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- Reproduktion (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Virtual constructive swarm compositions and inspiration (2 Links)
- A Preference Optimization Based Unifying Framework for Supervised Learning Problems (2 Links)
- Disney Meets Darwin — The Evolution of Funny Animated Figures (2 Links)
- SBArt4 for an Automatic Evolutionary Art (2 Links)
- Image Warping for a Painterly Effect (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Ludic Considerations of Tablet-Based Evo-Art (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- On the Role of Temporary Storage in Interactive Evolution (2 Links)
- The Authorship of Generative Art (2 Links)
- Edge Detection of Petrographic Images Using Genetic Programming (2 Links)
- Searching for Surprise (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Computational Creativity Theory: Inspirations behind the FACE and the IDEA models (2 Links)
- X-Faces: The eXploit Is Out There (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- The Emergence of Social Learning in Artificial Societies (2 Links)
- Computational Models of Surprise as a Mechanism for Evaluating Creative Design (2 Links)
- Evolving Line Drawings (2 Links)
- The Evolving Role of the Artist (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Ästhetik (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Painting With Triangles (2 Links)
- The Markov Pen: Online Synthesis of Free-Hand Drawing Styles (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Interactive Evolution for Designing Motion Variants (2 Links)
- The Painting Fool in New Dimensions (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- Interactive Evolutionary Design in a Hierarchical Way (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Construction and intuition: Creativity in early computer art (2 Links)
- The Virtual Ecosystem as Generative Electronic Art (2 Links)
- Exploring Evolutionary Possibilities for Digital Doilies (2 Links)
- Interactive operators for evolutionary architectural design (2 Links)
- The case for a mixed-initiative collaborative neuroevolution approach (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Model Proposal for a Constructed Artist (2 Links)
- Exploring component-based representations - the secret of creativity by evolution? (2 Links)
- Autonomy, Signature and Creativity (2 Links)
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