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- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- Grammatical Evolution: Evolving Programs for an Arbitrary Language (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Feature Extraction Languages and Visual Pattern Recognition (2 Links)
- Scott Neil-Teilly (2 Links)
- Man + Robots: Symbiotic Art (2 Links)
- Filterscape: Energy Recycling in a Creative Ecosystem (2 Links)
- Mapped Pictures: Aesthetic Image Annotations (2 Links)
- Improving the ranking quality of medical image retrieval using a genetic feature selection method (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- Evaluating Search Engine Relevance with Click-Based Metrics (2 Links)
- Organized order in ornamentation (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- P4m Reference Implementation (2 Links)
- Informational Aesthetics Measures (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Painterly rendering using image salience (2 Links)
- Toward genetic aesthetics: mutation of bio information and generative art system (2 Links)
- Interactive Evolutionary CAD System for MEMS Layout Synthesis (2 Links)
- Fractal art — a comparison of styles (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Fractals and Multi-Layer Coloring Algorithms (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Evolutionary Banners, exploring a generative design approach (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Ungegenständliche Kunst (2 Links)
- Evolutionary Development of Mathematically Defined Forms (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
- Stepping stones in the mist (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- A Fitness Function for Creativity in Jazz Improvisation and Beyond (2 Links)
- Generating floor plan layouts with K-D tree algorithms and evolutionary strategies (2 Links)
- Stimulating creative flow through computational feedback (2 Links)
- Evolutionary generation of faces (2 Links)
- Pmm Reference Implementation (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
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