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  1. Filterscape: Energy Recycling in a Creative Ecosystem‏‎ (2 Links)
  2. Stylized Reality‏‎ (2 Links)
  3. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  4. Evaluating Search Engine Relevance with Click-Based Metrics‏‎ (2 Links)
  5. Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation‏‎ (2 Links)
  6. Bernd Lintermann‏‎ (2 Links)
  7. Time Beings : Quantum Beings for Art Exploration and Creation‏‎ (2 Links)
  8. Toward genetic aesthetics: mutation of bio information and generative art system‏‎ (2 Links)
  9. Quantifying Creativity in Art Networks‏‎ (2 Links)
  10. Fractal art — a comparison of styles‏‎ (2 Links)
  11. RANDOMNESS, (DIS)ORDER, AND GENERATIVITY‏‎ (2 Links)
  12. Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes‏‎ (2 Links)
  13. Holger Ferstl‏‎ (2 Links)
  14. Fractals and Multi-Layer Coloring Algorithms‏‎ (2 Links)
  15. Ranking Cases with Classification Rules‏‎ (2 Links)
  16. Ungegenständliche Kunst‏‎ (2 Links)
  17. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  18. Evolutionary Banners, exploring a generative design approach‏‎ (2 Links)
  19. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  20. Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization‏‎ (2 Links)
  21. Evolutionary Development of Mathematically Defined Forms‏‎ (2 Links)
  22. Learning Preference Models in Recommender Systems‏‎ (2 Links)
  23. Using Grammatical Evolution to Parameterise Interactive 3D Image Generation‏‎ (2 Links)
  24. Creative Ecosystems 2009‏‎ (2 Links)
  25. Ian Butterfield‏‎ (2 Links)
  26. Learning to colour greyscale images‏‎ (2 Links)
  27. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  28. Creatively Subverting Messages in Posters‏‎ (2 Links)
  29. Representation and Mimesis in Generative Art: Creating Fifty Sisters‏‎ (2 Links)
  30. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  31. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Links)
  32. Can a Genetic Algorithm Think Like a Composer?‏‎ (2 Links)
  33. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  34. Image Warping for a Painterly Effect‏‎ (2 Links)
  35. Generating floor plan layouts with K-D tree algorithms and evolutionary strategies‏‎ (2 Links)
  36. Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator‏‎ (2 Links)
  37. Techniques for highly multiobjective optimisation: some nondominated points are better than others‏‎ (2 Links)
  38. Evolutionary generation of faces‏‎ (2 Links)
  39. Ludic Considerations of Tablet-Based Evo-Art‏‎ (2 Links)
  40. On Two Desiderata for Creativity Support Tools‏‎ (2 Links)
  41. Visual Hallucination For Computational Creation‏‎ (2 Links)
  42. Evolutionäre Algorithmen‏‎ (2 Links)
  43. On the Impact of Chat Communication on Computer-Supported Idea Generation Processes‏‎ (2 Links)
  44. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  45. Applicability of interactive evolutionary computation to mental health measurement‏‎ (2 Links)
  46. Evolved Aesthetic Analogies to Improve Artistic Experience‏‎ (2 Links)
  47. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  48. ArTbitrating: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  49. Evolving Assemblages of 3D Objects‏‎ (2 Links)
  50. A Study of Image Colourfulness‏‎ (2 Links)

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