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- Complexity measures as a basis for mass customisation of novel designs (2 Links)
- Exact Aesthetics. Object and Scene to Message (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Exploiting open-endedness to solve problems through the search for novelty (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Playing Music by Conducting BOID Agents - A Style of Interaction in the Life with A-Life (2 Links)
- The artist’s intentions and genetic coding in algorithmically generated drawings (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Computational Aesthetics Conferences (2 Links)
- Style-aware Robust Color Transfer (2 Links)
- Exploring the Visual Styles of Arcade Game Assets (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Preconceptual Creativity (2 Links)
- The emergence of the representation of style in design (2 Links)
- Golan Levin (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Fashion Design Aid System with Application of Interactive Genetic Algorithms (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Enhancing Creativity with Niche Construction (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- New challenges for evolutionary music and art (2 Links)
- Computers can’t jump? A quantitative approach for studying creative leaps (2 Links)
- Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks (2 Links)
- Consequences for practical aesthetics and for aesthetical theory of the insertion of principles from quantum theory in cellular automata (2 Links)
- Non-Photorealistic Rendering of Portraits (2 Links)
- Rekombination (2 Links)
- Tuning of Image Parameters by Interactive Evolutionary Computation (2 Links)
- Biokunst (2 Links)
- Fractal geometry describes the beauty of infinity in nature (2 Links)
- Rendering artistic light patterns (2 Links)
- On-line Knowledge Embedding for Interactive EC-based Montage System (2 Links)
- Frayed Cell Diagrams (2 Links)
- Evolutionary Computation and Image Re-Coloring (2 Links)
- On Symmetry, Aesthetics and Quantifying Symmetrical Complexity (2 Links)
- Ideas and Tools in Material Space - an extended spatial model of creativity (2 Links)
- From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation (2 Links)
- SBEAT3: A tool for multi-part music composition by simulated breeding (2 Links)
- Using Physiological Signals to Evolve Art (2 Links)
- Schwarm Algorithmen (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
- Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers (2 Links)
- Variation (2 Links)
- Creative Search Trajectories and their Implications (2 Links)
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