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- Stipple Placement using Distance in a Weighted Graph (3 Links)
- Evaluating Visual Aesthetics in Photographic Portraiture (3 Links)
- Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents (3 Links)
- Contrast Brushes: Interactive Image Enhancement by Direct Manipulation (3 Links)
- Toward Auvers Period: Evolution of van Gogh's Style (3 Links)
- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Procedural Shading for Architecture: Adoption, Fabrication, and Implications (3 Links)
- How Did Humans Become So Creative? A Computational Approach (3 Links)
- Ramakrishnan Mukundan (3 Links)
- Swarms on Stage – Swarm Simulations for Dance Performance (3 Links)
- New Methods to Project Panoramas for Practical and Aesthetic Purposes (3 Links)
- Catarina Maçãs (3 Links)
- Symmetry Hybrids (3 Links)
- Using complexity estimates in aesthetic image classification (3 Links)
- Artificial life or surreal art? (3 Links)
- Learning about Shadows from Artists (3 Links)
- Vic Ciesielksi (3 Links)
- Life's What You Make: Niche Construction and Evolutionary Art (3 Links)
- Co-evolutionary Methods in Evolutionary Art (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- Malik Nairat (3 Links)
- The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution (3 Links)
- Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent (3 Links)
- Evolving Pop Art Using Scalable Vector Graphics (3 Links)
- Composite Digital Mosaics using Duotone Tiles (3 Links)
- Zbigniew Michalewicz (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Interactive Evolution of Equations for Procedural Models (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- Computational Game Creativity (3 Links)
- Simulating artist and critic dynamics - an agent-based application of an evolutionary art system (3 Links)
- Miri Weiss Cohen (3 Links)
- Perceptual and Computational Categories in Art (3 Links)
- Interpretation-driven Visual Association (3 Links)
- Graph-based evolutionary art (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- The void series – generative art using regulatory genes (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- Jim Smith (3 Links)
- Andrew Bishop (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Josh Bongard (3 Links)
- Towards automated artificial evolution for computer-generated images (3 Links)
- Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis (3 Links)
- Evolution and Collective Intelligence of the Electric Sheep (3 Links)
- Procedural Texture Evolution Using Multiobjective Optimization (3 Links)
- A SHAPE GRAMMAR MODEL TO GENERATE ISLAMIC GEOMETRIC PATTERN (3 Links)
- How Self-Similar are Artworks at Different Levels of Spatial Resolution? (3 Links)
- Random Discrete Colour Sampling (3 Links)
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