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- Regularity and Randomness in Bridget Riley's early Op Art (3 Links)
- Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts (3 Links)
- Building The Plotter - an Aesthetic Exploration with Drawing Robots (3 Links)
- Magnetism and Minimal Surfaces - a Different Tool for Surface Design (3 Links)
- On Nonlinear Perspectives in Science, Art and Nature (3 Links)
- Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice (3 Links)
- Celtic Knots Colorization based on Color Harmony Principles (3 Links)
- Abstract Overlays using a Transport Network Model (3 Links)
- What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity (3 Links)
- Evolved Ricochet Compositions (3 Links)
- Sam D. Verkoelen (3 Links)
- Accurate and Discernible Photocollages (3 Links)
- Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition (3 Links)
- David Glowacki (3 Links)
- Generative Kunst (3 Links)
- Sebastian Hølt Bak (3 Links)
- Informational Dialogue with Van Gogh's Paintings (3 Links)
- Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings (3 Links)
- ColourVis: Exploring Colour Usage in Paintings Over Time (3 Links)
- Interactive Modeling of Muqarnas (3 Links)
- Aesthetics in Covariant Image Reconstruction (3 Links)
- Partially interactive evolutionary artists (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations (3 Links)
- Isabelle Mahnich (3 Links)
- Multilevel Computational Creativity (3 Links)
- The void series – generative art using regulatory genes (3 Links)
- Graph-based evolutionary art (3 Links)
- An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- Computer Generated Stereoscopic Artwork (3 Links)
- Eons of genetically evolved algorithmic images (3 Links)
- Supervised Genetic Search for Parameter Selection in Painterly Rendering (3 Links)
- Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design (3 Links)
- Towards automated artificial evolution for computer-generated images (3 Links)
- Kenneth O. Stanley (3 Links)
- Ant Paintings Based on the Seed Foraging Behavior of P. barbatus (3 Links)
- A Painterly Rendering Based on Stroke Profile and Database (3 Links)
- Breaking the Pixel Barrier (3 Links)
- Swarms on Stage – Swarm Simulations for Dance Performance (3 Links)
- Symmetry Hybrids (3 Links)
- Using complexity estimates in aesthetic image classification (3 Links)
- Vic Ciesielksi (3 Links)
- Non-stop Evolutionary Art You are Embedded in (3 Links)
- Image Statistics for Clustering Paintings According to their Visual Appearance (3 Links)
- Revising the evolutionary computation abstraction: minimal criteria novelty search (3 Links)
- Customizing Aesthetics in Shared Immersive Virtual Environments (3 Links)
- DUOTONE SURFACES: DIVISION OF A CLOSED SURFACE INTO EXACTLY TWO REGIONS (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- Adapting models of visual aesthetics for personalized content creation (3 Links)
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