Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 881 bis 930 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. Knowledge Discovery of Artistic Influences: A Metric Learning Approach‏‎ (2 Links)
  2. Quantifying Creativity in Art Networks‏‎ (2 Links)
  3. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  4. RANDOMNESS, (DIS)ORDER, AND GENERATIVITY‏‎ (2 Links)
  5. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  6. Swarm Tech-Tiles Tim‏‎ (2 Links)
  7. How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity‏‎ (2 Links)
  8. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  9. Upload any object and evolve it: injecting complex geometric patterns into CPPNs for further evolution‏‎ (2 Links)
  10. Label Ranking Algorithms: A Survey‏‎ (2 Links)
  11. Ranking Cases with Classification Rules‏‎ (2 Links)
  12. Genotyp‏‎ (2 Links)
  13. Hybrid Biological-Digital Systems in Artistic and Entertainment Computing‏‎ (2 Links)
  14. Learning Comparative User Models for Accelerating Human-Computer Collaborative Search‏‎ (2 Links)
  15. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  16. Exploring Persian Rug Design Using a Computational Evolutionary Approach‏‎ (2 Links)
  17. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  18. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  19. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  20. Taking a Point for a Walk: Pattern Formation with Self-Interacting Curves‏‎ (2 Links)
  21. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  22. Line-Based Rendering with Truchet-Like Tiles‏‎ (2 Links)
  23. Representation and Mimesis in Generative Art: Creating Fifty Sisters‏‎ (2 Links)
  24. Grammatical Evolution: Evolving Programs for an Arbitrary Language‏‎ (2 Links)
  25. Feature Extraction Languages and Visual Pattern Recognition‏‎ (2 Links)
  26. Applicability of interactive evolutionary computation to mental health measurement‏‎ (2 Links)
  27. Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator‏‎ (2 Links)
  28. The ABCs of evolutionary design: Investigating the evolvability of embryogenies for morphogenesis‏‎ (2 Links)
  29. On Two Desiderata for Creativity Support Tools‏‎ (2 Links)
  30. Filterscape: Energy Recycling in a Creative Ecosystem‏‎ (2 Links)
  31. ArTbitrating: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  32. A Study of Image Colourfulness‏‎ (2 Links)
  33. On the Impact of Chat Communication on Computer-Supported Idea Generation Processes‏‎ (2 Links)
  34. Evaluating Search Engine Relevance with Click-Based Metrics‏‎ (2 Links)
  35. Man + Robots: Symbiotic Art‏‎ (2 Links)
  36. Artificial Art Made by Artificial Ants‏‎ (2 Links)
  37. Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes‏‎ (2 Links)
  38. Mapped Pictures: Aesthetic Image Annotations‏‎ (2 Links)
  39. A closer look at creativity as search‏‎ (2 Links)
  40. Improving the ranking quality of medical image retrieval using a genetic feature selection method‏‎ (2 Links)
  41. Artificial Life Meets Computational Creativity?‏‎ (2 Links)
  42. Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation‏‎ (2 Links)
  43. A formal theory of creativity to model the creation of art‏‎ (2 Links)
  44. The Escher evolver: evolution to the people‏‎ (2 Links)
  45. A genetic engineering approach to genetic algorithms‏‎ (2 Links)
  46. The FloWr Online Platform: Automated Programming and Computational Creativity as a Service‏‎ (2 Links)
  47. Informational Aesthetics Measures‏‎ (2 Links)
  48. Fractal art — a comparison of styles‏‎ (2 Links)
  49. Creative Ecosystems 2009‏‎ (2 Links)
  50. Semantic Operators for Evolutionary Art‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)