Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 1.051 bis 1.100 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. The ABCs of evolutionary design: Investigating the evolvability of embryogenies for morphogenesis‏‎ (2 Links)
  2. Fashion Design Aid System with Application of Interactive Genetic Algorithms‏‎ (2 Links)
  3. Animating Typescript Using Aesthetically Evolved Images‏‎ (2 Links)
  4. SBART 2.4: an IEC tool for creating 2D images, movies, and collage‏‎ (2 Links)
  5. A New Musical Tool for Composition and Play Based on Simulated Breeding‏‎ (2 Links)
  6. Maintaining Population Diversity in Evolutionary Art‏‎ (2 Links)
  7. Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space Models‏‎ (2 Links)
  8. Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes‏‎ (2 Links)
  9. Scott Neil-Teilly‏‎ (2 Links)
  10. Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation‏‎ (2 Links)
  11. The Escher evolver: evolution to the people‏‎ (2 Links)
  12. In Praise of Evolution and Opacity‏‎ (2 Links)
  13. A Survey of Virtual Ecosystems in Generative Electronic Art‏‎ (2 Links)
  14. The FloWr Online Platform: Automated Programming and Computational Creativity as a Service‏‎ (2 Links)
  15. Induction Design: A Method for Evolutionary Design‏‎ (2 Links)
  16. Creative Ecosystems 2009‏‎ (2 Links)
  17. A Virtual Modeling System for Intuitive 3D Shape Conceptualization‏‎ (2 Links)
  18. Organized order in ornamentation‏‎ (2 Links)
  19. Creatively Subverting Messages in Posters‏‎ (2 Links)
  20. A compiler for CPPNs: transforming phenotypic descriptions into genotypic representations‏‎ (2 Links)
  21. P4m Reference Implementation‏‎ (2 Links)
  22. Measuring Creativity In Software Development‏‎ (2 Links)
  23. Artificial creativity: A synthetic approach to the study of creative behaviour‏‎ (2 Links)
  24. Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture‏‎ (2 Links)
  25. Painterly rendering using image salience‏‎ (2 Links)
  26. Fractal geometry describes the beauty of infinity in nature‏‎ (2 Links)
  27. Can a Genetic Algorithm Think Like a Composer?‏‎ (2 Links)
  28. The T. albipennis Sand Painting Artists‏‎ (2 Links)
  29. ShipShape: A Drawing Beautification Assistant‏‎ (2 Links)
  30. Frayed Cell Diagrams‏‎ (2 Links)
  31. Interactive evolutionary computation for analyzing human characteristics‏‎ (2 Links)
  32. Simulated aesthetics and evolving artworks: A coevolutionary approach‏‎ (2 Links)
  33. Evolutionary Computation and Image Re-Coloring‏‎ (2 Links)
  34. From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation‏‎ (2 Links)
  35. Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems‏‎ (2 Links)
  36. Interior Illumination Design Using Genetic Programming‏‎ (2 Links)
  37. About a special relationship: abstract art - aesthetics - mathematics‏‎ (2 Links)
  38. Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers‏‎ (2 Links)
  39. Decision Tree Modeling for Ranking Data‏‎ (2 Links)
  40. Morgan McGuire‏‎ (2 Links)
  41. Investigating Aesthetic Features to Model Human Preference in Evolutionary Art‏‎ (2 Links)
  42. Specific curiosity as a cause and consequence of transformational creativity‏‎ (2 Links)
  43. Generating 3D Scenes in the style of Keith Haring‏‎ (2 Links)
  44. Collage, Technology, and Creative Process‏‎ (2 Links)
  45. Evolutionary design using grammatical evolution and shape grammars: Designing a shelter‏‎ (2 Links)
  46. Generating sub-resolution detail in images and volumes using constrained texture synthesis‏‎ (2 Links)
  47. Stepping stones in the mist‏‎ (2 Links)
  48. Mutation‏‎ (2 Links)
  49. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  50. Tim Rowley‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)