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- Evaluation of an IGA-based Image Retrieval System Using Wavelet Coefficients (2 Links)
- Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test (2 Links)
- On simulating drawing robots with straight line motion but curvilinear pen paths (2 Links)
- Computer-aided aesthetic evaluation of visual patterns (2 Links)
- Tatsu Unemi (2 Links)
- Enriching Aesthetics with Artificial Life (2 Links)
- Virtual Photography Using Multi-Objective Particle Swarm Optimization TR (2 Links)
- On the Role of Metaphor in Creative Cognition (2 Links)
- Erik J. Gustafson (2 Links)
- Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric (2 Links)
- Abstract Art by Shape Classification (2 Links)
- Automated collage generation — with intent (2 Links)
- Learning Ordinal Preferences on Multiattribute Domains: The Case of CP-nets (2 Links)
- The Art of Self-Assembly: the Self-Assemby of Art (2 Links)
- Evolutionary Art Using Summed Multi-objective Ranks (2 Links)
- Learning representations for creative design using evolution (2 Links)
- What makes patterns interesting in knowledge discovery systems (2 Links)
- P6m Reference Implementation (2 Links)
- The Creative Mind: Myths and Mechanisms Dagstuhl (2 Links)
- Adding Dynamics to Sketch-based Character Animations (2 Links)
- Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences (2 Links)
- Semantics and aesthetics inference for image search: statistical learning approaches (2 Links)
- Painting With Triangles (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- The Emergence of Social Learning in Artificial Societies (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- Image Warping for a Painterly Effect (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- The Evolving Role of the Artist (2 Links)
- Ludic Considerations of Tablet-Based Evo-Art (2 Links)
- Ästhetik (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Creative Ecosystems 2009 (2 Links)
- The Markov Pen: Online Synthesis of Free-Hand Drawing Styles (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- The Painting Fool in New Dimensions (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- The Virtual Ecosystem as Generative Electronic Art (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video (2 Links)
- The case for a mixed-initiative collaborative neuroevolution approach (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- Steve Dipaola (2 Links)
- Evolving Line Drawings (2 Links)
- Stippling with Aerial Robots (2 Links)
- Interactive Evolution for Designing Motion Variants (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
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