Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 351 bis 400 angezeigt.
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- Ant Paintings using a Multiple Pheromone Model (3 Links)
- The Mutation and growth of Art by Computers (3 Links)
- Cycles - Blending Natural and Artificial Properties in a Generative Artwork (3 Links)
- Changjun Hu (3 Links)
- Evolutionary Image Synthesis Using a Model of Aesthetics (3 Links)
- Evolutionary Search for the Artistic Rendering of Photographs (3 Links)
- Generation and evaluation of artworks (3 Links)
- Evolutionary pointillist modules: evolving assemblages of 3D objects (3 Links)
- Thomas Mitchell (3 Links)
- Determining an Aesthetic Inscribed Curve (3 Links)
- Manuel Muehlbauer (3 Links)
- Stipple Placement using Distance in a Weighted Graph (3 Links)
- Composite Digital Mosaics using Duotone Tiles (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis (3 Links)
- Procedural Shading for Architecture: Adoption, Fabrication, and Implications (3 Links)
- Interactive Evolution of Equations for Procedural Models (3 Links)
- Computational Game Creativity (3 Links)
- Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design (3 Links)
- Ramakrishnan Mukundan (3 Links)
- Miri Weiss Cohen (3 Links)
- New Methods to Project Panoramas for Practical and Aesthetic Purposes (3 Links)
- Interpretation-driven Visual Association (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Target Curves for Pick-up, Carry, and Drop Mobile Automata (3 Links)
- Jim Smith (3 Links)
- Fast Visualisation and Interactive Design of Deterministic Fractals (3 Links)
- Feature selection based on genetic algorithm for CBIR (3 Links)
- Josh Bongard (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- What is generative art? complexity theory as a context for art theory (3 Links)
- How Did Humans Become So Creative? A Computational Approach (3 Links)
- Zipf’s law, music classification and aesthetics (3 Links)
- Andrew Bishop (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Catarina Maçãs (3 Links)
- Learning about Shadows from Artists (3 Links)
- Simulating artist and critic dynamics - an agent-based application of an evolutionary art system (3 Links)
- Life's What You Make: Niche Construction and Evolutionary Art (3 Links)
- Perceptual and Computational Categories in Art (3 Links)
- Co-evolutionary Methods in Evolutionary Art (3 Links)
- Artificial life or surreal art? (3 Links)
- Malik Nairat (3 Links)
- Thoughts on Computational Creativity Position (3 Links)
- Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent (3 Links)
- Tilings of Sequences of Co-evolved Images (3 Links)
- Generative Art after Computers + artwork: TSP Analytics: solver (3 Links)
- Studying aesthetics in photographic images using a computational approach (3 Links)
- Composite diffusion limited aggregation paintings (3 Links)
- Power to the critics — A framework for the development of artificial art critics (3 Links)
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