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  series={Lecture Notes in Computer Science},
  series={Lecture Notes in Computer Science},
  editor={Machado, Penousal and Romero, Juan and Carballal, Adrian},
  editor={Machado, Penousal and Romero, Juan and Carballal, Adrian},
  url={http://dx.doi.org/10.1007/978-3-642-29142-5 },
  url={http://dx.doi.org/10.1007/978-3-642-29142-5 },
  url={http://de.evo-art.org/index.php?title=EvoMUSART_2012 },
  url={http://de.evo-art.org/index.php?title=EvoMUSART_2012 },

Aktuelle Version vom 31. Oktober 2015, 23:43 Uhr


Penousal Machado (Herausgeber), Juan Romero (Herausgeber), Adrian Carballal (Herausgeber): Evolutionary and Biologically Inspired Music, Sound, Art and Design: First International Conference, EvoMUSART 2012 (LNCS 7247). 1 Aufl., Springer, Berlin, 2012, ISBN 978-3642291418, 236 Seiten.




This book constitutes the refereed proceedings of the First International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2012, held in Málaga, Spain, in April 2012, colocated with the Evo* 2012 events EuroGP, EvoCOP, EvoBIO, and EvoApplications. Due to its significant growth in the last 10 years, this 10th EvoMUSART event has become an Evo* conference in 2012. The 15 revised full papers and 5 poster papers presented were carefully reviewed and selected from 43 submissions. They cover a wide range of topics reflecting the current state of research in the field, including theory, generation, computer aided creativity, computational creativity, and automation.

Extended Abstract



booktitle={Evolutionary and Biologically Inspired Music, Sound, Art and Design: First International Conference, EvoMUSART 2012},
series={Lecture Notes in Computer Science},
editor={Machado, Penousal and Romero, Juan and Carballal, Adrian},
url={http://dx.doi.org/10.1007/978-3-642-29142-5 },
url={http://de.evo-art.org/index.php?title=EvoMUSART_2012 },
publisher={Springer Berlin Heidelberg},


Table of contents (18 chapters)

Rui Filipe Antunes, Frederic Fol Leymarie: Generative Choreography: Animating in Real-Time Dancing Avatars. In: EvoMUSART 2012, 1-10. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_1

Steven Bergen, Brian J. Ross: Aesthetic 3D Model Evolution. In: EvoMUSART 2012, 11-22. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_2

Jonathan Byrne, Erik Hemberg, Anthony Brabazon, Michael O'Neill: A Local Search Interface for Interactive Evolutionary Architectural Design. In: EvoMUSART 2012, 23-34. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_3

Simon Colton: Evolving a Library of Artistic Scene Descriptors. In: EvoMUSART 2012, 35-47. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_4

Eelco den Heijer, A. E. Eiben: Evolving Pop Art Using Scalable Vector Graphics. In: EvoMUSART 2012, 48-59. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_5

Eelco den Heijer, A. E. Eiben: Maintaining Population Diversity in Evolutionary Art. In: EvoMUSART 2012, 60-71. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_6

Arne Eigenfeldt, Philippe Pasquier: Populations of Populations: Composing with Multiple Evolutionary Algorithms. In: EvoMUSART 2012, 72-83. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_7

Francisco Fernández, Francisco Chávez: Fuzzy Rule Based System Ensemble for Music Genre Classification. In: EvoMUSART 2012, 84-95. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_8

José Fornari: A Computational Environment for the Evolutionary Sound Synthesis of Birdsongs. In: EvoMUSART 2012, 96-107. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_9

Gary Greenfield: A Platform for Evolving Controllers for Simulated Drawing Robots. In: EvoMUSART 2012, 108-116. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_10

Gregory S. Hornby, Josh Bongard: Learning Comparative User Models for Accelerating Human-Computer Collaborative Search. In: EvoMUSART 2012, 117-128. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_11

Colin G. Johnson: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: EvoMUSART 2012, 129-140. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_12

Maximos A. Kaliakatsos–Papakostas, Michael G. Epitropakis, Andreas Floros…: Interactive Evolution of 8–Bit Melodies with Genetic Programming towards Finding Aesthetic Measures for Sound. In: EvoMUSART 2012, 141-152. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_13

Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu: Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. In: EvoMUSART 2012, 153-164. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_14

Phil Lopes, Paulo Urbano: The Traveling Percussionist. In: EvoMUSART 2012, 165-175. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_15

Róisín Loughran, Jacqueline Walker, Michael O’Neill, James McDermott: Genetic Programming for Musical Sound Analysis. In: EvoMUSART 2012, 176-186. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_16

Penousal Machado, João Correia, Juan Romero: Expression-Based Evolution of Faces. In: EvoMUSART 2012, 187-198. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_17

James McDermott: Graph Grammars as a Representation for Interactive Evolutionary 3D Design. In: EvoMUSART 2012, 199-210. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_18

Somnuk Phon-Amnuaisuk: Polyphonic Transcription: Exploring a Hybrid of Tone Models and Particle Swarm Optimisation. In: EvoMUSART 2012, 211-222. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_19

Benjamin D. Smith, Guy E. Garnett: Reinforcement Learning and the Creative, Automated Music Improviser. In: EvoMUSART 2012, 223-234. DOI: http://link.springer.com/chapter/10.1007/978-3-642-29142-5_20


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