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- Image Warping for a Painterly Effect (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Detecting people in cubist art (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Genetic Algorithms for the Generation of Models with Micropopulations (2 Links)
- Ludic Considerations of Tablet-Based Evo-Art (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (2 Links)
- Digital Face Beautification (2 Links)
- State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Steve Dipaola (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Stippling with Aerial Robots (2 Links)
- Computational Aesthetic Evaluation: Steps Towards Machine Creativity (2 Links)
- Drawing as transformation: From Primary Geometry to Secondary Geometry (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Genotyp (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Interactive Evolution for Designing Motion Variants (2 Links)
- Natural Processes and Artificial Procedures (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Grammatical Evolution: Evolving Programs for an Arbitrary Language (2 Links)
- Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation (2 Links)
- Quantum sculpture: art inspired by the deeper nature of reality (2 Links)
- Interactive Evolutionary Design in a Hierarchical Way (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Computer-Kreativität (2 Links)
- Feature Extraction Languages and Visual Pattern Recognition (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Computer Software for Measuring Creative Search (2 Links)
- Filterscape: Energy Recycling in a Creative Ecosystem (2 Links)
- Interactive operators for evolutionary architectural design (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Model Proposal for a Constructed Artist (2 Links)
- Rebecca Luger-Guil (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Evaluating Search Engine Relevance with Click-Based Metrics (2 Links)
- Refinement Techniques for Animated Evolutionary Photomosaics Using Limited Tile Collections (2 Links)
- Introduction of Interactive Evolutionary Computation and Its Applications to CG Creativity (2 Links)
- Novelty and figurative expression-based evolutionary art (2 Links)
- Fractal art — a comparison of styles (2 Links)
- Breeding on site (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- SBArt4 for an Automatic Evolutionary Art (2 Links)
- Fractals and Multi-Layer Coloring Algorithms (2 Links)
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