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- Is beauty in the eye of the beholder? (11:48, 15. Nov. 2014)
- Interactive Evolution of Equations for Procedural Models (11:51, 15. Nov. 2014)
- Automatic generation of strange attractors (11:54, 15. Nov. 2014)
- Image Coding Based on a Fractal Theory of Iterated Contractive Image Transformations (11:59, 15. Nov. 2014)
- Amplitude spectra of natural images (12:05, 15. Nov. 2014)
- Almost automatic computer painting (12:07, 15. Nov. 2014)
- Habitat selection as an evolutionary game (12:12, 15. Nov. 2014)
- Co-evolving parasites improves simulated evolution as an optimization procedur (12:17, 15. Nov. 2014)
- Transformations of De Stijl art: the paintings of Georges Vantongerloo and Fritz Glarner (12:22, 15. Nov. 2014)
- Low-dimensional procedure for the characterization of human faces (12:28, 15. Nov. 2014)
- The illusion of beauty (12:31, 15. Nov. 2014)
- The empirical determination of an aesthetic formula (12:32, 15. Nov. 2014)
- The Criteria used in Preferential Judgments of Geometrical Forms (12:33, 15. Nov. 2014)
- Further Evidence Regarding Preferential Judgment of Polygonal Forms (12:35, 15. Nov. 2014)
- A bona fide ethological view of art: The artification hypothesis (16:28, 15. Nov. 2014)
- Genetic Programming for Non-Photorealistic Rendering (16:47, 15. Nov. 2014)
- Interactive Evolutionary Computation by Duplication and Diversification of L-Systems (16:57, 15. Nov. 2014)
- Autonomous Evolutionary Art (17:29, 15. Nov. 2014)
- Illustrating Evolutionary Computation with Mathematica (09:51, 16. Nov. 2014)
- Curious Design Agents and Artificial Creativity (10:14, 16. Nov. 2014)
- Learning Aesthetic Measure of a Document Page Layout From Designers’ Interaction (10:21, 16. Nov. 2014)
- Evolution of Supershapes for the Generation of Three-Dimensional Designs (11:11, 16. Nov. 2014)
- Exploring promising stepping stones by combining novelty search with interactive evolution (12:43, 16. Nov. 2014)
- Life as Evolving Software (09:52, 17. Nov. 2014)
- A mathematical theory of evolutionand biological creativity (10:13, 17. Nov. 2014)
- Semiotic machine (10:34, 17. Nov. 2014)
- What is a Picture?: Depiction, Realism, Abstraction (10:39, 17. Nov. 2014)
- Evolutionary Art Using Summed Multi-objective Ranks (12:22, 17. Nov. 2014)
- The Art of Self-Assembly: the Self-Assembly of Art (12:37, 17. Nov. 2014)
- The arts are more than aesthetics: Neuroaesthetics as narrow aesthetics (12:44, 17. Nov. 2014)
- Driving the Creative Machine (12:47, 17. Nov. 2014)
- THE ARTS AFTER DARWIN: DOES ART HAVE AN ORIGIN AND ADAPTIVE FUNCTION? (12:59, 17. Nov. 2014)
- Swarm Grammars: Modeling Computational Development through Highly Dynamic Complex Processes (13:40, 17. Nov. 2014)
- Tilings and Patterns (13:50, 17. Nov. 2014)
- An Introduction To Kolmogorov Complexity and its Applications (14:02, 17. Nov. 2014)
- ZUR UNIVERSALEN SCHÄTZUNG DES SCHÖNEN (14:07, 17. Nov. 2014)
- BEYOND THE BILATERAL - SYMMETRY IN TWO-DIMENSIONAL DESIGN (18:04, 17. Nov. 2014)
- THE CONCEPT OF EMERGENCE IN GENERATIVE ART (18:17, 17. Nov. 2014)
- COMPLEXITY AND AESTHETIC PREFERENCE FOR DIVERSE VISUAL STIMULI (18:37, 17. Nov. 2014)
- Swarm paintings – nonhuman art (18:42, 17. Nov. 2014)
- Nature Inspired Creative Design – Bringing Together Ideas from Nature (18:48, 17. Nov. 2014)
- Kreativität durch Zufall. Das große Vorbild der Evolution und einige künstlerische Parallelen (18:54, 17. Nov. 2014)
- What symmetry groups are present in the Alhambra? (18:59, 17. Nov. 2014)
- AARON, Colorist: from Expert System to Expert (19:03, 17. Nov. 2014)
- Elements about the Emergence Issue: A survey of emergence definitions (10:31, 18. Nov. 2014)
- Image segmentation for stylized non-photorealistic rendering and animation (10:39, 18. Nov. 2014)
- On Canonical Substitution Tilings (11:21, 18. Nov. 2014)
- CREATIVITY IN A NUTSHELL (11:25, 18. Nov. 2014)
- The Creative Mind: Myths and Mechanisms (11:35, 18. Nov. 2014)
- Higher Level Techniques for the Artistic Rendering of Images and Video (11:59, 18. Nov. 2014)
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