Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 1.051 bis 1.100 angezeigt.
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- ArtiE-Fract: Interactive Evolution of Fractals (2 Links)
- Echo (2 Links)
- Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- You Can’t Know my Mind: A Festival of Computational Creativity (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007 (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Genetic Algorithms for the Generation of Models with Micropopulations (2 Links)
- The Evolution of Fun: Automatic Level Design Through Challenge Modeling (2 Links)
- Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Painting With Triangles (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- The Painting Fool Sees! New Projects with the Automated Painter (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Genotyp (2 Links)
- Michael Witbrock (2 Links)
- Interactive evolution of images (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Exploring Persian Rug Design Using a Computational Evolutionary Approach (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- The artist’s intentions and genetic coding in algorithmically generated drawings (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- The emergence of the representation of style in design (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Grammatical Evolution: Evolving Programs for an Arbitrary Language (2 Links)
- State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Steve Dipaola (2 Links)
- Feature Extraction Languages and Visual Pattern Recognition (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Stippling with Aerial Robots (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- Filterscape: Energy Recycling in a Creative Ecosystem (2 Links)
- Creative Ecosystems 2009 (2 Links)
- Evaluating Search Engine Relevance with Click-Based Metrics (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- Natural Processes and Artificial Procedures (2 Links)
- Tuning of Image Parameters by Interactive Evolutionary Computation (2 Links)
- Fractal art — a comparison of styles (2 Links)
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