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  1. From Checkerboard to Cloverfield: Using Wang Tiles in Seamless Non-Periodic Patterns‏‎ (2 Bearbeitungen)
  2. Sketch Based Construction and Rendering of Implicit Models‏‎ (2 Bearbeitungen)
  3. Evolutionary Image Synthesis Using a Model of Aesthetics‏‎ (2 Bearbeitungen)
  4. On Canonical Substitution Tilings‏‎ (2 Bearbeitungen)
  5. A novel evolutionary approach for optimizing content-based image indexing algorithms‏‎ (2 Bearbeitungen)
  6. Generating Knitting Patterns from a Sketch: a CSP Approach‏‎ (2 Bearbeitungen)
  7. Evolved look-up tables for simulated DNA controlled robots‏‎ (2 Bearbeitungen)
  8. Optimizing photo composition‏‎ (2 Bearbeitungen)
  9. Adaptive enlargement of state spaces in evolutionary designing‏‎ (2 Bearbeitungen)
  10. Colors and Incomputability‏‎ (2 Bearbeitungen)
  11. An Information-Theoretic Framework for Image Complexity‏‎ (2 Bearbeitungen)
  12. RealPigment: Paint Compositing by Example‏‎ (2 Bearbeitungen)
  13. Evaluating Visual Aesthetics in Photographic Portraiture‏‎ (2 Bearbeitungen)
  14. Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test‏‎ (2 Bearbeitungen)
  15. Computational Color Harmony based on Coloroid System‏‎ (2 Bearbeitungen)
  16. Automatic and Interactive Evolution of Vector Graphics Images with Genetic Algorithms TR‏‎ (2 Bearbeitungen)
  17. A formal theory of creativity to model the creation of art‏‎ (2 Bearbeitungen)
  18. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (2 Bearbeitungen)
  19. Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts‏‎ (2 Bearbeitungen)
  20. Benford's Law for Natural and Synthetic Images‏‎ (2 Bearbeitungen)
  21. Content Based Image Retrieval for Medical Images Techniques and Storage Methods-Review Paper‏‎ (2 Bearbeitungen)
  22. Creative Generation of 3D Objects with Deep Learning and Innovation Engines‏‎ (2 Bearbeitungen)
  23. Generic Evolutionary Design‏‎ (2 Bearbeitungen)
  24. Virtual constructive swarm compositions and inspiration‏‎ (2 Bearbeitungen)
  25. The Analysis of the Geometric Decorations of the Stone Half-Columns of Friday Mosque of Isfahan‏‎ (2 Bearbeitungen)
  26. Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines‏‎ (2 Bearbeitungen)
  27. EvoMUSART 2006‏‎ (2 Bearbeitungen)
  28. Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric‏‎ (2 Bearbeitungen)
  29. Computational Creativity Theory: Inspirations behind the FACE and the IDEA models‏‎ (2 Bearbeitungen)
  30. A Study on Geometric Constructions on Brickwork Decorations in Iranian Architecture‏‎ (2 Bearbeitungen)
  31. On the implicit and on the artificial - morphogenesis and emergent aesthetics in autonomous collective systems‏‎ (2 Bearbeitungen)
  32. Breeding on site‏‎ (2 Bearbeitungen)
  33. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Bearbeitungen)
  34. Collaborative Filtering of Color Aesthetics‏‎ (2 Bearbeitungen)
  35. The Authorship of Generative Art‏‎ (2 Bearbeitungen)
  36. A Discussion on Serendipity in Creative Systems‏‎ (2 Bearbeitungen)
  37. The Painting Fool Teaching Interface‏‎ (2 Bearbeitungen)
  38. Artificial ecosystems for creative discovery‏‎ (2 Bearbeitungen)
  39. In the Eye of the Beholder - Perception of Indeterminate Art‏‎ (2 Bearbeitungen)
  40. A Visual Language for Darwin‏‎ (2 Bearbeitungen)
  41. From Conceptual “Mash-ups” to “Bad-ass” Blends: A Robust Computational Model of Conceptual Blending‏‎ (2 Bearbeitungen)
  42. Sketches by Paul the Robot‏‎ (2 Bearbeitungen)
  43. Content-Based Image Retrieval Using Rectangular Segmentation‏‎ (2 Bearbeitungen)
  44. Interactive Modeling of Muqarnas‏‎ (2 Bearbeitungen)
  45. A preliminary investigation of evolution as a form design strategy‏‎ (2 Bearbeitungen)
  46. Generating Op Art Lines‏‎ (2 Bearbeitungen)
  47. Learning and reusing information in space layout problems using genetic engineering‏‎ (2 Bearbeitungen)
  48. ColourVis: Exploring Colour Usage in Paintings Over Time‏‎ (2 Bearbeitungen)
  49. Manipulating artificial ecosystems‏‎ (2 Bearbeitungen)
  50. 3D-Dithered Ortho-Pictures: 3D Models from Independent 2D Images‏‎ (2 Bearbeitungen)

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