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Unten werden bis zu 50 Ergebnisse im Bereich 931 bis 980 angezeigt.

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931. Interactive evolution of images‏‎ (2 Links)
932. Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica‏‎ (2 Links)
933. The Virtual Ecosystem as Generative Electronic Art‏‎ (2 Links)
934. Generating floor plan layouts with K-D tree algorithms and evolutionary strategies‏‎ (2 Links)
935. Modelling Human Preference in Evolutionary Art‏‎ (2 Links)
936. Evolutionary generation of faces‏‎ (2 Links)
937. The case for a mixed-initiative collaborative neuroevolution approach‏‎ (2 Links)
938. Enhancing Creativity with Niche Construction‏‎ (2 Links)
939. Evolutionäre Algorithmen‏‎ (2 Links)
940. State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video‏‎ (2 Links)
941. Motion Representation and Evolutionary Architectural Spaces‏‎ (2 Links)
942. Computers can’t jump? A quantitative approach for studying creative leaps‏‎ (2 Links)
943. Evolved Aesthetic Analogies to Improve Artistic Experience‏‎ (2 Links)
944. Autonomously Creating Quality Images‏‎ (2 Links)
945. Steve Dipaola‏‎ (2 Links)
946. Consequences for practical aesthetics and for aesthetical theory of the insertion of principles from quantum theory in cellular automata‏‎ (2 Links)
947. Evolving Assemblages of 3D Objects‏‎ (2 Links)
948. Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering‏‎ (2 Links)
949. Stippling with Aerial Robots‏‎ (2 Links)
950. Generative Design: A Paradigm for Design Research‏‎ (2 Links)
951. Music Composition with Interactive Evolutionary Computation‏‎ (2 Links)
952. Aesthetic image rating (AIR) algorithm‏‎ (2 Links)
953. Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines‏‎ (2 Links)
954. Biokunst‏‎ (2 Links)
955. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Links)
956. Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies‏‎ (2 Links)
957. Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution‏‎ (2 Links)
958. Evolving content in the galactic arms race video game‏‎ (2 Links)
959. Towards a model for artificial aesthetics‏‎ (2 Links)
960. Creating Personalized Jigsaw Puzzles‏‎ (2 Links)
961. Keith Wiley‏‎ (2 Links)
962. Knowledge-Level Creativity in Game Design‏‎ (2 Links)
963. Higher-Order Functions in Aesthetic EC Encodings‏‎ (2 Links)
964. Creative Search Trajectories and their Implications‏‎ (2 Links)
965. A 3D Modeling System for Creative Design‏‎ (2 Links)
966. Swarm Painting Atelier‏‎ (2 Links)
967. Reactiveness and Navigation in Computer Games: Different Needs, Different Approaches‏‎ (2 Links)
968. A Complexity Approach for Identifying Aesthetic Composite Landscapes‏‎ (2 Links)
969. Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models‏‎ (2 Links)
970. Swarmic Sketches and Attention Mechanism‏‎ (2 Links)
971. Curious agents and situated design evaluations‏‎ (2 Links)
972. Rebecca Luger-Guillaume‏‎ (2 Links)
973. Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines‏‎ (2 Links)
974. Learning Aggregation Operators for Preference Modeling‏‎ (2 Links)
975. Hypergraph-based Evolutionary Design System‏‎ (2 Links)
976. An empirical exploration of a definition of creative novelty for generative art‏‎ (2 Links)
977. A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels‏‎ (2 Links)
978. Identity SA 1.6 – An artistic software that produces a deformed audio-visual reflection based on a visually interactive swarm‏‎ (2 Links)
979. An interactive artificial ant approach to non-photorealistic rendering‏‎ (2 Links)
980. Image Filter Design with Interactive Evolutionary Computation‏‎ (2 Links)

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