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- A History of Creativity for Future AI Research (2 Links)
- Why Simulate? Hybrid Biological-Digital Games (2 Links)
- Drawing Characteristics for Reproducing Traditional Hand-Made Stippling (2 Links)
- Generative Modelling with Timed L-Systems (2 Links)
- Evolving Human Faces (2 Links)
- A Method for Generating Phyliotaxis over Surfaces of Revolution (2 Links)
- EMO-based Architectural Room Floor Planning (2 Links)
- P6m Reference Implementation (2 Links)
- Mathematische Kunst (2 Links)
- Computational Artistic Creativity and its Evaluation (2 Links)
- Evolving Portrait Painter Programs using Genetic Programming to Explore Computer Creativity (2 Links)
- Innovation engines: automated creativity and improved stochastic optimization via deep learning (2 Links)
- Semantics and aesthetics inference for image search: statistical learning approaches (2 Links)
- Zellij Multipuzzle (2 Links)
- Measuring complexity using information fluctuation (2 Links)
- Evolving ambiguous images (2 Links)
- Interactive EC-based Signal Processing (2 Links)
- Seven Catchy Phrases for Computational Creativity Research (2 Links)
- Electric Sheep (2 Links)
- Mere Generation: Essential Barometer or Dated Concept? (2 Links)
- Computational Creativity through a Gap (2 Links)
- Evolving expressions and art by choice (2 Links)
- Interactive Evolutionary Computation with Evaluation Characteristics of Multi-IEC Users (2 Links)
- Shot by Both Sides: Art-Science And The War Between Science And The Humanities (2 Links)
- Embodied creativity (2 Links)
- Interactive evolution for industrial design (2 Links)
- Simulating Morphogenesis (2 Links)
- A Tool for Composing Short Music Pieces by Means of Breeding (2 Links)
- Empathic painting: Interactive stylization using observed emotional state (2 Links)
- Arties: Meta-Design as Evolving Colonies of Artistic Agents (2 Links)
- Skirt Image Retrieval based on Sketches (2 Links)
- Artificial Life, Death and Epidemics in Evolutionary, Generative Electronic Art (2 Links)
- Computer Graphics and Geometric Ornamental Design (2 Links)
- Exploration and exploitation in evolutionary algorithms: a survey (2 Links)
- Ergonomic Chair Design by Fusing Qualitative and Quantitative Criteria using Interactive Genetic Algorithms (2 Links)
- Modular Line-Based Halftoning via Recursive Division (2 Links)
- The alphabet synthesis machine (2 Links)
- Giving Colour to Images (2 Links)
- The darwinian structure of the design process (2 Links)
- Constrained novelty search: a study on game content generation (2 Links)
- Exploring the effect of direction on vector-based fractals (2 Links)
- Investigating Face Space (2 Links)
- Face, Portrait, Mask - the Virtuality of the Synthetic Face (2 Links)
- Ishihama Yoshiaki (2 Links)
- Graph Grammars as a Representation for Interactive Evolutionary 3D Design (2 Links)
- Multiobjective Satisfaction within an Interactive Evolutionary Design Environment (2 Links)
- Theory of Complexity (2 Links)
- Auditory and Visual-based Signal Processing with Interactive Evolutionary Computation (2 Links)
- A unified information-theoretic framework for viewpoint selection and mesh saliency (2 Links)
- Biological Content Generation: Evolving Game Terrains Through Living Organisms (2 Links)
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