Seiten mit den meisten Links

Unten werden bis zu 50 Ergebnisse im Bereich 931 bis 980 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

931. GenJam in Transition: from Genetic Jammer to Generative Jammer‏‎ (2 Links)
932. Virtual constructive swarm compositions and inspiration‏‎ (2 Links)
933. Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity‏‎ (2 Links)
934. Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings‏‎ (2 Links)
935. SBArt4 for an Automatic Evolutionary Art‏‎ (2 Links)
936. Design Space of Tiling Template‏‎ (2 Links)
937. A Survey of Virtual Ecosystems in Generative Electronic Art‏‎ (2 Links)
938. On the Role of Temporary Storage in Interactive Evolution‏‎ (2 Links)
939. The Authorship of Generative Art‏‎ (2 Links)
940. A Virtual Modeling System for Intuitive 3D Shape Conceptualization‏‎ (2 Links)
941. Man + Robots: Symbiotic Art‏‎ (2 Links)
942. Evolving Art Using Multiple Aesthetic Measures‏‎ (2 Links)
943. A compiler for CPPNs: transforming phenotypic descriptions into genotypic representations‏‎ (2 Links)
944. Mapped Pictures: Aesthetic Image Annotations‏‎ (2 Links)
945. Searching for Surprise‏‎ (2 Links)
946. Improving the ranking quality of medical image retrieval using a genetic feature selection method‏‎ (2 Links)
947. X-Faces: The eXploit Is Out There‏‎ (2 Links)
948. Artificial creativity: A synthetic approach to the study of creative behaviour‏‎ (2 Links)
949. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (2 Links)
950. The Emergence of Social Learning in Artificial Societies‏‎ (2 Links)
951. Disney Meets Darwin — The Evolution of Funny Animated Figures‏‎ (2 Links)
952. Evolving Line Drawings‏‎ (2 Links)
953. The Evolving Role of the Artist‏‎ (2 Links)
954. Informational Aesthetics Measures‏‎ (2 Links)
955. Ästhetik‏‎ (2 Links)
956. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
957. Semi-Automatic Digital Epigraphy from Images with Normals‏‎ (2 Links)
958. Painting With Triangles‏‎ (2 Links)
959. The Markov Pen: Online Synthesis of Free-Hand Drawing Styles‏‎ (2 Links)
960. Edge Detection of Petrographic Images Using Genetic Programming‏‎ (2 Links)
961. Interactive Evolutionary CAD System for MEMS Layout Synthesis‏‎ (2 Links)
962. Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems‏‎ (2 Links)
963. The Painting Fool in New Dimensions‏‎ (2 Links)
964. About a special relationship: abstract art - aesthetics - mathematics‏‎ (2 Links)
965. Genetic learning for biologically inspired aesthetic processes‏‎ (2 Links)
966. Evolving urban structures using Computer Optimisation Techniques‏‎ (2 Links)
967. Computational Creativity Theory: Inspirations behind the FACE and the IDEA models‏‎ (2 Links)
968. Computational Models of Surprise as a Mechanism for Evaluating Creative Design‏‎ (2 Links)
969. The Virtual Ecosystem as Generative Electronic Art‏‎ (2 Links)
970. Mixed-Initiative Creative Drawing with webIconoscope‏‎ (2 Links)
971. Exploring Non-photorealistic Rendering with Genetic Programming‏‎ (2 Links)
972. Adding Dynamics to Sketch-based Character Animations‏‎ (2 Links)
973. Modelling video games' landscapes by means of genetic terrain programming: a new approach for improving users' experience‏‎ (2 Links)
974. Peter Kleiweg‏‎ (2 Links)
975. Aesthetic 3D Model Evolution 2013‏‎ (2 Links)
976. Autonomously Managing Competing Objectives to Improve the Creation and Curation of Artifacts‏‎ (2 Links)
977. Extending the Range of Facial Types‏‎ (2 Links)
978. The use of genetic programming for applications in the field of spatial composition‏‎ (2 Links)
979. Is it Time for Computational Creativity to Grow Up and Start Being Irresponsible?‏‎ (2 Links)
980. Photogrowth: non-photorealistic renderings through ant paintings‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)