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- Visual Information Vases: Towards a Framework for Transmedia Creative Inspiration (2 Links)
- Information aesthetics: an heroic experiment (2 Links)
- Distance-based functions for image comparison (2 Links)
- Composition in Perspectives (2 Links)
- Visualized IEC: Interactive evolutionary computation with multidimensional data visualization (2 Links)
- Artistic Stylization of Images and Video (2 Links)
- Evolutionäre Musik (2 Links)
- MediaFlies – An Interactive Flocking Based Tool for the Remixing of Media (2 Links)
- Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test (2 Links)
- Interactive Evolution of L-System Grammars for Computer Graphics Modelling (2 Links)
- Dynamic Sketching: Simulating the Process of Observational Drawings (2 Links)
- Evolved look-up tables for simulated DNA controlled robots (2 Links)
- Metaheuristics for Genetic Optimal Design (2 Links)
- Generative Art Geometry. Logical interpretations for Generative Algorithms (2 Links)
- Projekte zur Evolutionären Kunst (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Generative Representations for Artificial Architecture and Passive Solar Performance TR (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Quantifying Creativity in Art Networks (2 Links)
- You Can’t Know my Mind: A Festival of Computational Creativity (2 Links)
- Generic Evolutionary Design (2 Links)
- The Evolution of Fun: Automatic Level Design Through Challenge Modeling (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- RANDOMNESS, (DIS)ORDER, AND GENERATIVITY (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Evolving an Aircraft Using a Parametric Design System (2 Links)
- Ranking Cases with Classification Rules (2 Links)
- Enhancing Creativity with Niche Construction (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- The Painting Fool Sees! New Projects with the Automated Painter (2 Links)
- Computers can’t jump? A quantitative approach for studying creative leaps (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Consequences for practical aesthetics and for aesthetical theory of the insertion of principles from quantum theory in cellular automata (2 Links)
- Gentropy: evolving 2D textures (2 Links)
- Representation and Mimesis in Generative Art: Creating Fifty Sisters (2 Links)
- The artist’s intentions and genetic coding in algorithmically generated drawings (2 Links)
- Exploring a Parameterized Portrait Painting Space (2 Links)
- Biokunst (2 Links)
- The emergence of the representation of style in design (2 Links)
- Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (2 Links)
- On Two Desiderata for Creativity Support Tools (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- On the Impact of Chat Communication on Computer-Supported Idea Generation Processes (2 Links)
- Henry Rowley (2 Links)
- Knowledge Discovery of Artistic Influences: A Metric Learning Approach (2 Links)
- How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity (2 Links)
- Creative Machine Performance: Computational Creativity and Robotic Art (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Label Ranking Algorithms: A Survey (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
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