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  1. Automated Collage Generation - With More Intent 2011‏‎ (2 Links)
  2. X-Faces: The eXploit Is Out There‏‎ (2 Links)
  3. The Emergence of Social Learning in Artificial Societies‏‎ (2 Links)
  4. Organized order in ornamentation‏‎ (2 Links)
  5. Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI‏‎ (2 Links)
  6. Automatic Mineral Identification Using Genetic Programming‏‎ (2 Links)
  7. The Evolving Role of the Artist‏‎ (2 Links)
  8. P4m Reference Implementation‏‎ (2 Links)
  9. Ästhetik‏‎ (2 Links)
  10. Establishing Appreciation In a Creative System‏‎ (2 Links)
  11. Painterly rendering using image salience‏‎ (2 Links)
  12. Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?‏‎ (2 Links)
  13. Automatic invention of fitness functions with application to scene generation‏‎ (2 Links)
  14. Decision Tree Modeling for Ranking Data‏‎ (2 Links)
  15. The Markov Pen: Online Synthesis of Free-Hand Drawing Styles‏‎ (2 Links)
  16. Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping‏‎ (2 Links)
  17. ShipShape: A Drawing Beautification Assistant‏‎ (2 Links)
  18. Autonomy, Signature and Creativity‏‎ (2 Links)
  19. The Painting Fool in New Dimensions‏‎ (2 Links)
  20. Collage, Technology, and Creative Process‏‎ (2 Links)
  21. Simulated aesthetics and evolving artworks: A coevolutionary approach‏‎ (2 Links)
  22. Henry Rowley‏‎ (2 Links)
  23. Knowledge Discovery of Artistic Influences: A Metric Learning Approach‏‎ (2 Links)
  24. The Virtual Ecosystem as Generative Electronic Art‏‎ (2 Links)
  25. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  26. How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity‏‎ (2 Links)
  27. The case for a mixed-initiative collaborative neuroevolution approach‏‎ (2 Links)
  28. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  29. Label Ranking Algorithms: A Survey‏‎ (2 Links)
  30. Specific curiosity as a cause and consequence of transformational creativity‏‎ (2 Links)
  31. Hybrid Biological-Digital Systems in Artistic and Entertainment Computing‏‎ (2 Links)
  32. Learning Comparative User Models for Accelerating Human-Computer Collaborative Search‏‎ (2 Links)
  33. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  34. Evolutionary Design in Art‏‎ (2 Links)
  35. From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations‏‎ (2 Links)
  36. Stepping stones in the mist‏‎ (2 Links)
  37. Evolutionary Image Transition Using Random Walks‏‎ (2 Links)
  38. Stimulating creative flow through computational feedback‏‎ (2 Links)
  39. Evolutionary Synthesis of Micromachines Using Supervisory Multiobjective Interactive Evolutionary Computation‏‎ (2 Links)
  40. Pmm Reference Implementation‏‎ (2 Links)
  41. Line-Based Rendering with Truchet-Like Tiles‏‎ (2 Links)
  42. Stroke surfaces: Temporally coherent non-photorealistic animations from video‏‎ (2 Links)
  43. Population‏‎ (2 Links)
  44. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  45. Generating Artwork Using Previous Created Image as Coloring Palette‏‎ (2 Links)
  46. A Computer Model for the Generation of Visual Compositions‏‎ (2 Links)
  47. Preference Learning and Ranking by Pairwise Comparison‏‎ (2 Links)
  48. Preference Models for Creative Artifacts and Systems‏‎ (2 Links)
  49. Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes‏‎ (2 Links)
  50. Towards a model for artificial aesthetics‏‎ (2 Links)

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