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Unten werden bis zu 50 Ergebnisse im Bereich 1.081 bis 1.130 angezeigt.

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  1. Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines‏‎ (2 Links)
  2. Improving the ranking quality of medical image retrieval using a genetic feature selection method‏‎ (2 Links)
  3. Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music‏‎ (2 Links)
  4. Computational Aesthetic Evaluation: Steps Towards Machine Creativity‏‎ (2 Links)
  5. You Can’t Know my Mind: A Festival of Computational Creativity‏‎ (2 Links)
  6. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Links)
  7. The Evolution of Fun: Automatic Level Design Through Challenge Modeling‏‎ (2 Links)
  8. Drawing as transformation: From Primary Geometry to Secondary Geometry‏‎ (2 Links)
  9. Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution‏‎ (2 Links)
  10. Semantic Operators for Evolutionary Art‏‎ (2 Links)
  11. Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach‏‎ (2 Links)
  12. Informational Aesthetics Measures‏‎ (2 Links)
  13. Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining‏‎ (2 Links)
  14. Bernd Lintermann‏‎ (2 Links)
  15. Passive Solar Building Design Using Genetic Programming TR‏‎ (2 Links)
  16. Interactive Evolutionary CAD System for MEMS Layout Synthesis‏‎ (2 Links)
  17. The Painting Fool Sees! New Projects with the Automated Painter‏‎ (2 Links)
  18. Genotyp‏‎ (2 Links)
  19. Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits‏‎ (2 Links)
  20. Exploring Persian Rug Design Using a Computational Evolutionary Approach‏‎ (2 Links)
  21. Mixed-Initiative Creative Drawing with webIconoscope‏‎ (2 Links)
  22. Computer-Kreativität‏‎ (2 Links)
  23. The artist’s intentions and genetic coding in algorithmically generated drawings‏‎ (2 Links)
  24. Computer Software for Measuring Creative Search‏‎ (2 Links)
  25. The emergence of the representation of style in design‏‎ (2 Links)
  26. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  27. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  28. Grammatical Evolution: Evolving Programs for an Arbitrary Language‏‎ (2 Links)
  29. Picasso, Pato and Perro: Reconciling Procedure with Creativity‏‎ (2 Links)
  30. Feature Extraction Languages and Visual Pattern Recognition‏‎ (2 Links)
  31. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  32. Playing in the Pheromone Playground: Experiences in Swarm Painting‏‎ (2 Links)
  33. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  34. Filterscape: Energy Recycling in a Creative Ecosystem‏‎ (2 Links)
  35. Stylized Reality‏‎ (2 Links)
  36. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  37. Evaluating Search Engine Relevance with Click-Based Metrics‏‎ (2 Links)
  38. Breeding on site‏‎ (2 Links)
  39. Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation‏‎ (2 Links)
  40. Trans - former 13: exploration and adaptation of evolution expressed in a dynamic sculpture‏‎ (2 Links)
  41. EvoSpace-Interactive: A Framework to Develop Distributed Collaborative-Interactive Evolutionary Algorithms for Artistic Design‏‎ (2 Links)
  42. Bubble Hierarchies‏‎ (2 Links)
  43. ArTbitrating JaVOX: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  44. Fractal expressionism - where art meets science‏‎ (2 Links)
  45. A Study on Context-based Evolutionary Building Design with animation software MAYA‏‎ (2 Links)
  46. Higher Level Techniques for the Artistic Rendering of Images and Video‏‎ (2 Links)
  47. Crooked Houses: Visualizing the Polychora with Hyperbolic Patchwork‏‎ (2 Links)
  48. Can a Computationally Creative System Create Itself? Creative Artefacts and Creative Processes‏‎ (2 Links)
  49. Frankensteinian Methods for Evolutionary Music Composition‏‎ (2 Links)
  50. How the Obscure Features Hypothesis Leads to Innovation Assistant Software‏‎ (2 Links)

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