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- The darwinian structure of the design process (22:52, 27. Dez. 2014)
- Experimental Search for Order in the Code of Generated Drawings (10:23, 28. Dez. 2014)
- Generative Art 2000 (10:27, 28. Dez. 2014)
- GA2: a Programming Environment for Abstract Generative Fine Art (10:35, 28. Dez. 2014)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (10:37, 28. Dez. 2014)
- Architectural Innovation as an evolutionary process (10:41, 28. Dez. 2014)
- Artificial Neural Network Spaces (10:44, 28. Dez. 2014)
- On the Translation of Design Data into Design Form in Evolutionary Design (10:46, 28. Dez. 2014)
- Music Composition with Interactive Evolutionary Computation (10:49, 28. Dez. 2014)
- The Authorship of Generative Art (11:10, 28. Dez. 2014)
- Generative Art 1999 (11:11, 28. Dez. 2014)
- The use of genetic programming for applications in the field of spatial composition (11:16, 28. Dez. 2014)
- Complex aesthetic forms that solve mathematical and cognitive problems (11:20, 28. Dez. 2014)
- Arties: Meta-Design as Evolving Colonies of Artistic Agents (11:24, 28. Dez. 2014)
- Generative Art 1998 (11:26, 28. Dez. 2014)
- Consequences for practical aesthetics and for aesthetical theory of the insertion of principles from quantum theory in cellular automata (11:38, 28. Dez. 2014)
- Collage, Technology, and Creative Process (11:41, 28. Dez. 2014)
- Evolutionary Banners, exploring a generative design approach (11:47, 28. Dez. 2014)
- Exploring a Design Space for Patterns and Tilings (21:32, 1. Jan. 2015)
- New directions for evolving expressions (15:09, 2. Jan. 2015)
- Combining Abstract Images using Texture Transfer (15:16, 2. Jan. 2015)
- Abstract Art from a Model for Cellular Morphogenesis (15:21, 2. Jan. 2015)
- Color Mixing using Colliding Particles (15:26, 2. Jan. 2015)
- Composite Digital Mosaics using Duotone Tiles (15:31, 2. Jan. 2015)
- On Generating Dot Paintings in the Style of Howard Arkley (15:36, 2. Jan. 2015)
- Abstract Overlays using a Transport Network Model (15:41, 2. Jan. 2015)
- Stigmmetry Prints from Patterns of Circles (15:45, 2. Jan. 2015)
- Ant Paintings Based on the Seed Foraging Behavior of P. barbatus (15:49, 2. Jan. 2015)
- Target Curves for Pick-up, Carry, and Drop Mobile Automata (15:53, 2. Jan. 2015)
- Ant Paintings using a Multiple Pheromone Model (15:59, 2. Jan. 2015)
- Evolutionary Development of Mathematically Defined Forms (22:04, 2. Jan. 2015)
- Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students (15:32, 6. Jan. 2015)
- Generative Art 2001 (15:33, 6. Jan. 2015)
- Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies (15:49, 6. Jan. 2015)
- Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation (16:16, 6. Jan. 2015)
- Computational Aesthetic Evaluation: Steps Towards Machine Creativity (21:22, 6. Jan. 2015)
- The Evolution of Style and Gigantism in New Media Art (21:31, 6. Jan. 2015)
- Shot by Both Sides: Art-Science And The War Between Science And The Humanities (21:40, 6. Jan. 2015)
- Generative Art And Rules-Based Art (21:48, 6. Jan. 2015)
- Curious agents and situated design evaluations (12:18, 7. Jan. 2015)
- What's interesting? (12:37, 7. Jan. 2015)
- Enriching Aesthetics with Artificial Life (14:58, 7. Jan. 2015)
- Pattern Grammar within the Language of Architecture (15:14, 7. Jan. 2015)
- Frankensteinian Methods for Evolutionary Music Composition (17:19, 7. Jan. 2015)
- Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music (18:33, 7. Jan. 2015)
- Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts (12:50, 8. Jan. 2015)
- The Adaptive Function of the Arts: Alternative Evolutionary Hypotheses (13:09, 8. Jan. 2015)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (14:24, 9. Jan. 2015)
- Shape grammars and grammatical evolution for evolutionary design (14:41, 9. Jan. 2015)
- Higher-Order Functions in Aesthetic EC Encodings (14:55, 9. Jan. 2015)
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