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  1. Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function‏‎ (2 Links)
  2. In Praise of Evolution and Opacity‏‎ (2 Links)
  3. Generative Representations for Artificial Architecture and Passive Solar Performance TR‏‎ (2 Links)
  4. The Creative Mind: Myths and Mechanisms‏‎ (2 Links)
  5. Optimized Design of MEMS by Evolutionary Multi-objective Optimization with Interactive Evolutionary Computation‏‎ (2 Links)
  6. Induction Design: A Method for Evolutionary Design‏‎ (2 Links)
  7. Computational Aesthetic Evaluation: Steps Towards Machine Creativity‏‎ (2 Links)
  8. Generic Evolutionary Design‏‎ (2 Links)
  9. Selektion‏‎ (2 Links)
  10. Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music‏‎ (2 Links)
  11. Drawing as transformation: From Primary Geometry to Secondary Geometry‏‎ (2 Links)
  12. You Can’t Know my Mind: A Festival of Computational Creativity‏‎ (2 Links)
  13. Self Portraits with Mandelbrot Genetics‏‎ (2 Links)
  14. The Evolution of Fun: Automatic Level Design Through Challenge Modeling‏‎ (2 Links)
  15. Evolving an Aircraft Using a Parametric Design System‏‎ (2 Links)
  16. Measuring Creativity In Software Development‏‎ (2 Links)
  17. Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture‏‎ (2 Links)
  18. Painting with Flowsnakes‏‎ (2 Links)
  19. Bernd Lintermann‏‎ (2 Links)
  20. The Painting Fool Sees! New Projects with the Automated Painter‏‎ (2 Links)
  21. Interactive evolutionary computation for analyzing human characteristics‏‎ (2 Links)
  22. Gentropy: evolving 2D textures‏‎ (2 Links)
  23. Pavimenta: A Photo Tiling Tool‏‎ (2 Links)
  24. Interior Illumination Design Using Genetic Programming‏‎ (2 Links)
  25. Computer-Kreativität‏‎ (2 Links)
  26. Exploring a Parameterized Portrait Painting Space‏‎ (2 Links)
  27. Computer Software for Measuring Creative Search‏‎ (2 Links)
  28. Space layout planning using an evolutionary approach‏‎ (2 Links)
  29. The artist’s intentions and genetic coding in algorithmically generated drawings‏‎ (2 Links)
  30. Morgan McGuire‏‎ (2 Links)
  31. Investigating Aesthetic Features to Model Human Preference in Evolutionary Art‏‎ (2 Links)
  32. The emergence of the representation of style in design‏‎ (2 Links)
  33. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  34. FaceSpace: A Facial Spatial-Domain Toolkit‏‎ (2 Links)
  35. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  36. Mutation‏‎ (2 Links)
  37. Playing Music by Conducting BOID Agents - A Style of Interaction in the Life with A-Life‏‎ (2 Links)
  38. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  39. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  40. Establishing Appreciation In a Creative System‏‎ (2 Links)
  41. Style-aware Robust Color Transfer‏‎ (2 Links)
  42. Breeding on site‏‎ (2 Links)
  43. Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?‏‎ (2 Links)
  44. Preconceptual Creativity‏‎ (2 Links)
  45. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  46. Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping‏‎ (2 Links)
  47. Guided Exploration of Physically Valid Shapes for Furniture Design‏‎ (2 Links)
  48. Karl Gerbel‏‎ (2 Links)
  49. Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm‏‎ (2 Links)
  50. Creative Computers, Improvisation and Intimacy‏‎ (2 Links)

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