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| + | The only up-to-date title dealing with the full range of bioinspired techniques in art and music | ||
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| + | Supremely qualified editors have chaired the EVOMUSART workshop at the largest European natural computing event for the last three years | ||
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| + | While improvements in computer performance are dramatically changing the computer-generated art industry, scientists in natural computing have teamed up with artists to examine how bioinspired systems can influence art, technology and even aesthetic appreciation. | ||
| + | This comprehensive book gives an up-to-date survey of the relevant bioinspired computing research fields – such as evolutionary computation, artificial life, swarm intelligence and ant colony algorithms – and examines applications in art, music and design. The editors and contributors are researchers and artists with deep experience of the related science, tools and applications, and the book includes overviews of historical developments and future perspectives. | ||
| + | The book will be of interest to computer scientists and artists engaged with natural computing techniques applied to art, music and design. | ||
== Extended Abstract == | == Extended Abstract == | ||
Version vom 20. Oktober 2014, 10:31 Uhr
Inhaltsverzeichnis
Reference
Juan Romero, Penousal Machado (Herausgeber): The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. 1 Aufl., Springer, Berlin, 2007, ISBN 978-3540728764, 460 Seiten.
DOI
http://link.springer.com/10.1007/978-3-540-72877-1
Abstract
The only up-to-date title dealing with the full range of bioinspired techniques in art and music
Supremely qualified editors have chaired the EVOMUSART workshop at the largest European natural computing event for the last three years
While improvements in computer performance are dramatically changing the computer-generated art industry, scientists in natural computing have teamed up with artists to examine how bioinspired systems can influence art, technology and even aesthetic appreciation. This comprehensive book gives an up-to-date survey of the relevant bioinspired computing research fields – such as evolutionary computation, artificial life, swarm intelligence and ant colony algorithms – and examines applications in art, music and design. The editors and contributors are researchers and artists with deep experience of the related science, tools and applications, and the book includes overviews of historical developments and future perspectives. The book will be of interest to computer scientists and artists engaged with natural computing techniques applied to art, music and design.
Extended Abstract
Bibtex
Table of contents (19 chapters)
Preface
Evolutionary Art
Lewis, Matthew: Evolutionary Visual Art and Design. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 3-37. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_1
Collomosse, John: Evolutionary Search for the Artistic Rendering of Photographs. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 39-62. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_2
Draves, Scott: Evolution and Collective Intelligence of the Electric Sheep. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 63-78. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_3
Evolutionary Music
James McDermott, Niall J. L. Griffith, Michael O’Neill: Evolutionary Computation Applied to Sound Synthesis. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 81-101 DOI: http://link.springer.com/chapter/10.1007/978-3-540-72877-1_4
Tim Blackwell: Swarm Granulation. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 103-122 DOI: http://link.springer.com/chapter/10.1007/978-3-540-72877-1_5
Rafael Ramirez, Amaury Hazan, Jordi Marine, Xavier Serra: Evolutionary Computing for Expressive Music Performance. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 123-142 DOI: http://link.springer.com/chapter/10.1007/978-3-540-72877-1_6
Real-World Applications
Jacob, Christian; Hushlak, Gerald: Evolutionary and Swarm Design in Science, Art, and Music. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 145-166. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_7
Hemberg, Martin; O'Reilly, Una-May; Menges, Achim; Jonas, Katrin; Gonçalves, Michel; - Fuchs, Steven: Genr8: Architects’ Experience with an Emergent Design Tool. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 167-188. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_8
Frowd, Charlie; Hancock, Peter: Evolving Human Faces. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 189-210. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_9
Eiben, A. E.: Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 211-224. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_10
Artistic Perspectives
Monmarche, Nicolas; Mahnich, Isabelle; Slimane, Mohamed: Artificial Art Made by Artificial Ants. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 227-247. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_11
Bachelier, Günter: Embedding of Pixel-Based Evolutionary Algorithms in My Global Art Process. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 249-268. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_12
Dorin, Alan: A Survey of Virtual Ecosystems in Generative Electronic Art. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 289-309. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_14
Galanter, Philip: Complexism and the Role of Evolutionary Art. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 311-332. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_15
Future Perspectives
Neufeld, Craig; Ross, Brian J.; Ralph, William: The Evolution of Artistic Filters. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 335-356. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_16
Greenfield, Gary: Co-evolutionary Methods in Evolutionary Art. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 357-380. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_17
Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesthetics. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 381-415. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_18
McCormack, Jon: Facing the Future: Evolutionary Possibilities for Human-Machine Creativity. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 417-451. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_19
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