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- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- A genetic engineering approach to genetic algorithms (2 Links)
- Representation and Mimesis in Generative Art: Creating Fifty Sisters (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Visual Information Vases: Towards a Framework for Transmedia Creative Inspiration (2 Links)
- A self organizing map based method for understanding features associated with high aesthetic value evolved abstract images (2 Links)
- DESIGN OF DEVELOPABLE SURFACES AND THE APPLICATION OF THIN-WALLED DEVELOPABLE STRUCTURES (2 Links)
- SBART2.4: Breeding 2D CG Images and Movies, and Creating a type of Collage (2 Links)
- Visualized IEC: Interactive evolutionary computation with multidimensional data visualization (2 Links)
- Evolution of Animated Photomosaics (2 Links)
- Aaron Davidson (2 Links)
- SVM-based Sketch Recognition: Which Hyperparameter Interval to Try (2 Links)
- Automated Generation of Cross-Domain Analogies via Evolutionary Computation (2 Links)
- Evolution strategies - a comprehensive introduction (2 Links)
- Search Strategies and the Creative Process (2 Links)
- Improving Pareto optimal designs using genetic algorithms (2 Links)
- Automatic Texture Guided Color Transfer and Colorization (2 Links)
- Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All? (2 Links)
- The Effects of Randomly Sampled Training Data on Program Evolution (2 Links)
- Color Mixing using Colliding Particles (2 Links)
- Automatic content generation in the galactic arms race video game (2 Links)
- Organic visualisation of high-dimensional objects: exploration of a world of forms based on heart transform (2 Links)
- Self-design and ontogenetic evolution (2 Links)
- Autonomous Evolutionary Art (2 Links)
- P3m1 Reference Implementation (2 Links)
- The Future of Evolutionary Design Research (2 Links)
- Semantic aware methods for evolutionary art (2 Links)
- GenOrchestra: An Interactive Evolutionary Agent for Musical Composition (2 Links)
- Avoidance Drawings Evolved Using Virtual Drawing Robots (2 Links)
- Digits that are not: Generating new types through deep neural nets (2 Links)
- Before A Computer Can Draw, It Must First Learn To See (2 Links)
- Meta-Cognitive Mappings: Growing Neural Networks for Generative Urbanism (2 Links)
- Distance-based functions for image comparison (2 Links)
- Generative Art - Interactive Art: Delineations, Crossovers and Differences (2 Links)
- Interactive Evolutionary Design of Motion Variants (2 Links)
- Composition in Perspectives (2 Links)
- Aesthetics of Hand-Drawn and Computer-Generated Illustrations (2 Links)
- Interactive evolution of dynamical systems (2 Links)
- Patternista: Learning Element Style Compatibility and Spatial Composition for Ring-based Layout Decoration (2 Links)
- Minimal Generative Principles for Large Scale Drawings: An Experimental Approach and its Results (2 Links)
- Dynamic Sketching: Simulating the Process of Observational Drawings (2 Links)
- Evolving Artistic Styles through Visual Dialogues (2 Links)
- Some Aspects of Analogical Reasoning in Mathematical Creativity (2 Links)
- Ameisen Algorithmen (2 Links)
- Spatial complexity measure for characterising cellular automata generated 2D patterns (2 Links)
- Generative Visual Identities. New scenarios in corporate identity (2 Links)
- 3-D CG lighting with an interactive GA (2 Links)
- Computational Creativity Theory: The FACE and IDEA Descriptive Models (2 Links)
- Peter Weibel (2 Links)
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