Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 351 bis 400 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition‏‎ (3 Links)
  2. Sebastian Hølt Bak‏‎ (3 Links)
  3. Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students‏‎ (3 Links)
  4. Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings‏‎ (3 Links)
  5. Building The Plotter - an Aesthetic Exploration with Drawing Robots‏‎ (3 Links)
  6. Magnetism and Minimal Surfaces - a Different Tool for Surface Design‏‎ (3 Links)
  7. Evolution and Collective Intelligence of the Electric Sheep‏‎ (3 Links)
  8. Truth to Process – Evolutionary Art and the Aesthetics of Dynamism‏‎ (3 Links)
  9. Celtic Knots Colorization based on Color Harmony Principles‏‎ (3 Links)
  10. Evolutionary Image Synthesis Using a Model of Aesthetics‏‎ (3 Links)
  11. Informational Dialogue with Van Gogh's Paintings‏‎ (3 Links)
  12. David Glowacki‏‎ (3 Links)
  13. Evolutionary Search for the Artistic Rendering of Photographs‏‎ (3 Links)
  14. An Efficient Perception-based Adaptive Color to Gray Transformation‏‎ (3 Links)
  15. Interactive Modeling of Muqarnas‏‎ (3 Links)
  16. Generation and evaluation of artworks‏‎ (3 Links)
  17. Evolutionary pointillist modules: evolving assemblages of 3D objects‏‎ (3 Links)
  18. ColourVis: Exploring Colour Usage in Paintings Over Time‏‎ (3 Links)
  19. Virtual Photograph Based Saliency Analysis of High Dynamic Range Images‏‎ (3 Links)
  20. Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation‏‎ (3 Links)
  21. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  22. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  23. Suggestive Hatching‏‎ (3 Links)
  24. Movie Posters from Video by Example‏‎ (3 Links)
  25. Aneta Neumann‏‎ (3 Links)
  26. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  27. Jane Burry‏‎ (3 Links)
  28. A Painterly Rendering Based on Stroke Profile and Database‏‎ (3 Links)
  29. Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design‏‎ (3 Links)
  30. Zipf’s law, music classification and aesthetics‏‎ (3 Links)
  31. Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design‏‎ (3 Links)
  32. Computer Generated Stereoscopic Artwork‏‎ (3 Links)
  33. Kenneth O. Stanley‏‎ (3 Links)
  34. Eons of genetically evolved algorithmic images‏‎ (3 Links)
  35. Non-stop Evolutionary Art You are Embedded in‏‎ (3 Links)
  36. Revising the evolutionary computation abstraction: minimal criteria novelty search‏‎ (3 Links)
  37. Fast Visualisation and Interactive Design of Deterministic Fractals‏‎ (3 Links)
  38. Feature selection based on genetic algorithm for CBIR‏‎ (3 Links)
  39. Breaking the Pixel Barrier‏‎ (3 Links)
  40. Thoughts on Computational Creativity Position‏‎ (3 Links)
  41. Image Statistics for Clustering Paintings According to their Visual Appearance‏‎ (3 Links)
  42. Adapting models of visual aesthetics for personalized content creation‏‎ (3 Links)
  43. Aesthetic evolutionary design with data flow networks‏‎ (3 Links)
  44. Customizing Aesthetics in Shared Immersive Virtual Environments‏‎ (3 Links)
  45. Partially interactive evolutionary artists‏‎ (3 Links)
  46. Aesthetics in Covariant Image Reconstruction‏‎ (3 Links)
  47. DUOTONE SURFACES: DIVISION OF A CLOSED SURFACE INTO EXACTLY TWO REGIONS‏‎ (3 Links)
  48. Color Search and Replace‏‎ (3 Links)
  49. Target Curves for Pick-up, Carry, and Drop Mobile Automata‏‎ (3 Links)
  50. An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images‏‎ (3 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

Abgerufen von „http://de.evo-art.org/index.php?title=Spezial:Meistverlinkte_Seiten“