Seit längerem unbearbeitete Seiten
Unten werden bis zu 50 Ergebnisse im Bereich 721 bis 770 angezeigt.
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
- A generative remixing of music tracks based on an interactive swarm (21:58, 18. Jan. 2015)
- Identity SA 1.6 – An artistic software that produces a deformed audio-visual reflection based on a visually interactive swarm (22:00, 18. Jan. 2015)
- Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space (19:41, 19. Jan. 2015)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (19:51, 19. Jan. 2015)
- A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels (20:04, 19. Jan. 2015)
- Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science (20:07, 19. Jan. 2015)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (20:10, 19. Jan. 2015)
- Exploring a Parameterized Portrait Painting Space (20:16, 19. Jan. 2015)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (20:19, 19. Jan. 2015)
- Darwin’s Enduring Legacy – Images of computational evolution of creativity research (20:22, 19. Jan. 2015)
- Computationally Rendered Painterly Portrait Spaces (20:24, 19. Jan. 2015)
- A Knowledge Based Approach to Modeling Portrait Painting Methodology (20:26, 19. Jan. 2015)
- Face Modeling and Animation Language for MPEG-4 XMT Framework (20:40, 19. Jan. 2015)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (20:42, 19. Jan. 2015)
- Evolving Portrait Painter Programs using Genetic Programming to Explore Computer Creativity (20:45, 19. Jan. 2015)
- Artificial Intelligence Systems in New Media Art and Design (20:47, 19. Jan. 2015)
- Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function (20:49, 19. Jan. 2015)
- Face, Portrait, Mask - the Virtuality of the Synthetic Face (20:51, 19. Jan. 2015)
- Investigating Face Space (20:53, 19. Jan. 2015)
- FaceSpace: A Facial Spatial-Domain Toolkit (20:54, 19. Jan. 2015)
- Extending the Range of Facial Types (20:57, 19. Jan. 2015)
- Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007 (21:01, 19. Jan. 2015)
- How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity (21:13, 19. Jan. 2015)
- CGP, Creativity and Art (16:12, 20. Jan. 2015)
- Steve DiPaola (16:29, 20. Jan. 2015)
- Hideyuki Takagi (17:16, 20. Jan. 2015)
- Karl Sims (17:53, 20. Jan. 2015)
- Matthew Lewis (11:57, 22. Jan. 2015)
- David Augustus Hart (15:58, 22. Jan. 2015)
- Generic Evolutionary Design (17:14, 22. Jan. 2015)
- Peter J. Bentley (17:14, 22. Jan. 2015)
- Una-May O'Reilly (17:17, 22. Jan. 2015)
- Scott Draves (20:30, 23. Jan. 2015)
- Tatsuo Unemi (12:30, 24. Jan. 2015)
- Generative Art Geometry. Logical interpretations for Generative Algorithms (21:44, 24. Jan. 2015)
- Visual Liquidizer or Virtual Merge (22:21, 24. Jan. 2015)
- Visual deformation by swarm – a technique for virtual liquidization of objects + Visual Liquidizer or Virtual Merge (22:24, 24. Jan. 2015)
- Artificial Drawing + Unity (22:30, 24. Jan. 2015)
- RANDOMNESS, (DIS)ORDER, AND GENERATIVITY (22:33, 24. Jan. 2015)
- Stochastic Generative Image Model Contributes to MRI Artistic Judgment Aptitude Validation (22:39, 24. Jan. 2015)
- Generative Visual Identities. New scenarios in corporate identity (22:42, 24. Jan. 2015)
- Toward genetic aesthetics: mutation of bio information and generative art system (22:46, 24. Jan. 2015)
- Generative Art 2014 (22:52, 24. Jan. 2015)
- Craig S. Kaplan (13:16, 25. Jan. 2015)
- Computer Graphics and Geometric Ornamental Design (22:31, 25. Jan. 2015)
- Bubbles and Tilings: Art and Mathematics (14:29, 27. Jan. 2015)
- The Planar Space Groups of Mamluk Patterns (14:34, 27. Jan. 2015)
- The Art of Random Fractals (14:38, 27. Jan. 2015)
- Some Hyperbolic Fractal Tilings (14:43, 27. Jan. 2015)
- Recursive Rosettes (14:47, 27. Jan. 2015)
Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)
