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- Identity SA 1.6 – An artistic software that produces a deformed audio-visual reflection based on a visually interactive swarm (2 Links)
- Non-Realistic 3D Object Stylization (2 Links)
- Chris Coyne (2 Links)
- Image Filter Design with Interactive Evolutionary Computation (2 Links)
- Database Design for Represent Genetic Information and Environment Impression in Architectural Design (2 Links)
- Decision Chain Encoding: Evolutionary Design Optimization with Complex Constraints (2 Links)
- A Digital Prototyping System for Designing Novel 3D Geometries (2 Links)
- Gegenständliche Kunst (2 Links)
- Teaching Evolutionary Design Systems by Extending Context Free (2 Links)
- Evolutionary automated recognition and characterization of an individual's artistic style (2 Links)
- Dependent Creativity: A Domain Independent Metric for the Assessment of Creative Artifacts (2 Links)
- A Fully Automatic Evolutionary Art (2 Links)
- Texture-Aware ASCII Art Synthesis with Proportional Fonts (2 Links)
- Visual sensitivity analysis of parametric design models: improving agility in design (2 Links)
- Design of Composite Image Filters Using Interactive Genetic Programming (2 Links)
- SEURAT: robotic painter (2 Links)
- A Lamarckian Evolution Strategy for Genetic Algorithms (2 Links)
- On the Impact of Chat Communication on Computer-Supported Idea Generation Processes (2 Links)
- Man + Robots: Symbiotic Art (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Mapped Pictures: Aesthetic Image Annotations (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Improving the ranking quality of medical image retrieval using a genetic feature selection method (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Evolving Line Drawings (2 Links)
- Architectural Innovation as an evolutionary process (2 Links)
- Informational Aesthetics Measures (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Semantic Operators for Evolutionary Art (2 Links)
- A Turing Test for Generative Art (2 Links)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (2 Links)
- Artificial Creative Systems: Completing the Creative Cycle (2 Links)
- Interactive Evolutionary CAD System for MEMS Layout Synthesis (2 Links)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (2 Links)
- A comparative study of texture measures with classification based on feature distributions (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- Artificial Neural Network Spaces (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Passive Solar Building Design Using Genetic Programming TR (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Exploring Evolutionary Possibilities for Digital Doilies (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
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