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  1. Genetische Programmierung‏‎ (2 Links)
  2. Experimental Search for Order in the Code of Generated Drawings‏‎ (2 Links)
  3. Sparse fitness evaluation for reducing user burden in interactive genetic algorithm‏‎ (2 Links)
  4. Computational beauty: Aesthetic judgment at the intersection of art and science‏‎ (2 Links)
  5. Peter M. Hall Hall, Peter M.‏‎ (2 Links)
  6. Interwoven Islamic Geometric Patterns‏‎ (2 Links)
  7. Exploring Evolutionary Possibilities for Digital Doilies‏‎ (2 Links)
  8. Art-directed Watercolor Rendered Animation‏‎ (2 Links)
  9. The emergence of the representation of style in design‏‎ (2 Links)
  10. A Survey on ROC-based Ordinal Regression‏‎ (2 Links)
  11. Exploring component-based representations - the secret of creativity by evolution?‏‎ (2 Links)
  12. Picasso, Pato and Perro: Reconciling Procedure with Creativity‏‎ (2 Links)
  13. Extending grammatical evolution to evolve digital surfaces with genr8‏‎ (2 Links)
  14. Playing in the Pheromone Playground: Experiences in Swarm Painting‏‎ (2 Links)
  15. Grammar-based Genetic Programming: A Survey‏‎ (2 Links)
  16. A cybernetic approach to aesthetics‏‎ (2 Links)
  17. Construction and intuition: Creativity in early computer art‏‎ (2 Links)
  18. Artificial ecosystems for creative discovery‏‎ (2 Links)
  19. Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value‏‎ (2 Links)
  20. Stylized Reality‏‎ (2 Links)
  21. Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation‏‎ (2 Links)
  22. Assessing Progress in Building Autonomously Creative Systems‏‎ (2 Links)
  23. A preliminary investigation of evolution as a form design strategy‏‎ (2 Links)
  24. Creating New Informational Primitives in Minds and Machines‏‎ (2 Links)
  25. Automated Collage Generation - With More Intent 2011‏‎ (2 Links)
  26. Quantifying Creativity in Art Networks‏‎ (2 Links)
  27. Creating tiling by means of 2D graphics applications‏‎ (2 Links)
  28. Tuning of Image Parameters by Interactive Evolutionary Computation‏‎ (2 Links)
  29. Henry Rowley‏‎ (2 Links)
  30. RANDOMNESS, (DIS)ORDER, AND GENERATIVITY‏‎ (2 Links)
  31. Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI‏‎ (2 Links)
  32. Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence‏‎ (2 Links)
  33. Knowledge Discovery of Artistic Influences: A Metric Learning Approach‏‎ (2 Links)
  34. Creative Evolutionary Systems‏‎ (2 Links)
  35. Automatic Mineral Identification Using Genetic Programming‏‎ (2 Links)
  36. Ranking Cases with Classification Rules‏‎ (2 Links)
  37. Building Artistic Computer Colleagues with an Enactive Model of Creativity‏‎ (2 Links)
  38. Creativity, emergence and evolution in design‏‎ (2 Links)
  39. How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity‏‎ (2 Links)
  40. Label Ranking Algorithms: A Survey‏‎ (2 Links)
  41. Automatic invention of fitness functions with application to scene generation‏‎ (2 Links)
  42. Hybrid Biological-Digital Systems in Artistic and Entertainment Computing‏‎ (2 Links)
  43. Learning Comparative User Models for Accelerating Human-Computer Collaborative Search‏‎ (2 Links)
  44. Autonomy, Signature and Creativity‏‎ (2 Links)
  45. Using Physiological Signals to Evolve Art‏‎ (2 Links)
  46. DESIGN ARCHITECTURE BY GENETIC ALGORITHM‏‎ (2 Links)
  47. Representation and Mimesis in Generative Art: Creating Fifty Sisters‏‎ (2 Links)
  48. Daniel Shiffman‏‎ (2 Links)
  49. Evolutionary Learning and Stochastic Process Algebra‏‎ (2 Links)
  50. Line-Based Rendering with Truchet-Like Tiles‏‎ (2 Links)

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