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Unten werden bis zu 50 Ergebnisse im Bereich 351 bis 400 angezeigt.

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  1. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  2. Expressions, Assemblages and Grammars‏‎ (3 Links)
  3. Feedback-guided Stroke Placement for a Painting Machine‏‎ (3 Links)
  4. Kyrre Glette‏‎ (3 Links)
  5. Perceptual and Computational Categories in Art‏‎ (3 Links)
  6. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  7. Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection‏‎ (3 Links)
  8. Leonardo Vanneschi‏‎ (3 Links)
  9. Christoph Klemmt‏‎ (3 Links)
  10. Generating Knitting Patterns from a Sketch: a CSP Approach‏‎ (3 Links)
  11. Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis‏‎ (3 Links)
  12. Colm O’Riordan‏‎ (3 Links)
  13. Procedural Shading for Architecture: Adoption, Fabrication, and Implications‏‎ (3 Links)
  14. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  15. Images from Self-Occlusion‏‎ (3 Links)
  16. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  17. Complexism and the Role of Evolutionary Art‏‎ (3 Links)
  18. Ramakrishnan Mukundan‏‎ (3 Links)
  19. New Methods to Project Panoramas for Practical and Aesthetic Purposes‏‎ (3 Links)
  20. Composition Principles for Quality Depiction and Aesthetics‏‎ (3 Links)
  21. Duotone Surfaces‏‎ (3 Links)
  22. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  23. Andrew Bishop‏‎ (3 Links)
  24. A Local Search Interface for Interactive Evolutionary Architectural Design‏‎ (3 Links)
  25. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  26. Bradley Alexander‏‎ (3 Links)
  27. Artificial life or surreal art?‏‎ (3 Links)
  28. Simulating artist and critic dynamics - an agent-based application of an evolutionary art system‏‎ (3 Links)
  29. Building The Plotter - an Aesthetic Exploration with Drawing Robots‏‎ (3 Links)
  30. Francisco Fernández de Vega‏‎ (3 Links)
  31. Learning How to Reinterpret Creative Problems‏‎ (3 Links)
  32. Celtic Knots Colorization based on Color Harmony Principles‏‎ (3 Links)
  33. Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts‏‎ (3 Links)
  34. David Glowacki‏‎ (3 Links)
  35. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  36. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (3 Links)
  37. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  38. Suggestive Hatching‏‎ (3 Links)
  39. Generating Op Art Lines‏‎ (3 Links)
  40. Magnetism and Minimal Surfaces - a Different Tool for Surface Design‏‎ (3 Links)
  41. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  42. ColourVis: Exploring Colour Usage in Paintings Over Time‏‎ (3 Links)
  43. Generative Art and Evolutionary Refinement‏‎ (3 Links)
  44. Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation‏‎ (3 Links)
  45. Random Discrete Colour Sampling‏‎ (3 Links)
  46. Informational Dialogue with Van Gogh's Paintings‏‎ (3 Links)
  47. Nicolas Monmarche‏‎ (3 Links)
  48. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (3 Links)
  49. An Interface for Fitness Function Design‏‎ (3 Links)
  50. Edward Davies‏‎ (3 Links)

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