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===2007===
 
===2007===
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[[Jon McCormack]], P. McIlwain, A. Lane & A. Dorin, "Generative Composition with Nodal", in E.R. Miranda (ed.) Workshop on Music and Artificial Life (ECAL 2007), Lisbon, Portugal, 2007. http://www.csse.monash.edu.au/~jonmc/research/Papers/Nodal.pdf
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* [[Jon McCormack]]: [[Artificial ecosystems for creative discovery]]. In: Thierens, D., et al. (eds.) Genetic and Evolutionary Computation Conference, pp. 301–307 (2007). DOI: http://dx.doi.org/10.1145/1276958.1277017 http://www.csse.monash.edu.au/~jonmc/research/Papers/ArtificialEcosystems.pdf http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_GECCO07.pdf
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* [[Jon McCormack]]: [Creative Ecosystems_Computational Creativity 2007]], in A. Cardoso and G.A. Wiggins (eds), Proceedings of the 4th International Joint Workshop on Computational Creativity, 17-19 June 2007, Goldsmiths, University of London 2007, pp. 129-136. http://www.csse.monash.edu.au/~jonmc/research/Papers/EcoCreativity.pdf
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===2006===
 
===2006===
 
===2005===
 
===2005===

Version vom 12. Januar 2015, 14:02 Uhr

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Person

Jon McCormack is an Australian-based electronic media artist and researcher in computing. He holds an Honours degree in Applied Mathematics and Computer Science from Monash University, a Graduate Diploma of Art (Film and Television) from Swinburne University and a PhD in Computer Science from Monash University. He is currently Associate Professor in Computer Science, an ARC Australian Research Fellow and co-director of the Centre for Electronic Media Art (CEMA) at Monash University in Melbourne, Australia. CEMA is an interdisciplinary research centre established to explore new collaborative relationships between computing and the arts. His research interests include generative art and design, evolutionary systems, creativity, visualisation, interaction, machine learning, L-systems and developmental models.

Since the late 1980s McCormack has worked with computer code as a medium for creative expression. Inspired by the complexity and wonder of a diminishing natural world, his work is concerned with electronic “after natures” – alternate forms of artificial life that may one day replace the biological nature lost through human progress and development.

His artworks have been widely exhibited at leading galleries, museums and symposia, including the Museum of Modern Art (New York, USA), Tate Gallery (Liverpool, UK), ACM SIGGRAPH (USA), Prix Ars Electronica (Austria) and the Australian Centre for the Moving Image (Australia). He is the recipient of 16 awards for new media art and computing research including prizes at Ars Electronica (Austria), Images du Futur (Canada), New Voices, New Visions (USA), Alias/Wavefront (USA), The John Lansdown Award for Interactive Media (Europe/UK), Nagoya Biennial (Japan) and the 2012 Eureka Prize for Innovation in Computer Science. The monograph, Impossible Nature: the art of Jon McCormack, was published by the Australian Centre for the Moving Image in 2005 and documents McCormack’s creative achievements over the last 15 years.

Wissenschaftliche Tätigkeit

Künstlerische Tätigkeit

Publikationen

2014

2013

  • Jon McCormack: "Evolutionary and A-Life Art: Cosmic Pyramids and the Origination of Novelty in Machines" (English with Russian translation) in Dmitry Bulatov (ed), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), National Centre for Contemporary Arts, Kaliningrad, Russia, pp. 84-101, 2013.

2012

Jon McCormack, Pablo eCasso: in search of the first computer masterpiece, The Conversation, 15 November 2012

  • Alan Dorin, J. McCabe, * Jon McCormack, G. Monro and M. Whitelaw, "A Framework for Understanding Generative Art", Digital Creativity, Vol. 23(3-4), pp. 239-259, 2012.

A. Pirnia and * Jon McCormack, "Compressed Multidimensional Trees for Evolutionary Music Representation", International Computer Music Conference, Irzu, Ljubljana 9-14 September 2012, pp. 608-613 http://www.csse.monash.edu.au/~jonmc/research/Papers/ICMC2012_Pirnia_McCormack.pdf

2011

Jon McCormack and P. McIlwain, "Generative Composition with Nodal", in E. R. Miranda (ed): A-Life for Music: Music and Computer Models of Living Systems, A-R Editions, Inc. Middleton, Wisconsin, 2011, pp. 99-113

2010

2009

Oliver Bown, A. Eldridge and Jon McCormack: "Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects", Organised Sound Vol 14(2), Cambridge University Press, August 2009, pp. 188-196 http://www.csse.monash.edu.au/~jonmc/research/Papers/OrganisedSound2009.pdf

Jon McCormack: "The Evolution of Sonic Ecosystems" in Komosinski, Maciej; Adamatzky, Andrew (eds.), Artificial Life Models in Software (Second Edition), Springer, Berlin 2009 [pdf][book web site] revised paper on Eden for the second edition of this book.

Jon McCormack, A. Eldridge, Alan Dorin and P. McIlwain, "Generative Algorithms for Making Music: Emergence, Evolution and Ecosystems", in R.T. Dean (ed.) The Oxford Handbook of Computer Music, Oxford University Press, pp. 354–379, 2009 http://www.oup.com/us/catalog/general/subject/Music/MusicHistoryWestern/TwentiethCentury/?view=usa&ci=9780195331615

2008

  • P. Brown, D. W. Cunningham, V. Interrante and Jon McCormack (eds), Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics in Graphics, Visualisation and Imaging, Eurographics Association, Aire-la-Ville, Switzerland, ISBN 978-3-905674-08-8, 2008

2007

Jon McCormack, P. McIlwain, A. Lane & A. Dorin, "Generative Composition with Nodal", in E.R. Miranda (ed.) Workshop on Music and Artificial Life (ECAL 2007), Lisbon, Portugal, 2007. http://www.csse.monash.edu.au/~jonmc/research/Papers/Nodal.pdf

2006

2005

2004

2003

2002

2001

2000

Externe Links

http://jonmccormack.info/~jonmc/sa/ homepage

Mitglied der Masterminds of Evolutionary Art


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