Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 881 bis 930 angezeigt.
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
- Ludus Ex Machina: Building A 3D Game Designer That Competes Alongside Humans (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- A Preference Optimization Based Unifying Framework for Supervised Learning Problems (2 Links)
- Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value (2 Links)
- Scott Neil-Teilly (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Implementation and Evaluation of an IEC-Based 3D Modeling System (2 Links)
- Organized order in ornamentation (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Breeding on site (2 Links)
- Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007 (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- P4m Reference Implementation (2 Links)
- Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence (2 Links)
- Painterly rendering using image salience (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Creative Computers, Improvisation and Intimacy (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Creative Web Services with Pattern (2 Links)
- CGP, Creativity and Art (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Michael Witbrock (2 Links)
- Interactive evolution of images (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Choice-Based Conjoint Analysis: Classification vs. Discrete Choice Models (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Data-Driven Iconification (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- Stepping stones in the mist (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Co-creating game content using an adaptive model of user taste (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Stimulating creative flow through computational feedback (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
