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  1. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (3 Bearbeitungen)
  2. Artificial Life, Death and Epidemics in Evolutionary, Generative Electronic Art‏‎ (3 Bearbeitungen)
  3. Hybrid Biological-Digital Systems in Artistic and Entertainment Computing‏‎ (3 Bearbeitungen)
  4. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (3 Bearbeitungen)
  5. Conceptualizing Creativity: From Distributional Semantics to Conceptual Spaces‏‎ (3 Bearbeitungen)
  6. Combining Representational Domains for Computational Creativity‏‎ (3 Bearbeitungen)
  7. Unweaving The Lexical Rainbow: Grounding Linguistic Creativity in Perceptual Semantics‏‎ (3 Bearbeitungen)
  8. Evolving Pop Art Using Scalable Vector Graphics‏‎ (3 Bearbeitungen)
  9. A Fractal Approach Towards Visual Analogy‏‎ (3 Bearbeitungen)
  10. GenoTyp, an experiment about genetic typography‏‎ (3 Bearbeitungen)
  11. Artistic Stylization of Images and Video‏‎ (3 Bearbeitungen)
  12. You Can’t Know my Mind: A Festival of Computational Creativity‏‎ (3 Bearbeitungen)
  13. Modelling video games' landscapes by means of genetic terrain programming: a new approach for improving users' experience‏‎ (3 Bearbeitungen)
  14. Movie Posters from Video by Example‏‎ (3 Bearbeitungen)
  15. Building Artistic Computer Colleagues with an Enactive Model of Creativity‏‎ (3 Bearbeitungen)
  16. Interaction-based Authoring for Scalable Co-creative Agents‏‎ (3 Bearbeitungen)
  17. ANGELINA – Coevolution in Automated Game Design‏‎ (3 Bearbeitungen)
  18. Attributing Creative Agency: Are we doing it right?‏‎ (3 Bearbeitungen)
  19. A Semantic Map for Evaluating Creativity‏‎ (3 Bearbeitungen)
  20. Automatic content generation in the galactic arms race video game‏‎ (3 Bearbeitungen)
  21. A methodology for user directed search in evolutionary design‏‎ (2 Bearbeitungen)
  22. SEURAT: robotic painter‏‎ (2 Bearbeitungen)
  23. Evaluation of Creative Aesthetics‏‎ (2 Bearbeitungen)
  24. Can Human Assistance Improve a Computational Poet‏‎ (2 Bearbeitungen)
  25. No Free Lunch Theorems for Optimization‏‎ (2 Bearbeitungen)
  26. Frankensteinian Methods for Evolutionary Music Composition‏‎ (2 Bearbeitungen)
  27. Aesthetics in Covariant Image Reconstruction‏‎ (2 Bearbeitungen)
  28. Computer Software for Measuring Creative Search‏‎ (2 Bearbeitungen)
  29. Structure Fitness Sharing (SFS) For Evolutionary Design By Genetic Programming‏‎ (2 Bearbeitungen)
  30. Another look at Pentagonal Persian Patterns‏‎ (2 Bearbeitungen)
  31. Evolving Families of Shapes‏‎ (2 Bearbeitungen)
  32. A Computer Model for the Generation of Visual Compositions‏‎ (2 Bearbeitungen)
  33. Creative Machine Performance: Computational Creativity and Robotic Art‏‎ (2 Bearbeitungen)
  34. Learning Preference Models in Recommender Systems‏‎ (2 Bearbeitungen)
  35. What is generative art?‏‎ (2 Bearbeitungen)
  36. Automated Shape Design by Grammatical Evolution‏‎ (2 Bearbeitungen)
  37. Relevance feedback based on genetic programming for image retrieval‏‎ (2 Bearbeitungen)
  38. Image classification: an evolutionary approach‏‎ (2 Bearbeitungen)
  39. Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence‏‎ (2 Bearbeitungen)
  40. Aesthetic Appraisal of Art - from Eye Movements to Computers‏‎ (2 Bearbeitungen)
  41. Computational Creativity Theory: The FACE and IDEA Descriptive Models‏‎ (2 Bearbeitungen)
  42. Algorithms for Morphing Escher-Like Tessellations‏‎ (2 Bearbeitungen)
  43. On the ‘dimensionality curse’ and the ‘self-similarity blessing‏‎ (2 Bearbeitungen)
  44. Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings‏‎ (2 Bearbeitungen)
  45. An Investigation into Aesthetic Preference using Generative Art‏‎ (2 Bearbeitungen)
  46. Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation‏‎ (2 Bearbeitungen)
  47. A Fully Automatic Evolutionary Art‏‎ (2 Bearbeitungen)
  48. Artistic vision: Painterly rendering using computer vision techniques‏‎ (2 Bearbeitungen)
  49. Yvon-Villarceau Circle Equivalents on Dupin Cyclides‏‎ (2 Bearbeitungen)
  50. Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation‏‎ (2 Bearbeitungen)

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