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- The darwinian structure of the design process (20:52, 27. Dez. 2014)
- Experimental Search for Order in the Code of Generated Drawings (08:23, 28. Dez. 2014)
- Generative Art 2000 (08:27, 28. Dez. 2014)
- GA2: a Programming Environment for Abstract Generative Fine Art (08:35, 28. Dez. 2014)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (08:37, 28. Dez. 2014)
- Architectural Innovation as an evolutionary process (08:41, 28. Dez. 2014)
- Artificial Neural Network Spaces (08:44, 28. Dez. 2014)
- On the Translation of Design Data into Design Form in Evolutionary Design (08:46, 28. Dez. 2014)
- Music Composition with Interactive Evolutionary Computation (08:49, 28. Dez. 2014)
- The Authorship of Generative Art (09:10, 28. Dez. 2014)
- Generative Art 1999 (09:11, 28. Dez. 2014)
- The use of genetic programming for applications in the field of spatial composition (09:16, 28. Dez. 2014)
- Complex aesthetic forms that solve mathematical and cognitive problems (09:20, 28. Dez. 2014)
- Arties: Meta-Design as Evolving Colonies of Artistic Agents (09:24, 28. Dez. 2014)
- Generative Art 1998 (09:26, 28. Dez. 2014)
- Consequences for practical aesthetics and for aesthetical theory of the insertion of principles from quantum theory in cellular automata (09:38, 28. Dez. 2014)
- Collage, Technology, and Creative Process (09:41, 28. Dez. 2014)
- Evolutionary Banners, exploring a generative design approach (09:47, 28. Dez. 2014)
- Exploring a Design Space for Patterns and Tilings (19:32, 1. Jan. 2015)
- New directions for evolving expressions (13:09, 2. Jan. 2015)
- Combining Abstract Images using Texture Transfer (13:16, 2. Jan. 2015)
- Abstract Art from a Model for Cellular Morphogenesis (13:21, 2. Jan. 2015)
- Color Mixing using Colliding Particles (13:26, 2. Jan. 2015)
- Composite Digital Mosaics using Duotone Tiles (13:31, 2. Jan. 2015)
- On Generating Dot Paintings in the Style of Howard Arkley (13:36, 2. Jan. 2015)
- Abstract Overlays using a Transport Network Model (13:41, 2. Jan. 2015)
- Stigmmetry Prints from Patterns of Circles (13:45, 2. Jan. 2015)
- Ant Paintings Based on the Seed Foraging Behavior of P. barbatus (13:49, 2. Jan. 2015)
- Target Curves for Pick-up, Carry, and Drop Mobile Automata (13:53, 2. Jan. 2015)
- Ant Paintings using a Multiple Pheromone Model (13:59, 2. Jan. 2015)
- Evolutionary Development of Mathematically Defined Forms (20:04, 2. Jan. 2015)
- Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students (13:32, 6. Jan. 2015)
- Generative Art 2001 (13:33, 6. Jan. 2015)
- Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies (13:49, 6. Jan. 2015)
- Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation (14:16, 6. Jan. 2015)
- Computational Aesthetic Evaluation: Steps Towards Machine Creativity (19:22, 6. Jan. 2015)
- The Evolution of Style and Gigantism in New Media Art (19:31, 6. Jan. 2015)
- Shot by Both Sides: Art-Science And The War Between Science And The Humanities (19:40, 6. Jan. 2015)
- Generative Art And Rules-Based Art (19:48, 6. Jan. 2015)
- Curious agents and situated design evaluations (10:18, 7. Jan. 2015)
- What's interesting? (10:37, 7. Jan. 2015)
- Enriching Aesthetics with Artificial Life (12:58, 7. Jan. 2015)
- Pattern Grammar within the Language of Architecture (13:14, 7. Jan. 2015)
- Frankensteinian Methods for Evolutionary Music Composition (15:19, 7. Jan. 2015)
- Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music (16:33, 7. Jan. 2015)
- Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts (10:50, 8. Jan. 2015)
- The Adaptive Function of the Arts: Alternative Evolutionary Hypotheses (11:09, 8. Jan. 2015)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (12:24, 9. Jan. 2015)
- Shape grammars and grammatical evolution for evolutionary design (12:41, 9. Jan. 2015)
- Higher-Order Functions in Aesthetic EC Encodings (12:55, 9. Jan. 2015)
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