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- Artificial Art Made by Artificial Ants (2 Links)
- Implementation and Evaluation of an IEC-Based 3D Modeling System (2 Links)
- A closer look at creativity as search (2 Links)
- The Virtual Ecosystem as Generative Electronic Art (2 Links)
- Representation and Mimesis in Generative Art: Creating Fifty Sisters (2 Links)
- Artificial Life Meets Computational Creativity? (2 Links)
- Co-creating game content using an adaptive model of user taste (2 Links)
- A formal theory of creativity to model the creation of art (2 Links)
- The case for a mixed-initiative collaborative neuroevolution approach (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Collaborative Preference Learning (2 Links)
- Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007 (2 Links)
- A genetic engineering approach to genetic algorithms (2 Links)
- Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (2 Links)
- On Two Desiderata for Creativity Support Tools (2 Links)
- Detecting people in cubist art (2 Links)
- On the Impact of Chat Communication on Computer-Supported Idea Generation Processes (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- A review on the application of evolutionary computation to information retrieval (2 Links)
- Digital Face Beautification (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- A user-oriented image retrieval system based on interactive genetic algorithm (2 Links)
- Evolving Line Drawings (2 Links)
- Michael Witbrock (2 Links)
- Automated recoloring of evolved designs using evolved palettes (2 Links)
- Computational Aesthetic Evaluation: Steps Towards Machine Creativity (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Interactive evolution of images (2 Links)
- Drawing as transformation: From Primary Geometry to Secondary Geometry (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Towards MCTS for Creative Domains (2 Links)
- Semantic Operators for Evolutionary Art (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (2 Links)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Passive Solar Building Design Using Genetic Programming TR (2 Links)
- Swarm Granulator (2 Links)
- Exploring Evolutionary Possibilities for Digital Doilies (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- Bernd Lintermann (2 Links)
- Swarmic Paintings and Colour Attention (2 Links)
- Computer-Kreativität (2 Links)
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