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101. Pied de Pulse: Packing Embroidered Circles and Coil Actuators in Pied de Poule (Houndstooth)‏‎ (2 Bearbeitungen)
102. Line-Based Rendering with Truchet-Like Tiles‏‎ (2 Bearbeitungen)
103. Cellular Automata and Complexity: Collected Papers‏‎ (2 Bearbeitungen)
104. What is generative art?‏‎ (2 Bearbeitungen)
105. Algorithmic Quilting‏‎ (2 Bearbeitungen)
106. The Glitch Moment(um)‏‎ (2 Bearbeitungen)
107. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (2 Bearbeitungen)
108. Domain Bridging Associations Support Creativity‏‎ (2 Bearbeitungen)
109. A Fitness Function for Creativity in Jazz Improvisation and Beyond‏‎ (2 Bearbeitungen)
110. Enhancing Creativity with Niche Construction‏‎ (2 Bearbeitungen)
111. Informational Dialogue with Van Gogh's Paintings‏‎ (2 Bearbeitungen)
112. A closer look at creativity as search‏‎ (2 Bearbeitungen)
113. Suggestive Hatching‏‎ (2 Bearbeitungen)
114. Pannini: A New Projection for Rendering Wide Angle Perspective Images‏‎ (2 Bearbeitungen)
115. Creative Computers, Improvisation and Intimacy‏‎ (2 Bearbeitungen)
116. Polyhedral Tableaux‏‎ (2 Bearbeitungen)
117. DEFINING SPACES OF POTENTIAL ART The significance of representation in computer-aided creativity‏‎ (2 Bearbeitungen)
118. Yvon-Villarceau Circle Equivalents on Dupin Cyclides‏‎ (2 Bearbeitungen)
119. An Efficient Perception-based Adaptive Color to Gray Transformation‏‎ (2 Bearbeitungen)
120. Exploring aesthetic pattern formation‏‎ (2 Bearbeitungen)
121. The Monumental Geometry of E Pluribus Unum‏‎ (2 Bearbeitungen)
122. Representational Random Walks‏‎ (2 Bearbeitungen)
123. Establishing Appreciation In a Creative System‏‎ (2 Bearbeitungen)
124. Evolution of Aesthetically Pleasing Images Without Human-In-The-Loop‏‎ (2 Bearbeitungen)
125. Abstract Art by Shape Classification‏‎ (2 Bearbeitungen)
126. Learning of Rule Ensembles for Multiple Attribute Ranking Problems‏‎ (2 Bearbeitungen)
127. Watercolor Illustrations of CAD Data‏‎ (2 Bearbeitungen)
128. Aesthetics and Psychobiology‏‎ (2 Bearbeitungen)
129. The Aesthetics of the Underworld‏‎ (2 Bearbeitungen)
130. Manipulation of Non-Linear IFS Attractors Using Genetic Programming‏‎ (2 Bearbeitungen)
131. Color Search and Replace‏‎ (2 Bearbeitungen)
132. The Evolution of Fun: Automatic Level Design Through Challenge Modeling‏‎ (2 Bearbeitungen)
133. Real-World Tessellations‏‎ (2 Bearbeitungen)
134. Dimension Reduction for Object Ranking‏‎ (2 Bearbeitungen)
135. Form Follows Function: Aesthetic Interactive Labels‏‎ (2 Bearbeitungen)
136. EvoFashion: Customising Fashion Through Evolution‏‎ (2 Bearbeitungen)
137. New directions for evolving expressions‏‎ (2 Bearbeitungen)
138. Automated Generation of Cross-Domain Analogies via Evolutionary Computation‏‎ (2 Bearbeitungen)
139. Thoughts on Generative Art‏‎ (2 Bearbeitungen)
140. Generating floor plan layouts with K-D tree algorithms and evolutionary strategies‏‎ (2 Bearbeitungen)
141. A mathematical theory of evolutionand biological creativity‏‎ (2 Bearbeitungen)
142. Strategies for creating new informational primitives in minds and machines‏‎ (2 Bearbeitungen)
143. Active learning in very large databases‏‎ (2 Bearbeitungen)
144. Taking a Point for a Walk: Pattern Formation with Self-Interacting Curves‏‎ (2 Bearbeitungen)
145. Planes and Frames: Spatial Layering in Josef Albers' Homage to the Square Paintings‏‎ (2 Bearbeitungen)
146. Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts‏‎ (2 Bearbeitungen)
147. Celtic Knots Colorization based on Color Harmony Principles‏‎ (2 Bearbeitungen)
148. Curve, Draft, and Style: Three Steps to the Image‏‎ (2 Bearbeitungen)
149. Geometric Patterns as Material Things: The Making of Seljuk Patterns on Curved Surfaces‏‎ (2 Bearbeitungen)
150. What is generative art? complexity theory as a context for art theory‏‎ (2 Bearbeitungen)

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