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  1. Schwarm Algorithmen‏‎ (2 Links)
  2. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  3. On the Translation of Design Data into Design Form in Evolutionary Design‏‎ (2 Links)
  4. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  5. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  6. Implementation and Evaluation of an IEC-Based 3D Modeling System‏‎ (2 Links)
  7. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  8. Evolving Art Using Multiple Aesthetic Measures‏‎ (2 Links)
  9. Optimized Design of MEMS by Evolutionary Multi-objective Optimization with Interactive Evolutionary Computation‏‎ (2 Links)
  10. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (2 Links)
  11. Selektion‏‎ (2 Links)
  12. Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music‏‎ (2 Links)
  13. Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007‏‎ (2 Links)
  14. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  15. Evolving Line Drawings‏‎ (2 Links)
  16. Self Portraits with Mandelbrot Genetics‏‎ (2 Links)
  17. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
  18. Instance and System: a Figure and its 2^18 Variations‏‎ (2 Links)
  19. Painting with Flowsnakes‏‎ (2 Links)
  20. Bernd Lintermann‏‎ (2 Links)
  21. MediaFlies – A Video and Audio Remixing Multi Agent System‏‎ (2 Links)
  22. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  23. Genetic learning for biologically inspired aesthetic processes‏‎ (2 Links)
  24. Michael Witbrock‏‎ (2 Links)
  25. Evolving urban structures using Computer Optimisation Techniques‏‎ (2 Links)
  26. Interactive evolution of images‏‎ (2 Links)
  27. Pavimenta: A Photo Tiling Tool‏‎ (2 Links)
  28. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  29. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  30. Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica‏‎ (2 Links)
  31. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  32. Modelling Human Preference in Evolutionary Art‏‎ (2 Links)
  33. Exploring Evolutionary Possibilities for Digital Doilies‏‎ (2 Links)
  34. Space layout planning using an evolutionary approach‏‎ (2 Links)
  35. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)
  36. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  37. Exploring component-based representations - the secret of creativity by evolution?‏‎ (2 Links)
  38. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  39. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  40. Motion Representation and Evolutionary Architectural Spaces‏‎ (2 Links)
  41. Extending grammatical evolution to evolve digital surfaces with genr8‏‎ (2 Links)
  42. Grammar-based Genetic Programming: A Survey‏‎ (2 Links)
  43. Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering‏‎ (2 Links)
  44. Playing Music by Conducting BOID Agents - A Style of Interaction in the Life with A-Life‏‎ (2 Links)
  45. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  46. Music Composition with Interactive Evolutionary Computation‏‎ (2 Links)
  47. Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value‏‎ (2 Links)
  48. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  49. Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem‏‎ (2 Links)
  50. Style-aware Robust Color Transfer‏‎ (2 Links)

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