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- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Extracting the Essence from Sets of Images (3 Links)
- Manipulating artificial ecosystems (3 Links)
- On the development of evolutionary artificial artists (3 Links)
- Inference and Design in Kuba and Zillij Art with Shape Grammars (3 Links)
- Contrast Brushes: Interactive Image Enhancement by Direct Manipulation (3 Links)
- Yasser S. Arenas Rebolledo (3 Links)
- Evaluating Visual Aesthetics in Photographic Portraiture (3 Links)
- Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents (3 Links)
- The Mutation and growth of Art by Computers (3 Links)
- Simple Art as Abstractions of Photographs (3 Links)
- Cycles - Blending Natural and Artificial Properties in a Generative Artwork (3 Links)
- Morphable guidelines for the human head (3 Links)
- Software zur Evolutionären Kunst (3 Links)
- Changjun Hu (3 Links)
- Thomas Mitchell (3 Links)
- Philip Cardiff (3 Links)
- Straight away on Curved Spaces (3 Links)
- Determining an Aesthetic Inscribed Curve (3 Links)
- Evolved Ricochet Compositions (3 Links)
- Alessandro Re (3 Links)
- Generative Kunst (3 Links)
- Truth to Process – Evolutionary Art and the Aesthetics of Dynamism (3 Links)
- Nazanin Alsadat Tabatabaei Anaraki (3 Links)
- Computational Aesthetics 2013 (3 Links)
- R. Nabuurs (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Computational Game Creativity (3 Links)
- Leticia Cherchiglia (3 Links)
- Recursive Scene Graphs for Art and Design (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- Andrew Bishop (3 Links)
- Target Curves for Pick-up, Carry, and Drop Mobile Automata (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Nuno Duarte (3 Links)
- Richard Watson (3 Links)
- Image retrieval using heuristic approach and genetic algorithm (3 Links)
- Graph-based evolutionary art (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- What is generative art? complexity theory as a context for art theory (3 Links)
- In the Eye of the Beholder - Perception of Indeterminate Art (3 Links)
- Mats G. Nordahl (3 Links)
- Zipf’s law, music classification and aesthetics (3 Links)
- Artificial life or surreal art? (3 Links)
- Pannini: A New Projection for Rendering Wide Angle Perspective Images (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Catarina Maçãs (3 Links)
- Thoughts on Computational Creativity Position (3 Links)
- Philip F. Hingston (3 Links)
- Mutator: a subjective human interface for evolution of computer sculptures (3 Links)
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