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- Sebastian Hølt Bak (3 Links)
- Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings (3 Links)
- Inference and Design in Kuba and Zillij Art with Shape Grammars (3 Links)
- Computational Aesthetics 2013 (3 Links)
- Computational aesthetics based on gaze patterns (3 Links)
- The aMotion Toolkit: Painting with Affective Motion Textures (3 Links)
- Alessandro Re (3 Links)
- Morphable guidelines for the human head (3 Links)
- Extracting the Essence from Sets of Images (3 Links)
- A Breeding Tool for Abstract Animations and Its Applications (3 Links)
- An Information-Theoretic Framework for Image Complexity (3 Links)
- Studying aesthetics in photographic images using a computational approach (3 Links)
- Contrast Brushes: Interactive Image Enhancement by Direct Manipulation (3 Links)
- Toward Auvers Period: Evolution of van Gogh's Style (3 Links)
- Power to the critics — A framework for the development of artificial art critics (3 Links)
- Evaluating Visual Aesthetics in Photographic Portraiture (3 Links)
- Suggestive Hatching (3 Links)
- Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents (3 Links)
- Procedural Texture Evolution Using Multiobjective Optimization (3 Links)
- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Random Discrete Colour Sampling (3 Links)
- Nicolas Monmarche (3 Links)
- Cycles - Blending Natural and Artificial Properties in a Generative Artwork (3 Links)
- Using complexity estimates in aesthetic image classification (3 Links)
- Vic Ciesielksi (3 Links)
- Non-stop Evolutionary Art You are Embedded in (3 Links)
- Leticia Cherchiglia (3 Links)
- Artificial life or surreal art? (3 Links)
- Revising the evolutionary computation abstraction: minimal criteria novelty search (3 Links)
- Co-evolutionary Methods in Evolutionary Art (3 Links)
- Image retrieval using heuristic approach and genetic algorithm (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution (3 Links)
- Composite Digital Mosaics using Duotone Tiles (3 Links)
- In the Eye of the Beholder - Perception of Indeterminate Art (3 Links)
- Zbigniew Michalewicz (3 Links)
- Evolving Pop Art Using Scalable Vector Graphics (3 Links)
- Mats G. Nordahl (3 Links)
- Partially interactive evolutionary artists (3 Links)
- Computational Game Creativity (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- The void series – generative art using regulatory genes (3 Links)
- Graph-based evolutionary art (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Mutator: a subjective human interface for evolution of computer sculptures (3 Links)
- Supervised Genetic Search for Parameter Selection in Painterly Rendering (3 Links)
- Towards automated artificial evolution for computer-generated images (3 Links)
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