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  1. Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation‏‎ (3 Links)
  2. Miri Weiss Cohen‏‎ (3 Links)
  3. Interpretation-driven Visual Association‏‎ (3 Links)
  4. Target Curves for Pick-up, Carry, and Drop Mobile Automata‏‎ (3 Links)
  5. On Generating Dot Paintings in the Style of Howard Arkley‏‎ (3 Links)
  6. Ant Paintings Based on the Seed Foraging Behavior of P. barbatus‏‎ (3 Links)
  7. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  8. SBArt4 as Automatic Art and Live Performance Tool‏‎ (3 Links)
  9. Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students‏‎ (3 Links)
  10. Evolution and Collective Intelligence of the Electric Sheep‏‎ (3 Links)
  11. Cycles - Blending Natural and Artificial Properties in a Generative Artwork‏‎ (3 Links)
  12. Changjun Hu‏‎ (3 Links)
  13. Evolutionary Image Synthesis Using a Model of Aesthetics‏‎ (3 Links)
  14. Evolutionary Search for the Artistic Rendering of Photographs‏‎ (3 Links)
  15. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  16. Generation and evaluation of artworks‏‎ (3 Links)
  17. Evolutionary pointillist modules: evolving assemblages of 3D objects‏‎ (3 Links)
  18. Determining an Aesthetic Inscribed Curve‏‎ (3 Links)
  19. Luigi C. Barone‏‎ (3 Links)
  20. Stipple Placement using Distance in a Weighted Graph‏‎ (3 Links)
  21. Computational Aesthetics 2013‏‎ (3 Links)
  22. Tieta Putri‏‎ (3 Links)
  23. Tilings of Sequences of Co-evolved Images‏‎ (3 Links)
  24. Alessandro Re‏‎ (3 Links)
  25. Procedural Generation of Surface Detail for Science Fiction Spaceships‏‎ (3 Links)
  26. Computational aesthetics based on gaze patterns‏‎ (3 Links)
  27. Mauro Castelli‏‎ (3 Links)
  28. Rajat Sodhi‏‎ (3 Links)
  29. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  30. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  31. Fast Techniques for Mosaic Rendering‏‎ (3 Links)
  32. Feature selection based-on genetic algorithm for image annotation‏‎ (3 Links)
  33. Contrast Brushes: Interactive Image Enhancement by Direct Manipulation‏‎ (3 Links)
  34. Fitness functions for ant colony paintings‏‎ (3 Links)
  35. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  36. Catarina Maçãs‏‎ (3 Links)
  37. Artificial life or surreal art?‏‎ (3 Links)
  38. Kyrre Glette‏‎ (3 Links)
  39. Co-evolutionary Methods in Evolutionary Art‏‎ (3 Links)
  40. Simulating artist and critic dynamics - an agent-based application of an evolutionary art system‏‎ (3 Links)
  41. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  42. Perceptual and Computational Categories in Art‏‎ (3 Links)
  43. Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection‏‎ (3 Links)
  44. Leonardo Vanneschi‏‎ (3 Links)
  45. Composite Digital Mosaics using Duotone Tiles‏‎ (3 Links)
  46. Images from Self-Occlusion‏‎ (3 Links)
  47. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  48. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  49. Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis‏‎ (3 Links)
  50. Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design‏‎ (3 Links)

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