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  1. Live Algorithms‏‎ (2 Bearbeitungen)
  2. Playing in the Pheromone Playground: Experiences in Swarm Painting‏‎ (2 Bearbeitungen)
  3. Experiments in Objet Trouve Browsing‏‎ (2 Bearbeitungen)
  4. The Concept of Elevation applied to Flat Tiling Patterns‏‎ (2 Bearbeitungen)
  5. Measuring Complexity by Measuring Structure and Organization‏‎ (2 Bearbeitungen)
  6. Distance-based functions for image comparison‏‎ (2 Bearbeitungen)
  7. The artist’s intentions and genetic coding in algorithmically generated drawings‏‎ (2 Bearbeitungen)
  8. A Playful Geometry Workshop: Creating 3D Polyhedral Structures from Innovative 2D Self-Assembling Paper Folding Units‏‎ (2 Bearbeitungen)
  9. Computational Creativity in Naturalistic Decision–Making‏‎ (2 Bearbeitungen)
  10. A comprehensive survey of fitness approximation in evolutionary computation‏‎ (2 Bearbeitungen)
  11. Stimulating creative flow through computational feedback‏‎ (2 Bearbeitungen)
  12. Learning Ordinal Preferences on Multiattribute Domains: The Case of CP-nets‏‎ (2 Bearbeitungen)
  13. Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions‏‎ (2 Bearbeitungen)
  14. Magnetism and Minimal Surfaces - a Different Tool for Surface Design‏‎ (2 Bearbeitungen)
  15. Goal-Driven Conceptual Blending: A Computational Approach for Creativity‏‎ (2 Bearbeitungen)
  16. Random Walks on Vertices of Archimedean Tilings‏‎ (2 Bearbeitungen)
  17. Highly Unlikely Triangles and Other Impossible Figures in Bead Weaving‏‎ (2 Bearbeitungen)
  18. ArtiE-Fract: Interactive Evolution of Fractals‏‎ (2 Bearbeitungen)
  19. Ausstellungen zur Evolutionären Kunst‏‎ (2 Bearbeitungen)
  20. A Step Towards the Evolution of Visual Languages‏‎ (2 Bearbeitungen)
  21. Smoke Brush‏‎ (2 Bearbeitungen)
  22. Interactive Evolutionary Computation by Duplication and Diversification of L-Systems‏‎ (2 Bearbeitungen)
  23. Sparse fitness evaluation for reducing user burden in interactive genetic algorithm‏‎ (2 Bearbeitungen)
  24. On the Impact of Chat Communication on Computer-Supported Idea Generation Processes‏‎ (2 Bearbeitungen)
  25. Evolutionary automated recognition and characterization of an individual's artistic style‏‎ (2 Bearbeitungen)
  26. Evolving Fractal Drawings‏‎ (2 Bearbeitungen)
  27. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (2 Bearbeitungen)
  28. Math Bugs‏‎ (2 Bearbeitungen)
  29. An Implicit Surface Prototype for Evolving Human Figure Geometry‏‎ (2 Bearbeitungen)
  30. Four heads are better than one. combining face composites yields improvements in face likeness‏‎ (2 Bearbeitungen)
  31. Sentient sketchbook: computer-aided game level authoring‏‎ (2 Bearbeitungen)
  32. No free lunch theorems for search‏‎ (2 Bearbeitungen)
  33. A Turing Test for Generative Art‏‎ (2 Bearbeitungen)
  34. Swarm Grammars: Modeling Computational Development through Highly Dynamic Complex Processes‏‎ (2 Bearbeitungen)
  35. Live Coding Towards Computational Creativity‏‎ (2 Bearbeitungen)
  36. Choice-Based Conjoint Analysis: Classification vs. Discrete Choice Models‏‎ (2 Bearbeitungen)
  37. Geometry and Aesthetics of Pentagonal Structures in the Art of Gerard Caris‏‎ (2 Bearbeitungen)
  38. The Conformal Hyperbolic Square and Its Ilk‏‎ (2 Bearbeitungen)
  39. Measuring Creativity In Software Development‏‎ (2 Bearbeitungen)
  40. Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis‏‎ (2 Bearbeitungen)
  41. Quantifying Beauty: An Information System for Evaluating Universal Aesthetics‏‎ (2 Bearbeitungen)
  42. The MPEG-7 visual standard for content description — An overview‏‎ (2 Bearbeitungen)
  43. Idea in a Bottle — A New Method for Creativity in Open Innovation‏‎ (2 Bearbeitungen)
  44. Search Strategies and the Creative Process‏‎ (2 Bearbeitungen)
  45. Computational Creativity through a Gap‏‎ (2 Bearbeitungen)
  46. Thoughts on Computational Creativity Position‏‎ (2 Bearbeitungen)
  47. Nonplanar expansions of polyhedral edges in Platonic and Archimedean solids‏‎ (2 Bearbeitungen)
  48. Evolving Artistic Styles through Visual Dialogues‏‎ (3 Bearbeitungen)
  49. Co-evolutionary Methods in Evolutionary Art‏‎ (3 Bearbeitungen)
  50. ArtiE-Fract: The Artist’s Viewpoint‏‎ (3 Bearbeitungen)

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