Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 1.051 bis 1.100 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. EvoSpace-Interactive: A Framework to Develop Distributed Collaborative-Interactive Evolutionary Algorithms for Artistic Design‏‎ (2 Links)
  2. Fractal expressionism - where art meets science‏‎ (2 Links)
  3. Combining Abstract Images using Texture Transfer‏‎ (2 Links)
  4. A Model of Runaway Evolution of Creative Domains‏‎ (2 Links)
  5. Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm‏‎ (2 Links)
  6. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  7. Holger Ferstl‏‎ (2 Links)
  8. Frayed Cell Diagrams‏‎ (2 Links)
  9. Evolutionary Computation and Image Re-Coloring‏‎ (2 Links)
  10. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  11. Architectural Innovation as an evolutionary process‏‎ (2 Links)
  12. From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation‏‎ (2 Links)
  13. Ungegenständliche Kunst‏‎ (2 Links)
  14. Learning Preference Models in Recommender Systems‏‎ (2 Links)
  15. A Turing Test for Generative Art‏‎ (2 Links)
  16. New challenges for evolutionary music and art‏‎ (2 Links)
  17. Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization‏‎ (2 Links)
  18. Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers‏‎ (2 Links)
  19. Ian Butterfield‏‎ (2 Links)
  20. Artificial Creative Systems: Completing the Creative Cycle‏‎ (2 Links)
  21. Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks‏‎ (2 Links)
  22. Learning to colour greyscale images‏‎ (2 Links)
  23. A comparative study of texture measures with classification based on feature distributions‏‎ (2 Links)
  24. Using Grammatical Evolution to Parameterise Interactive 3D Image Generation‏‎ (2 Links)
  25. Artificial Neural Network Spaces‏‎ (2 Links)
  26. Generating 3D Scenes in the style of Keith Haring‏‎ (2 Links)
  27. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  28. Non-Photorealistic Rendering of Portraits‏‎ (2 Links)
  29. Evolutionary design using grammatical evolution and shape grammars: Designing a shelter‏‎ (2 Links)
  30. Rekombination‏‎ (2 Links)
  31. Generating sub-resolution detail in images and volumes using constrained texture synthesis‏‎ (2 Links)
  32. Image Warping for a Painterly Effect‏‎ (2 Links)
  33. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Links)
  34. Rendering artistic light patterns‏‎ (2 Links)
  35. Ludic Considerations of Tablet-Based Evo-Art‏‎ (2 Links)
  36. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  37. Techniques for highly multiobjective optimisation: some nondominated points are better than others‏‎ (2 Links)
  38. On-line Knowledge Embedding for Interactive EC-based Montage System‏‎ (2 Links)
  39. Visual Hallucination For Computational Creation‏‎ (2 Links)
  40. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  41. On Symmetry, Aesthetics and Quantifying Symmetrical Complexity‏‎ (2 Links)
  42. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  43. Evolving Behaviour Trees for the Mario Bros Game Using Grammatical Evolution‏‎ (2 Links)
  44. Automated Landscape Painting in the Style of Bob Ross‏‎ (2 Links)
  45. SBEAT3: A tool for multi-part music composition by simulated breeding‏‎ (2 Links)
  46. Accelerating IEC and EC Searches with Elite Obtained by Dimensionality Reduction in Regression Spaces‏‎ (2 Links)
  47. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  48. Evolving Glitch Art‏‎ (2 Links)
  49. Automatic Evolution of Conceptual Building Architectures‏‎ (2 Links)
  50. Schwarm Algorithmen‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)