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  1. The Painting Fool in New Dimensions
  2. The Planar Crystallographic Groups Represented at the Alhambra
  3. The Planar Space Groups of Mamluk Patterns
  4. The Problem with Evolutionary Art Is
  5. The Role of Motion Dynamics in Abstract Painting
  6. The Sculpture Manifold: A Band from a Surface, a Surface from a Band
  7. The Similarity Metric
  8. The Social Impact of Self-Regulated Creativity on the Evolution of Simple versus Complex Creative Ideas
  9. The Square, the Circle and the Golden Proportion - A New Class of Geometrical Constructions
  10. The Symmetry of “Circle Limit IV” and Related Patterns
  11. The T. albipennis Sand Painting Artists
  12. The Topkapı Scroll's Thirteen-Pointed Star Polygon Design
  13. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv
  14. The Unique Eleven-Pointed Star Polygon Design of the Topkapı Scroll
  15. The Use of an Aesthetic Measure for the Evolution of Fractal Landscapes
  16. The Vasarely Playhouse: Look and Combine!
  17. The Virtual Ecosystem as Generative Electronic Art
  18. The aMotion Toolkit: Painting with Affective Motion Textures
  19. The aesthetics of emergence: Co-constructed interactions
  20. The alphabet synthesis machine
  21. The application of L-systems and developmental models to computer art, animation, and music synthesis
  22. The artification hypothesis and its relevance to cognitive science
  23. The artist’s intentions and genetic coding in algorithmically generated drawings
  24. The arts are more than aesthetics: Neuroaesthetics as narrow aesthetics
  25. The case for a mixed-initiative collaborative neuroevolution approach
  26. The computer artist and art critic
  27. The contourlet transform: an efficient directional multiresolution image representation
  28. The darwinian structure of the design process
  29. The design of high-level features for photo quality assessment
  30. The emergence and growth of evolutionary art: 1980--1993
  31. The emergence of the representation of style in design
  32. The empirical determination of an aesthetic formula
  33. The further exploits of Aaron, painter
  34. The ghostly imagery of strange attractors
  35. The illusion of beauty
  36. The man behind the curtain: Overcoming skepticism about creative computers
  37. The neural foundations of aesthetic appreciation
  38. The painting fool: Stories from building an automated painter
  39. The quaternion group as a symmetry group
  40. The role of blending in mathematical invention
  41. The science of art: a neurological theory of aesthetic experience
  42. The use of genetic programming for applications in the field of spatial composition
  43. The void series – generative art using regulatory genes
  44. Theory of Complexity
  45. Thesis: Accurate and Discernible Photocollages
  46. Thoughts on Computational Creativity Position
  47. Thoughts on Generative Art
  48. Three-Dimensional and Dynamic Constructions Based on Leonardo Grids
  49. Three Families of Mitered Borromean Ring Sculptures
  50. Three Mathematical Sculptures for the Mathematikon

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