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- In Praise of Evolution and Opacity (2 Links)
- Swarm Tech-Tiles Tim (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- Computational Aesthetics Conferences (2 Links)
- Generic Evolutionary Design (2 Links)
- Niall J. L. Griffith (2 Links)
- Upload any object and evolve it: injecting complex geometric patterns into CPPNs for further evolution (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Induction Design: A Method for Evolutionary Design (2 Links)
- Evolving an Aircraft Using a Parametric Design System (2 Links)
- Reducing Human Fatigue in Interactive Evolutionary Computation through Fuzzy Systems and Machine Learning Systems (2 Links)
- Measuring Creativity In Software Development (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Taking a Point for a Walk: Pattern Formation with Self-Interacting Curves (2 Links)
- Enhancing Creativity with Niche Construction (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Gentropy: evolving 2D textures (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Interactive evolutionary computation for analyzing human characteristics (2 Links)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (2 Links)
- Computers can’t jump? A quantitative approach for studying creative leaps (2 Links)
- Interior Illumination Design Using Genetic Programming (2 Links)
- Exploring a Parameterized Portrait Painting Space (2 Links)
- The ABCs of evolutionary design: Investigating the evolvability of embryogenies for morphogenesis (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Consequences for practical aesthetics and for aesthetical theory of the insertion of principles from quantum theory in cellular automata (2 Links)
- Scott Neil-Teilly (2 Links)
- Morgan McGuire (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Investigating Aesthetic Features to Model Human Preference in Evolutionary Art (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Biokunst (2 Links)
- Organized order in ornamentation (2 Links)
- Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation (2 Links)
- The Escher evolver: evolution to the people (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Mutation (2 Links)
- P4m Reference Implementation (2 Links)
- The FloWr Online Platform: Automated Programming and Computational Creativity as a Service (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Painterly rendering using image salience (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- Guided Exploration of Physically Valid Shapes for Furniture Design (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Creative Machine Performance: Computational Creativity and Robotic Art (2 Links)
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