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- The use of genetic programming for applications in the field of spatial composition (2 Links)
- Evolving Portrait Painter Programs using Genetic Programming to Explore Computer Creativity (2 Links)
- Information aesthetics: an heroic experiment (2 Links)
- Color Mixing using Colliding Particles (2 Links)
- Algorithmic randomness and physical entropy (2 Links)
- Evolving ambiguous images (2 Links)
- MediaFlies – An Interactive Flocking Based Tool for the Remixing of Media (2 Links)
- Alter EVO: an interactive evolutionary computation tool for instant architecture processing (2 Links)
- Evolving expressions and art by choice (2 Links)
- Interactive Evolution of L-System Grammars for Computer Graphics Modelling (2 Links)
- Metaheuristics for Genetic Optimal Design (2 Links)
- Digits that are not: Generating new types through deep neural nets (2 Links)
- Distance-based functions for image comparison (2 Links)
- An Examination of Lamarckian Genetic Algorithms (2 Links)
- Composition in Perspectives (2 Links)
- Preference Models for Creative Artifacts and Systems (2 Links)
- Towards a model for artificial aesthetics (2 Links)
- An Implicit Surface Prototype for Evolving Human Figure Geometry (2 Links)
- Exploration and exploitation in evolutionary algorithms: a survey (2 Links)
- Dynamic Sketching: Simulating the Process of Observational Drawings (2 Links)
- Interwoven Islamic Geometric Patterns (2 Links)
- Psychological Space to Hold Impression Among Media in Common for Media Database Retrieval System (2 Links)
- Giving Colour to Images (2 Links)
- Natural Color Symmetry (2 Links)
- Exploring the effect of direction on vector-based fractals (2 Links)
- Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes (2 Links)
- MovieGene: Evolutionary Video Production Based on Genetic Algorithms and Cinematic Properties (2 Links)
- An interactive system for solving inverse illumination problems using genetic algorithms (2 Links)
- Face, Portrait, Mask - the Virtuality of the Synthetic Face (2 Links)
- Swarm Painting Atelier (2 Links)
- Is Evolution Creative? (2 Links)
- Computational Creativity Theory: The FACE and IDEA Descriptive Models (2 Links)
- A History of Creativity for Future AI Research (2 Links)
- Graph Grammars as a Representation for Interactive Evolutionary 3D Design (2 Links)
- Embedding movie into SBART – breeding deformed movies (2 Links)
- New Kinds of Fractal Patterns (2 Links)
- Swarmic Sketches and Attention Mechanism (2 Links)
- A Method for Generating Phyliotaxis over Surfaces of Revolution (2 Links)
- Music by Interaction among Two Flocking Species and Human (2 Links)
- Niche Constructing Drawing Robots (2 Links)
- Nobody’s A Critic: On The Evaluation Of Creative Code Generators — A Case Study In Video Game Design (2 Links)
- John Mount (2 Links)
- Evaluation of Sequential, Multi-objective, and Parallel Interactive Genetic Algorithms for Multi-objective Floor Plan Optimisation (2 Links)
- Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science (2 Links)
- Novelty-Seeking Multi-Agent System (2 Links)
- Flowsnake Earth (2 Links)
- Consensual Paintings (2 Links)
- A Tool for Composing Short Music Pieces by Means of Breeding (2 Links)
- Reproduktion (2 Links)
- Arties: Meta-Design as Evolving Colonies of Artistic Agents (2 Links)
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