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- Giving Colour to Images (2 Links)
- Is it Time for Computational Creativity to Grow Up and Start Being Irresponsible? (2 Links)
- P3m1 Reference Implementation (2 Links)
- Exploring the effect of direction on vector-based fractals (2 Links)
- Semantic aware methods for evolutionary art (2 Links)
- Face, Portrait, Mask - the Virtuality of the Synthetic Face (2 Links)
- Graph Grammars as a Representation for Interactive Evolutionary 3D Design (2 Links)
- Art, emergence and the computational sublime (2 Links)
- A Survey on Accelerating Evolutionary Computation Approaches (2 Links)
- ArtiE-Fract: Interactive Evolution of Fractals (2 Links)
- Patternista: Learning Element Style Compatibility and Spatial Composition for Ring-based Layout Decoration (2 Links)
- Ecosystemic methods for creative domains: niche construction and boundary formation (2 Links)
- Some Aspects of Analogical Reasoning in Mathematical Creativity (2 Links)
- Evaluation of Sequential, Multi-objective, and Parallel Interactive Genetic Algorithms for Multi-objective Floor Plan Optimisation (2 Links)
- Artistic Stylization of Images and Video (2 Links)
- Flowsnake Earth (2 Links)
- Spatial complexity measure for characterising cellular automata generated 2D patterns (2 Links)
- Computational Creativity Infrastructure for Online Software Composition: A Conceptual Blending Use Case (2 Links)
- Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test (2 Links)
- Peter Weibel (2 Links)
- Higher Level Techniques for the Artistic Rendering of Images and Video (2 Links)
- Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes (2 Links)
- The use of genetic programming for applications in the field of spatial composition (2 Links)
- How the Obscure Features Hypothesis Leads to Innovation Assistant Software (2 Links)
- Stepping Back to Progress Forwards: Setting Standards for Meta-Evaluation of Computational Creativity (2 Links)
- Computational beauty: Aesthetic judgment at the intersection of art and science (2 Links)
- Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric (2 Links)
- Abstract Art by Shape Classification (2 Links)
- Computer-Ästhetik (2 Links)
- Automated collage generation — with intent (2 Links)
- Entropie (2 Links)
- Strategies for creating new informational primitives in minds and machines (2 Links)
- Evolutionary Architectural Design using Grammatical Evolution and Shape Grammars: A Single Person Shelter Design Challenge (2 Links)
- Learning and reusing information in space layout problems using genetic engineering (2 Links)
- Evolutionary Design by Computers (2 Links)
- Leonel Moura (2 Links)
- Preference Learning: An Introduction (2 Links)
- Adding Dynamics to Sketch-based Character Animations (2 Links)
- Procedural 3D Texture Synthesis Using Genetic Programming (2 Links)
- Towards a model for artificial aesthetics (2 Links)
- Aesthetic 3D Model Evolution 2013 (2 Links)
- Autonomously Managing Competing Objectives to Improve the Creation and Curation of Artifacts (2 Links)
- Logic-based Genetic Programming with Definite Clause Translation Grammars (2 Links)
- Generating Apt Metaphor Ideas for Pictorial Advertising (2 Links)
- Evolutionary exploration of Complex Fractals (2 Links)
- Swarm Painting Atelier (2 Links)
- Importance-Driven Focus of Attention (2 Links)
- Swarmic Sketches and Attention Mechanism (2 Links)
- Creating and rendering convolution surfaces (2 Links)
- Evolutionäre Musik (2 Links)
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