Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 881 bis 930 angezeigt.
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
- Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Frayed Cell Diagrams (2 Links)
- On Two Desiderata for Creativity Support Tools (2 Links)
- An informational model for cellular automata aesthetic measure (2 Links)
- Evolutionary Computation and Image Re-Coloring (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation (2 Links)
- On the Impact of Chat Communication on Computer-Supported Idea Generation Processes (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- Animating Typescript Using Aesthetically Evolved Images (2 Links)
- Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers (2 Links)
- A New Musical Tool for Composition and Play Based on Simulated Breeding (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Generating 3D Scenes in the style of Keith Haring (2 Links)
- Michael Witbrock (2 Links)
- Evolutionary design using grammatical evolution and shape grammars: Designing a shelter (2 Links)
- Interactive evolution of images (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Generating sub-resolution detail in images and volumes using constrained texture synthesis (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- A Survey of Virtual Ecosystems in Generative Electronic Art (2 Links)
- Semantic Operators for Evolutionary Art (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- A Virtual Modeling System for Intuitive 3D Shape Conceptualization (2 Links)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- A compiler for CPPNs: transforming phenotypic descriptions into genotypic representations (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Passive Solar Building Design Using Genetic Programming TR (2 Links)
- Artificial creativity: A synthetic approach to the study of creative behaviour (2 Links)
- Evolving Behaviour Trees for the Mario Bros Game Using Grammatical Evolution (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Evolving Glitch Art (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits (2 Links)
- Generative and Evolutionary Techniques for Building Envelope Design (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Evolving aesthetic images using multiobjective optimization (2 Links)
- Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems (2 Links)
- Evolving design genes in space layout problems (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- About a special relationship: abstract art - aesthetics - mathematics (2 Links)
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)