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- Interactive evolution of images (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Gentropy: evolving 2D textures (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Exploring a Parameterized Portrait Painting Space (2 Links)
- Organized order in ornamentation (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- P4m Reference Implementation (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- Painterly rendering using image salience (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Creative Ecosystems 2009 (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- Stepping stones in the mist (2 Links)
- Stimulating creative flow through computational feedback (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- Pmm Reference Implementation (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- Stroke surfaces: Temporally coherent non-photorealistic animations from video (2 Links)
- Evolutionary Design in Art (2 Links)
- Population (2 Links)
- From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
- Evolutionary Image Transition Using Random Walks (2 Links)
- Preference Learning and Ranking by Pairwise Comparison (2 Links)
- Ideas and Tools in Material Space - an extended spatial model of creativity (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- A Fitness Function for Creativity in Jazz Improvisation and Beyond (2 Links)
- Evolutionary Synthesis of Micromachines Using Supervisory Multiobjective Interactive Evolutionary Computation (2 Links)
- Toward genetic aesthetics: mutation of bio information and generative art system (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
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