Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 1.081 bis 1.130 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. SBEAT3: A tool for multi-part music composition by simulated breeding‏‎ (2 Links)
  2. Automatic Mineral Identification Using Genetic Programming‏‎ (2 Links)
  3. Implementation and Evaluation of an IEC-Based 3D Modeling System‏‎ (2 Links)
  4. Evolving 3D Morphology and Behavior by Competition‏‎ (2 Links)
  5. Schwarm Algorithmen‏‎ (2 Links)
  6. Generative Art Inspired by Nature, Using NodeBox‏‎ (2 Links)
  7. On the Translation of Design Data into Design Form in Evolutionary Design‏‎ (2 Links)
  8. Disney Meets Darwin — The Evolution of Funny Animated Figures‏‎ (2 Links)
  9. Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function‏‎ (2 Links)
  10. The Creative Mind: Myths and Mechanisms‏‎ (2 Links)
  11. Automatic invention of fitness functions with application to scene generation‏‎ (2 Links)
  12. Generative Representations for Artificial Architecture and Passive Solar Performance TR‏‎ (2 Links)
  13. Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007‏‎ (2 Links)
  14. Autonomy, Signature and Creativity‏‎ (2 Links)
  15. Generic Evolutionary Design‏‎ (2 Links)
  16. Optimized Design of MEMS by Evolutionary Multi-objective Optimization with Interactive Evolutionary Computation‏‎ (2 Links)
  17. You Can’t Know my Mind: A Festival of Computational Creativity‏‎ (2 Links)
  18. The Evolution of Fun: Automatic Level Design Through Challenge Modeling‏‎ (2 Links)
  19. Selektion‏‎ (2 Links)
  20. Instance and System: a Figure and its 2^18 Variations‏‎ (2 Links)
  21. Edge Detection of Petrographic Images Using Genetic Programming‏‎ (2 Links)
  22. Evolving an Aircraft Using a Parametric Design System‏‎ (2 Links)
  23. MediaFlies – A Video and Audio Remixing Multi Agent System‏‎ (2 Links)
  24. Self Portraits with Mandelbrot Genetics‏‎ (2 Links)
  25. Computational Creativity Theory: Inspirations behind the FACE and the IDEA models‏‎ (2 Links)
  26. Painting with Flowsnakes‏‎ (2 Links)
  27. The Painting Fool Sees! New Projects with the Automated Painter‏‎ (2 Links)
  28. Computational Models of Surprise as a Mechanism for Evaluating Creative Design‏‎ (2 Links)
  29. Michael Witbrock‏‎ (2 Links)
  30. Interactive evolution of images‏‎ (2 Links)
  31. Gentropy: evolving 2D textures‏‎ (2 Links)
  32. Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica‏‎ (2 Links)
  33. Modelling Human Preference in Evolutionary Art‏‎ (2 Links)
  34. Pavimenta: A Photo Tiling Tool‏‎ (2 Links)
  35. Exploring a Parameterized Portrait Painting Space‏‎ (2 Links)
  36. The artist’s intentions and genetic coding in algorithmically generated drawings‏‎ (2 Links)
  37. The emergence of the representation of style in design‏‎ (2 Links)
  38. Motion Representation and Evolutionary Architectural Spaces‏‎ (2 Links)
  39. Space layout planning using an evolutionary approach‏‎ (2 Links)
  40. FaceSpace: A Facial Spatial-Domain Toolkit‏‎ (2 Links)
  41. Construction and intuition: Creativity in early computer art‏‎ (2 Links)
  42. A Computer Model for the Generation of Visual Compositions‏‎ (2 Links)
  43. Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering‏‎ (2 Links)
  44. Music Composition with Interactive Evolutionary Computation‏‎ (2 Links)
  45. A Fitness Function for Creativity in Jazz Improvisation and Beyond‏‎ (2 Links)
  46. Playing Music by Conducting BOID Agents - A Style of Interaction in the Life with A-Life‏‎ (2 Links)
  47. Establishing Appreciation In a Creative System‏‎ (2 Links)
  48. Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?‏‎ (2 Links)
  49. Creating New Informational Primitives in Minds and Machines‏‎ (2 Links)
  50. Style-aware Robust Color Transfer‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)