Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 351 bis 400 angezeigt.
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
- Thomas Mitchell (3 Links)
- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Double Meandering Algorithm (3 Links)
- Fast Techniques for Mosaic Rendering (3 Links)
- Feature selection based-on genetic algorithm for image annotation (3 Links)
- Straight away on Curved Spaces (3 Links)
- Fitness functions for ant colony paintings (3 Links)
- Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students (3 Links)
- Truth to Process – Evolutionary Art and the Aesthetics of Dynamism (3 Links)
- Evolution and Collective Intelligence of the Electric Sheep (3 Links)
- Nazanin Alsadat Tabatabaei Anaraki (3 Links)
- R. Nabuurs (3 Links)
- How Self-Similar are Artworks at Different Levels of Spatial Resolution? (3 Links)
- New directions for evolving expressions (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Recursive Scene Graphs for Art and Design (3 Links)
- Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection (3 Links)
- Bradley Alexander (3 Links)
- Target Curves for Pick-up, Carry, and Drop Mobile Automata (3 Links)
- Leonardo Vanneschi (3 Links)
- Nuno Duarte (3 Links)
- Richard Watson (3 Links)
- What is generative art? complexity theory as a context for art theory (3 Links)
- Images from Self-Occlusion (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Implicit fitness functions for evolving a drawing robot (3 Links)
- Zipf’s law, music classification and aesthetics (3 Links)
- Christoph Klemmt (3 Links)
- Pannini: A New Projection for Rendering Wide Angle Perspective Images (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design (3 Links)
- Colm O’Riordan (3 Links)
- Andrew Bishop (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Complexism and the Role of Evolutionary Art (3 Links)
- Composition Principles for Quality Depiction and Aesthetics (3 Links)
- Philip F. Hingston (3 Links)
- Thoughts on Computational Creativity Position (3 Links)
- Fast Visualisation and Interactive Design of Deterministic Fractals (3 Links)
- Duotone Surfaces (3 Links)
- Stigmmetry Prints from Patterns of Circles (3 Links)
- Feature selection based on genetic algorithm for CBIR (3 Links)
- Promoting creative design in interactive evolutionary computation (3 Links)
- Artificial life or surreal art? (3 Links)
- Kyrre Glette (3 Links)
- Learning How to Reinterpret Creative Problems (3 Links)
- Evolutionary L-systems (3 Links)
- Relevance feedback based on genetic programming for image retrieval (3 Links)
- Nuno Lourenço (3 Links)
- Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts (3 Links)
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
