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  1. SBART 2.4: an IEC tool for creating 2D images, movies, and collage‏‎ (2 Links)
  2. Creatively Subverting Messages in Posters‏‎ (2 Links)
  3. Interactive Evolutionary CAD System for MEMS Layout Synthesis‏‎ (2 Links)
  4. Evolutionary Learning and Stochastic Process Algebra‏‎ (2 Links)
  5. Can a Genetic Algorithm Think Like a Composer?‏‎ (2 Links)
  6. Bernd Lintermann‏‎ (2 Links)
  7. Scott Neil-Teilly‏‎ (2 Links)
  8. The Authorship of Generative Art‏‎ (2 Links)
  9. GenJam in Transition: from Genetic Jammer to Generative Jammer‏‎ (2 Links)
  10. Mixed-Initiative Creative Drawing with webIconoscope‏‎ (2 Links)
  11. X-Faces: The eXploit Is Out There‏‎ (2 Links)
  12. The Emergence of Social Learning in Artificial Societies‏‎ (2 Links)
  13. Organized order in ornamentation‏‎ (2 Links)
  14. Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings‏‎ (2 Links)
  15. The Evolving Role of the Artist‏‎ (2 Links)
  16. P4m Reference Implementation‏‎ (2 Links)
  17. Ästhetik‏‎ (2 Links)
  18. Decision Tree Modeling for Ranking Data‏‎ (2 Links)
  19. Painterly rendering using image salience‏‎ (2 Links)
  20. The Markov Pen: Online Synthesis of Free-Hand Drawing Styles‏‎ (2 Links)
  21. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  22. Evolving Art Using Multiple Aesthetic Measures‏‎ (2 Links)
  23. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  24. Collage, Technology, and Creative Process‏‎ (2 Links)
  25. ShipShape: A Drawing Beautification Assistant‏‎ (2 Links)
  26. The Painting Fool in New Dimensions‏‎ (2 Links)
  27. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (2 Links)
  28. Simulated aesthetics and evolving artworks: A coevolutionary approach‏‎ (2 Links)
  29. Evolving Line Drawings‏‎ (2 Links)
  30. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  31. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  32. The Virtual Ecosystem as Generative Electronic Art‏‎ (2 Links)
  33. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  34. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
  35. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  36. The case for a mixed-initiative collaborative neuroevolution approach‏‎ (2 Links)
  37. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  38. Specific curiosity as a cause and consequence of transformational creativity‏‎ (2 Links)
  39. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  40. Genetic learning for biologically inspired aesthetic processes‏‎ (2 Links)
  41. Evolving urban structures using Computer Optimisation Techniques‏‎ (2 Links)
  42. Henry Rowley‏‎ (2 Links)
  43. Knowledge Discovery of Artistic Influences: A Metric Learning Approach‏‎ (2 Links)
  44. Stepping stones in the mist‏‎ (2 Links)
  45. Applicability of interactive evolutionary computation to mental health measurement‏‎ (2 Links)
  46. Stimulating creative flow through computational feedback‏‎ (2 Links)
  47. ArTbitrating: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  48. Exploring Evolutionary Possibilities for Digital Doilies‏‎ (2 Links)
  49. How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity‏‎ (2 Links)
  50. Pmm Reference Implementation‏‎ (2 Links)

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