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- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- Pavimenta: A Photo Tiling Tool (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Space layout planning using an evolutionary approach (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- An Interactive Electronic Art System Based on Artificial Ecosystemics (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- An approach to creating very large, high resolution artistic printed images (2 Links)
- Playing Music by Conducting BOID Agents - A Style of Interaction in the Life with A-Life (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- Evolutionary Design in Art (2 Links)
- Style-aware Robust Color Transfer (2 Links)
- From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations (2 Links)
- Preconceptual Creativity (2 Links)
- Evolutionary Image Transition Using Random Walks (2 Links)
- Evolutionary Synthesis of Micromachines Using Supervisory Multiobjective Interactive Evolutionary Computation (2 Links)
- Henry Rowley (2 Links)
- Creative Ecosystems 2009 (2 Links)
- Knowledge Discovery of Artistic Influences: A Metric Learning Approach (2 Links)
- Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm (2 Links)
- Architectural Innovation as an evolutionary process (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- Generating Artwork Using Previous Created Image as Coloring Palette (2 Links)
- How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- A Turing Test for Generative Art (2 Links)
- Label Ranking Algorithms: A Survey (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- Evolutionary shape grammars for product design (2 Links)
- Artificial Creative Systems: Completing the Creative Cycle (2 Links)
- Hybrid Biological-Digital Systems in Artistic and Entertainment Computing (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- A comparative study of texture measures with classification based on feature distributions (2 Links)
- Learning Comparative User Models for Accelerating Human-Computer Collaborative Search (2 Links)
- Artificial Neural Network Spaces (2 Links)
- New challenges for evolutionary music and art (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks (2 Links)
- Evolving 3D Morphology and Behavior by Competition (2 Links)
- Generative Art Inspired by Nature, Using NodeBox (2 Links)
- Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function (2 Links)
- Non-Photorealistic Rendering of Portraits (2 Links)
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