Jon McCormack: Unterschied zwischen den Versionen

Aus de_evolutionary_art_org
Wechseln zu: Navigation, Suche
(→‎Person)
 
(6 dazwischenliegende Versionen desselben Benutzers werden nicht angezeigt)
Zeile 5: Zeile 5:
  
  
−
Er ist gegenwärtig außerordentlicher Professor in Computerwissenachaft, besitzt ein Forschungsstipendiat (ARC Australian Research Fellow) und ist  
+
== Wissenschaftliche Tätigkeit ==
 +
Jon McCormack ist gegenwärtig außerordentlicher Professor in Computerwissenachaft, besitzt ein Forschungsstipendiat (ARC Australian Research Fellow) und ist Co-Direktor am Center für Electronic Media Art (CEMA) an der [http://www.monash.edu.au/ Monash University]. CEMA ist ein interdisziplinäres Forschungszentrum zur Erforschung neuer Beziehungen zwischen Computerwissenschaften und den Künsten.
  
−
He is currently Associate Professor in Computer Science, an ARC Australian Research Fellow and co-director of the Centre for Electronic Media Art (CEMA) at Monash University in Melbourne, Australia. CEMA is an interdisciplinary research centre established to explore new collaborative relationships between computing and the arts.  
+
McCormacks Forschungsinteressen erstrecken sich von Generativer Kunst und Design, Kreativität, Visualisierung und Interaktion bis zu Maschinellem Lernen, L-Systeme und Entwicklungsmodellen.
  
  
−
Seine Forschungsinteressen erstrecken sich von Generativer Kunst und Design, Kreativität, Visualisierung und Interaktion bis zu Maschinellem Lernen, L-Systeme und Entwicklungsmodellen.
+
== Künstlerische Tätigkeit ==
−
 
+
Seit den späten 1980ern arbeitet McCormack an Computercode als Medium kreativen Ausdrucks inspiriert durch die Komplexität der natürlichen Welt. Seine Arbeit beschäftigt sich mit künstlicher elektronischer Natur, die eines Tages die natürliche, biologische Natur ersetzen könnte, die durch den menschlichen Fortschritt verloren gegangen ist.  
  
−
Since the late 1980s McCormack has worked with computer code as a medium for creative expression. Inspired by the complexity and wonder of a diminishing natural world, his work is concerned with electronic “after natures” – alternate forms of artificial life that may one day replace the biological nature lost through human progress and development.
+
Seine Kunstwerke wurden international durch bekannte Galerien, Museen und auf Symposien gezeigt, etwa im [http://www.moma.org/ Museum of Modern Art] (New York, USA), [http://www.tate.org.uk/ Tate Gallery] (Liverpool, UK), ACM SIGGRAPH (USA), Prix Ars Electronica (Austria) und dem [https://www.acmi.net.au/ Australian Centre for the Moving Image] (Australia).
  
−
His artworks have been widely exhibited at leading galleries, museums and symposia, including the Museum of Modern Art (New York, USA), Tate Gallery (Liverpool, UK), ACM SIGGRAPH (USA), Prix Ars Electronica (Austria) and the Australian Centre for the Moving Image (Australia).
 
−
 
−
He is the recipient of 16 awards for new media art and computing research including prizes at Ars Electronica (Austria), Images du Futur (Canada), New Voices, New Visions (USA), Alias/Wavefront (USA), The John Lansdown Award for Interactive Media (Europe/UK), Nagoya Biennial (Japan) and the 2012 Eureka Prize for Innovation in Computer Science.
 
−
 
−
The monograph, Impossible Nature: the art of Jon McCormack, was published by the Australian Centre for the Moving Image in 2005 and documents McCormack’s creative achievements over the last 15 years.
 
−
 
−
== Wissenschaftliche Tätigkeit ==
 
−
 
−
== Künstlerische Tätigkeit ==
 
  
 
== Publikationen ==
 
== Publikationen ==
Zeile 34: Zeile 26:
  
 
===2013===
 
===2013===
−
[[Jon McCormack]]: Jon McCormack: Eden. in Peter Weibel and Ljiljana Fruk (eds), Molecular Aesthetics, ZKM Books/MIT Press, Karlsruhe/Boston, pp. 258-260, 2013 http://mitpress.mit.edu/books/molecular-aesthetics
 
−
 
−
[[Jon McCormack]]: "Evolutionary and A-Life Art: Cosmic Pyramids and the Origination of Novelty in Machines" (English with Russian translation) in Dmitry Bulatov (ed), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), National Centre for Contemporary Arts, Kaliningrad, Russia, pp. 84-101, 2013.
 
−
 
 
* [[Jon McCormack]]: [[Representation and Mimesis in Generative Art: Creating Fifty Sisters]]. In: Proceedings of xCoAx 2013, Bergamo, Italy 27-28 June 2013, pp. 71-79 http://www.csse.monash.edu.au/~jonmc/research/Papers/xcoax2013-mccormack.pdf
 
* [[Jon McCormack]]: [[Representation and Mimesis in Generative Art: Creating Fifty Sisters]]. In: Proceedings of xCoAx 2013, Bergamo, Italy 27-28 June 2013, pp. 71-79 http://www.csse.monash.edu.au/~jonmc/research/Papers/xcoax2013-mccormack.pdf
  
 
* [[Jon McCormack]]: [[Aesthetics, Art, Evolution]]. In: [[EvoMUSART 2013]], 1-12. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_1 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackEvoMUSART2013.pdf
 
* [[Jon McCormack]]: [[Aesthetics, Art, Evolution]]. In: [[EvoMUSART 2013]], 1-12. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_1 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackEvoMUSART2013.pdf
  
−
===2012===
+
[[Jon McCormack]]: Jon McCormack: Eden. in Peter Weibel and Ljiljana Fruk (eds), Molecular Aesthetics, ZKM Books/MIT Press, Karlsruhe/Boston, pp. 258-260, 2013 http://mitpress.mit.edu/books/molecular-aesthetics
−
[[Jon McCormack]], Pablo eCasso: in search of the first computer masterpiece, The Conversation, 15 November 2012
 
  
−
[[Alan Dorin]], J. McCabe, [[Jon McCormack]], G. Monro and M. Whitelaw, "A Framework for Understanding Generative Art", Digital Creativity, Vol. 23(3-4), pp. 239-259, 2012. http://www.tandfonline.com/doi/abs/10.1080/14626268.2012.709940
+
[[Jon McCormack]]: "Evolutionary and A-Life Art: Cosmic Pyramids and the Origination of Novelty in Machines" (English with Russian translation) in Dmitry Bulatov (ed), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), National Centre for Contemporary Arts, Kaliningrad, Russia, pp. 84-101, 2013.
  
 +
===2012===
 
* [[Jon McCormack]] and M. d'Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, 2012.
 
* [[Jon McCormack]] and M. d'Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, 2012.
  
Zeile 54: Zeile 42:
  
 
* [[Jon McCormack]] and M. d'Inverno: [[Computers and Creativity: The Road Ahead]]. In: [[Jon McCormack]] and M. d'Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, pp. 421-424, 2012 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_16
 
* [[Jon McCormack]] and M. d'Inverno: [[Computers and Creativity: The Road Ahead]]. In: [[Jon McCormack]] and M. d'Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, pp. 421-424, 2012 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_16
 +
 +
* T. Kowaliw, [[Alan Dorin]] and [[Jon McCormack]]: [[Promoting creative design in interactive evolutionary computation]]. IEEE Transactions on Evolutionary Computation, Vol 16(4), pp. 523-536, 2012 DOI: http://dx.doi.org/10.1109/TEVC.2011.2166764 http://www.csse.monash.edu.au/~cema/evoeco/kowaliw_evoeco_tec2011.pdf https://vimeo.com/29488209 http://www.csse.monash.edu.au/~cema/evoeco/
 +
 +
[[Jon McCormack]], Pablo eCasso: in search of the first computer masterpiece, The Conversation, 15 November 2012
 +
 +
[[Alan Dorin]], J. McCabe, [[Jon McCormack]], G. Monro and M. Whitelaw, "A Framework for Understanding Generative Art", Digital Creativity, Vol. 23(3-4), pp. 239-259, 2012. http://www.tandfonline.com/doi/abs/10.1080/14626268.2012.709940
  
 
A. Pirnia and [[Jon McCormack]], "Compressed Multidimensional Trees for Evolutionary Music Representation", International Computer Music Conference, Irzu, Ljubljana 9-14 September 2012, pp. 608-613 http://www.csse.monash.edu.au/~jonmc/research/Papers/ICMC2012_Pirnia_McCormack.pdf
 
A. Pirnia and [[Jon McCormack]], "Compressed Multidimensional Trees for Evolutionary Music Representation", International Computer Music Conference, Irzu, Ljubljana 9-14 September 2012, pp. 608-613 http://www.csse.monash.edu.au/~jonmc/research/Papers/ICMC2012_Pirnia_McCormack.pdf
  
−
* T. Kowaliw, [[Alan Dorin]] and [[Jon McCormack]]: [[Promoting creative design in interactive evolutionary computation]]. IEEE Transactions on Evolutionary Computation, Vol 16(4), pp. 523-536, 2012 DOI: http://dx.doi.org/10.1109/TEVC.2011.2166764 http://www.csse.monash.edu.au/~cema/evoeco/kowaliw_evoeco_tec2011.pdf https://vimeo.com/29488209 http://www.csse.monash.edu.au/~cema/evoeco/
 
  
 
===2011===
 
===2011===
−
[[Jon McCormack]] and P. McIlwain, "Generative Composition with Nodal", in E. R. Miranda (ed): A-Life for Music: Music and Computer Models of Living Systems, A-R Editions, Inc. Middleton, Wisconsin, 2011, pp. 99-113
 
−
 
 
* T. Kowaliw, [[Jon McCormack]] and [[Alan Dorin]]: [[An Interactive Electronic Art System Based on Artificial Ecosystemics]], 2011 IEEE Symposium on Artificial Life (IEEE Symposium Series on Computational Intelligence - SSCI 2011) April 11-15, 2011 - Paris, France, IEEE 2011, ISBN: 978-1-4577-0470-3, pp. 162-169 DOI: http://dx.doi.org/10.1109/ALIFE.2011.5954645 http://www.csse.monash.edu.au/~cema/evoeco/kowaliw_evoeco_SSCI2011.pdf http://www.csse.monash.edu.au/~cema/evoeco/
 
* T. Kowaliw, [[Jon McCormack]] and [[Alan Dorin]]: [[An Interactive Electronic Art System Based on Artificial Ecosystemics]], 2011 IEEE Symposium on Artificial Life (IEEE Symposium Series on Computational Intelligence - SSCI 2011) April 11-15, 2011 - Paris, France, IEEE 2011, ISBN: 978-1-4577-0470-3, pp. 162-169 DOI: http://dx.doi.org/10.1109/ALIFE.2011.5954645 http://www.csse.monash.edu.au/~cema/evoeco/kowaliw_evoeco_SSCI2011.pdf http://www.csse.monash.edu.au/~cema/evoeco/
  
 
* [[Oliver Bown]], [[Jon McCormack]] and T. Kowaliw, [[Ecosystemic methods for creative domains: niche construction and boundary formation]]. 2011 IEEE Symposium on Artificial Life (IEEE Symposium Series on Computational Intelligence - SSCI 2011) April 11-15, 2011 - Paris, France, IEEE 2011, ISBN: 978-1-4577-0470-3, pp. 132-139 DOI: http://dx.doi.org/10.1109/ALIFE.2011.5954651 http://www.csse.monash.edu.au/~jonmc/research/Papers/bown_mccormack_kowaliw_ieee-alife11.pdf
 
* [[Oliver Bown]], [[Jon McCormack]] and T. Kowaliw, [[Ecosystemic methods for creative domains: niche construction and boundary formation]]. 2011 IEEE Symposium on Artificial Life (IEEE Symposium Series on Computational Intelligence - SSCI 2011) April 11-15, 2011 - Paris, France, IEEE 2011, ISBN: 978-1-4577-0470-3, pp. 132-139 DOI: http://dx.doi.org/10.1109/ALIFE.2011.5954651 http://www.csse.monash.edu.au/~jonmc/research/Papers/bown_mccormack_kowaliw_ieee-alife11.pdf
 +
 +
[[Jon McCormack]] and P. McIlwain, "Generative Composition with Nodal", in E. R. Miranda (ed): A-Life for Music: Music and Computer Models of Living Systems, A-R Editions, Inc. Middleton, Wisconsin, 2011, pp. 99-113
  
 
===2010===
 
===2010===
Zeile 79: Zeile 72:
  
 
* [[Oliver Bown]] and [[Jon McCormack]]: [[Creative Agency: A Clearer Goal for Artificial Life in the Arts]]. In: Proceedings of European Conference on Artificial Life (ECAL) 2009, Budapest, Hungary. http://www.csse.monash.edu.au/~jonmc/research/Papers/CreativeAgencyBownMcCormack.pdf
 
* [[Oliver Bown]] and [[Jon McCormack]]: [[Creative Agency: A Clearer Goal for Artificial Life in the Arts]]. In: Proceedings of European Conference on Artificial Life (ECAL) 2009, Budapest, Hungary. http://www.csse.monash.edu.au/~jonmc/research/Papers/CreativeAgencyBownMcCormack.pdf
 +
 +
* M.A. Boden, M. d'Inverno and [[Jon McCormack]] (eds), "Computational Creativity: an interdisciplinary approach", Dagstuhl Seminar Proceedings 09291, LZI Germany, ISSN 1862 - 4405 http://drops.dagstuhl.de/portals/index.php?semnr=09291
 +
 +
* [[Jon McCormack]]; [[Oliver Bown]]: [[Life's What You Make: Niche Construction and Evolutionary Art]]. In: [[EvoMUSART 2009]], 528-537. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_59 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_EvoMUSART09.pdf
  
 
[[Oliver Bown]], A. Eldridge and [[Jon McCormack]]: "Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects", Organised Sound Vol 14(2), Cambridge University Press, August 2009, pp. 188-196 http://www.csse.monash.edu.au/~jonmc/research/Papers/OrganisedSound2009.pdf
 
[[Oliver Bown]], A. Eldridge and [[Jon McCormack]]: "Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects", Organised Sound Vol 14(2), Cambridge University Press, August 2009, pp. 188-196 http://www.csse.monash.edu.au/~jonmc/research/Papers/OrganisedSound2009.pdf
  
−
* M.A. Boden, M. d'Inverno and [[Jon McCormack]] (eds), "Computational Creativity: an interdisciplinary approach", Dagstuhl Seminar Proceedings 09291, LZI Germany, ISSN 1862 - 4405 http://drops.dagstuhl.de/portals/index.php?semnr=09291
+
[[Jon McCormack]]: The Evolution of Sonic Ecosystems. In: Komosinski, Maciej; Adamatzky, Andrew (eds.), Artificial Life Models in Software (Second Edition), Springer, Berlin 2009 revised paper on Eden for the second edition of this book http://www.csse.monash.edu.au/~jonmc/research/Papers/ALMIS2McCormack.pdf
−
 
 
−
[[Jon McCormack]]: "The Evolution of Sonic Ecosystems" in Komosinski, Maciej; Adamatzky, Andrew (eds.), Artificial Life Models in Software (Second Edition), Springer, Berlin 2009 [pdf][book web site] revised paper on Eden for the second edition of this book.
 
  
 
[[Jon McCormack]], A. Eldridge, [[Alan Dorin]] and P. McIlwain, "Generative Algorithms for Making Music: Emergence, Evolution and Ecosystems", in R.T. Dean (ed.) The Oxford Handbook of Computer Music, Oxford University Press, pp. 354–379, 2009 http://www.oup.com/us/catalog/general/subject/Music/MusicHistoryWestern/TwentiethCentury/?view=usa&ci=9780195331615  
 
[[Jon McCormack]], A. Eldridge, [[Alan Dorin]] and P. McIlwain, "Generative Algorithms for Making Music: Emergence, Evolution and Ecosystems", in R.T. Dean (ed.) The Oxford Handbook of Computer Music, Oxford University Press, pp. 354–379, 2009 http://www.oup.com/us/catalog/general/subject/Music/MusicHistoryWestern/TwentiethCentury/?view=usa&ci=9780195331615  
  
−
* [[Jon McCormack]]; [[Oliver Bown]]: [[Life's What You Make: Niche Construction and Evolutionary Art]]. In: [[EvoMUSART 2009]], 528-537. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_59 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_EvoMUSART09.pdf
 
  
 
===2008===
 
===2008===
Zeile 100: Zeile 94:
  
 
===2007===
 
===2007===
−
[[Jon McCormack]], P. McIlwain, A. Lane & A. Dorin, "Generative Composition with Nodal", in E.R. Miranda (ed.) Workshop on Music and Artificial Life (ECAL 2007), Lisbon, Portugal, 2007. http://www.csse.monash.edu.au/~jonmc/research/Papers/Nodal.pdf
 
−
 
 
* [[Jon McCormack]]: [[Artificial ecosystems for creative discovery]]. In: Thierens, D., et al. (eds.) Genetic and Evolutionary Computation Conference, pp. 301–307 (2007). DOI: http://dx.doi.org/10.1145/1276958.1277017 DOI: http://dx.doi.org/10.1145/1276958.1277017 http://www.csse.monash.edu.au/~jonmc/research/Papers/ArtificialEcosystems.pdf http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_GECCO07.pdf
 
* [[Jon McCormack]]: [[Artificial ecosystems for creative discovery]]. In: Thierens, D., et al. (eds.) Genetic and Evolutionary Computation Conference, pp. 301–307 (2007). DOI: http://dx.doi.org/10.1145/1276958.1277017 DOI: http://dx.doi.org/10.1145/1276958.1277017 http://www.csse.monash.edu.au/~jonmc/research/Papers/ArtificialEcosystems.pdf http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_GECCO07.pdf
  
 
* [[Jon McCormack]]: [[Creative Ecosystems_in Computational Creativity 2007]], in A. Cardoso and G.A. Wiggins (eds), Proceedings of the 4th International Joint Workshop on Computational Creativity, 17-19 June 2007, Goldsmiths, University of London 2007, pp. 129-136. http://www.csse.monash.edu.au/~jonmc/research/Papers/EcoCreativity.pdf
 
* [[Jon McCormack]]: [[Creative Ecosystems_in Computational Creativity 2007]], in A. Cardoso and G.A. Wiggins (eds), Proceedings of the 4th International Joint Workshop on Computational Creativity, 17-19 June 2007, Goldsmiths, University of London 2007, pp. 129-136. http://www.csse.monash.edu.au/~jonmc/research/Papers/EcoCreativity.pdf
 +
 +
[[Jon McCormack]], P. McIlwain, A. Lane & A. Dorin, "Generative Composition with Nodal", in E.R. Miranda (ed.) Workshop on Music and Artificial Life (ECAL 2007), Lisbon, Portugal, 2007. http://www.csse.monash.edu.au/~jonmc/research/Papers/Nodal.pdf
  
 
===2006===
 
===2006===
 +
* [[Jon McCormack]] (2006). [[New challenges for evolutionary music and art]]. In: Lanzi, P. L. (ed): SIGEVOlution: Newsletter of the ACM Special Interest Group on Genetic and Evolutionary Computation, 1(1) April 2006, pp. 5-11, ISSN 1931-8499. http://www.sigevolution.org/issues/SIGEVOlution0101.pdf
 +
 
P. McIlwain, [[Jon McCormack]], A. Dorin & A. Lane, "Composing With Nodal Networks", in Proceedings of the 2006 Australasian Computer Music Conference (ACMC), Haines (ed.), 2006, ACMA, Fitzroy, Australia 2006, pp. 101-7. http://www.csse.monash.edu.au/~jonmc/research/Papers/McilwainACMA06.pdf
 
P. McIlwain, [[Jon McCormack]], A. Dorin & A. Lane, "Composing With Nodal Networks", in Proceedings of the 2006 Australasian Computer Music Conference (ACMC), Haines (ed.), 2006, ACMA, Fitzroy, Australia 2006, pp. 101-7. http://www.csse.monash.edu.au/~jonmc/research/Papers/McilwainACMA06.pdf
−
 
−
* [[Jon McCormack]] (2006). [[New challenges for evolutionary music and art]]. In: Lanzi, P. L. (ed): SIGEVOlution: Newsletter of the ACM Special Interest Group on Genetic and Evolutionary Computation, 1(1) April 2006, pp. 5-11, ISSN 1931-8499. http://www.sigevolution.org/issues/SIGEVOlution0101.pdf
 
  
 
===2005===
 
===2005===
 
* [[Jon McCormack]]: "A Developmental Model for Generative Media", in M. S. Capcarrere, A. A. Freitas, P. J. Bentley, C. G. Johnson and J. Timmis (eds), Lecture Notes in Artificial Intelligence, Vol 3630 [Proceedings of the 8th European Conf. on Advances in Artificial Life, (ECAL 2005), Canterbury, UK, 5-9 September 2005 ], Springer-Verlag, Berlin, Germany, ISSN: 0302-9743, ISBN-10: 3-540-28848-1, ISBN-13: 978-540-28848-0, pp 88-97. http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_ECAL05.pdf
 
* [[Jon McCormack]]: "A Developmental Model for Generative Media", in M. S. Capcarrere, A. A. Freitas, P. J. Bentley, C. G. Johnson and J. Timmis (eds), Lecture Notes in Artificial Intelligence, Vol 3630 [Proceedings of the 8th European Conf. on Advances in Artificial Life, (ECAL 2005), Canterbury, UK, 5-9 September 2005 ], Springer-Verlag, Berlin, Germany, ISSN: 0302-9743, ISBN-10: 3-540-28848-1, ISBN-13: 978-540-28848-0, pp 88-97. http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_ECAL05.pdf
 +
 +
* [[Jon McCormack]]: [[Open Problems in Evolutionary Music and Art]]. In: [[EvoMUSART 2005]], 428-436. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_43 http://www.csse.monash.edu.au/~jonmc/research/Papers/OpenProblemsSV.pdf
  
 
P. McIlwain & [[Jon McCormack]]: "Design Issues in Musical Composition Networks", in T. Opie and A. Brown (eds), Proceedings of the Australiasian Computer Music Conference (ACMA), Queensland University of Technology, Brisbane, Australia. 12 - 14 July 2005, pp. 96-101. http://www.csse.monash.edu.au/~jonmc/research/Papers/acmc05-096-101.pdf
 
P. McIlwain & [[Jon McCormack]]: "Design Issues in Musical Composition Networks", in T. Opie and A. Brown (eds), Proceedings of the Australiasian Computer Music Conference (ACMA), Queensland University of Technology, Brisbane, Australia. 12 - 14 July 2005, pp. 96-101. http://www.csse.monash.edu.au/~jonmc/research/Papers/acmc05-096-101.pdf
  
 
[[Jon McCormack]]: On the Evolution of Sonic Ecosystems. In: Adamatzky, A. & M. Komosinski (eds), Artificial Life Models in Software, Springer-Verlag, London. pp. 211-230. DOI: http://link.springer.com/chapter/10.1007/1-84628-214-4_9 http://www.csse.monash.edu.au/~jonmc/research/Papers/ALMIS2McCormack.pdf
 
[[Jon McCormack]]: On the Evolution of Sonic Ecosystems. In: Adamatzky, A. & M. Komosinski (eds), Artificial Life Models in Software, Springer-Verlag, London. pp. 211-230. DOI: http://link.springer.com/chapter/10.1007/1-84628-214-4_9 http://www.csse.monash.edu.au/~jonmc/research/Papers/ALMIS2McCormack.pdf
−
 
−
* [[Jon McCormack]]: [[Open Problems in Evolutionary Music and Art]]. In: [[EvoMUSART 2005]], 428-436. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_43 http://www.csse.monash.edu.au/~jonmc/research/Papers/OpenProblemsSV.pdf
 
  
 
===2004===
 
===2004===
Zeile 130: Zeile 124:
  
 
===2003===
 
===2003===
−
* [[Jon McCormack]]: [[The application of L-systems and developmental models to computer art, animation, and music synthesis]]. School of Computer Science and Software Engineering, Monash University, Clayton. (2003). http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackThesisSml.pdf  
+
* [[Jon McCormack]]: [[The application of L-systems and developmental models to computer art, animation, and music synthesis]]. PhD Thesis, School of Computer Science and Software Engineering, Monash University, Clayton. (2003). http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackThesisSml.pdf  
  
 
* [[Jon McCormack]]: [[A Method for Generating Phyliotaxis over Surfaces of Revolution]]. Technical Report, No. 2003/149, December, 2003. Monash University, Melbourne. http://www.csse.monash.edu.au/publications/2003/tr-2003-149-full.pdf
 
* [[Jon McCormack]]: [[A Method for Generating Phyliotaxis over Surfaces of Revolution]]. Technical Report, No. 2003/149, December, 2003. Monash University, Melbourne. http://www.csse.monash.edu.au/publications/2003/tr-2003-149-full.pdf
Zeile 153: Zeile 147:
  
 
===1997===
 
===1997===
−
[[Jon McCormack]] and A. V. Sherstyuk: [[Creating and rendering convolution surfaces]]. 97/324, Department of Computer Science Technical Reports, Dept Computer Science, Monash University, Melbourne Australia, 1-15, 15pp. Technical report CS 97/324. http://www.csse.monash.edu.au/~jonmc/research/Papers/CONVOLUT.PDF
+
* [[Jon McCormack]] and A. V. Sherstyuk: [[Creating and rendering convolution surfaces]]. 97/324, Department of Computer Science Technical Reports, Dept Computer Science, Monash University, Melbourne Australia, 1-15, 15pp. Technical report CS 97/324. http://www.csse.monash.edu.au/~jonmc/research/Papers/CONVOLUT.PDF
  
 
===1996===
 
===1996===
Zeile 160: Zeile 154:
 
===1993===
 
===1993===
 
* [[Jon McCormack]]: [[Interactive Evolution of L-System Grammars for Computer Graphics Modelling]]. In: Bossomaier, T. (ed.) Complex Systems: from Biology to Computation, pp. 118–130. ISO Press, Amsterdam (1993). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.16.6763 http://www.csse.monash.edu.au/~jonmc/research/Papers/L-systems-evol.pdf
 
* [[Jon McCormack]]: [[Interactive Evolution of L-System Grammars for Computer Graphics Modelling]]. In: Bossomaier, T. (ed.) Complex Systems: from Biology to Computation, pp. 118–130. ISO Press, Amsterdam (1993). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.16.6763 http://www.csse.monash.edu.au/~jonmc/research/Papers/L-systems-evol.pdf
 +
  
 
== Externe Links ==
 
== Externe Links ==

Aktuelle Version vom 13. Januar 2015, 18:44 Uhr

zurück zur Liste der Personen

Person

Jon McCormack ist ein australischer Medienkünstler und Computerwissenschaftler. Er hält mehrere akademische Grade in Angewandter Mathematik und Computerwissenachaft an der Monash University, ein Diplom in Kunst (Film und TV) an der Swinburne University und einen PhD in Computerwissenachaft an der Monash University.


Wissenschaftliche Tätigkeit

Jon McCormack ist gegenwärtig außerordentlicher Professor in Computerwissenachaft, besitzt ein Forschungsstipendiat (ARC Australian Research Fellow) und ist Co-Direktor am Center für Electronic Media Art (CEMA) an der Monash University. CEMA ist ein interdisziplinäres Forschungszentrum zur Erforschung neuer Beziehungen zwischen Computerwissenschaften und den Künsten.

McCormacks Forschungsinteressen erstrecken sich von Generativer Kunst und Design, Kreativität, Visualisierung und Interaktion bis zu Maschinellem Lernen, L-Systeme und Entwicklungsmodellen.


Künstlerische Tätigkeit

Seit den späten 1980ern arbeitet McCormack an Computercode als Medium kreativen Ausdrucks inspiriert durch die Komplexität der natürlichen Welt. Seine Arbeit beschäftigt sich mit künstlicher elektronischer Natur, die eines Tages die natürliche, biologische Natur ersetzen könnte, die durch den menschlichen Fortschritt verloren gegangen ist.

Seine Kunstwerke wurden international durch bekannte Galerien, Museen und auf Symposien gezeigt, etwa im Museum of Modern Art (New York, USA), Tate Gallery (Liverpool, UK), ACM SIGGRAPH (USA), Prix Ars Electronica (Austria) und dem Australian Centre for the Moving Image (Australia).


Publikationen

2014

2013

Jon McCormack: Jon McCormack: Eden. in Peter Weibel and Ljiljana Fruk (eds), Molecular Aesthetics, ZKM Books/MIT Press, Karlsruhe/Boston, pp. 258-260, 2013 http://mitpress.mit.edu/books/molecular-aesthetics

Jon McCormack: "Evolutionary and A-Life Art: Cosmic Pyramids and the Origination of Novelty in Machines" (English with Russian translation) in Dmitry Bulatov (ed), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), National Centre for Contemporary Arts, Kaliningrad, Russia, pp. 84-101, 2013.

2012

Jon McCormack, Pablo eCasso: in search of the first computer masterpiece, The Conversation, 15 November 2012

Alan Dorin, J. McCabe, Jon McCormack, G. Monro and M. Whitelaw, "A Framework for Understanding Generative Art", Digital Creativity, Vol. 23(3-4), pp. 239-259, 2012. http://www.tandfonline.com/doi/abs/10.1080/14626268.2012.709940

A. Pirnia and Jon McCormack, "Compressed Multidimensional Trees for Evolutionary Music Representation", International Computer Music Conference, Irzu, Ljubljana 9-14 September 2012, pp. 608-613 http://www.csse.monash.edu.au/~jonmc/research/Papers/ICMC2012_Pirnia_McCormack.pdf


2011

Jon McCormack and P. McIlwain, "Generative Composition with Nodal", in E. R. Miranda (ed): A-Life for Music: Music and Computer Models of Living Systems, A-R Editions, Inc. Middleton, Wisconsin, 2011, pp. 99-113

2010

2009

Oliver Bown, A. Eldridge and Jon McCormack: "Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects", Organised Sound Vol 14(2), Cambridge University Press, August 2009, pp. 188-196 http://www.csse.monash.edu.au/~jonmc/research/Papers/OrganisedSound2009.pdf

Jon McCormack: The Evolution of Sonic Ecosystems. In: Komosinski, Maciej; Adamatzky, Andrew (eds.), Artificial Life Models in Software (Second Edition), Springer, Berlin 2009 revised paper on Eden for the second edition of this book http://www.csse.monash.edu.au/~jonmc/research/Papers/ALMIS2McCormack.pdf

Jon McCormack, A. Eldridge, Alan Dorin and P. McIlwain, "Generative Algorithms for Making Music: Emergence, Evolution and Ecosystems", in R.T. Dean (ed.) The Oxford Handbook of Computer Music, Oxford University Press, pp. 354–379, 2009 http://www.oup.com/us/catalog/general/subject/Music/MusicHistoryWestern/TwentiethCentury/?view=usa&ci=9780195331615


2008

  • P. Brown, D. W. Cunningham, V. Interrante and Jon McCormack (eds), Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics in Graphics, Visualisation and Imaging, Eurographics Association, Aire-la-Ville, Switzerland, ISBN 978-3-905674-08-8, 2008

2007

Jon McCormack, P. McIlwain, A. Lane & A. Dorin, "Generative Composition with Nodal", in E.R. Miranda (ed.) Workshop on Music and Artificial Life (ECAL 2007), Lisbon, Portugal, 2007. http://www.csse.monash.edu.au/~jonmc/research/Papers/Nodal.pdf

2006

P. McIlwain, Jon McCormack, A. Dorin & A. Lane, "Composing With Nodal Networks", in Proceedings of the 2006 Australasian Computer Music Conference (ACMC), Haines (ed.), 2006, ACMA, Fitzroy, Australia 2006, pp. 101-7. http://www.csse.monash.edu.au/~jonmc/research/Papers/McilwainACMA06.pdf

2005

  • Jon McCormack: "A Developmental Model for Generative Media", in M. S. Capcarrere, A. A. Freitas, P. J. Bentley, C. G. Johnson and J. Timmis (eds), Lecture Notes in Artificial Intelligence, Vol 3630 [Proceedings of the 8th European Conf. on Advances in Artificial Life, (ECAL 2005), Canterbury, UK, 5-9 September 2005 ], Springer-Verlag, Berlin, Germany, ISSN: 0302-9743, ISBN-10: 3-540-28848-1, ISBN-13: 978-540-28848-0, pp 88-97. http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_ECAL05.pdf

P. McIlwain & Jon McCormack: "Design Issues in Musical Composition Networks", in T. Opie and A. Brown (eds), Proceedings of the Australiasian Computer Music Conference (ACMA), Queensland University of Technology, Brisbane, Australia. 12 - 14 July 2005, pp. 96-101. http://www.csse.monash.edu.au/~jonmc/research/Papers/acmc05-096-101.pdf

Jon McCormack: On the Evolution of Sonic Ecosystems. In: Adamatzky, A. & M. Komosinski (eds), Artificial Life Models in Software, Springer-Verlag, London. pp. 211-230. DOI: http://link.springer.com/chapter/10.1007/1-84628-214-4_9 http://www.csse.monash.edu.au/~jonmc/research/Papers/ALMIS2McCormack.pdf

2004

2003

Jon McCormack: Evolving Sonic Ecosystems. In: A Adamatzky (ed), The International Journal of Systems & Cybernetics - Kybernetes, Vol 32, Issue 1/2, 2003, Emerald, Northampton, UK, ISSN: 0368-492X, pp 184-202. http://www.csse.monash.edu.au/~jonmc/research/Papers/Kybernetes.pdf

Jon McCormack: Art and the Mirror of Nature. Digital Creativity, Vol 14, Issue 1, 2003 (Special issue on Generative Computation and the Arts, edited by Paul Brown), Swets & Zeitlinger BV, The Netherlands, ISSN: 1462-6268, pp 3-22.

2002

2001

Jon McCormack: Eden: an evolutionary sonic ecosystem. In: J. Kelemen and P. Sosik (eds), Lecture Notes in Artificial Intelligence, Vol 2159, Advances in Artificial Life, Proceedings of the 6th European Conference (ECAL), Prague, Czech Republic, 10 - 14 September 2001], Springer-Verlag, Berlin, Germany, ISSN: 0302-9743, 2001, pp 133-142. DOI: http://dx.doi.org/10.1007/3-540-44811-X_13 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_ECAL01.pdf

Alan Dorin and Jon McCormack: First Iteration – A Conference on Generative Systems in the Electronic Arts", Leonardo, Vol 34, Issue 3, (June 2001) and Issue 4 (August 2001), The MIT Press, Cambridge, MA, USA, ISSN: 0024-094X, pp 239-242.

1997

1996

Jon McCormack: Grammar Based Music Composition. In: Complex Systems 96: From Local Interactions to Global Phenomena, R. Stocker et. al., eds, ISO Press, Amsterdam, pp. 320-336. http://www.csse.monash.edu.au/~jonmc/research/Papers/L-systemsMusic.pdf

1993


Externe Links

http://jonmccormack.info/~jonmc/sa/ homepage

Jon.McCormack ät monash.edu

https://www.researchgate.net/profile/Jon_Mccormack4

Mitglied der Masterminds of Evolutionary Art


zurück zur Liste der Personen

Abgerufen von „http://de.evo-art.org/index.php?title=Jon_McCormack&oldid=3258“