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- Karl Gerbel (2 Links)
- Generative Design: A Paradigm for Design Research (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Genetic Algorithms for the Generation of Models with Micropopulations (2 Links)
- Quantum Art (2 Links)
- Computer-Kreativität (2 Links)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (2 Links)
- Neural style transfer: a paradigm shift for image-based artistic rendering? (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Computer Software for Measuring Creative Search (2 Links)
- New IEC Research and Frameworks (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- HyperRogue: Playing with Hyperbolic Geometry (2 Links)
- Niall J. L. Griffith (2 Links)
- Learning Lexicographic Preference Models (2 Links)
- Hyperspectral Image Analysis Using Genetic Programming 2005 (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Learning of Rule Ensembles for Multiple Attribute Ranking Problems (2 Links)
- Genotyp (2 Links)
- Reducing Human Fatigue in Interactive Evolutionary Computation through Fuzzy Systems and Machine Learning Systems (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Breeding on site (2 Links)
- Low-complexity art (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Grammatical Evolution: Evolving Programs for an Arbitrary Language (2 Links)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Maintaining Population Diversity in Evolutionary Art (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Creative Computers, Improvisation and Intimacy (2 Links)
- Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space Models (2 Links)
- Feature Extraction Languages and Visual Pattern Recognition (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Scott Neil-Teilly (2 Links)
- Creative Web Services with Pattern (2 Links)
- Filterscape: Energy Recycling in a Creative Ecosystem (2 Links)
- CGP, Creativity and Art (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- In Praise of Evolution and Opacity (2 Links)
- Evaluating Search Engine Relevance with Click-Based Metrics (2 Links)
- Induction Design: A Method for Evolutionary Design (2 Links)
- Organized order in ornamentation (2 Links)
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