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- Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines (2 Links)
- Can a Computationally Creative System Create Itself? Creative Artefacts and Creative Processes (2 Links)
- Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science (2 Links)
- Mosaic: Sketch-Based Interface for Creating Digital Decorative Mosaics (2 Links)
- Novelty-Seeking Multi-Agent System (2 Links)
- Curve, Draft, and Style: Three Steps to the Image (2 Links)
- Tatsu Unemi (2 Links)
- Casually Evolving Creative Technology Systems (2 Links)
- Reproduktion (2 Links)
- Art, emergence and the computational sublime (2 Links)
- Virtual Photography Using Multi-Objective Particle Swarm Optimization TR (2 Links)
- A Survey on Accelerating Evolutionary Computation Approaches (2 Links)
- ArtiE-Fract: Interactive Evolution of Fractals (2 Links)
- Chris Coyne (2 Links)
- On simulating drawing robots with straight line motion but curvilinear pen paths (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- On the Role of Temporary Storage in Interactive Evolution (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- The Authorship of Generative Art (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Searching for Surprise (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- X-Faces: The eXploit Is Out There (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- The Emergence of Social Learning in Artificial Societies (2 Links)
- The Evolving Role of the Artist (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Ästhetik (2 Links)
- Fractal geometry describes the beauty of infinity in nature (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Painting With Triangles (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- The Markov Pen: Online Synthesis of Free-Hand Drawing Styles (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Frayed Cell Diagrams (2 Links)
- The Painting Fool in New Dimensions (2 Links)
- Evolutionary Computation and Image Re-Coloring (2 Links)
- From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Ideas and Tools in Material Space - an extended spatial model of creativity (2 Links)
- The Virtual Ecosystem as Generative Electronic Art (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers (2 Links)
- The case for a mixed-initiative collaborative neuroevolution approach (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- Generating 3D Scenes in the style of Keith Haring (2 Links)
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