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- Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results (2 Links)
- Exploration and exploitation in evolutionary algorithms: a survey (2 Links)
- Using interactive evolutionary computation to generate creative building designs (2 Links)
- Auditory and Visual-based Signal Processing with Interactive Evolutionary Computation (2 Links)
- Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science (2 Links)
- Crooked Houses: Visualizing the Polychora with Hyperbolic Patchwork (2 Links)
- A unified information-theoretic framework for viewpoint selection and mesh saliency (2 Links)
- Novelty-Seeking Multi-Agent System (2 Links)
- Can a Computationally Creative System Create Itself? Creative Artefacts and Creative Processes (2 Links)
- Video Granular Synthesis (2 Links)
- Giving Colour to Images (2 Links)
- Reproduktion (2 Links)
- Curve, Draft, and Style: Three Steps to the Image (2 Links)
- Exploring the effect of direction on vector-based fractals (2 Links)
- Casually Evolving Creative Technology Systems (2 Links)
- Mosaic: Sketch-Based Interface for Creating Digital Decorative Mosaics (2 Links)
- Automated evaluation and generation of graphic arrangements through adaptive evolution (2 Links)
- Ten steps to make a perfect creative evolutionary design system (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- SBArt4 for an Automatic Evolutionary Art (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- On the Role of Temporary Storage in Interactive Evolution (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Searching for Surprise (2 Links)
- The Creative Mind: Myths and Mechanisms (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- You Can’t Know my Mind: A Festival of Computational Creativity (2 Links)
- Bernd Lintermann (2 Links)
- The Evolution of Fun: Automatic Level Design Through Challenge Modeling (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Painting With Triangles (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- The Painting Fool Sees! New Projects with the Automated Painter (2 Links)
- Evolutionary Design in Art (2 Links)
- An Examination on the Modularity of Grammars in Grammatical Evolutionary Design (2 Links)
- From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations (2 Links)
- Ideas and Tools in Material Space - an extended spatial model of creativity (2 Links)
- A Benchmark Image Set for Evaluating Stylization (2 Links)
- Evolutionary Image Transition Using Random Walks (2 Links)
- The artist’s intentions and genetic coding in algorithmically generated drawings (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- Evolutionary Synthesis of Micromachines Using Supervisory Multiobjective Interactive Evolutionary Computation (2 Links)
- The emergence of the representation of style in design (2 Links)
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