Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 351 bis 400 angezeigt.
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
- Inference and Design in Kuba and Zillij Art with Shape Grammars (3 Links)
- Genetic Paint: A Search for Salient Paintings (3 Links)
- Contrast Brushes: Interactive Image Enhancement by Direct Manipulation (3 Links)
- Thomas Mitchell (3 Links)
- Stipple Placement using Distance in a Weighted Graph (3 Links)
- Expressions, Assemblages and Grammars (3 Links)
- Procedural Generation of Surface Detail for Science Fiction Spaceships (3 Links)
- Morphable guidelines for the human head (3 Links)
- Cycles - Blending Natural and Artificial Properties in a Generative Artwork (3 Links)
- Changjun Hu (3 Links)
- Truth to Process – Evolutionary Art and the Aesthetics of Dynamism (3 Links)
- Ramakrishnan Mukundan (3 Links)
- New Methods to Project Panoramas for Practical and Aesthetic Purposes (3 Links)
- Mutator: a subjective human interface for evolution of computer sculptures (3 Links)
- Co-evolutionary Methods in Evolutionary Art (3 Links)
- Julian Togelius (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Target Curves for Pick-up, Carry, and Drop Mobile Automata (3 Links)
- Composite Digital Mosaics using Duotone Tiles (3 Links)
- Andrew Bishop (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- What is generative art? complexity theory as a context for art theory (3 Links)
- Leticia Cherchiglia (3 Links)
- Computational Game Creativity (3 Links)
- Generating Knitting Patterns from a Sketch: a CSP Approach (3 Links)
- Zipf’s law, music classification and aesthetics (3 Links)
- Image retrieval using heuristic approach and genetic algorithm (3 Links)
- Artificial life or surreal art? (3 Links)
- Simulating artist and critic dynamics - an agent-based application of an evolutionary art system (3 Links)
- Perceptual and Computational Categories in Art (3 Links)
- In the Eye of the Beholder - Perception of Indeterminate Art (3 Links)
- Mats G. Nordahl (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Thoughts on Computational Creativity Position (3 Links)
- Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis (3 Links)
- Procedural Shading for Architecture: Adoption, Fabrication, and Implications (3 Links)
- Catarina Maçãs (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Random Discrete Colour Sampling (3 Links)
- Jerome Sheahan (3 Links)
- Nicolas Monmarche (3 Links)
- Flattening the Viewable Sphere (3 Links)
- Form Follows Function: Aesthetic Interactive Labels (3 Links)
- Regularity and Randomness in Bridget Riley's early Op Art (3 Links)
- Color dependent computational aesthetics for evolving expressions (3 Links)
- Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design (3 Links)
- An Interface for Fitness Function Design (3 Links)
- Composite diffusion limited aggregation paintings (3 Links)
- On Nonlinear Perspectives in Science, Art and Nature (3 Links)
- Double Meandering Algorithm (3 Links)
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
