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- Creative Ecosystems 2009 (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Extending grammatical evolution to evolve digital surfaces with genr8 (2 Links)
- Automated recoloring of evolved designs using evolved palettes (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Grammar-based Genetic Programming: A Survey (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- On Two Desiderata for Creativity Support Tools (2 Links)
- Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Man + Robots: Symbiotic Art (2 Links)
- On the Impact of Chat Communication on Computer-Supported Idea Generation Processes (2 Links)
- Mapped Pictures: Aesthetic Image Annotations (2 Links)
- Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music (2 Links)
- Improving the ranking quality of medical image retrieval using a genetic feature selection method (2 Links)
- Informational Aesthetics Measures (2 Links)
- Bernd Lintermann (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence (2 Links)
- Semantic Operators for Evolutionary Art (2 Links)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Interactive Evolutionary CAD System for MEMS Layout Synthesis (2 Links)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (2 Links)
- Passive Solar Building Design Using Genetic Programming TR (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits (2 Links)
- An Examination on the Modularity of Grammars in Grammatical Evolutionary Design (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- A Benchmark Image Set for Evaluating Stylization (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- A Fractal Approach Towards Visual Analogy (2 Links)
- An exploration-based evolutionary model of a generative design process (2 Links)
- Picasso, Pato and Perro: Reconciling Procedure with Creativity (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- A Knowledge Based Approach to Modeling Portrait Painting Methodology (2 Links)
- Playing in the Pheromone Playground: Experiences in Swarm Painting (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
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