Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 1.051 bis 1.100 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. Computational Aesthetic Evaluation: Steps Towards Machine Creativity‏‎ (2 Links)
  2. Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007‏‎ (2 Links)
  3. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (2 Links)
  4. Drawing as transformation: From Primary Geometry to Secondary Geometry‏‎ (2 Links)
  5. Autonomously Creating Quality Images‏‎ (2 Links)
  6. Evolving Line Drawings‏‎ (2 Links)
  7. Semi-Automatic Digital Epigraphy from Images with Normals‏‎ (2 Links)
  8. Instance and System: a Figure and its 2^18 Variations‏‎ (2 Links)
  9. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
  10. Painting With Triangles‏‎ (2 Links)
  11. Aesthetic image rating (AIR) algorithm‏‎ (2 Links)
  12. MediaFlies – A Video and Audio Remixing Multi Agent System‏‎ (2 Links)
  13. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  14. Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies‏‎ (2 Links)
  15. Michael Witbrock‏‎ (2 Links)
  16. Genetic learning for biologically inspired aesthetic processes‏‎ (2 Links)
  17. Interactive evolution of images‏‎ (2 Links)
  18. Evolving urban structures using Computer Optimisation Techniques‏‎ (2 Links)
  19. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  20. Computer-Kreativität‏‎ (2 Links)
  21. Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica‏‎ (2 Links)
  22. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)
  23. Modelling Human Preference in Evolutionary Art‏‎ (2 Links)
  24. Computer Software for Measuring Creative Search‏‎ (2 Links)
  25. Exploring Evolutionary Possibilities for Digital Doilies‏‎ (2 Links)
  26. Exploring component-based representations - the secret of creativity by evolution?‏‎ (2 Links)
  27. Motion Representation and Evolutionary Architectural Spaces‏‎ (2 Links)
  28. State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video‏‎ (2 Links)
  29. Extending grammatical evolution to evolve digital surfaces with genr8‏‎ (2 Links)
  30. Grammar-based Genetic Programming: A Survey‏‎ (2 Links)
  31. Steve Dipaola‏‎ (2 Links)
  32. A Comparison Between Representations for Evolving Images‏‎ (2 Links)
  33. Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering‏‎ (2 Links)
  34. Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem‏‎ (2 Links)
  35. An Introduction To Kolmogorov Complexity and its Applications‏‎ (2 Links)
  36. Music Composition with Interactive Evolutionary Computation‏‎ (2 Links)
  37. Stippling with Aerial Robots‏‎ (2 Links)
  38. Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value‏‎ (2 Links)
  39. Time Beings : Quantum Beings for Art Exploration and Creation‏‎ (2 Links)
  40. Breeding on site‏‎ (2 Links)
  41. An informational model for cellular automata aesthetic measure‏‎ (2 Links)
  42. Toward genetic aesthetics: mutation of bio information and generative art system‏‎ (2 Links)
  43. Animating Typescript Using Aesthetically Evolved Images‏‎ (2 Links)
  44. A New Musical Tool for Composition and Play Based on Simulated Breeding‏‎ (2 Links)
  45. Creative Computers, Improvisation and Intimacy‏‎ (2 Links)
  46. Natural Processes and Artificial Procedures‏‎ (2 Links)
  47. Creative Web Services with Pattern‏‎ (2 Links)
  48. Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence‏‎ (2 Links)
  49. Quantum sculpture: art inspired by the deeper nature of reality‏‎ (2 Links)
  50. CGP, Creativity and Art‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)