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- Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes (2 Links)
- Stepping Back to Progress Forwards: Setting Standards for Meta-Evaluation of Computational Creativity (2 Links)
- MovieGene: Evolutionary Video Production Based on Genetic Algorithms and Cinematic Properties (2 Links)
- Theory of Complexity (2 Links)
- Is Evolution Creative? (2 Links)
- Evaluation of Sequential, Multi-objective, and Parallel Interactive Genetic Algorithms for Multi-objective Floor Plan Optimisation (2 Links)
- Creating and rendering convolution surfaces (2 Links)
- Flowsnake Earth (2 Links)
- Strategies for creating new informational primitives in minds and machines (2 Links)
- Music by Interaction among Two Flocking Species and Human (2 Links)
- Creative Ecosystems in Computational Creativity 2007 (2 Links)
- Art, emergence and the computational sublime (2 Links)
- Preference Learning: An Introduction (2 Links)
- A Survey on Accelerating Evolutionary Computation Approaches (2 Links)
- John Mount (2 Links)
- ArtiE-Fract: Interactive Evolution of Fractals (2 Links)
- Procedural 3D Texture Synthesis Using Genetic Programming (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Quantum Art (2 Links)
- DESIGN ARCHITECTURE BY GENETIC ALGORITHM (2 Links)
- Neural style transfer: a paradigm shift for image-based artistic rendering? (2 Links)
- Henry Rowley (2 Links)
- Evolutionary Design in Art (2 Links)
- Knowledge Discovery of Artistic Influences: A Metric Learning Approach (2 Links)
- Daniel Shiffman (2 Links)
- New IEC Research and Frameworks (2 Links)
- From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Ungegenständliche Kunst (2 Links)
- Evolutionary Image Transition Using Random Walks (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Niall J. L. Griffith (2 Links)
- How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity (2 Links)
- Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization (2 Links)
- Evolutionary Synthesis of Micromachines Using Supervisory Multiobjective Interactive Evolutionary Computation (2 Links)
- Label Ranking Algorithms: A Survey (2 Links)
- Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity (2 Links)
- Hybrid Biological-Digital Systems in Artistic and Entertainment Computing (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- Reducing Human Fatigue in Interactive Evolutionary Computation through Fuzzy Systems and Machine Learning Systems (2 Links)
- Learning Comparative User Models for Accelerating Human-Computer Collaborative Search (2 Links)
- Design Space of Tiling Template (2 Links)
- Generating Artwork Using Previous Created Image as Coloring Palette (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Evolutionary shape grammars for product design (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- Line-Based Rendering with Truchet-Like Tiles (2 Links)
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