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- Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes (2 Links)
- ArtiE-Fract: Interactive Evolution of Fractals (2 Links)
- Interactive evolution of dynamical systems (2 Links)
- Patternista: Learning Element Style Compatibility and Spatial Composition for Ring-based Layout Decoration (2 Links)
- Computational beauty: Aesthetic judgment at the intersection of art and science (2 Links)
- The alphabet synthesis machine (2 Links)
- Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results (2 Links)
- Gentropy: evolving 2D textures (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Exploring a Parameterized Portrait Painting Space (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Construction and intuition: Creativity in early computer art (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- Stepping stones in the mist (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- Stimulating creative flow through computational feedback (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Pmm Reference Implementation (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- Stroke surfaces: Temporally coherent non-photorealistic animations from video (2 Links)
- Population (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Toward genetic aesthetics: mutation of bio information and generative art system (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Preference Learning and Ranking by Pairwise Comparison (2 Links)
- Creating New Informational Primitives in Minds and Machines (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- Creating tiling by means of 2D graphics applications (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Creative Evolutionary Systems (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Building Artistic Computer Colleagues with an Enactive Model of Creativity (2 Links)
- Quantum Art (2 Links)
- Creativity, emergence and evolution in design (2 Links)
- Neural style transfer: a paradigm shift for image-based artistic rendering? (2 Links)
- Ungegenständliche Kunst (2 Links)
- New IEC Research and Frameworks (2 Links)
- Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization (2 Links)
- Niall J. L. Griffith (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
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