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Unten werden bis zu 50 Ergebnisse im Bereich 931 bis 980 angezeigt.

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931. Automated recoloring of evolved designs using evolved palettes‏‎ (2 Links)
932. Evolutionäre Algorithmen‏‎ (2 Links)
933. The ABCs of evolutionary design: Investigating the evolvability of embryogenies for morphogenesis‏‎ (2 Links)
934. Evolved Aesthetic Analogies to Improve Artistic Experience‏‎ (2 Links)
935. Scott Neil-Teilly‏‎ (2 Links)
936. Evolving Assemblages of 3D Objects‏‎ (2 Links)
937. Generative Design: A Paradigm for Design Research‏‎ (2 Links)
938. Disney Meets Darwin — The Evolution of Funny Animated Figures‏‎ (2 Links)
939. Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music‏‎ (2 Links)
940. Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines‏‎ (2 Links)
941. Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation‏‎ (2 Links)
942. The Escher evolver: evolution to the people‏‎ (2 Links)
943. Organized order in ornamentation‏‎ (2 Links)
944. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Links)
945. Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution‏‎ (2 Links)
946. Interactive Evolution for Designing Motion Variants‏‎ (2 Links)
947. The FloWr Online Platform: Automated Programming and Computational Creativity as a Service‏‎ (2 Links)
948. P4m Reference Implementation‏‎ (2 Links)
949. Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation‏‎ (2 Links)
950. Bernd Lintermann‏‎ (2 Links)
951. Interactive Evolutionary Design in a Hierarchical Way‏‎ (2 Links)
952. Edge Detection of Petrographic Images Using Genetic Programming‏‎ (2 Links)
953. Painterly rendering using image salience‏‎ (2 Links)
954. Computational Creativity Theory: The FACE and IDEA Descriptive Models‏‎ (2 Links)
955. Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results‏‎ (2 Links)
956. Shot by Both Sides: Art-Science And The War Between Science And The Humanities‏‎ (2 Links)
957. Embedding movie into SBART – breeding deformed movies‏‎ (2 Links)
958. Simulating Morphogenesis‏‎ (2 Links)
959. Ameisen Algorithmen‏‎ (2 Links)
960. 3-D CG lighting with an interactive GA‏‎ (2 Links)
961. Skirt Image Retrieval based on Sketches‏‎ (2 Links)
962. The alphabet synthesis machine‏‎ (2 Links)
963. An Evolution-Based Generative Design System: Using Adaptation to Shape Architectural Form‏‎ (2 Links)
964. Mosaic: Sketch-Based Interface for Creating Digital Decorative Mosaics‏‎ (2 Links)
965. Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines‏‎ (2 Links)
966. The darwinian structure of the design process‏‎ (2 Links)
967. Consensual Paintings‏‎ (2 Links)
968. A Digital Prototyping System for Designing Novel 3D Geometries‏‎ (2 Links)
969. Theory of Complexity‏‎ (2 Links)
970. A Fully Automatic Evolutionary Art‏‎ (2 Links)
971. A Lamarckian Evolution Strategy for Genetic Algorithms‏‎ (2 Links)
972. Fitness and Novelty in Evolutionary Art‏‎ (2 Links)
973. Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure‏‎ (2 Links)
974. A Model of Runaway Evolution of Creative Domains‏‎ (2 Links)
975. Preference Models for Creative Artifacts and Systems‏‎ (2 Links)
976. EvoFashion: Customising Fashion Through Evolution‏‎ (2 Links)
977. Creative Agency: A Clearer Goal for Artificial Life in the Arts‏‎ (2 Links)
978. Psychological Space to Hold Impression Among Media in Common for Media Database Retrieval System‏‎ (2 Links)
979. ArTbitrating JaVOX: an evolutionary environment for visual and sound composition‏‎ (2 Links)
980. EvoSpace-Interactive: A Framework to Develop Distributed Collaborative-Interactive Evolutionary Algorithms for Artistic Design‏‎ (2 Links)

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