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- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Expressions, Assemblages and Grammars (3 Links)
- Feedback-guided Stroke Placement for a Painting Machine (3 Links)
- Kyrre Glette (3 Links)
- Perceptual and Computational Categories in Art (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection (3 Links)
- Leonardo Vanneschi (3 Links)
- Christoph Klemmt (3 Links)
- Generating Knitting Patterns from a Sketch: a CSP Approach (3 Links)
- Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis (3 Links)
- Colm O’Riordan (3 Links)
- Procedural Shading for Architecture: Adoption, Fabrication, and Implications (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Images from Self-Occlusion (3 Links)
- Implicit fitness functions for evolving a drawing robot (3 Links)
- Complexism and the Role of Evolutionary Art (3 Links)
- Ramakrishnan Mukundan (3 Links)
- New Methods to Project Panoramas for Practical and Aesthetic Purposes (3 Links)
- Composition Principles for Quality Depiction and Aesthetics (3 Links)
- Duotone Surfaces (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Andrew Bishop (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- What is Complexism? Generative Art and the Cultures of Science and the Humanities (3 Links)
- Bradley Alexander (3 Links)
- Artificial life or surreal art? (3 Links)
- Simulating artist and critic dynamics - an agent-based application of an evolutionary art system (3 Links)
- Building The Plotter - an Aesthetic Exploration with Drawing Robots (3 Links)
- Francisco Fernández de Vega (3 Links)
- Learning How to Reinterpret Creative Problems (3 Links)
- Celtic Knots Colorization based on Color Harmony Principles (3 Links)
- Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts (3 Links)
- David Glowacki (3 Links)
- Studying aesthetics in photographic images using a computational approach (3 Links)
- Toward Auvers Period: Evolution of van Gogh's Style (3 Links)
- Power to the critics — A framework for the development of artificial art critics (3 Links)
- Suggestive Hatching (3 Links)
- Generating Op Art Lines (3 Links)
- Magnetism and Minimal Surfaces - a Different Tool for Surface Design (3 Links)
- Procedural Texture Evolution Using Multiobjective Optimization (3 Links)
- ColourVis: Exploring Colour Usage in Paintings Over Time (3 Links)
- Generative Art and Evolutionary Refinement (3 Links)
- Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation (3 Links)
- Random Discrete Colour Sampling (3 Links)
- Informational Dialogue with Van Gogh's Paintings (3 Links)
- Nicolas Monmarche (3 Links)
- Regularity and Randomness in Bridget Riley's early Op Art (3 Links)
- An Interface for Fitness Function Design (3 Links)
- Edward Davies (3 Links)
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