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- Color dependent computational aesthetics for evolving expressions (3 Links)
- Luigi C. Barone (3 Links)
- Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design (3 Links)
- Simple Art as Abstractions of Photographs (3 Links)
- Composite diffusion limited aggregation paintings (3 Links)
- Double Meandering Algorithm (3 Links)
- Evolved Ricochet Compositions (3 Links)
- Software zur Evolutionären Kunst (3 Links)
- Generative Kunst (3 Links)
- Alessandro Re (3 Links)
- Mauro Castelli (3 Links)
- Philip Cardiff (3 Links)
- Straight away on Curved Spaces (3 Links)
- A Breeding Tool for Abstract Animations and Its Applications (3 Links)
- An Information-Theoretic Framework for Image Complexity (3 Links)
- Promoting creative design in interactive evolutionary computation (3 Links)
- Andrew Bishop (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Bradley Alexander (3 Links)
- Graph-based evolutionary art (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- Recursive Scene Graphs for Art and Design (3 Links)
- Nuno Duarte (3 Links)
- Richard Watson (3 Links)
- Kyrre Glette (3 Links)
- Artificial life or surreal art? (3 Links)
- The Aesthetics of the Underworld (3 Links)
- Christoph Klemmt (3 Links)
- Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Leonardo Vanneschi (3 Links)
- Colm O’Riordan (3 Links)
- The Evolution of Artistic Filters (3 Links)
- Pannini: A New Projection for Rendering Wide Angle Perspective Images (3 Links)
- Complexism and the Role of Evolutionary Art (3 Links)
- Images from Self-Occlusion (3 Links)
- Composition Principles for Quality Depiction and Aesthetics (3 Links)
- Implicit fitness functions for evolving a drawing robot (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- Duotone Surfaces (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Evolving Pop Art Using Scalable Vector Graphics (3 Links)
- Philip F. Hingston (3 Links)
- Stigmmetry Prints from Patterns of Circles (3 Links)
- Thesis: Accurate and Discernible Photocollages (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- Movie Posters from Video by Example (3 Links)
- Truth to Process – Evolutionary Art and the Aesthetics of Dynamism (3 Links)
- Rachel Costa (3 Links)
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