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- How Self-Similar are Artworks at Different Levels of Spatial Resolution? (3 Links)
- Contrast Brushes: Interactive Image Enhancement by Direct Manipulation (3 Links)
- Studying aesthetics in photographic images using a computational approach (3 Links)
- Power to the critics — A framework for the development of artificial art critics (3 Links)
- Suggestive Hatching (3 Links)
- Procedural Texture Evolution Using Multiobjective Optimization (3 Links)
- Evolutionary L-systems (3 Links)
- Alessandro Re (3 Links)
- Luigi C. Barone (3 Links)
- Cycles - Blending Natural and Artificial Properties in a Generative Artwork (3 Links)
- Random Discrete Colour Sampling (3 Links)
- Using genetic algorithm to improve information retrieval systems (3 Links)
- Changjun Hu (3 Links)
- Synthesis of sound effects for generative animation (3 Links)
- Nicolas Monmarche (3 Links)
- Viewpoint Quality: Measures and Applications (3 Links)
- Regularity and Randomness in Bridget Riley's early Op Art (3 Links)
- A Breeding Tool for Abstract Animations and Its Applications (3 Links)
- An Information-Theoretic Framework for Image Complexity (3 Links)
- Generative Art after Computers + artwork: TSP Analytics: solver (3 Links)
- Mauro Castelli (3 Links)
- Watercolor Illustrations of CAD Data (3 Links)
- Determining an Aesthetic Inscribed Curve (3 Links)
- On Nonlinear Perspectives in Science, Art and Nature (3 Links)
- Genetic-based approaches in ranking function discovery and optimization in information retrieval – a framework (3 Links)
- Genetic Paint: A Search for Salient Paintings (3 Links)
- Sam D. Verkoelen (3 Links)
- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Sebastian Hølt Bak (3 Links)
- Computational Aesthetics 2013 (3 Links)
- Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings (3 Links)
- Computational Game Creativity (3 Links)
- Partially interactive evolutionary artists (3 Links)
- Artificial life or surreal art? (3 Links)
- Thesis: Accurate and Discernible Photocollages (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Kyrre Glette (3 Links)
- Supervised Genetic Search for Parameter Selection in Painterly Rendering (3 Links)
- Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection (3 Links)
- Leonardo Vanneschi (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Catarina Maçãs (3 Links)
- Generating Knitting Patterns from a Sketch: a CSP Approach (3 Links)
- Images from Self-Occlusion (3 Links)
- Implicit fitness functions for evolving a drawing robot (3 Links)
- Co-evolutionary Methods in Evolutionary Art (3 Links)
- Non-stop Evolutionary Art You are Embedded in (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- The Aesthetics of the Underworld (3 Links)
- Revising the evolutionary computation abstraction: minimal criteria novelty search (3 Links)
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