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- Evolutionary automated recognition and characterization of an individual's artistic style (2 Links)
- SVM-based Sketch Recognition: Which Hyperparameter Interval to Try (2 Links)
- Co-Regularized Least-Squares for Label Ranking (2 Links)
- Improving Pareto optimal designs using genetic algorithms (2 Links)
- Collaborative Filtering of Color Aesthetics (2 Links)
- Search Strategies and the Creative Process (2 Links)
- Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All? (2 Links)
- Why Simulate? Hybrid Biological-Digital Games (2 Links)
- Organic visualisation of high-dimensional objects: exploration of a world of forms based on heart transform (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Digital Face Beautification (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- P4m Reference Implementation (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Painterly rendering using image salience (2 Links)
- Evolving Line Drawings (2 Links)
- Computational Aesthetic Evaluation: Steps Towards Machine Creativity (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Michael Witbrock (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Drawing as transformation: From Primary Geometry to Secondary Geometry (2 Links)
- Interactive evolution of images (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Exploring Evolutionary Possibilities for Digital Doilies (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Computer-Kreativität (2 Links)
- Exploring component-based representations - the secret of creativity by evolution? (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- Stepping stones in the mist (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Computer Software for Measuring Creative Search (2 Links)
- Extending grammatical evolution to evolve digital surfaces with genr8 (2 Links)
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