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- Tilings of Sequences of Co-evolved Images (3 Links)
- I. Booij (3 Links)
- Expressions, Assemblages and Grammars (3 Links)
- Luís Pereira (3 Links)
- Image retrieval based on multi-feature similarity score fusion using genetic algorithm (3 Links)
- On the development of evolutionary artificial artists (3 Links)
- Feedback-guided Stroke Placement for a Painting Machine (3 Links)
- Manipulating artificial ecosystems (3 Links)
- Inference and Design in Kuba and Zillij Art with Shape Grammars (3 Links)
- Simple Art as Abstractions of Photographs (3 Links)
- Software zur Evolutionären Kunst (3 Links)
- Evolutionary L-systems (3 Links)
- Alessandro Re (3 Links)
- Morphable guidelines for the human head (3 Links)
- Philip Cardiff (3 Links)
- Straight away on Curved Spaces (3 Links)
- Mutator: a subjective human interface for evolution of computer sculptures (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Colm O’Riordan (3 Links)
- Julian Togelius (3 Links)
- Promoting creative design in interactive evolutionary computation (3 Links)
- Complexism and the Role of Evolutionary Art (3 Links)
- Andrew Bishop (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Composition Principles for Quality Depiction and Aesthetics (3 Links)
- Duotone Surfaces (3 Links)
- Recursive Scene Graphs for Art and Design (3 Links)
- Leticia Cherchiglia (3 Links)
- Nuno Duarte (3 Links)
- Richard Watson (3 Links)
- Artificial life or surreal art? (3 Links)
- Image retrieval using heuristic approach and genetic algorithm (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- In the Eye of the Beholder - Perception of Indeterminate Art (3 Links)
- Bradley Alexander (3 Links)
- Mats G. Nordahl (3 Links)
- Pannini: A New Projection for Rendering Wide Angle Perspective Images (3 Links)
- What is Complexism? Generative Art and the Cultures of Science and the Humanities (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Philip F. Hingston (3 Links)
- Christoph Klemmt (3 Links)
- Generating Knitting Patterns from a Sketch: a CSP Approach (3 Links)
- Stigmmetry Prints from Patterns of Circles (3 Links)
- An Interface for Fitness Function Design (3 Links)
- The aMotion Toolkit: Painting with Affective Motion Textures (3 Links)
- ColourVis: Exploring Colour Usage in Paintings Over Time (3 Links)
- Generative Art and Evolutionary Refinement (3 Links)
- Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation (3 Links)
- Rachel Costa (3 Links)
- Animating Persian Floral Patterns (3 Links)
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