Seiten mit den meisten Links

Unten werden bis zu 50 Ergebnisse im Bereich 801 bis 850 angezeigt.

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801. Towards Knowledge-Oriented Creativity Support in Game Design‏‎ (2 Links)
802. A Study on Context-based Evolutionary Building Design with animation software MAYA‏‎ (2 Links)
803. Trans - former 13: exploration and adaptation of evolution expressed in a dynamic sculpture‏‎ (2 Links)
804. Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models‏‎ (2 Links)
805. Psychological Space to Hold Impression Among Media in Common for Media Database Retrieval System‏‎ (2 Links)
806. Learning Aggregation Operators for Preference Modeling‏‎ (2 Links)
807. Natural Color Symmetry‏‎ (2 Links)
808. A comparative classification of complexity measures‏‎ (2 Links)
809. Hypergraph-based Evolutionary Design System‏‎ (2 Links)
810. Artificial Nature: Immersive World Making‏‎ (2 Links)
811. Evolutionary Art Using Summed Multi-objective Ranks‏‎ (2 Links)
812. Identity SA 1.6 – An artistic software that produces a deformed audio-visual reflection based on a visually interactive swarm‏‎ (2 Links)
813. New Kinds of Fractal Patterns‏‎ (2 Links)
814. Image Filter Design with Interactive Evolutionary Computation‏‎ (2 Links)
815. Arts, robots, and evolution as a tool for creativity‏‎ (2 Links)
816. Niche Constructing Drawing Robots‏‎ (2 Links)
817. User Fatigue Reduction by an Absolute Rating Data-trained Predictor in IEC‏‎ (2 Links)
818. A methodology for user directed search in evolutionary design‏‎ (2 Links)
819. Nobody’s A Critic: On The Evaluation Of Creative Code Generators — A Case Study In Video Game Design‏‎ (2 Links)
820. A self organizing map based method for understanding features associated with high aesthetic value evolved abstract images‏‎ (2 Links)
821. Gegenständliche Kunst‏‎ (2 Links)
822. Evolutionary automated recognition and characterization of an individual's artistic style‏‎ (2 Links)
823. Variation‏‎ (2 Links)
824. Aaron Davidson‏‎ (2 Links)
825. Depth-aware neural style transfer‏‎ (2 Links)
826. Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science‏‎ (2 Links)
827. Automated Generation of Cross-Domain Analogies via Evolutionary Computation‏‎ (2 Links)
828. Novelty-Seeking Multi-Agent System‏‎ (2 Links)
829. Tatsu Unemi‏‎ (2 Links)
830. Reproduktion‏‎ (2 Links)
831. Virtual Photography Using Multi-Objective Particle Swarm Optimization TR‏‎ (2 Links)
832. Implementing an Intuitive Mutation Operator for Interactive Evolutionary 3D Design‏‎ (2 Links)
833. Automatic Texture Guided Color Transfer and Colorization‏‎ (2 Links)
834. Improving face detection‏‎ (2 Links)
835. Automatic content generation in the galactic arms race video game‏‎ (2 Links)
836. Evolving Approximate Image Filters‏‎ (2 Links)
837. On simulating drawing robots with straight line motion but curvilinear pen paths‏‎ (2 Links)
838. Incorporating characteristics of human creativity into an evolutionary art algorithm‏‎ (2 Links)
839. Autonomous Evolutionary Art‏‎ (2 Links)
840. Evolving Diverse Design Populations Using Fitness Sharing and Random Forest Based Fitness Approximation‏‎ (2 Links)
841. On the Role of Metaphor in Creative Cognition‏‎ (2 Links)
842. Information aesthetics: an heroic experiment‏‎ (2 Links)
843. The Art of Self-Assembly: the Self-Assemby of Art‏‎ (2 Links)
844. Avoidance Drawings Evolved Using Virtual Drawing Robots‏‎ (2 Links)
845. Evolving Levels for Super Mario Bros Using Grammatical Evolution‏‎ (2 Links)
846. What makes patterns interesting in knowledge discovery systems‏‎ (2 Links)
847. The Creative Mind: Myths and Mechanisms Dagstuhl‏‎ (2 Links)
848. Before A Computer Can Draw, It Must First Learn To See‏‎ (2 Links)
849. MediaFlies – An Interactive Flocking Based Tool for the Remixing of Media‏‎ (2 Links)
850. Ecosystemic methods for creative domains: niche construction and boundary formation‏‎ (2 Links)

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