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  1. Alter EVO: an interactive evolutionary computation tool for instant architecture processing‏‎ (2 Links)
  2. Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science‏‎ (2 Links)
  3. Improving face detection‏‎ (2 Links)
  4. Novelty-Seeking Multi-Agent System‏‎ (2 Links)
  5. Reproduktion‏‎ (2 Links)
  6. Incorporating characteristics of human creativity into an evolutionary art algorithm‏‎ (2 Links)
  7. An Examination of Lamarckian Genetic Algorithms‏‎ (2 Links)
  8. Information aesthetics: an heroic experiment‏‎ (2 Links)
  9. Why Simulate? Hybrid Biological-Digital Games‏‎ (2 Links)
  10. Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity‏‎ (2 Links)
  11. SBArt4 for an Automatic Evolutionary Art‏‎ (2 Links)
  12. Design Space of Tiling Template‏‎ (2 Links)
  13. Interactive Evolutionary CAD System for MEMS Layout Synthesis‏‎ (2 Links)
  14. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  15. On the Role of Temporary Storage in Interactive Evolution‏‎ (2 Links)
  16. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  17. Evolutionary Learning and Stochastic Process Algebra‏‎ (2 Links)
  18. Searching for Surprise‏‎ (2 Links)
  19. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  20. Mixed-Initiative Creative Drawing with webIconoscope‏‎ (2 Links)
  21. GenJam in Transition: from Genetic Jammer to Generative Jammer‏‎ (2 Links)
  22. Disney Meets Darwin — The Evolution of Funny Animated Figures‏‎ (2 Links)
  23. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  24. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  25. Applicability of interactive evolutionary computation to mental health measurement‏‎ (2 Links)
  26. Semi-Automatic Digital Epigraphy from Images with Normals‏‎ (2 Links)
  27. Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings‏‎ (2 Links)
  28. Painting With Triangles‏‎ (2 Links)
  29. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)
  30. ArTbitrating: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  31. A Study of Image Colourfulness‏‎ (2 Links)
  32. Edge Detection of Petrographic Images Using Genetic Programming‏‎ (2 Links)
  33. Evolving Art Using Multiple Aesthetic Measures‏‎ (2 Links)
  34. Artificial Art Made by Artificial Ants‏‎ (2 Links)
  35. Computational Creativity Theory: Inspirations behind the FACE and the IDEA models‏‎ (2 Links)
  36. A closer look at creativity as search‏‎ (2 Links)
  37. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (2 Links)
  38. Artificial Life Meets Computational Creativity?‏‎ (2 Links)
  39. Computational Models of Surprise as a Mechanism for Evaluating Creative Design‏‎ (2 Links)
  40. A formal theory of creativity to model the creation of art‏‎ (2 Links)
  41. Evolving Line Drawings‏‎ (2 Links)
  42. Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem‏‎ (2 Links)
  43. A genetic engineering approach to genetic algorithms‏‎ (2 Links)
  44. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
  45. Time Beings : Quantum Beings for Art Exploration and Creation‏‎ (2 Links)
  46. State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video‏‎ (2 Links)
  47. A review on the application of evolutionary computation to information retrieval‏‎ (2 Links)
  48. Henry Rowley‏‎ (2 Links)
  49. Toward genetic aesthetics: mutation of bio information and generative art system‏‎ (2 Links)
  50. Steve Dipaola‏‎ (2 Links)

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