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- Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music (2 Links)
- Virtual constructive swarm compositions and inspiration (2 Links)
- Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- On Two Desiderata for Creativity Support Tools (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- On the Impact of Chat Communication on Computer-Supported Idea Generation Processes (2 Links)
- Bernd Lintermann (2 Links)
- The Authorship of Generative Art (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- X-Faces: The eXploit Is Out There (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- The Emergence of Social Learning in Artificial Societies (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- The Evolving Role of the Artist (2 Links)
- Semantic Operators for Evolutionary Art (2 Links)
- Interactive Evolution for Designing Motion Variants (2 Links)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (2 Links)
- Ästhetik (2 Links)
- Meta-Cognitive Mappings: Growing Neural Networks for Generative Urbanism (2 Links)
- Interactive Evolutionary Design of Motion Variants (2 Links)
- Creating and rendering convolution surfaces (2 Links)
- Interactive evolution of dynamical systems (2 Links)
- Creative Ecosystems in Computational Creativity 2007 (2 Links)
- A Digital Prototyping System for Designing Novel 3D Geometries (2 Links)
- Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results (2 Links)
- Patternista: Learning Element Style Compatibility and Spatial Composition for Ring-based Layout Decoration (2 Links)
- A Fully Automatic Evolutionary Art (2 Links)
- Evolutionary Art Using Summed Multi-objective Ranks (2 Links)
- Some Aspects of Analogical Reasoning in Mathematical Creativity (2 Links)
- A Lamarckian Evolution Strategy for Genetic Algorithms (2 Links)
- Mosaic: Sketch-Based Interface for Creating Digital Decorative Mosaics (2 Links)
- Spatial complexity measure for characterising cellular automata generated 2D patterns (2 Links)
- Peter Weibel (2 Links)
- A Model of Runaway Evolution of Creative Domains (2 Links)
- Gegenständliche Kunst (2 Links)
- The use of genetic programming for applications in the field of spatial composition (2 Links)
- Evolutionary automated recognition and characterization of an individual's artistic style (2 Links)
- Stepping Back to Progress Forwards: Setting Standards for Meta-Evaluation of Computational Creativity (2 Links)
- ArTbitrating JaVOX: an evolutionary environment for visual and sound composition (2 Links)
- A Study on Context-based Evolutionary Building Design with animation software MAYA (2 Links)
- Strategies for creating new informational primitives in minds and machines (2 Links)
- Depth-aware neural style transfer (2 Links)
- Preference Learning: An Introduction (2 Links)
- A comparative classification of complexity measures (2 Links)
- Evolving Approximate Image Filters (2 Links)
- Artificial Nature: Immersive World Making (2 Links)
- Procedural 3D Texture Synthesis Using Genetic Programming (2 Links)
- Towards a model for artificial aesthetics (2 Links)
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