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  1. Improving Pareto optimal designs using genetic algorithms‏‎ (2 Links)
  2. Algorithmic randomness and physical entropy‏‎ (2 Links)
  3. Teaching Evolutionary Design Systems by Extending Context Free‏‎ (2 Links)
  4. Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science‏‎ (2 Links)
  5. Visual Hallucination For Computational Creation‏‎ (2 Links)
  6. Novelty and figurative expression-based evolutionary art‏‎ (2 Links)
  7. Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007‏‎ (2 Links)
  8. Fashion Design Aid System with Application of Interactive Genetic Algorithms‏‎ (2 Links)
  9. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  10. Chinese pattern design using generative shape grammar‏‎ (2 Links)
  11. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  12. Instance and System: a Figure and its 2^18 Variations‏‎ (2 Links)
  13. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  14. SBArt4 for an Automatic Evolutionary Art‏‎ (2 Links)
  15. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  16. MediaFlies – A Video and Audio Remixing Multi Agent System‏‎ (2 Links)
  17. Deepland, a Travel through many Dimensions‏‎ (2 Links)
  18. On the Role of Temporary Storage in Interactive Evolution‏‎ (2 Links)
  19. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  20. Michael Witbrock‏‎ (2 Links)
  21. Interactive evolution of images‏‎ (2 Links)
  22. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  23. Searching for Surprise‏‎ (2 Links)
  24. Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica‏‎ (2 Links)
  25. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  26. Developmental modelling with SDS‏‎ (2 Links)
  27. Modelling Human Preference in Evolutionary Art‏‎ (2 Links)
  28. Fractal geometry describes the beauty of infinity in nature‏‎ (2 Links)
  29. Dimension Reduction for Object Ranking‏‎ (2 Links)
  30. Complexity measures as a basis for mass customisation of novel designs‏‎ (2 Links)
  31. Semi-Automatic Digital Epigraphy from Images with Normals‏‎ (2 Links)
  32. Motion Representation and Evolutionary Architectural Spaces‏‎ (2 Links)
  33. Painting With Triangles‏‎ (2 Links)
  34. Applicability of interactive evolutionary computation to mental health measurement‏‎ (2 Links)
  35. Frayed Cell Diagrams‏‎ (2 Links)
  36. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  37. Evolutionary Computation and Image Re-Coloring‏‎ (2 Links)
  38. Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering‏‎ (2 Links)
  39. ArTbitrating: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  40. From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation‏‎ (2 Links)
  41. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  42. A Study of Image Colourfulness‏‎ (2 Links)
  43. Music Composition with Interactive Evolutionary Computation‏‎ (2 Links)
  44. Computational Aesthetics Conferences‏‎ (2 Links)
  45. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)
  46. Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers‏‎ (2 Links)
  47. Artificial Art Made by Artificial Ants‏‎ (2 Links)
  48. A closer look at creativity as search‏‎ (2 Links)
  49. Artificial Life Meets Computational Creativity?‏‎ (2 Links)
  50. Generating 3D Scenes in the style of Keith Haring‏‎ (2 Links)

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