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- The emergence of the representation of style in design (2 Links)
- Computational Creativity Theory: Inspirations behind the FACE and the IDEA models (2 Links)
- Interactive Evolutionary CAD System for MEMS Layout Synthesis (2 Links)
- Rebecca Luger-Guil (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Computational Models of Surprise as a Mechanism for Evaluating Creative Design (2 Links)
- Refinement Techniques for Animated Evolutionary Photomosaics Using Limited Tile Collections (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Gentropy: evolving 2D textures (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Novelty and figurative expression-based evolutionary art (2 Links)
- Exploring a Parameterized Portrait Painting Space (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- SBArt4 for an Automatic Evolutionary Art (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Construction and intuition: Creativity in early computer art (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- On the Role of Temporary Storage in Interactive Evolution (2 Links)
- Tuning of Image Parameters by Interactive Evolutionary Computation (2 Links)
- Searching for Surprise (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Creating New Informational Primitives in Minds and Machines (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- Creating tiling by means of 2D graphics applications (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Using Physiological Signals to Evolve Art (2 Links)
- Painting With Triangles (2 Links)
- Creative Evolutionary Systems (2 Links)
- Building Artistic Computer Colleagues with an Enactive Model of Creativity (2 Links)
- Henry Rowley (2 Links)
- Partial breeding — a method of IEC for well-structured large scale target domains (2 Links)
- An Examination of Lamarckian Genetic Algorithms (2 Links)
- Higher Level Techniques for the Artistic Rendering of Images and Video (2 Links)
- Tatsu Unemi (2 Links)
- An Implicit Surface Prototype for Evolving Human Figure Geometry (2 Links)
- Virtual Photography Using Multi-Objective Particle Swarm Optimization TR (2 Links)
- How the Obscure Features Hypothesis Leads to Innovation Assistant Software (2 Links)
- Evolutionary Art Using Summed Multi-objective Ranks (2 Links)
- DESIGN OF DEVELOPABLE SURFACES AND THE APPLICATION OF THIN-WALLED DEVELOPABLE STRUCTURES (2 Links)
- Peter Kleiweg (2 Links)
- Learning and reusing information in space layout problems using genetic engineering (2 Links)
- An interactive system for solving inverse illumination problems using genetic algorithms (2 Links)
- A History of Creativity for Future AI Research (2 Links)
- The Art of Self-Assembly: the Self-Assemby of Art (2 Links)
- Leonel Moura (2 Links)
- What makes patterns interesting in knowledge discovery systems (2 Links)
- A Method for Generating Phyliotaxis over Surfaces of Revolution (2 Links)
- Photogrowth: non-photorealistic renderings through ant paintings (2 Links)
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