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- Alessandro Re (3 Links)
- Feature selection based-on genetic algorithm for image annotation (3 Links)
- Random Discrete Colour Sampling (3 Links)
- Fitness functions for ant colony paintings (3 Links)
- Nicolas Monmarche (3 Links)
- A Breeding Tool for Abstract Animations and Its Applications (3 Links)
- Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students (3 Links)
- An Information-Theoretic Framework for Image Complexity (3 Links)
- Regularity and Randomness in Bridget Riley's early Op Art (3 Links)
- Evolution and Collective Intelligence of the Electric Sheep (3 Links)
- Building The Plotter - an Aesthetic Exploration with Drawing Robots (3 Links)
- On Nonlinear Perspectives in Science, Art and Nature (3 Links)
- Celtic Knots Colorization based on Color Harmony Principles (3 Links)
- Evolutionary Image Synthesis Using a Model of Aesthetics (3 Links)
- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Sam D. Verkoelen (3 Links)
- Evolutionary Search for the Artistic Rendering of Photographs (3 Links)
- David Glowacki (3 Links)
- Sebastian Hølt Bak (3 Links)
- What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity (3 Links)
- Manuel Muehlbauer (3 Links)
- Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings (3 Links)
- Generation and evaluation of artworks (3 Links)
- Inadvertent - Ars Accidentalis (3 Links)
- Evolutionary pointillist modules: evolving assemblages of 3D objects (3 Links)
- ColourVis: Exploring Colour Usage in Paintings Over Time (3 Links)
- Artificial life or surreal art? (3 Links)
- Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis (3 Links)
- Partially interactive evolutionary artists (3 Links)
- Interactive Evolution of Equations for Procedural Models (3 Links)
- DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations (3 Links)
- Miri Weiss Cohen (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Interpretation-driven Visual Association (3 Links)
- Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design (3 Links)
- The void series – generative art using regulatory genes (3 Links)
- Jim Smith (3 Links)
- Computer Generated Stereoscopic Artwork (3 Links)
- Eons of genetically evolved algorithmic images (3 Links)
- Supervised Genetic Search for Parameter Selection in Painterly Rendering (3 Links)
- Josh Bongard (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Fast Visualisation and Interactive Design of Deterministic Fractals (3 Links)
- Towards automated artificial evolution for computer-generated images (3 Links)
- Feature selection based on genetic algorithm for CBIR (3 Links)
- Breaking the Pixel Barrier (3 Links)
- How Did Humans Become So Creative? A Computational Approach (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Swarms on Stage – Swarm Simulations for Dance Performance (3 Links)
- Learning about Shadows from Artists (3 Links)
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