Seiten mit den meisten Links

Unten werden bis zu 50 Ergebnisse im Bereich 931 bis 980 angezeigt.

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931. Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence‏‎ (2 Links)
932. The Authorship of Generative Art‏‎ (2 Links)
933. A Survey of Virtual Ecosystems in Generative Electronic Art‏‎ (2 Links)
934. New IEC Research and Frameworks‏‎ (2 Links)
935. Creativity refined: bypassing the gatekeepers of appropriateness and value‏‎ (2 Links)
936. A Virtual Modeling System for Intuitive 3D Shape Conceptualization‏‎ (2 Links)
937. Niall J. L. Griffith‏‎ (2 Links)
938. Curious Whispers: An Embodied Artificial Creative System‏‎ (2 Links)
939. X-Faces: The eXploit Is Out There‏‎ (2 Links)
940. The Emergence of Social Learning in Artificial Societies‏‎ (2 Links)
941. A compiler for CPPNs: transforming phenotypic descriptions into genotypic representations‏‎ (2 Links)
942. Artificial creativity: A synthetic approach to the study of creative behaviour‏‎ (2 Links)
943. Reducing Human Fatigue in Interactive Evolutionary Computation through Fuzzy Systems and Machine Learning Systems‏‎ (2 Links)
944. The Evolving Role of the Artist‏‎ (2 Links)
945. Ästhetik‏‎ (2 Links)
946. Chinese pattern design using generative shape grammar‏‎ (2 Links)
947. Ideas and Tools in Material Space - an extended spatial model of creativity‏‎ (2 Links)
948. Evolutionary Learning and Stochastic Process Algebra‏‎ (2 Links)
949. The Markov Pen: Online Synthesis of Free-Hand Drawing Styles‏‎ (2 Links)
950. The Painting Fool in New Dimensions‏‎ (2 Links)
951. Deepland, a Travel through many Dimensions‏‎ (2 Links)
952. GenJam in Transition: from Genetic Jammer to Generative Jammer‏‎ (2 Links)
953. Live Coding Towards Computational Creativity‏‎ (2 Links)
954. Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems‏‎ (2 Links)
955. SBART 2.4: an IEC tool for creating 2D images, movies, and collage‏‎ (2 Links)
956. Abstract Art by Shape Classification‏‎ (2 Links)
957. On simulating drawing robots with straight line motion but curvilinear pen paths‏‎ (2 Links)
958. Automated collage generation — with intent‏‎ (2 Links)
959. On the Role of Metaphor in Creative Cognition‏‎ (2 Links)
960. Generative Art - Interactive Art: Delineations, Crossovers and Differences‏‎ (2 Links)
961. Implementing an Intuitive Mutation Operator for Interactive Evolutionary 3D Design‏‎ (2 Links)
962. Adding Dynamics to Sketch-based Character Animations‏‎ (2 Links)
963. Complexity of two-dimensional patterns‏‎ (2 Links)
964. Evolving Artistic Styles through Visual Dialogues‏‎ (2 Links)
965. Improving face detection‏‎ (2 Links)
966. The use of genetic programming for applications in the field of spatial composition‏‎ (2 Links)
967. Aesthetic 3D Model Evolution 2013‏‎ (2 Links)
968. Autonomously Managing Competing Objectives to Improve the Creation and Curation of Artifacts‏‎ (2 Links)
969. Incorporating characteristics of human creativity into an evolutionary art algorithm‏‎ (2 Links)
970. P6m Reference Implementation‏‎ (2 Links)
971. Drawing Characteristics for Reproducing Traditional Hand-Made Stippling‏‎ (2 Links)
972. Generative Visual Identities. New scenarios in corporate identity‏‎ (2 Links)
973. Semantics and aesthetics inference for image search: statistical learning approaches‏‎ (2 Links)
974. Evolving Mondrian-Style Artworks‏‎ (2 Links)
975. Information aesthetics: an heroic experiment‏‎ (2 Links)
976. EMO-based Architectural Room Floor Planning‏‎ (2 Links)
977. Genetic Algorithm for the Evolution of Feature Trajectories in Time-Dependent Arts‏‎ (2 Links)
978. Computational Artistic Creativity and its Evaluation‏‎ (2 Links)
979. Seven Catchy Phrases for Computational Creativity Research‏‎ (2 Links)
980. Evolving a Library of Artistic Scene Descriptors‏‎ (2 Links)

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