Seiten mit den meisten Links

Unten werden bis zu 50 Ergebnisse im Bereich 881 bis 930 angezeigt.

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881. Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines‏‎ (2 Links)
882. Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies‏‎ (2 Links)
883. Learning to colour greyscale images‏‎ (2 Links)
884. Computational Models of Surprise as a Mechanism for Evaluating Creative Design‏‎ (2 Links)
885. Non-Photorealistic Rendering of Portraits‏‎ (2 Links)
886. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Links)
887. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Links)
888. Rekombination‏‎ (2 Links)
889. Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution‏‎ (2 Links)
890. Techniques for highly multiobjective optimisation: some nondominated points are better than others‏‎ (2 Links)
891. Rendering artistic light patterns‏‎ (2 Links)
892. Visual Hallucination For Computational Creation‏‎ (2 Links)
893. Image Warping for a Painterly Effect‏‎ (2 Links)
894. Ludic Considerations of Tablet-Based Evo-Art‏‎ (2 Links)
895. On-line Knowledge Embedding for Interactive EC-based Montage System‏‎ (2 Links)
896. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
897. On Symmetry, Aesthetics and Quantifying Symmetrical Complexity‏‎ (2 Links)
898. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
899. Genotyp‏‎ (2 Links)
900. SBEAT3: A tool for multi-part music composition by simulated breeding‏‎ (2 Links)
901. Construction and intuition: Creativity in early computer art‏‎ (2 Links)
902. A Comparison Between Representations for Evolving Images‏‎ (2 Links)
903. Schwarm Algorithmen‏‎ (2 Links)
904. An Introduction To Kolmogorov Complexity and its Applications‏‎ (2 Links)
905. Exploring Persian Rug Design Using a Computational Evolutionary Approach‏‎ (2 Links)
906. On the Translation of Design Data into Design Form in Evolutionary Design‏‎ (2 Links)
907. An informational model for cellular automata aesthetic measure‏‎ (2 Links)
908. Optimized Design of MEMS by Evolutionary Multi-objective Optimization with Interactive Evolutionary Computation‏‎ (2 Links)
909. Grammatical Evolution: Evolving Programs for an Arbitrary Language‏‎ (2 Links)
910. Selektion‏‎ (2 Links)
911. Creating New Informational Primitives in Minds and Machines‏‎ (2 Links)
912. Self Portraits with Mandelbrot Genetics‏‎ (2 Links)
913. Animating Typescript Using Aesthetically Evolved Images‏‎ (2 Links)
914. Creating tiling by means of 2D graphics applications‏‎ (2 Links)
915. Feature Extraction Languages and Visual Pattern Recognition‏‎ (2 Links)
916. A New Musical Tool for Composition and Play Based on Simulated Breeding‏‎ (2 Links)
917. Interactive Evolution for Designing Motion Variants‏‎ (2 Links)
918. Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation‏‎ (2 Links)
919. Creative Evolutionary Systems‏‎ (2 Links)
920. Filterscape: Energy Recycling in a Creative Ecosystem‏‎ (2 Links)
921. Painting with Flowsnakes‏‎ (2 Links)
922. Interactive Evolutionary Design in a Hierarchical Way‏‎ (2 Links)
923. Building Artistic Computer Colleagues with an Enactive Model of Creativity‏‎ (2 Links)
924. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
925. Creativity, emergence and evolution in design‏‎ (2 Links)
926. Evaluating Search Engine Relevance with Click-Based Metrics‏‎ (2 Links)
927. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
928. A Survey of Virtual Ecosystems in Generative Electronic Art‏‎ (2 Links)
929. Interactive operators for evolutionary architectural design‏‎ (2 Links)
930. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)

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