Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 1.051 bis 1.100 angezeigt.
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- Evolving Assemblages of 3D Objects (2 Links)
- Measuring Creativity In Software Development (2 Links)
- P4m Reference Implementation (2 Links)
- Generative Design: A Paradigm for Design Research (2 Links)
- Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture (2 Links)
- Disney Meets Darwin — The Evolution of Funny Animated Figures (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Painterly rendering using image salience (2 Links)
- Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Genetic Algorithms for the Generation of Models with Micropopulations (2 Links)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Interactive evolutionary computation for analyzing human characteristics (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Edge Detection of Petrographic Images Using Genetic Programming (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Interior Illumination Design Using Genetic Programming (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Computational Creativity Theory: Inspirations behind the FACE and the IDEA models (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Computational Models of Surprise as a Mechanism for Evaluating Creative Design (2 Links)
- Morgan McGuire (2 Links)
- Genotyp (2 Links)
- Investigating Aesthetic Features to Model Human Preference in Evolutionary Art (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (2 Links)
- Stepping stones in the mist (2 Links)
- Mutation (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- Stimulating creative flow through computational feedback (2 Links)
- Pmm Reference Implementation (2 Links)
- Grammatical Evolution: Evolving Programs for an Arbitrary Language (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Stroke surfaces: Temporally coherent non-photorealistic animations from video (2 Links)
- Construction and intuition: Creativity in early computer art (2 Links)
- Population (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- Feature Extraction Languages and Visual Pattern Recognition (2 Links)
- Guided Exploration of Physically Valid Shapes for Furniture Design (2 Links)
- Preference Learning and Ranking by Pairwise Comparison (2 Links)
- Karl Gerbel (2 Links)
- Toward genetic aesthetics: mutation of bio information and generative art system (2 Links)
- Filterscape: Energy Recycling in a Creative Ecosystem (2 Links)
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