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- Automated Collage Generation - With More Intent 2011 (2 Links)
- Ludus Ex Machina: Building A 3D Game Designer That Competes Alongside Humans (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Developmental modelling with SDS (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Implementation and Evaluation of an IEC-Based 3D Modeling System (2 Links)
- Dimension Reduction for Object Ranking (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Complexity measures as a basis for mass customisation of novel designs (2 Links)
- Picasso, Pato and Perro: Reconciling Procedure with Creativity (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence (2 Links)
- Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007 (2 Links)
- Playing in the Pheromone Playground: Experiences in Swarm Painting (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Stylized Reality (2 Links)
- Computational Aesthetics Conferences (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- Michael Witbrock (2 Links)
- Interactive evolution of images (2 Links)
- Quantifying Creativity in Art Networks (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- Toward genetic aesthetics: mutation of bio information and generative art system (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- RANDOMNESS, (DIS)ORDER, AND GENERATIVITY (2 Links)
- Enhancing Creativity with Niche Construction (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Ranking Cases with Classification Rules (2 Links)
- Computers can’t jump? A quantitative approach for studying creative leaps (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Consequences for practical aesthetics and for aesthetical theory of the insertion of principles from quantum theory in cellular automata (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
- Ungegenständliche Kunst (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- A Fitness Function for Creativity in Jazz Improvisation and Beyond (2 Links)
- Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- Representation and Mimesis in Generative Art: Creating Fifty Sisters (2 Links)
- Biokunst (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
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