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Unten werden bis zu 50 Ergebnisse im Bereich 1.051 bis 1.100 angezeigt.
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- Creative Computers, Improvisation and Intimacy (2 Links)
- Implementation and Evaluation of an IEC-Based 3D Modeling System (2 Links)
- An approach to creating very large, high resolution artistic printed images (2 Links)
- Evolved Aesthetic Analogies to Improve Artistic Experience (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Creative Web Services with Pattern (2 Links)
- CGP, Creativity and Art (2 Links)
- Evolving Assemblages of 3D Objects (2 Links)
- Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm (2 Links)
- Generative Design: A Paradigm for Design Research (2 Links)
- Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007 (2 Links)
- Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines (2 Links)
- Genetic Algorithms for the Generation of Models with Micropopulations (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- New challenges for evolutionary music and art (2 Links)
- Choice-Based Conjoint Analysis: Classification vs. Discrete Choice Models (2 Links)
- Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks (2 Links)
- Data-Driven Iconification (2 Links)
- Architectural Innovation as an evolutionary process (2 Links)
- Michael Witbrock (2 Links)
- Non-Photorealistic Rendering of Portraits (2 Links)
- Interactive evolution of images (2 Links)
- Co-creating game content using an adaptive model of user taste (2 Links)
- Rekombination (2 Links)
- A Turing Test for Generative Art (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Genotyp (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Artificial Creative Systems: Completing the Creative Cycle (2 Links)
- Collaborative Preference Learning (2 Links)
- Rendering artistic light patterns (2 Links)
- A comparative study of texture measures with classification based on feature distributions (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Artificial Neural Network Spaces (2 Links)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (2 Links)
- On-line Knowledge Embedding for Interactive EC-based Montage System (2 Links)
- Detecting people in cubist art (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- On Symmetry, Aesthetics and Quantifying Symmetrical Complexity (2 Links)
- Digital Face Beautification (2 Links)
- SBEAT3: A tool for multi-part music composition by simulated breeding (2 Links)
- Grammatical Evolution: Evolving Programs for an Arbitrary Language (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Schwarm Algorithmen (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- On the Translation of Design Data into Design Form in Evolutionary Design (2 Links)
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