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- Is beauty in the eye of the beholder? (13:48, 15. Nov. 2014)
- Interactive Evolution of Equations for Procedural Models (13:51, 15. Nov. 2014)
- Automatic generation of strange attractors (13:54, 15. Nov. 2014)
- Image Coding Based on a Fractal Theory of Iterated Contractive Image Transformations (13:59, 15. Nov. 2014)
- Amplitude spectra of natural images (14:05, 15. Nov. 2014)
- Almost automatic computer painting (14:07, 15. Nov. 2014)
- Habitat selection as an evolutionary game (14:12, 15. Nov. 2014)
- Co-evolving parasites improves simulated evolution as an optimization procedur (14:17, 15. Nov. 2014)
- Transformations of De Stijl art: the paintings of Georges Vantongerloo and Fritz Glarner (14:22, 15. Nov. 2014)
- Low-dimensional procedure for the characterization of human faces (14:28, 15. Nov. 2014)
- The illusion of beauty (14:31, 15. Nov. 2014)
- The empirical determination of an aesthetic formula (14:32, 15. Nov. 2014)
- The Criteria used in Preferential Judgments of Geometrical Forms (14:33, 15. Nov. 2014)
- Further Evidence Regarding Preferential Judgment of Polygonal Forms (14:35, 15. Nov. 2014)
- A bona fide ethological view of art: The artification hypothesis (18:28, 15. Nov. 2014)
- Genetic Programming for Non-Photorealistic Rendering (18:47, 15. Nov. 2014)
- Interactive Evolutionary Computation by Duplication and Diversification of L-Systems (18:57, 15. Nov. 2014)
- Autonomous Evolutionary Art (19:29, 15. Nov. 2014)
- Illustrating Evolutionary Computation with Mathematica (11:51, 16. Nov. 2014)
- Curious Design Agents and Artificial Creativity (12:14, 16. Nov. 2014)
- Learning Aesthetic Measure of a Document Page Layout From Designers’ Interaction (12:21, 16. Nov. 2014)
- Evolution of Supershapes for the Generation of Three-Dimensional Designs (13:11, 16. Nov. 2014)
- Exploring promising stepping stones by combining novelty search with interactive evolution (14:43, 16. Nov. 2014)
- Life as Evolving Software (11:52, 17. Nov. 2014)
- A mathematical theory of evolutionand biological creativity (12:13, 17. Nov. 2014)
- Semiotic machine (12:34, 17. Nov. 2014)
- What is a Picture?: Depiction, Realism, Abstraction (12:39, 17. Nov. 2014)
- Evolutionary Art Using Summed Multi-objective Ranks (14:22, 17. Nov. 2014)
- The Art of Self-Assembly: the Self-Assembly of Art (14:37, 17. Nov. 2014)
- The arts are more than aesthetics: Neuroaesthetics as narrow aesthetics (14:44, 17. Nov. 2014)
- Driving the Creative Machine (14:47, 17. Nov. 2014)
- THE ARTS AFTER DARWIN: DOES ART HAVE AN ORIGIN AND ADAPTIVE FUNCTION? (14:59, 17. Nov. 2014)
- Swarm Grammars: Modeling Computational Development through Highly Dynamic Complex Processes (15:40, 17. Nov. 2014)
- Tilings and Patterns (15:50, 17. Nov. 2014)
- An Introduction To Kolmogorov Complexity and its Applications (16:02, 17. Nov. 2014)
- ZUR UNIVERSALEN SCHÄTZUNG DES SCHÖNEN (16:07, 17. Nov. 2014)
- BEYOND THE BILATERAL - SYMMETRY IN TWO-DIMENSIONAL DESIGN (20:04, 17. Nov. 2014)
- THE CONCEPT OF EMERGENCE IN GENERATIVE ART (20:17, 17. Nov. 2014)
- COMPLEXITY AND AESTHETIC PREFERENCE FOR DIVERSE VISUAL STIMULI (20:37, 17. Nov. 2014)
- Swarm paintings – nonhuman art (20:42, 17. Nov. 2014)
- Nature Inspired Creative Design – Bringing Together Ideas from Nature (20:48, 17. Nov. 2014)
- Kreativität durch Zufall. Das große Vorbild der Evolution und einige künstlerische Parallelen (20:54, 17. Nov. 2014)
- What symmetry groups are present in the Alhambra? (20:59, 17. Nov. 2014)
- AARON, Colorist: from Expert System to Expert (21:03, 17. Nov. 2014)
- Elements about the Emergence Issue: A survey of emergence definitions (12:31, 18. Nov. 2014)
- Image segmentation for stylized non-photorealistic rendering and animation (12:39, 18. Nov. 2014)
- On Canonical Substitution Tilings (13:21, 18. Nov. 2014)
- CREATIVITY IN A NUTSHELL (13:25, 18. Nov. 2014)
- The Creative Mind: Myths and Mechanisms (13:35, 18. Nov. 2014)
- Higher Level Techniques for the Artistic Rendering of Images and Video (13:59, 18. Nov. 2014)
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