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Unten werden bis zu 50 Ergebnisse im Bereich 351 bis 400 angezeigt.

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  1. Thomas Mitchell‏‎ (3 Links)
  2. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  3. Double Meandering Algorithm‏‎ (3 Links)
  4. Fast Techniques for Mosaic Rendering‏‎ (3 Links)
  5. Feature selection based-on genetic algorithm for image annotation‏‎ (3 Links)
  6. Straight away on Curved Spaces‏‎ (3 Links)
  7. Fitness functions for ant colony paintings‏‎ (3 Links)
  8. Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students‏‎ (3 Links)
  9. Truth to Process – Evolutionary Art and the Aesthetics of Dynamism‏‎ (3 Links)
  10. Evolution and Collective Intelligence of the Electric Sheep‏‎ (3 Links)
  11. Nazanin Alsadat Tabatabaei Anaraki‏‎ (3 Links)
  12. R. Nabuurs‏‎ (3 Links)
  13. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  14. New directions for evolving expressions‏‎ (3 Links)
  15. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  16. Recursive Scene Graphs for Art and Design‏‎ (3 Links)
  17. Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection‏‎ (3 Links)
  18. Bradley Alexander‏‎ (3 Links)
  19. Target Curves for Pick-up, Carry, and Drop Mobile Automata‏‎ (3 Links)
  20. Leonardo Vanneschi‏‎ (3 Links)
  21. Nuno Duarte‏‎ (3 Links)
  22. Richard Watson‏‎ (3 Links)
  23. What is generative art? complexity theory as a context for art theory‏‎ (3 Links)
  24. Images from Self-Occlusion‏‎ (3 Links)
  25. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  26. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  27. Zipf’s law, music classification and aesthetics‏‎ (3 Links)
  28. Christoph Klemmt‏‎ (3 Links)
  29. Pannini: A New Projection for Rendering Wide Angle Perspective Images‏‎ (3 Links)
  30. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  31. Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design‏‎ (3 Links)
  32. Colm O’Riordan‏‎ (3 Links)
  33. Andrew Bishop‏‎ (3 Links)
  34. A Local Search Interface for Interactive Evolutionary Architectural Design‏‎ (3 Links)
  35. Complexism and the Role of Evolutionary Art‏‎ (3 Links)
  36. Composition Principles for Quality Depiction and Aesthetics‏‎ (3 Links)
  37. Philip F. Hingston‏‎ (3 Links)
  38. Thoughts on Computational Creativity Position‏‎ (3 Links)
  39. Fast Visualisation and Interactive Design of Deterministic Fractals‏‎ (3 Links)
  40. Duotone Surfaces‏‎ (3 Links)
  41. Stigmmetry Prints from Patterns of Circles‏‎ (3 Links)
  42. Feature selection based on genetic algorithm for CBIR‏‎ (3 Links)
  43. Promoting creative design in interactive evolutionary computation‏‎ (3 Links)
  44. Artificial life or surreal art?‏‎ (3 Links)
  45. Kyrre Glette‏‎ (3 Links)
  46. Learning How to Reinterpret Creative Problems‏‎ (3 Links)
  47. Evolutionary L-systems‏‎ (3 Links)
  48. Relevance feedback based on genetic programming for image retrieval‏‎ (3 Links)
  49. Nuno Lourenço‏‎ (3 Links)
  50. Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts‏‎ (3 Links)

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