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- Evolving ambiguous images (2 Links)
- Investigating Face Space (2 Links)
- Evolving expressions and art by choice (2 Links)
- Ishihama Yoshiaki (2 Links)
- Why Simulate? Hybrid Biological-Digital Games (2 Links)
- Multiobjective Satisfaction within an Interactive Evolutionary Design Environment (2 Links)
- Auditory and Visual-based Signal Processing with Interactive Evolutionary Computation (2 Links)
- A unified information-theoretic framework for viewpoint selection and mesh saliency (2 Links)
- Zellij Multipuzzle (2 Links)
- Exploration and exploitation in evolutionary algorithms: a survey (2 Links)
- Automated evaluation and generation of graphic arrangements through adaptive evolution (2 Links)
- Computer-aided aesthetic evaluation of visual patterns (2 Links)
- No Free Lunch in the Search for Creativity (2 Links)
- Enriching Aesthetics with Artificial Life (2 Links)
- Automatic Programming in an Arbitrary Language: Evolving Programs with Grammatical Evolution (2 Links)
- Reduced Human Fatigue Interactive Evolutionary Computation for Micromachine Design (2 Links)
- Giving Colour to Images (2 Links)
- Erik J. Gustafson (2 Links)
- Exploring the effect of direction on vector-based fractals (2 Links)
- Face, Portrait, Mask - the Virtuality of the Synthetic Face (2 Links)
- Graph Grammars as a Representation for Interactive Evolutionary 3D Design (2 Links)
- Holger Ferstl (2 Links)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Bernd Lintermann (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- Scott Neil-Teilly (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- Learning Preference Models in Recommender Systems (2 Links)
- Ian Butterfield (2 Links)
- Learning to colour greyscale images (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- Creative Ecosystems 2009 (2 Links)
- Organized order in ornamentation (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- P4m Reference Implementation (2 Links)
- Image Warping for a Painterly Effect (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- Ludic Considerations of Tablet-Based Evo-Art (2 Links)
- An Examination on the Modularity of Grammars in Grammatical Evolutionary Design (2 Links)
- Painterly rendering using image salience (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- A Benchmark Image Set for Evaluating Stylization (2 Links)
- Toward genetic aesthetics: mutation of bio information and generative art system (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Evolutionary Design in Art (2 Links)
- A Fractal Approach Towards Visual Analogy (2 Links)
- From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations (2 Links)
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