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- Chris Coyne (2 Links)
- Mere Generation: Essential Barometer or Dated Concept? (2 Links)
- Interactive Evolutionary Computation with Evaluation Characteristics of Multi-IEC Users (2 Links)
- Database Design for Represent Genetic Information and Environment Impression in Architectural Design (2 Links)
- Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test (2 Links)
- Evolution of Animated Photomosaics (2 Links)
- Interactive evolution for industrial design (2 Links)
- Decision Chain Encoding: Evolutionary Design Optimization with Complex Constraints (2 Links)
- Evolution strategies - a comprehensive introduction (2 Links)
- Dependent Creativity: A Domain Independent Metric for the Assessment of Creative Artifacts (2 Links)
- Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric (2 Links)
- SBART2.4: Breeding 2D CG Images and Movies, and Creating a type of Collage (2 Links)
- Abstract Art by Shape Classification (2 Links)
- Design of Composite Image Filters Using Interactive Genetic Programming (2 Links)
- Automated collage generation — with intent (2 Links)
- Modular Line-Based Halftoning via Recursive Division (2 Links)
- SVM-based Sketch Recognition: Which Hyperparameter Interval to Try (2 Links)
- Combining Abstract Images using Texture Transfer (2 Links)
- Urban Evolution Analysis Method Using Self Organizing Dynamic Model (2 Links)
- Investigating Face Space (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Generating floor plan layouts with K-D tree algorithms and evolutionary strategies (2 Links)
- Organized order in ornamentation (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Evolutionary generation of faces (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- P4m Reference Implementation (2 Links)
- Evolutionäre Algorithmen (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Painterly rendering using image salience (2 Links)
- Evolved Aesthetic Analogies to Improve Artistic Experience (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- Evolving Assemblages of 3D Objects (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Generative Design: A Paradigm for Design Research (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- Genetic Algorithms for the Generation of Models with Micropopulations (2 Links)
- Holger Ferstl (2 Links)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Learning Preference Models in Recommender Systems (2 Links)
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