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- Interactive evolution of dynamical systems (2 Links)
- Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results (2 Links)
- Before A Computer Can Draw, It Must First Learn To See (2 Links)
- Computer-aided aesthetic evaluation of visual patterns (2 Links)
- Teaching Evolutionary Design Systems by Extending Context Free (2 Links)
- Enriching Aesthetics with Artificial Life (2 Links)
- Aesthetics of Hand-Drawn and Computer-Generated Illustrations (2 Links)
- Texture-Aware ASCII Art Synthesis with Proportional Fonts (2 Links)
- Erik J. Gustafson (2 Links)
- Visual sensitivity analysis of parametric design models: improving agility in design (2 Links)
- Mosaic: Sketch-Based Interface for Creating Digital Decorative Mosaics (2 Links)
- Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines (2 Links)
- SBART2.4: Breeding 2D CG Images and Movies, and Creating a type of Collage (2 Links)
- SVM-based Sketch Recognition: Which Hyperparameter Interval to Try (2 Links)
- Ameisen Algorithmen (2 Links)
- 3-D CG lighting with an interactive GA (2 Links)
- Why Simulate? Hybrid Biological-Digital Games (2 Links)
- An Evolution-Based Generative Design System: Using Adaptation to Shape Architectural Form (2 Links)
- Search Strategies and the Creative Process (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- Organized order in ornamentation (2 Links)
- An Interactive Electronic Art System Based on Artificial Ecosystemics (2 Links)
- P4m Reference Implementation (2 Links)
- An approach to creating very large, high resolution artistic printed images (2 Links)
- Painterly rendering using image salience (2 Links)
- Creative Ecosystems 2009 (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Fractal geometry describes the beauty of infinity in nature (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Frayed Cell Diagrams (2 Links)
- Evolutionary Computation and Image Re-Coloring (2 Links)
- Architectural Innovation as an evolutionary process (2 Links)
- Ideas and Tools in Material Space - an extended spatial model of creativity (2 Links)
- From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- A Turing Test for Generative Art (2 Links)
- Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers (2 Links)
- Artificial Creative Systems: Completing the Creative Cycle (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Stepping stones in the mist (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- A comparative study of texture measures with classification based on feature distributions (2 Links)
- Live Coding Towards Computational Creativity (2 Links)
- Artificial Neural Network Spaces (2 Links)
- Generating 3D Scenes in the style of Keith Haring (2 Links)
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