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- Niall J. L. Griffith (2 Links)
- Swarmic Paintings and Colour Attention (2 Links)
- Daniel Shiffman (2 Links)
- An Examination on the Modularity of Grammars in Grammatical Evolutionary Design (2 Links)
- Reducing Human Fatigue in Interactive Evolutionary Computation through Fuzzy Systems and Machine Learning Systems (2 Links)
- A Benchmark Image Set for Evaluating Stylization (2 Links)
- Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Tabula Rasa: A Case Study in Evolutionary Curation (2 Links)
- Design Space of Tiling Template (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- A Fractal Approach Towards Visual Analogy (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- An exploration-based evolutionary model of a generative design process (2 Links)
- Virtual constructive swarm compositions and inspiration (2 Links)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (2 Links)
- A Knowledge Based Approach to Modeling Portrait Painting Methodology (2 Links)
- Holger Ferstl (2 Links)
- Disney Meets Darwin — The Evolution of Funny Animated Figures (2 Links)
- Scott Neil-Teilly (2 Links)
- The Authorship of Generative Art (2 Links)
- Applicability of interactive evolutionary computation to mental health measurement (2 Links)
- ArTbitrating: an evolutionary environment for visual and sound composition (2 Links)
- Learning Preference Models in Recommender Systems (2 Links)
- X-Faces: The eXploit Is Out There (2 Links)
- A Study of Image Colourfulness (2 Links)
- Evolutionary Design in Art (2 Links)
- Ian Butterfield (2 Links)
- Organized order in ornamentation (2 Links)
- The Emergence of Social Learning in Artificial Societies (2 Links)
- Edge Detection of Petrographic Images Using Genetic Programming (2 Links)
- From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations (2 Links)
- Learning to colour greyscale images (2 Links)
- Evolutionary Image Transition Using Random Walks (2 Links)
- P4m Reference Implementation (2 Links)
- The Evolving Role of the Artist (2 Links)
- Artificial Art Made by Artificial Ants (2 Links)
- Ästhetik (2 Links)
- A closer look at creativity as search (2 Links)
- Computational Creativity Theory: Inspirations behind the FACE and the IDEA models (2 Links)
- Evolutionary Synthesis of Micromachines Using Supervisory Multiobjective Interactive Evolutionary Computation (2 Links)
- Painterly rendering using image salience (2 Links)
- Artificial Life Meets Computational Creativity? (2 Links)
- A formal theory of creativity to model the creation of art (2 Links)
- Computational Models of Surprise as a Mechanism for Evaluating Creative Design (2 Links)
- Image Warping for a Painterly Effect (2 Links)
- The Markov Pen: Online Synthesis of Free-Hand Drawing Styles (2 Links)
- Generating Artwork Using Previous Created Image as Coloring Palette (2 Links)
- Ludic Considerations of Tablet-Based Evo-Art (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
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