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  1. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  2. X-Faces: The eXploit Is Out There‏‎ (2 Links)
  3. Induction Design: A Method for Evolutionary Design‏‎ (2 Links)
  4. The Emergence of Social Learning in Artificial Societies‏‎ (2 Links)
  5. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
  6. DESIGN ARCHITECTURE BY GENETIC ALGORITHM‏‎ (2 Links)
  7. The Evolving Role of the Artist‏‎ (2 Links)
  8. Measuring Creativity In Software Development‏‎ (2 Links)
  9. Semi-Automatic Digital Epigraphy from Images with Normals‏‎ (2 Links)
  10. Ästhetik‏‎ (2 Links)
  11. Daniel Shiffman‏‎ (2 Links)
  12. Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture‏‎ (2 Links)
  13. Painting With Triangles‏‎ (2 Links)
  14. Applicability of interactive evolutionary computation to mental health measurement‏‎ (2 Links)
  15. Genetic learning for biologically inspired aesthetic processes‏‎ (2 Links)
  16. ArTbitrating: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  17. The Markov Pen: Online Synthesis of Free-Hand Drawing Styles‏‎ (2 Links)
  18. Evolving urban structures using Computer Optimisation Techniques‏‎ (2 Links)
  19. A Study of Image Colourfulness‏‎ (2 Links)
  20. Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity‏‎ (2 Links)
  21. The Painting Fool in New Dimensions‏‎ (2 Links)
  22. Design Space of Tiling Template‏‎ (2 Links)
  23. Interactive evolutionary computation for analyzing human characteristics‏‎ (2 Links)
  24. Artificial Art Made by Artificial Ants‏‎ (2 Links)
  25. Exploring Evolutionary Possibilities for Digital Doilies‏‎ (2 Links)
  26. A closer look at creativity as search‏‎ (2 Links)
  27. A comparative classification of complexity measures‏‎ (2 Links)
  28. Artificial Nature: Immersive World Making‏‎ (2 Links)
  29. Modular Line-Based Halftoning via Recursive Division‏‎ (2 Links)
  30. Peter Kleiweg‏‎ (2 Links)
  31. Extending the Range of Facial Types‏‎ (2 Links)
  32. Digits that are not: Generating new types through deep neural nets‏‎ (2 Links)
  33. Investigating Face Space‏‎ (2 Links)
  34. Arts, robots, and evolution as a tool for creativity‏‎ (2 Links)
  35. A methodology for user directed search in evolutionary design‏‎ (2 Links)
  36. Distance-based functions for image comparison‏‎ (2 Links)
  37. Ishihama Yoshiaki‏‎ (2 Links)
  38. Photogrowth: non-photorealistic renderings through ant paintings‏‎ (2 Links)
  39. Gregory S. Hornby‏‎ (2 Links)
  40. The use of genetic programming for applications in the field of spatial composition‏‎ (2 Links)
  41. Composition in Perspectives‏‎ (2 Links)
  42. Multiobjective Satisfaction within an Interactive Evolutionary Design Environment‏‎ (2 Links)
  43. Feature Discovery by Deep Learning for Aesthetic Analysis of Evolved Abstract Images‏‎ (2 Links)
  44. A self organizing map based method for understanding features associated with high aesthetic value evolved abstract images‏‎ (2 Links)
  45. Stochastic Generative Image Model Contributes to MRI Artistic Judgment Aptitude Validation‏‎ (2 Links)
  46. Aaron Davidson‏‎ (2 Links)
  47. Dynamic Sketching: Simulating the Process of Observational Drawings‏‎ (2 Links)
  48. Automated Generation of Cross-Domain Analogies via Evolutionary Computation‏‎ (2 Links)
  49. Fit and diverse: set evolution for inspiring 3D shape galleries‏‎ (2 Links)
  50. Automatic Texture Guided Color Transfer and Colorization‏‎ (2 Links)

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