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  1. What does water look like?‏‎ (2 Bearbeitungen)
  2. Chains of Antiprisms‏‎ (2 Bearbeitungen)
  3. Algorithmic randomness and physical entropy‏‎ (2 Bearbeitungen)
  4. Images from Self-Occlusion‏‎ (2 Bearbeitungen)
  5. EvoMUSART 2006‏‎ (2 Bearbeitungen)
  6. A Palette-Driven Approach to Image Color Transfer‏‎ (2 Bearbeitungen)
  7. Computational Creativity Theory: Inspirations behind the FACE and the IDEA models‏‎ (2 Bearbeitungen)
  8. Unexpected Beauty Hidden in Radin-Conway's Pinwheel Tiling‏‎ (2 Bearbeitungen)
  9. Blogging Math Art‏‎ (2 Bearbeitungen)
  10. Learning How to Reinterpret Creative Problems‏‎ (2 Bearbeitungen)
  11. Genetic Programming for Non-Photorealistic Rendering‏‎ (2 Bearbeitungen)
  12. The Adaptive Function of the Arts: Alternative Evolutionary Hypotheses‏‎ (2 Bearbeitungen)
  13. When novelty is not enough‏‎ (2 Bearbeitungen)
  14. An improved interactive genetic algorithm incorporating relevant feedback‏‎ (2 Bearbeitungen)
  15. Artefacts to Enhance Geometrical Thinking‏‎ (2 Bearbeitungen)
  16. Some Girihs and Puzzles from the Interlocks of Similar or Complementary Figures Treatise‏‎ (2 Bearbeitungen)
  17. GenOrchestra: An Interactive Evolutionary Agent for Musical Composition‏‎ (2 Bearbeitungen)
  18. Content-Based Image Retrieval Using Rectangular Segmentation‏‎ (2 Bearbeitungen)
  19. Suggestive Hatching‏‎ (2 Bearbeitungen)
  20. Pannini: A New Projection for Rendering Wide Angle Perspective Images‏‎ (2 Bearbeitungen)
  21. Evolving Families of Shapes‏‎ (2 Bearbeitungen)
  22. Generative Representations for Artificial Architecture and Passive Solar Performance TR‏‎ (2 Bearbeitungen)
  23. Creative Machine Performance: Computational Creativity and Robotic Art‏‎ (2 Bearbeitungen)
  24. Taitographs: Drawings made by Machines‏‎ (2 Bearbeitungen)
  25. Pied de Pulse: Packing Embroidered Circles and Coil Actuators in Pied de Poule (Houndstooth)‏‎ (2 Bearbeitungen)
  26. Can Human Assistance Improve a Computational Poet‏‎ (2 Bearbeitungen)
  27. Aesthetics in Covariant Image Reconstruction‏‎ (2 Bearbeitungen)
  28. The Glitch Moment(um)‏‎ (2 Bearbeitungen)
  29. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (2 Bearbeitungen)
  30. Another look at Pentagonal Persian Patterns‏‎ (2 Bearbeitungen)
  31. A Computer Model for the Generation of Visual Compositions‏‎ (2 Bearbeitungen)
  32. Image Statistics for Clustering Paintings According to their Visual Appearance‏‎ (2 Bearbeitungen)
  33. Evaluation of Creative Aesthetics‏‎ (2 Bearbeitungen)
  34. Automated Shape Design by Grammatical Evolution‏‎ (2 Bearbeitungen)
  35. Computer Software for Measuring Creative Search‏‎ (2 Bearbeitungen)
  36. A methodology for user directed search in evolutionary design‏‎ (2 Bearbeitungen)
  37. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Bearbeitungen)
  38. Aesthetic Appraisal of Art - from Eye Movements to Computers‏‎ (2 Bearbeitungen)
  39. Polyhedral Tableaux‏‎ (2 Bearbeitungen)
  40. Algorithms for Morphing Escher-Like Tessellations‏‎ (2 Bearbeitungen)
  41. An Investigation into Aesthetic Preference using Generative Art‏‎ (2 Bearbeitungen)
  42. The Monumental Geometry of E Pluribus Unum‏‎ (2 Bearbeitungen)
  43. MovieGene: Evolutionary Video Production Based on Genetic Algorithms and Cinematic Properties‏‎ (2 Bearbeitungen)
  44. Representational Random Walks‏‎ (2 Bearbeitungen)
  45. A Fully Automatic Evolutionary Art‏‎ (2 Bearbeitungen)
  46. Artistic vision: Painterly rendering using computer vision techniques‏‎ (2 Bearbeitungen)
  47. Computational Creativity Theory: The FACE and IDEA Descriptive Models‏‎ (2 Bearbeitungen)
  48. Automatic Programming in an Arbitrary Language: Evolving Programs with Grammatical Evolution‏‎ (2 Bearbeitungen)
  49. A compiler for CPPNs: transforming phenotypic descriptions into genotypic representations‏‎ (2 Bearbeitungen)
  50. Interpretation-driven Visual Association‏‎ (2 Bearbeitungen)

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