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- Creatively Subverting Messages in Posters (2 Links)
- A Preference Optimization Based Unifying Framework for Supervised Learning Problems (2 Links)
- You Can’t Know my Mind: A Festival of Computational Creativity (2 Links)
- Fractal geometry describes the beauty of infinity in nature (2 Links)
- The Evolution of Fun: Automatic Level Design Through Challenge Modeling (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- Semantic Operators for Evolutionary Art (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (2 Links)
- Interactive Evolution for Designing Motion Variants (2 Links)
- Frayed Cell Diagrams (2 Links)
- Evolutionary Computation and Image Re-Coloring (2 Links)
- Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation (2 Links)
- Interactive Evolutionary Design in a Hierarchical Way (2 Links)
- From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation (2 Links)
- Passive Solar Building Design Using Genetic Programming TR (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- The Painting Fool Sees! New Projects with the Automated Painter (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers (2 Links)
- Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Interactive operators for evolutionary architectural design (2 Links)
- Model Proposal for a Constructed Artist (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Generating 3D Scenes in the style of Keith Haring (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- The artist’s intentions and genetic coding in algorithmically generated drawings (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Evolutionary design using grammatical evolution and shape grammars: Designing a shelter (2 Links)
- Introduction of Interactive Evolutionary Computation and Its Applications to CG Creativity (2 Links)
- Generating sub-resolution detail in images and volumes using constrained texture synthesis (2 Links)
- The emergence of the representation of style in design (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Picasso, Pato and Perro: Reconciling Procedure with Creativity (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Playing in the Pheromone Playground: Experiences in Swarm Painting (2 Links)
- Evolving Behaviour Trees for the Mario Bros Game Using Grammatical Evolution (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Evolving Glitch Art (2 Links)
- Stylized Reality (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Generative and Evolutionary Techniques for Building Envelope Design (2 Links)
- Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation (2 Links)
- Autonomy, Signature and Creativity (2 Links)
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