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Unten werden bis zu 50 Ergebnisse im Bereich 351 bis 400 angezeigt.
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- Regularity and Randomness in Bridget Riley's early Op Art (3 Links)
- Aidan Breen (3 Links)
- Extracting the Essence from Sets of Images (3 Links)
- Enhancing Perceived Depth in Images Via Artistic Matting (3 Links)
- On Nonlinear Perspectives in Science, Art and Nature (3 Links)
- Computing aesthetics (3 Links)
- Evaluating Visual Aesthetics in Photographic Portraiture (3 Links)
- Sam D. Verkoelen (3 Links)
- An Image Retrieval Method Based on a Genetic Algorithm (3 Links)
- Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents (3 Links)
- Tieta Putri (3 Links)
- Sebastian Hølt Bak (3 Links)
- Tilings of Sequences of Co-evolved Images (3 Links)
- Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings (3 Links)
- Manuel Muehlbauer (3 Links)
- Andy Song (3 Links)
- Anna Ursyn (3 Links)
- Inadvertent - Ars Accidentalis (3 Links)
- A Visual Language for Darwin (3 Links)
- Miri Weiss Cohen (3 Links)
- Interpretation-driven Visual Association (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- Abstract Art from a Model for Cellular Morphogenesis (3 Links)
- Evolving Pop Art Using Scalable Vector Graphics (3 Links)
- Supervised Genetic Search for Parameter Selection in Painterly Rendering (3 Links)
- Jim Smith (3 Links)
- What is Complexism? Generative Art and the Cultures of Science and the Humanities (3 Links)
- Josh Bongard (3 Links)
- Adding Lighting and Viewing Effects to Digital Images (3 Links)
- Aesthetic Appraisal of Art - from Eye Movements to Computers (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- Aesthetic Video Filter Evolution in an Interactive Real-Time Framework (3 Links)
- Computational Color Harmony based on Coloroid System (3 Links)
- Benford's Law for Natural and Synthetic Images (3 Links)
- How Did Humans Become So Creative? A Computational Approach (3 Links)
- Elementary Social Interactions and Their Effects on Creativity: A Computational Simulation (3 Links)
- Non-stop Evolutionary Art You are Embedded in (3 Links)
- Graph-based evolutionary art (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- Revising the evolutionary computation abstraction: minimal criteria novelty search (3 Links)
- Learning about Shadows from Artists (3 Links)
- Life's What You Make: Niche Construction and Evolutionary Art (3 Links)
- Constructing Conceptual Spaces for Novel Associations (3 Links)
- Malik Nairat (3 Links)
- Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent (3 Links)
- Partially interactive evolutionary artists (3 Links)
- Brush Stroke Ordering Techniques for Painterly Rendering (3 Links)
- A Shape Grammar Study: Form Generation with Geometric Islamic Patterns (3 Links)
- Interactive Evolution of Equations for Procedural Models (3 Links)
- ArtiE-Fract: The Artist’s Viewpoint (3 Links)
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