Seiten mit den meisten Links

Unten werden bis zu 50 Ergebnisse im Bereich 951 bis 1.000 angezeigt.

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951. Preference Learning and Ranking by Pairwise Comparison‏‎ (2 Links)
952. Evolving Assemblages of 3D Objects‏‎ (2 Links)
953. In Praise of Evolution and Opacity‏‎ (2 Links)
954. Generative Design: A Paradigm for Design Research‏‎ (2 Links)
955. Induction Design: A Method for Evolutionary Design‏‎ (2 Links)
956. Disney Meets Darwin — The Evolution of Funny Animated Figures‏‎ (2 Links)
957. Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines‏‎ (2 Links)
958. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Links)
959. Measuring Creativity In Software Development‏‎ (2 Links)
960. A Meme-Based Architecture for Modeling Creativity‏‎ (2 Links)
961. Quantum Art‏‎ (2 Links)
962. Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution‏‎ (2 Links)
963. Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture‏‎ (2 Links)
964. Neural style transfer: a paradigm shift for image-based artistic rendering?‏‎ (2 Links)
965. Mere Generation: Essential Barometer or Dated Concept?‏‎ (2 Links)
966. Evolving content in the galactic arms race video game‏‎ (2 Links)
967. Interactive Evolutionary Computation with Evaluation Characteristics of Multi-IEC Users‏‎ (2 Links)
968. New Kinds of Fractal Patterns‏‎ (2 Links)
969. Interactive evolution for industrial design‏‎ (2 Links)
970. Niche Constructing Drawing Robots‏‎ (2 Links)
971. Computational Creativity Theory: The FACE and IDEA Descriptive Models‏‎ (2 Links)
972. Nobody’s A Critic: On The Evaluation Of Creative Code Generators — A Case Study In Video Game Design‏‎ (2 Links)
973. Embedding movie into SBART – breeding deformed movies‏‎ (2 Links)
974. User Fatigue Reduction by an Absolute Rating Data-trained Predictor in IEC‏‎ (2 Links)
975. A Tool for Composing Short Music Pieces by Means of Breeding‏‎ (2 Links)
976. Arties: Meta-Design as Evolving Colonies of Artistic Agents‏‎ (2 Links)
977. Modular Line-Based Halftoning via Recursive Division‏‎ (2 Links)
978. Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science‏‎ (2 Links)
979. Novelty-Seeking Multi-Agent System‏‎ (2 Links)
980. Artificial Life, Death and Epidemics in Evolutionary, Generative Electronic Art‏‎ (2 Links)
981. Variation‏‎ (2 Links)
982. Reproduktion‏‎ (2 Links)
983. Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines‏‎ (2 Links)
984. Investigating Face Space‏‎ (2 Links)
985. Tatsu Unemi‏‎ (2 Links)
986. Ishihama Yoshiaki‏‎ (2 Links)
987. Virtual Photography Using Multi-Objective Particle Swarm Optimization TR‏‎ (2 Links)
988. Consensual Paintings‏‎ (2 Links)
989. Multiobjective Satisfaction within an Interactive Evolutionary Design Environment‏‎ (2 Links)
990. On simulating drawing robots with straight line motion but curvilinear pen paths‏‎ (2 Links)
991. On the Role of Metaphor in Creative Cognition‏‎ (2 Links)
992. Auditory and Visual-based Signal Processing with Interactive Evolutionary Computation‏‎ (2 Links)
993. A unified information-theoretic framework for viewpoint selection and mesh saliency‏‎ (2 Links)
994. The Art of Self-Assembly: the Self-Assemby of Art‏‎ (2 Links)
995. Fitness and Novelty in Evolutionary Art‏‎ (2 Links)
996. Automated evaluation and generation of graphic arrangements through adaptive evolution‏‎ (2 Links)
997. What makes patterns interesting in knowledge discovery systems‏‎ (2 Links)
998. Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure‏‎ (2 Links)
999. The Creative Mind: Myths and Mechanisms Dagstuhl‏‎ (2 Links)
1000. Automatic Programming in an Arbitrary Language: Evolving Programs with Grammatical Evolution‏‎ (2 Links)

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