Seiten mit den meisten Links

Unten werden bis zu 50 Ergebnisse im Bereich 801 bis 850 angezeigt.

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801. Evolving expressions and art by choice‏‎ (2 Links)
802. Non-Realistic 3D Object Stylization‏‎ (2 Links)
803. Interwoven Islamic Geometric Patterns‏‎ (2 Links)
804. Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes‏‎ (2 Links)
805. An Examination of Lamarckian Genetic Algorithms‏‎ (2 Links)
806. Computational Creativity Theory: The FACE and IDEA Descriptive Models‏‎ (2 Links)
807. MovieGene: Evolutionary Video Production Based on Genetic Algorithms and Cinematic Properties‏‎ (2 Links)
808. Is Evolution Creative?‏‎ (2 Links)
809. Embedding movie into SBART – breeding deformed movies‏‎ (2 Links)
810. An Implicit Surface Prototype for Evolving Human Figure Geometry‏‎ (2 Links)
811. Exploration and exploitation in evolutionary algorithms: a survey‏‎ (2 Links)
812. The use of genetic programming for applications in the field of spatial composition‏‎ (2 Links)
813. Music by Interaction among Two Flocking Species and Human‏‎ (2 Links)
814. Giving Colour to Images‏‎ (2 Links)
815. Exploring the effect of direction on vector-based fractals‏‎ (2 Links)
816. SEURAT: robotic painter‏‎ (2 Links)
817. On the Future of Computers and Creativity‏‎ (2 Links)
818. John Mount‏‎ (2 Links)
819. An interactive system for solving inverse illumination problems using genetic algorithms‏‎ (2 Links)
820. Face, Portrait, Mask - the Virtuality of the Synthetic Face‏‎ (2 Links)
821. A History of Creativity for Future AI Research‏‎ (2 Links)
822. Graph Grammars as a Representation for Interactive Evolutionary 3D Design‏‎ (2 Links)
823. Consensual Paintings‏‎ (2 Links)
824. A Method for Generating Phyliotaxis over Surfaces of Revolution‏‎ (2 Links)
825. Towards a model for artificial aesthetics‏‎ (2 Links)
826. Keith Wiley‏‎ (2 Links)
827. Self-Assembling Dynamical Hierarchies‏‎ (2 Links)
828. Knowledge-Level Creativity in Game Design‏‎ (2 Links)
829. Higher-Order Functions in Aesthetic EC Encodings‏‎ (2 Links)
830. Evaluation of Sequential, Multi-objective, and Parallel Interactive Genetic Algorithms for Multi-objective Floor Plan Optimisation‏‎ (2 Links)
831. Flowsnake Earth‏‎ (2 Links)
832. Sensitivity analysis applied to decision making in multiobjective evolutionary optimization‏‎ (2 Links)
833. Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure‏‎ (2 Links)
834. A Tool for Composing Short Music Pieces by Means of Breeding‏‎ (2 Links)
835. Swarm Painting Atelier‏‎ (2 Links)
836. Arties: Meta-Design as Evolving Colonies of Artistic Agents‏‎ (2 Links)
837. Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models‏‎ (2 Links)
838. Swarmic Sketches and Attention Mechanism‏‎ (2 Links)
839. Passive Solar Building Design Using Genetic Programming‏‎ (2 Links)
840. Learning Aggregation Operators for Preference Modeling‏‎ (2 Links)
841. Artificial Life, Death and Epidemics in Evolutionary, Generative Electronic Art‏‎ (2 Links)
842. Hypergraph-based Evolutionary Design System‏‎ (2 Links)
843. Creative Agency: A Clearer Goal for Artificial Life in the Arts‏‎ (2 Links)
844. Identity SA 1.6 – An artistic software that produces a deformed audio-visual reflection based on a visually interactive swarm‏‎ (2 Links)
845. Creative Generation of 3D Objects with Deep Learning and Innovation Engines‏‎ (2 Links)
846. Image Filter Design with Interactive Evolutionary Computation‏‎ (2 Links)
847. Evolutionary Architectural Design using Grammatical Evolution and Shape Grammars: A Single Person Shelter Design Challenge‏‎ (2 Links)
848. Sparse fitness evaluation for reducing user burden in interactive genetic algorithm‏‎ (2 Links)
849. Evolutionary Design by Computers‏‎ (2 Links)
850. Peter M. Hall Hall, Peter M.‏‎ (2 Links)

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