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- The Authorship of Generative Art (2 Links)
- Searching for Surprise (2 Links)
- HyperRogue: Playing with Hyperbolic Geometry (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- Edge Detection of Petrographic Images Using Genetic Programming (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Learning Lexicographic Preference Models (2 Links)
- X-Faces: The eXploit Is Out There (2 Links)
- Hyperspectral Image Analysis Using Genetic Programming 2005 (2 Links)
- The Emergence of Social Learning in Artificial Societies (2 Links)
- Computational Creativity Theory: Inspirations behind the FACE and the IDEA models (2 Links)
- Learning of Rule Ensembles for Multiple Attribute Ranking Problems (2 Links)
- The Evolving Role of the Artist (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Computational Models of Surprise as a Mechanism for Evaluating Creative Design (2 Links)
- Painting With Triangles (2 Links)
- Ästhetik (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- The Markov Pen: Online Synthesis of Free-Hand Drawing Styles (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Low-complexity art (2 Links)
- The Painting Fool in New Dimensions (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Maintaining Population Diversity in Evolutionary Art (2 Links)
- Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space Models (2 Links)
- The Virtual Ecosystem as Generative Electronic Art (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Construction and intuition: Creativity in early computer art (2 Links)
- The case for a mixed-initiative collaborative neuroevolution approach (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- In Praise of Evolution and Opacity (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- Induction Design: A Method for Evolutionary Design (2 Links)
- Steve Dipaola (2 Links)
- Generative Visual Identities. New scenarios in corporate identity (2 Links)
- Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure (2 Links)
- Mathematische Kunst (2 Links)
- Evolving Mondrian-Style Artworks (2 Links)
- Innovation engines: automated creativity and improved stochastic optimization via deep learning (2 Links)
- Stochastic Generative Image Model Contributes to MRI Artistic Judgment Aptitude Validation (2 Links)
- Genetic Algorithm for the Evolution of Feature Trajectories in Time-Dependent Arts (2 Links)
- Measuring complexity using information fluctuation (2 Links)
- Evolving a Library of Artistic Scene Descriptors (2 Links)
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