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- Visual Hallucination For Computational Creation (2 Links)
- SBArt4 for an Automatic Evolutionary Art (2 Links)
- Evolutionary generation of faces (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Maintaining Population Diversity in Evolutionary Art (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space Models (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Evolutionäre Algorithmen (2 Links)
- On the Role of Temporary Storage in Interactive Evolution (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Evolved Aesthetic Analogies to Improve Artistic Experience (2 Links)
- In Praise of Evolution and Opacity (2 Links)
- Searching for Surprise (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Evolving Assemblages of 3D Objects (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Generative Design: A Paradigm for Design Research (2 Links)
- Induction Design: A Method for Evolutionary Design (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines (2 Links)
- Measuring Creativity In Software Development (2 Links)
- Genetic Algorithms for the Generation of Models with Micropopulations (2 Links)
- Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (2 Links)
- Painting With Triangles (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- Interactive evolutionary computation for analyzing human characteristics (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Genotyp (2 Links)
- Interior Illumination Design Using Genetic Programming (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Morgan McGuire (2 Links)
- An Examination of Lamarckian Genetic Algorithms (2 Links)
- Investigating Face Space (2 Links)
- Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines (2 Links)
- An Implicit Surface Prototype for Evolving Human Figure Geometry (2 Links)
- Ishihama Yoshiaki (2 Links)
- The painting fool: Stories from building an automated painter (2 Links)
- Photogrowth: non-photorealistic renderings through ant paintings (2 Links)
- Multiobjective Satisfaction within an Interactive Evolutionary Design Environment (2 Links)
- Stochastic Generative Image Model Contributes to MRI Artistic Judgment Aptitude Validation (2 Links)
- An interactive system for solving inverse illumination problems using genetic algorithms (2 Links)
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