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- Swarmic Paintings and Colour Attention (2 Links)
- Building Artistic Computer Colleagues with an Enactive Model of Creativity (2 Links)
- Picasso, Pato and Perro: Reconciling Procedure with Creativity (2 Links)
- Creativity, emergence and evolution in design (2 Links)
- Michael Witbrock (2 Links)
- Interactive evolution of images (2 Links)
- Playing in the Pheromone Playground: Experiences in Swarm Painting (2 Links)
- A Meme-Based Architecture for Modeling Creativity (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Stylized Reality (2 Links)
- Tabula Rasa: A Case Study in Evolutionary Curation (2 Links)
- A Novel Human-Computer Collaboration: Combining Novelty Search with Interactive Evolution (2 Links)
- DESIGN ARCHITECTURE BY GENETIC ALGORITHM (2 Links)
- Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation (2 Links)
- A Preference Optimization Based Unifying Framework for Supervised Learning Problems (2 Links)
- Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence (2 Links)
- Virtual constructive swarm compositions and inspiration (2 Links)
- Daniel Shiffman (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Quantifying Creativity in Art Networks (2 Links)
- Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- RANDOMNESS, (DIS)ORDER, AND GENERATIVITY (2 Links)
- Design Space of Tiling Template (2 Links)
- The Authorship of Generative Art (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Ranking Cases with Classification Rules (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- X-Faces: The eXploit Is Out There (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- The Emergence of Social Learning in Artificial Societies (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- The Evolving Role of the Artist (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Ästhetik (2 Links)
- Disney Meets Darwin — The Evolution of Funny Animated Figures (2 Links)
- Representation and Mimesis in Generative Art: Creating Fifty Sisters (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- The Markov Pen: Online Synthesis of Free-Hand Drawing Styles (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- The Painting Fool in New Dimensions (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (2 Links)
- Edge Detection of Petrographic Images Using Genetic Programming (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
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