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- SVM-based Sketch Recognition: Which Hyperparameter Interval to Try (2 Links)
- Evolutionary Art Using Summed Multi-objective Ranks (2 Links)
- The Art of Self-Assembly: the Self-Assemby of Art (2 Links)
- Curious agents and situated design evaluations (2 Links)
- Importance-Driven Focus of Attention (2 Links)
- What makes patterns interesting in knowledge discovery systems (2 Links)
- The Creative Mind: Myths and Mechanisms Dagstuhl (2 Links)
- Search Strategies and the Creative Process (2 Links)
- Improvisational Media Space: Architecture and Strategies for Evolution (2 Links)
- Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All? (2 Links)
- The Emergence of Social Learning in Artificial Societies (2 Links)
- A user-oriented image retrieval system based on interactive genetic algorithm (2 Links)
- Induction Design: A Method for Evolutionary Design (2 Links)
- Organized order in ornamentation (2 Links)
- Choice-Based Conjoint Analysis: Classification vs. Discrete Choice Models (2 Links)
- The Evolving Role of the Artist (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Data-Driven Iconification (2 Links)
- P4m Reference Implementation (2 Links)
- Ästhetik (2 Links)
- Automated recoloring of evolved designs using evolved palettes (2 Links)
- Measuring Creativity In Software Development (2 Links)
- Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture (2 Links)
- Painterly rendering using image salience (2 Links)
- Co-creating game content using an adaptive model of user taste (2 Links)
- The Markov Pen: Online Synthesis of Free-Hand Drawing Styles (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Collaborative Preference Learning (2 Links)
- The Painting Fool in New Dimensions (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- Detecting people in cubist art (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music (2 Links)
- Interactive evolutionary computation for analyzing human characteristics (2 Links)
- The Virtual Ecosystem as Generative Electronic Art (2 Links)
- Digital Face Beautification (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- Interior Illumination Design Using Genetic Programming (2 Links)
- The case for a mixed-initiative collaborative neuroevolution approach (2 Links)
- Evolving Line Drawings (2 Links)
- Bernd Lintermann (2 Links)
- Morgan McGuire (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Investigating Aesthetic Features to Model Human Preference in Evolutionary Art (2 Links)
- Computational Aesthetic Evaluation: Steps Towards Machine Creativity (2 Links)
- Drawing as transformation: From Primary Geometry to Secondary Geometry (2 Links)
- Stepping stones in the mist (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
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