Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 881 bis 930 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. Daniel Shiffman‏‎ (2 Links)
  2. A review on the application of evolutionary computation to information retrieval‏‎ (2 Links)
  3. Rendering artistic light patterns‏‎ (2 Links)
  4. Line-Based Rendering with Truchet-Like Tiles‏‎ (2 Links)
  5. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Links)
  6. A user-oriented image retrieval system based on interactive genetic algorithm‏‎ (2 Links)
  7. GenJam in Transition: from Genetic Jammer to Generative Jammer‏‎ (2 Links)
  8. On-line Knowledge Embedding for Interactive EC-based Montage System‏‎ (2 Links)
  9. Techniques for highly multiobjective optimisation: some nondominated points are better than others‏‎ (2 Links)
  10. Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity‏‎ (2 Links)
  11. Visual Hallucination For Computational Creation‏‎ (2 Links)
  12. On Symmetry, Aesthetics and Quantifying Symmetrical Complexity‏‎ (2 Links)
  13. Automated recoloring of evolved designs using evolved palettes‏‎ (2 Links)
  14. Design Space of Tiling Template‏‎ (2 Links)
  15. SBEAT3: A tool for multi-part music composition by simulated breeding‏‎ (2 Links)
  16. Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings‏‎ (2 Links)
  17. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  18. Schwarm Algorithmen‏‎ (2 Links)
  19. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  20. Man + Robots: Symbiotic Art‏‎ (2 Links)
  21. On the Translation of Design Data into Design Form in Evolutionary Design‏‎ (2 Links)
  22. Mapped Pictures: Aesthetic Image Annotations‏‎ (2 Links)
  23. Evolving Art Using Multiple Aesthetic Measures‏‎ (2 Links)
  24. Improving the ranking quality of medical image retrieval using a genetic feature selection method‏‎ (2 Links)
  25. Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music‏‎ (2 Links)
  26. Optimized Design of MEMS by Evolutionary Multi-objective Optimization with Interactive Evolutionary Computation‏‎ (2 Links)
  27. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (2 Links)
  28. Disney Meets Darwin — The Evolution of Funny Animated Figures‏‎ (2 Links)
  29. Selektion‏‎ (2 Links)
  30. Evolving Line Drawings‏‎ (2 Links)
  31. Informational Aesthetics Measures‏‎ (2 Links)
  32. Self Portraits with Mandelbrot Genetics‏‎ (2 Links)
  33. Bernd Lintermann‏‎ (2 Links)
  34. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
  35. Painting with Flowsnakes‏‎ (2 Links)
  36. Edge Detection of Petrographic Images Using Genetic Programming‏‎ (2 Links)
  37. Interactive Evolutionary CAD System for MEMS Layout Synthesis‏‎ (2 Links)
  38. Genetic learning for biologically inspired aesthetic processes‏‎ (2 Links)
  39. Computational Creativity Theory: Inspirations behind the FACE and the IDEA models‏‎ (2 Links)
  40. Evolving urban structures using Computer Optimisation Techniques‏‎ (2 Links)
  41. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  42. Computational Models of Surprise as a Mechanism for Evaluating Creative Design‏‎ (2 Links)
  43. Mixed-Initiative Creative Drawing with webIconoscope‏‎ (2 Links)
  44. Pavimenta: A Photo Tiling Tool‏‎ (2 Links)
  45. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  46. Exploring Evolutionary Possibilities for Digital Doilies‏‎ (2 Links)
  47. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)
  48. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  49. Space layout planning using an evolutionary approach‏‎ (2 Links)
  50. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)