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- Schwarm Algorithmen (2 Links)
- Ästhetik (2 Links)
- On the Translation of Design Data into Design Form in Evolutionary Design (2 Links)
- Animating Typescript Using Aesthetically Evolved Images (2 Links)
- Disney Meets Darwin — The Evolution of Funny Animated Figures (2 Links)
- Feature Extraction Languages and Visual Pattern Recognition (2 Links)
- A New Musical Tool for Composition and Play Based on Simulated Breeding (2 Links)
- The Markov Pen: Online Synthesis of Free-Hand Drawing Styles (2 Links)
- Filterscape: Energy Recycling in a Creative Ecosystem (2 Links)
- Optimized Design of MEMS by Evolutionary Multi-objective Optimization with Interactive Evolutionary Computation (2 Links)
- The Painting Fool in New Dimensions (2 Links)
- Selektion (2 Links)
- Evaluating Search Engine Relevance with Click-Based Metrics (2 Links)
- Self Portraits with Mandelbrot Genetics (2 Links)
- Edge Detection of Petrographic Images Using Genetic Programming (2 Links)
- A Survey of Virtual Ecosystems in Generative Electronic Art (2 Links)
- The Virtual Ecosystem as Generative Electronic Art (2 Links)
- A Virtual Modeling System for Intuitive 3D Shape Conceptualization (2 Links)
- Painting with Flowsnakes (2 Links)
- Computational Creativity Theory: Inspirations behind the FACE and the IDEA models (2 Links)
- The case for a mixed-initiative collaborative neuroevolution approach (2 Links)
- A compiler for CPPNs: transforming phenotypic descriptions into genotypic representations (2 Links)
- Computational Models of Surprise as a Mechanism for Evaluating Creative Design (2 Links)
- Artificial creativity: A synthetic approach to the study of creative behaviour (2 Links)
- Fractal art — a comparison of styles (2 Links)
- Fractals and Multi-Layer Coloring Algorithms (2 Links)
- Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test (2 Links)
- Frankensteinian Methods for Evolutionary Music Composition (2 Links)
- Künstliches Leben (2 Links)
- Sparse fitness evaluation for reducing user burden in interactive genetic algorithm (2 Links)
- From Frank Lloyd Wright to Mondrian (2 Links)
- Peter M. Hall Hall, Peter M. (2 Links)
- Consensual Paintings (2 Links)
- Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric (2 Links)
- Abstract Art by Shape Classification (2 Links)
- Automated collage generation — with intent (2 Links)
- Learning SVM Ranking Functions from User Feedback Using Document Metadata and Active Learning in the Biomedical Domain (2 Links)
- Idea in a Bottle — A New Method for Creativity in Open Innovation (2 Links)
- Phänotyp (2 Links)
- Towards a model for artificial aesthetics (2 Links)
- Evolutionary and Swarm Design in Science, Art, and Music (2 Links)
- Lichtsuchende: Exploring the Emergence of a Cybernetic Society (2 Links)
- Adding Dynamics to Sketch-based Character Animations (2 Links)
- Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure (2 Links)
- Live Algorithms (2 Links)
- Aesthetic 3D Model Evolution 2013 (2 Links)
- Autonomously Managing Competing Objectives to Improve the Creation and Curation of Artifacts (2 Links)
- Swarm Painting Atelier (2 Links)
- Creative Agency: A Clearer Goal for Artificial Life in the Arts (2 Links)
- Swarmic Sketches and Attention Mechanism (2 Links)
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