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[[Jon McCormack]], Pablo eCasso: in search of the first computer masterpiece, The Conversation, 15 November 2012
 
[[Jon McCormack]], Pablo eCasso: in search of the first computer masterpiece, The Conversation, 15 November 2012
  
* [[Alan Dorin]], J. McCabe, * [[Jon McCormack]], G. Monro and M. Whitelaw, "A Framework for Understanding Generative Art", Digital Creativity, Vol. 23(3-4), pp. 239-259, 2012.
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[[Alan Dorin]], J. McCabe, * [[Jon McCormack]], G. Monro and M. Whitelaw, "A Framework for Understanding Generative Art", Digital Creativity, Vol. 23(3-4), pp. 239-259, 2012. http://www.tandfonline.com/doi/abs/10.1080/14626268.2012.709940
  
 
* [[Jon McCormack]] and M. d'Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, 2012.
 
* [[Jon McCormack]] and M. d'Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, 2012.
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* [[Jon McCormack]] and M. d'Inverno: [[Computers and Creativity: The Road Ahead]]. In: [[Jon McCormack]] and M. d'Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, pp. 421-424, 2012 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_16
 
* [[Jon McCormack]] and M. d'Inverno: [[Computers and Creativity: The Road Ahead]]. In: [[Jon McCormack]] and M. d'Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, pp. 421-424, 2012 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_16
  
A. Pirnia and * [[Jon McCormack]], "Compressed Multidimensional Trees for Evolutionary Music Representation", International Computer Music Conference, Irzu, Ljubljana 9-14 September 2012, pp. 608-613 http://www.csse.monash.edu.au/~jonmc/research/Papers/ICMC2012_Pirnia_McCormack.pdf
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A. Pirnia and [[Jon McCormack]], "Compressed Multidimensional Trees for Evolutionary Music Representation", International Computer Music Conference, Irzu, Ljubljana 9-14 September 2012, pp. 608-613 http://www.csse.monash.edu.au/~jonmc/research/Papers/ICMC2012_Pirnia_McCormack.pdf
  
* T. Kowaliw, [[Alan Dorin]] and * [[Jon McCormack]]: [[Promoting Creative Design in Interactive Evolutionary Computation]]. IEEE Transactions on Evolutionary Computation, Vol 16(4), pp. 523-536, 2012 http://www.csse.monash.edu.au/~cema/evoeco/kowaliw_evoeco_tec2011.pdf https://vimeo.com/29488209 http://www.csse.monash.edu.au/~cema/evoeco/
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* T. Kowaliw, [[Alan Dorin]] and [[Jon McCormack]]: [[Promoting creative design in interactive evolutionary computation]]. IEEE Transactions on Evolutionary Computation, Vol 16(4), pp. 523-536, 2012 DOI: http://dx.doi.org/10.1109/TEVC.2011.2166764 http://www.csse.monash.edu.au/~cema/evoeco/kowaliw_evoeco_tec2011.pdf https://vimeo.com/29488209 http://www.csse.monash.edu.au/~cema/evoeco/
  
 
===2011===
 
===2011===

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Person

Jon McCormack is an Australian-based electronic media artist and researcher in computing. He holds an Honours degree in Applied Mathematics and Computer Science from Monash University, a Graduate Diploma of Art (Film and Television) from Swinburne University and a PhD in Computer Science from Monash University. He is currently Associate Professor in Computer Science, an ARC Australian Research Fellow and co-director of the Centre for Electronic Media Art (CEMA) at Monash University in Melbourne, Australia. CEMA is an interdisciplinary research centre established to explore new collaborative relationships between computing and the arts. His research interests include generative art and design, evolutionary systems, creativity, visualisation, interaction, machine learning, L-systems and developmental models.

Since the late 1980s McCormack has worked with computer code as a medium for creative expression. Inspired by the complexity and wonder of a diminishing natural world, his work is concerned with electronic “after natures” – alternate forms of artificial life that may one day replace the biological nature lost through human progress and development.

His artworks have been widely exhibited at leading galleries, museums and symposia, including the Museum of Modern Art (New York, USA), Tate Gallery (Liverpool, UK), ACM SIGGRAPH (USA), Prix Ars Electronica (Austria) and the Australian Centre for the Moving Image (Australia). He is the recipient of 16 awards for new media art and computing research including prizes at Ars Electronica (Austria), Images du Futur (Canada), New Voices, New Visions (USA), Alias/Wavefront (USA), The John Lansdown Award for Interactive Media (Europe/UK), Nagoya Biennial (Japan) and the 2012 Eureka Prize for Innovation in Computer Science. The monograph, Impossible Nature: the art of Jon McCormack, was published by the Australian Centre for the Moving Image in 2005 and documents McCormack’s creative achievements over the last 15 years.

Wissenschaftliche Tätigkeit

Künstlerische Tätigkeit

Publikationen

2014

2013

Jon McCormack: Jon McCormack: Eden. in Peter Weibel and Ljiljana Fruk (eds), Molecular Aesthetics, ZKM Books/MIT Press, Karlsruhe/Boston, pp. 258-260, 2013 http://mitpress.mit.edu/books/molecular-aesthetics

Jon McCormack: "Evolutionary and A-Life Art: Cosmic Pyramids and the Origination of Novelty in Machines" (English with Russian translation) in Dmitry Bulatov (ed), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), National Centre for Contemporary Arts, Kaliningrad, Russia, pp. 84-101, 2013.

2012

Jon McCormack, Pablo eCasso: in search of the first computer masterpiece, The Conversation, 15 November 2012

Alan Dorin, J. McCabe, * Jon McCormack, G. Monro and M. Whitelaw, "A Framework for Understanding Generative Art", Digital Creativity, Vol. 23(3-4), pp. 239-259, 2012. http://www.tandfonline.com/doi/abs/10.1080/14626268.2012.709940

A. Pirnia and Jon McCormack, "Compressed Multidimensional Trees for Evolutionary Music Representation", International Computer Music Conference, Irzu, Ljubljana 9-14 September 2012, pp. 608-613 http://www.csse.monash.edu.au/~jonmc/research/Papers/ICMC2012_Pirnia_McCormack.pdf

2011

Jon McCormack and P. McIlwain, "Generative Composition with Nodal", in E. R. Miranda (ed): A-Life for Music: Music and Computer Models of Living Systems, A-R Editions, Inc. Middleton, Wisconsin, 2011, pp. 99-113

2010

2009

Oliver Bown, A. Eldridge and Jon McCormack: "Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects", Organised Sound Vol 14(2), Cambridge University Press, August 2009, pp. 188-196 http://www.csse.monash.edu.au/~jonmc/research/Papers/OrganisedSound2009.pdf

Jon McCormack: "The Evolution of Sonic Ecosystems" in Komosinski, Maciej; Adamatzky, Andrew (eds.), Artificial Life Models in Software (Second Edition), Springer, Berlin 2009 [pdf][book web site] revised paper on Eden for the second edition of this book.

Jon McCormack, A. Eldridge, Alan Dorin and P. McIlwain, "Generative Algorithms for Making Music: Emergence, Evolution and Ecosystems", in R.T. Dean (ed.) The Oxford Handbook of Computer Music, Oxford University Press, pp. 354–379, 2009 http://www.oup.com/us/catalog/general/subject/Music/MusicHistoryWestern/TwentiethCentury/?view=usa&ci=9780195331615

2008

  • P. Brown, D. W. Cunningham, V. Interrante and Jon McCormack (eds), Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics in Graphics, Visualisation and Imaging, Eurographics Association, Aire-la-Ville, Switzerland, ISBN 978-3-905674-08-8, 2008

2007

Jon McCormack, P. McIlwain, A. Lane & A. Dorin, "Generative Composition with Nodal", in E.R. Miranda (ed.) Workshop on Music and Artificial Life (ECAL 2007), Lisbon, Portugal, 2007. http://www.csse.monash.edu.au/~jonmc/research/Papers/Nodal.pdf

2006

P. McIlwain, Jon McCormack, A. Dorin & A. Lane, "Composing With Nodal Networks", in Proceedings of the 2006 Australasian Computer Music Conference (ACMC), Haines (ed.), 2006, ACMA, Fitzroy, Australia 2006, pp. 101-7. http://www.csse.monash.edu.au/~jonmc/research/Papers/McilwainACMA06.pdf

2005

  • Jon McCormack: "A Developmental Model for Generative Media", in M. S. Capcarrere, A. A. Freitas, P. J. Bentley, C. G. Johnson and J. Timmis (eds), Lecture Notes in Artificial Intelligence, Vol 3630 [Proceedings of the 8th European Conf. on Advances in Artificial Life, (ECAL 2005), Canterbury, UK, 5-9 September 2005 ], Springer-Verlag, Berlin, Germany, ISSN: 0302-9743, ISBN-10: 3-540-28848-1, ISBN-13: 978-540-28848-0, pp 88-97. http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_ECAL05.pdf

P. McIlwain & Jon McCormack: "Design Issues in Musical Composition Networks", in T. Opie and A. Brown (eds), Proceedings of the Australiasian Computer Music Conference (ACMA), Queensland University of Technology, Brisbane, Australia. 12 - 14 July 2005, pp. 96-101. http://www.csse.monash.edu.au/~jonmc/research/Papers/acmc05-096-101.pdf

Jon McCormack: On the Evolution of Sonic Ecosystems. In: Adamatzky, A. & M. Komosinski (eds), Artificial Life Models in Software, Springer-Verlag, London. pp. 211-230. DOI: http://link.springer.com/chapter/10.1007/1-84628-214-4_9 http://www.csse.monash.edu.au/~jonmc/research/Papers/ALMIS2McCormack.pdf

2004

Jon McCormack, Alan Dorin & T. Innocent. Generative Design: A Paradigm for Design Research. In: J. Redmond (ed.) Futureground Conference Proceedings, Design Research Society (Conference held at Monash University, Melbourne, 17 - 21 November 2004). http://www.csse.monash.edu.au/~jonmc/research/Papers/genDesignFG04.pdf

Jon McCormack: "Generative Modelling with Timed L-Systems", in J. S. Gero (ed) Design Computing and Cognition '04, [Proceedings of the First International Conference on Design, Computing and Cognition (DCC'04), Cambridge, USA, 19-21 July 2004], Kluwer Academic Publishers, Dordrecht, The Netherlands, ISBN: 1-4020-2393-6, pp. 157–175. http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_DCC04.pdf

2003

Jon McCormack: Evolving Sonic Ecosystems. In: A Adamatzky (ed), The International Journal of Systems & Cybernetics - Kybernetes, Vol 32, Issue 1/2, 2003, Emerald, Northampton, UK, ISSN: 0368-492X, pp 184-202. http://www.csse.monash.edu.au/~jonmc/research/Papers/Kybernetes.pdf

Jon McCormack: Art and the Mirror of Nature. Digital Creativity, Vol 14, Issue 1, 2003 (Special issue on Generative Computation and the Arts, edited by Paul Brown), Swets & Zeitlinger BV, The Netherlands, ISSN: 1462-6268, pp 3-22.

2002

  • Jon McCormack and Alan Dorin: Ways of Seeing: Visualization of Artificial Life Environments. Workshop Proceedings of the 8th International Conference on the Simulation and Synthesis of Living Systems (Artificial Life VIII - Workshops), NSW, Australia, 10 December 2002, University of New South Wales, NSW, Australia, ISBN: 0-7317-0509-2, pp 155-162. http://www.csse.monash.edu.au/~jonmc/research/Papers/ways_of_seeing.pdf

2001

Jon McCormack: Eden: an evolutionary sonic ecosystem. In: J. Kelemen and P. Sosik (eds), Lecture Notes in Artificial Intelligence, Vol 2159, Advances in Artificial Life, Proceedings of the 6th European Conference (ECAL), Prague, Czech Republic, 10 - 14 September 2001], Springer-Verlag, Berlin, Germany, ISSN: 0302-9743, 2001, pp 133-142. http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_ECAL01.pdf

Alan Dorin and Jon McCormack: First Iteration – A Conference on Generative Systems in the Electronic Arts", Leonardo, Vol 34, Issue 3, (June 2001) and Issue 4 (August 2001), The MIT Press, Cambridge, MA, USA, ISSN: 0024-094X, pp 239-242.

1997

Jon McCormack and A. V. Sherstyuk: Creating and rendering convolution surfaces. 97/324, Department of Computer Science Technical Reports, Dept Computer Science, Monash University, Melbourne Australia, 1-15, 15pp. Technical report CS 97/324. http://www.csse.monash.edu.au/~jonmc/research/Papers/CONVOLUT.PDF

1996

Jon McCormack: Grammar Based Music Composition. In: Complex Systems 96: From Local Interactions to Global Phenomena, R. Stocker et. al., eds, ISO Press, Amsterdam, pp. 320-336. http://www.csse.monash.edu.au/~jonmc/research/Papers/L-systemsMusic.pdf

1993

Externe Links

http://jonmccormack.info/~jonmc/sa/ homepage

Mitglied der Masterminds of Evolutionary Art


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