Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 1.051 bis 1.100 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. Evolutionary Banners, exploring a generative design approach‏‎ (2 Links)
  2. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  3. Learning Lexicographic Preference Models‏‎ (2 Links)
  4. Can a Genetic Algorithm Think Like a Composer?‏‎ (2 Links)
  5. Hyperspectral Image Analysis Using Genetic Programming 2005‏‎ (2 Links)
  6. Evolutionary Development of Mathematically Defined Forms‏‎ (2 Links)
  7. Learning of Rule Ensembles for Multiple Attribute Ranking Problems‏‎ (2 Links)
  8. Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation‏‎ (2 Links)
  9. The Escher evolver: evolution to the people‏‎ (2 Links)
  10. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  11. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  12. The FloWr Online Platform: Automated Programming and Computational Creativity as a Service‏‎ (2 Links)
  13. Semantic Operators for Evolutionary Art‏‎ (2 Links)
  14. Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach‏‎ (2 Links)
  15. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  16. Low-complexity art‏‎ (2 Links)
  17. Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining‏‎ (2 Links)
  18. Generating floor plan layouts with K-D tree algorithms and evolutionary strategies‏‎ (2 Links)
  19. Decision Tree Modeling for Ranking Data‏‎ (2 Links)
  20. Evolutionary generation of faces‏‎ (2 Links)
  21. Passive Solar Building Design Using Genetic Programming TR‏‎ (2 Links)
  22. Evolutionäre Algorithmen‏‎ (2 Links)
  23. Maintaining Population Diversity in Evolutionary Art‏‎ (2 Links)
  24. Collage, Technology, and Creative Process‏‎ (2 Links)
  25. Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space Models‏‎ (2 Links)
  26. Applicability of interactive evolutionary computation to mental health measurement‏‎ (2 Links)
  27. Evolved Aesthetic Analogies to Improve Artistic Experience‏‎ (2 Links)
  28. The T. albipennis Sand Painting Artists‏‎ (2 Links)
  29. Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits‏‎ (2 Links)
  30. ArTbitrating: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  31. Evolving Assemblages of 3D Objects‏‎ (2 Links)
  32. A Study of Image Colourfulness‏‎ (2 Links)
  33. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  34. Generative Design: A Paradigm for Design Research‏‎ (2 Links)
  35. In Praise of Evolution and Opacity‏‎ (2 Links)
  36. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  37. Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines‏‎ (2 Links)
  38. Induction Design: A Method for Evolutionary Design‏‎ (2 Links)
  39. Artificial Art Made by Artificial Ants‏‎ (2 Links)
  40. A closer look at creativity as search‏‎ (2 Links)
  41. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Links)
  42. Artificial Life Meets Computational Creativity?‏‎ (2 Links)
  43. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  44. Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution‏‎ (2 Links)
  45. A formal theory of creativity to model the creation of art‏‎ (2 Links)
  46. Measuring Creativity In Software Development‏‎ (2 Links)
  47. Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture‏‎ (2 Links)
  48. Picasso, Pato and Perro: Reconciling Procedure with Creativity‏‎ (2 Links)
  49. A genetic engineering approach to genetic algorithms‏‎ (2 Links)
  50. Playing in the Pheromone Playground: Experiences in Swarm Painting‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)