with Truchet-Like Tiles (2 Links)
- Organized order in ornamentation (2 Links)
- Frayed Cell Diagrams (2 Links)
- Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- Evolutionary Computation and Image Re-Coloring (2 Links)
- P4m Reference Implementation (2 Links)
- The Escher evolver: evolution to the people (2 Links)
- From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation (2 Links)
- Painterly rendering using image salience (2 Links)
- The FloWr Online Platform: Automated Programming and Computational Creativity as a Service (2 Links)
- Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Man + Robots: Symbiotic Art (2 Links)
- Creative Ecosystems 2009 (2 Links)
- Generating 3D Scenes in the style of Keith Haring (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- Mapped Pictures: Aesthetic Image Annotations (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- Evolutionary design using grammatical evolution and shape grammars: Designing a shelter (2 Links)
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