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- NEvAr – System Overview (3 Links)
- Fitness functions for ant colony paintings (3 Links)
- Color dependent computational aesthetics for evolving expressions (3 Links)
- Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students (3 Links)
- A novel evolutionary approach for optimizing content-based image indexing algorithms (3 Links)
- Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design (3 Links)
- Truth to Process – Evolutionary Art and the Aesthetics of Dynamism (3 Links)
- Evolution and Collective Intelligence of the Electric Sheep (3 Links)
- Nazanin Alsadat Tabatabaei Anaraki (3 Links)
- Composite diffusion limited aggregation paintings (3 Links)
- R. Nabuurs (3 Links)
- Double Meandering Algorithm (3 Links)
- New directions for evolving expressions (3 Links)
- Learning How to Reinterpret Creative Problems (3 Links)
- Evolutionary Image Synthesis Using a Model of Aesthetics (3 Links)
- Nina Rask (3 Links)
- Evolutionary Search for the Artistic Rendering of Photographs (3 Links)
- Aesthetic Placement of Points Using Generalized Lloyd Relaxation (3 Links)
- Balancing Act: Variation and Utility in Evolutionary Art (3 Links)
- Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts (3 Links)
- Virtual Photograph Based Saliency Analysis of High Dynamic Range Images (3 Links)
- Generation and evaluation of artworks (3 Links)
- Aesthetics, Art, Evolution (3 Links)
- Evolutionary pointillist modules: evolving assemblages of 3D objects (3 Links)
- Aidan Breen (3 Links)
- What is generative art? complexity theory as a context for art theory (3 Links)
- Zipf’s law, music classification and aesthetics (3 Links)
- Bradley Alexander (3 Links)
- Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design (3 Links)
- Pannini: A New Projection for Rendering Wide Angle Perspective Images (3 Links)
- A Shape Grammar Study: Form Generation with Geometric Islamic Patterns (3 Links)
- Fast Visualisation and Interactive Design of Deterministic Fractals (3 Links)
- Philip F. Hingston (3 Links)
- Isabelle Mahnich (3 Links)
- Thoughts on Computational Creativity Position (3 Links)
- ArtiE-Fract: The Artist’s Viewpoint (3 Links)
- Multilevel Computational Creativity (3 Links)
- Christoph Klemmt (3 Links)
- Feature selection based on genetic algorithm for CBIR (3 Links)
- Stigmmetry Prints from Patterns of Circles (3 Links)
- Colm O’Riordan (3 Links)
- Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design (3 Links)
- Promoting creative design in interactive evolutionary computation (3 Links)
- Kenneth O. Stanley (3 Links)
- Complexism and the Role of Evolutionary Art (3 Links)
- Abstract Art from a Model for Cellular Morphogenesis (3 Links)
- Composition Principles for Quality Depiction and Aesthetics (3 Links)
- Duotone Surfaces (3 Links)
- Adding Lighting and Viewing Effects to Digital Images (3 Links)
- Recursive Scene Graphs for Art and Design (3 Links)
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