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  1. Collage, Technology, and Creative Process‏‎ (2 Links)
  2. Evolutionary generation of faces‏‎ (2 Links)
  3. On Symmetry, Aesthetics and Quantifying Symmetrical Complexity‏‎ (2 Links)
  4. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  5. Evolutionäre Algorithmen‏‎ (2 Links)
  6. SBEAT3: A tool for multi-part music composition by simulated breeding‏‎ (2 Links)
  7. A cybernetic approach to aesthetics‏‎ (2 Links)
  8. Artificial ecosystems for creative discovery‏‎ (2 Links)
  9. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  10. Evolved Aesthetic Analogies to Improve Artistic Experience‏‎ (2 Links)
  11. Schwarm Algorithmen‏‎ (2 Links)
  12. Implementation and Evaluation of an IEC-Based 3D Modeling System‏‎ (2 Links)
  13. On the Translation of Design Data into Design Form in Evolutionary Design‏‎ (2 Links)
  14. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  15. Evolving Assemblages of 3D Objects‏‎ (2 Links)
  16. Generative Design: A Paradigm for Design Research‏‎ (2 Links)
  17. Assessing Progress in Building Autonomously Creative Systems‏‎ (2 Links)
  18. Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007‏‎ (2 Links)
  19. A preliminary investigation of evolution as a form design strategy‏‎ (2 Links)
  20. Optimized Design of MEMS by Evolutionary Multi-objective Optimization with Interactive Evolutionary Computation‏‎ (2 Links)
  21. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  22. Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines‏‎ (2 Links)
  23. Selektion‏‎ (2 Links)
  24. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Links)
  25. Automated Collage Generation - With More Intent 2011‏‎ (2 Links)
  26. Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution‏‎ (2 Links)
  27. Self Portraits with Mandelbrot Genetics‏‎ (2 Links)
  28. Instance and System: a Figure and its 2^18 Variations‏‎ (2 Links)
  29. MediaFlies – A Video and Audio Remixing Multi Agent System‏‎ (2 Links)
  30. Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI‏‎ (2 Links)
  31. Painting with Flowsnakes‏‎ (2 Links)
  32. Automatic Mineral Identification Using Genetic Programming‏‎ (2 Links)
  33. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  34. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  35. Michael Witbrock‏‎ (2 Links)
  36. Interactive evolution of images‏‎ (2 Links)
  37. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  38. Genotyp‏‎ (2 Links)
  39. Automatic invention of fitness functions with application to scene generation‏‎ (2 Links)
  40. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  41. Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica‏‎ (2 Links)
  42. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)
  43. Pavimenta: A Photo Tiling Tool‏‎ (2 Links)
  44. Modelling Human Preference in Evolutionary Art‏‎ (2 Links)
  45. Autonomy, Signature and Creativity‏‎ (2 Links)
  46. Exploring Persian Rug Design Using a Computational Evolutionary Approach‏‎ (2 Links)
  47. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  48. Space layout planning using an evolutionary approach‏‎ (2 Links)
  49. Motion Representation and Evolutionary Architectural Spaces‏‎ (2 Links)
  50. Grammatical Evolution: Evolving Programs for an Arbitrary Language‏‎ (2 Links)

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