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- Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice (3 Links)
- Abstract Overlays using a Transport Network Model (3 Links)
- Accurate and Discernible Photocollages (3 Links)
- Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition (3 Links)
- Learning How to Reinterpret Creative Problems (3 Links)
- Studying aesthetics in photographic images using a computational approach (3 Links)
- Power to the critics — A framework for the development of artificial art critics (3 Links)
- Suggestive Hatching (3 Links)
- Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts (3 Links)
- Procedural Texture Evolution Using Multiobjective Optimization (3 Links)
- Magnetism and Minimal Surfaces - a Different Tool for Surface Design (3 Links)
- Evolved Ricochet Compositions (3 Links)
- Random Discrete Colour Sampling (3 Links)
- Color dependent computational aesthetics for evolving expressions (3 Links)
- Nicolas Monmarche (3 Links)
- Generative Kunst (3 Links)
- Using genetic algorithm to improve information retrieval systems (3 Links)
- Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design (3 Links)
- Synthesis of sound effects for generative animation (3 Links)
- An Efficient Perception-based Adaptive Color to Gray Transformation (3 Links)
- Regularity and Randomness in Bridget Riley's early Op Art (3 Links)
- Non-stop Evolutionary Art You are Embedded in (3 Links)
- Composition Principles for Quality Depiction and Aesthetics (3 Links)
- An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images (3 Links)
- Revising the evolutionary computation abstraction: minimal criteria novelty search (3 Links)
- Duotone Surfaces (3 Links)
- The Aesthetics of the Underworld (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- Ant Paintings Based on the Seed Foraging Behavior of P. barbatus (3 Links)
- A Painterly Rendering Based on Stroke Profile and Database (3 Links)
- The Evolution of Artistic Filters (3 Links)
- Graph-based evolutionary art (3 Links)
- Isabelle Mahnich (3 Links)
- Multilevel Computational Creativity (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- Partially interactive evolutionary artists (3 Links)
- Bradley Alexander (3 Links)
- Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design (3 Links)
- Kenneth O. Stanley (3 Links)
- Thesis: Accurate and Discernible Photocollages (3 Links)
- Adapting models of visual aesthetics for personalized content creation (3 Links)
- Supervised Genetic Search for Parameter Selection in Painterly Rendering (3 Links)
- Aesthetic evolutionary design with data flow networks (3 Links)
- Christoph Klemmt (3 Links)
- Image Statistics for Clustering Paintings According to their Visual Appearance (3 Links)
- Aesthetics in Covariant Image Reconstruction (3 Links)
- Colm O’Riordan (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- Complexism and the Role of Evolutionary Art (3 Links)
- Evolving Pop Art Using Scalable Vector Graphics (3 Links)
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