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- Creative Generation of 3D Objects with Deep Learning and Innovation Engines (2 Links)
- Algorithmic randomness and physical entropy (2 Links)
- Knowledge-Level Creativity in Game Design (2 Links)
- What to Expect when you’re Expecting: The Role of Unexpectedness in Computationally Evaluating Creativity (2 Links)
- Higher-Order Functions in Aesthetic EC Encodings (2 Links)
- Organic visualisation of high-dimensional objects: exploration of a world of forms based on heart transform (2 Links)
- Alter EVO: an interactive evolutionary computation tool for instant architecture processing (2 Links)
- The Development of a Tool for the Preference Assessment of the Visual Aesthetics of an Object Using Interactive Genetic Algorithms (2 Links)
- Evolutionary Art Using Summed Multi-objective Ranks (2 Links)
- Self-design and ontogenetic evolution (2 Links)
- P3m1 Reference Implementation (2 Links)
- Semantic aware methods for evolutionary art (2 Links)
- Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models (2 Links)
- An Examination of Lamarckian Genetic Algorithms (2 Links)
- Learning Aggregation Operators for Preference Modeling (2 Links)
- Hypergraph-based Evolutionary Design System (2 Links)
- DESIGN OF DEVELOPABLE SURFACES AND THE APPLICATION OF THIN-WALLED DEVELOPABLE STRUCTURES (2 Links)
- An Implicit Surface Prototype for Evolving Human Figure Geometry (2 Links)
- Gegenständliche Kunst (2 Links)
- Identity SA 1.6 – An artistic software that produces a deformed audio-visual reflection based on a visually interactive swarm (2 Links)
- Evolutionary automated recognition and characterization of an individual's artistic style (2 Links)
- Image Filter Design with Interactive Evolutionary Computation (2 Links)
- Patternista: Learning Element Style Compatibility and Spatial Composition for Ring-based Layout Decoration (2 Links)
- An interactive system for solving inverse illumination problems using genetic algorithms (2 Links)
- Some Aspects of Analogical Reasoning in Mathematical Creativity (2 Links)
- A History of Creativity for Future AI Research (2 Links)
- Color Mixing using Colliding Particles (2 Links)
- Spatial complexity measure for characterising cellular automata generated 2D patterns (2 Links)
- A Method for Generating Phyliotaxis over Surfaces of Revolution (2 Links)
- Peter Weibel (2 Links)
- Evolving Approximate Image Filters (2 Links)
- Evolving Diverse Design Populations Using Fitness Sharing and Random Forest Based Fitness Approximation (2 Links)
- Stepping Back to Progress Forwards: Setting Standards for Meta-Evaluation of Computational Creativity (2 Links)
- Implementing an Intuitive Mutation Operator for Interactive Evolutionary 3D Design (2 Links)
- Digits that are not: Generating new types through deep neural nets (2 Links)
- The use of genetic programming for applications in the field of spatial composition (2 Links)
- Evolving Levels for Super Mario Bros Using Grammatical Evolution (2 Links)
- Improving face detection (2 Links)
- Distance-based functions for image comparison (2 Links)
- Composition in Perspectives (2 Links)
- Strategies for creating new informational primitives in minds and machines (2 Links)
- A Tool for Composing Short Music Pieces by Means of Breeding (2 Links)
- Incorporating characteristics of human creativity into an evolutionary art algorithm (2 Links)
- Arties: Meta-Design as Evolving Colonies of Artistic Agents (2 Links)
- Information aesthetics: an heroic experiment (2 Links)
- Preference Learning: An Introduction (2 Links)
- Dynamic Sketching: Simulating the Process of Observational Drawings (2 Links)
- Artificial Life, Death and Epidemics in Evolutionary, Generative Electronic Art (2 Links)
- Evolving for the Audience (2 Links)
- Procedural 3D Texture Synthesis Using Genetic Programming (2 Links)
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