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- MovieGene: Evolutionary Video Production Based on Genetic Algorithms and Cinematic Properties (2 Links)
- Is Evolution Creative? (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Painting With Triangles (2 Links)
- A Fitness Function for Creativity in Jazz Improvisation and Beyond (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- A Meme-Based Architecture for Modeling Creativity (2 Links)
- Evolving Line Drawings (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- A Novel Human-Computer Collaboration: Combining Novelty Search with Interactive Evolution (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Henry Rowley (2 Links)
- Knowledge Discovery of Artistic Influences: A Metric Learning Approach (2 Links)
- A Preference Optimization Based Unifying Framework for Supervised Learning Problems (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Label Ranking Algorithms: A Survey (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- Hybrid Biological-Digital Systems in Artistic and Entertainment Computing (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Steve Dipaola (2 Links)
- Learning Comparative User Models for Accelerating Human-Computer Collaborative Search (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- Stippling with Aerial Robots (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Exploring Evolutionary Possibilities for Digital Doilies (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Exploring component-based representations - the secret of creativity by evolution? (2 Links)
- Line-Based Rendering with Truchet-Like Tiles (2 Links)
- Extending grammatical evolution to evolve digital surfaces with genr8 (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- Creative Ecosystems 2009 (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Grammar-based Genetic Programming: A Survey (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- Natural Processes and Artificial Procedures (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
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