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- Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design (3 Links)
- Interactive Modeling of Muqarnas (3 Links)
- Sketch Based Construction and Rendering of Implicit Models (3 Links)
- Pedro Martins (3 Links)
- The aMotion Toolkit: Painting with Affective Motion Textures (3 Links)
- Composite diffusion limited aggregation paintings (3 Links)
- Double Meandering Algorithm (3 Links)
- Movie Posters from Video by Example (3 Links)
- Jane Burry (3 Links)
- NEvAr – System Overview (3 Links)
- Toward Auvers Period: Evolution of van Gogh's Style (3 Links)
- Evolved Ricochet Compositions (3 Links)
- Rachel Costa (3 Links)
- Generative Kunst (3 Links)
- Ranking evaluation functions to improve genetic feature selection in content-based image retrieval of mammograms (3 Links)
- Learning How to Reinterpret Creative Problems (3 Links)
- Alessandro Re (3 Links)
- Relevance feedback based on genetic programming for image retrieval (3 Links)
- Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts (3 Links)
- Nuno Lourenço (3 Links)
- On Generating Dot Paintings in the Style of Howard Arkley (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- On understanding the search problem for image spaces (3 Links)
- The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution (3 Links)
- Andrew Bishop (3 Links)
- Graph-based evolutionary art (3 Links)
- Christoph Klemmt (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- Zbigniew Michalewicz (3 Links)
- Colm O’Riordan (3 Links)
- Serial Polar Transformation Motifs Revisited (3 Links)
- Complexism and the Role of Evolutionary Art (3 Links)
- Sketches by Paul the Robot (3 Links)
- Composition Principles for Quality Depiction and Aesthetics (3 Links)
- Artificial life or surreal art? (3 Links)
- Duotone Surfaces (3 Links)
- Phillip Tew (3 Links)
- The void series – generative art using regulatory genes (3 Links)
- Isabelle Mahnich (3 Links)
- Multilevel Computational Creativity (3 Links)
- Pictorial Analysis of Line-drawings (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Towards automated artificial evolution for computer-generated images (3 Links)
- Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design (3 Links)
- Kenneth O. Stanley (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- Rapid: Rating pictorial aesthetics using deep learning (3 Links)
- Swarms on Stage – Swarm Simulations for Dance Performance (3 Links)
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