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Unten werden bis zu 50 Ergebnisse im Bereich 681 bis 730 angezeigt.
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- On simulating drawing robots with straight line motion but curvilinear pen paths (2 Links)
- On the Role of Metaphor in Creative Cognition (2 Links)
- Evolving Artistic Styles through Visual Dialogues (2 Links)
- Why Simulate? Hybrid Biological-Digital Games (2 Links)
- Disney Meets Darwin — The Evolution of Funny Animated Figures (2 Links)
- Implementation and Evaluation of an IEC-Based 3D Modeling System (2 Links)
- Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
- Genetic Algorithms for the Generation of Models with Micropopulations (2 Links)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (2 Links)
- Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007 (2 Links)
- A Fitness Function for Creativity in Jazz Improvisation and Beyond (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Edge Detection of Petrographic Images Using Genetic Programming (2 Links)
- Painting With Triangles (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- Computational Creativity Theory: Inspirations behind the FACE and the IDEA models (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- A Meme-Based Architecture for Modeling Creativity (2 Links)
- Computational Models of Surprise as a Mechanism for Evaluating Creative Design (2 Links)
- Genotyp (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- A Novel Human-Computer Collaboration: Combining Novelty Search with Interactive Evolution (2 Links)
- Michael Witbrock (2 Links)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (2 Links)
- Interactive evolution of images (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- A Preference Optimization Based Unifying Framework for Supervised Learning Problems (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Grammatical Evolution: Evolving Programs for an Arbitrary Language (2 Links)
- State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video (2 Links)
- Construction and intuition: Creativity in early computer art (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Steve Dipaola (2 Links)
- Feature Extraction Languages and Visual Pattern Recognition (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Stippling with Aerial Robots (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Filterscape: Energy Recycling in a Creative Ecosystem (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- Evaluating Search Engine Relevance with Click-Based Metrics (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Toward genetic aesthetics: mutation of bio information and generative art system (2 Links)
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