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  1. Evaluating Visual Aesthetics in Photographic Portraiture‏‎ (3 Links)
  2. Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents‏‎ (3 Links)
  3. Nazanin Alsadat Tabatabaei Anaraki‏‎ (3 Links)
  4. R. Nabuurs‏‎ (3 Links)
  5. An Interface for Fitness Function Design‏‎ (3 Links)
  6. New directions for evolving expressions‏‎ (3 Links)
  7. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  8. Recursive Scene Graphs for Art and Design‏‎ (3 Links)
  9. André Dias‏‎ (3 Links)
  10. Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection‏‎ (3 Links)
  11. Leonardo Vanneschi‏‎ (3 Links)
  12. Christoph Klemmt‏‎ (3 Links)
  13. Nuno Duarte‏‎ (3 Links)
  14. Richard Watson‏‎ (3 Links)
  15. Colm O’Riordan‏‎ (3 Links)
  16. Artificial Immune System Based Art‏‎ (3 Links)
  17. Evolved diffusion limited aggregation compositions‏‎ (3 Links)
  18. Images from Self-Occlusion‏‎ (3 Links)
  19. A generative remixing of music tracks based on an interactive swarm‏‎ (3 Links)
  20. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  21. Artistic Canvases for Gestural and Non-linear Typography‏‎ (3 Links)
  22. Complexism and the Role of Evolutionary Art‏‎ (3 Links)
  23. Composition Principles for Quality Depiction and Aesthetics‏‎ (3 Links)
  24. Evolving Pop Art Using Scalable Vector Graphics‏‎ (3 Links)
  25. Duotone Surfaces‏‎ (3 Links)
  26. Pannini: A New Projection for Rendering Wide Angle Perspective Images‏‎ (3 Links)
  27. Genr8: Architects’ Experience with an Emergent Design Tool‏‎ (3 Links)
  28. Adaptive image retrieval through the use of a genetic algorithm‏‎ (3 Links)
  29. Aesthetic 3D Model Evolution‏‎ (3 Links)
  30. Aesthetic Measures for Evolutionary Vase Design‏‎ (3 Links)
  31. Philip F. Hingston‏‎ (3 Links)
  32. Graph-based evolutionary art‏‎ (3 Links)
  33. Stigmmetry Prints from Patterns of Circles‏‎ (3 Links)
  34. Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation‏‎ (3 Links)
  35. Bradley Alexander‏‎ (3 Links)
  36. Promoting creative design in interactive evolutionary computation‏‎ (3 Links)
  37. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  38. Kyrre Glette‏‎ (3 Links)
  39. Andy Song‏‎ (3 Links)
  40. Learning How to Reinterpret Creative Problems‏‎ (3 Links)
  41. Celtic Knots Colorization based on Color Harmony Principles‏‎ (3 Links)
  42. Evolutionary Image Synthesis Using a Model of Aesthetics‏‎ (3 Links)
  43. Relevance feedback based on genetic programming for image retrieval‏‎ (3 Links)
  44. Anna Ursyn‏‎ (3 Links)
  45. Evolutionary Search for the Artistic Rendering of Photographs‏‎ (3 Links)
  46. Nuno Lourenço‏‎ (3 Links)
  47. David Glowacki‏‎ (3 Links)
  48. Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts‏‎ (3 Links)
  49. On Evolutionary Computer-Generated Art‏‎ (3 Links)
  50. Generation and evaluation of artworks‏‎ (3 Links)

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