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- An interactive artificial ant approach to non-photorealistic rendering (10:59, 4. Nov. 2014)
- Classification of Digital Photos Taken by Photographers or Home Users (11:04, 4. Nov. 2014)
- Embedding movie into SBART – breeding deformed movies (11:08, 4. Nov. 2014)
- An evaluation of morphed composites constructed in a criminal investigation (11:13, 4. Nov. 2014)
- MovieGene: evolutionary video production based on genetic algorithms and cinematic properties (11:14, 4. Nov. 2014)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (11:40, 4. Nov. 2014)
- Interactive evolution of ant paintings (11:53, 4. Nov. 2014)
- Fractal geometry describes the beauty of infinity in nature (13:12, 4. Nov. 2014)
- Synthesis of photographic quality facial composites using evolutionary algorithms (13:22, 4. Nov. 2014)
- Evolving aesthetic images using multiobjective optimization (13:27, 4. Nov. 2014)
- Computational aesthetics based on gaze patterns (13:35, 4. Nov. 2014)
- The Similarity Metric (17:37, 4. Nov. 2014)
- Power to the critics — A framework for the development of artificial art critics (17:47, 4. Nov. 2014)
- Computer-aided aesthetic evaluation of visual patterns (17:54, 4. Nov. 2014)
- Aesthetic selection of developmental art forms (17:59, 4. Nov. 2014)
- An IEC-based support system for font design (18:00, 4. Nov. 2014)
- What is generative art? complexity theory as a context for art theory (18:01, 4. Nov. 2014)
- Painterly rendering using image salience (18:12, 4. Nov. 2014)
- Abstracted painterly renderings using eye-tracking data (18:20, 4. Nov. 2014)
- Artistic vision: Painterly rendering using computer vision techniques (20:10, 6. Nov. 2014)
- Color dependent computational aesthetics for evolving expressions (20:17, 6. Nov. 2014)
- Polyhedron Evolver: Evolution of 3D Shapes with Evolvica (20:25, 6. Nov. 2014)
- Exploring the effect of direction on vector-based fractals (20:48, 6. Nov. 2014)
- Assessing creativity: The importance of unexpected novelty (20:59, 6. Nov. 2014)
- Giving Colour to Images (21:04, 6. Nov. 2014)
- Layering fractal elements to create works of art (21:10, 6. Nov. 2014)
- Aesthetic fitness and artificial evolution for the selection of imagery from the mythical infinite library (21:28, 6. Nov. 2014)
- An engineering approach to evolutionary art (21:39, 6. Nov. 2014)
- Paint by relaxation (21:43, 6. Nov. 2014)
- Image Analogies (22:06, 6. Nov. 2014)
- Finding diverse examples using genetic algorithms (09:14, 7. Nov. 2014)
- Accelerating evolution by direct manipulation for interactive fashion design (09:16, 7. Nov. 2014)
- Art, emergence and the computational sublime (09:25, 7. Nov. 2014)
- Artificial creativity: A synthetic approach to the study of creative behaviour (09:33, 7. Nov. 2014)
- The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution (09:38, 7. Nov. 2014)
- Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation (15:12, 7. Nov. 2014)
- Art and artificial life — a coevolutionary approach (15:14, 7. Nov. 2014)
- Mathematical building blocks for evolving expressions (15:18, 7. Nov. 2014)
- Painterly rendering for video and interaction (15:28, 7. Nov. 2014)
- Genetic algorithm with knowledge-based encoding for interactive fashion design (15:34, 7. Nov. 2014)
- Aesthetic evolutionary design with data flow networks (15:42, 7. Nov. 2014)
- Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design (15:52, 7. Nov. 2014)
- NEvAr – the assessment of an evolutionary art tool (15:58, 7. Nov. 2014)
- A Digital Prototyping System for Designing Novel 3D Geometries (16:07, 7. Nov. 2014)
- Toward Alive Art (16:13, 7. Nov. 2014)
- Autopoiesis (16:17, 7. Nov. 2014)
- An algorithm for automatic painterly rendering based on local source image approximation (16:21, 7. Nov. 2014)
- Integrating drawing tools with behavioral modeling in digital painting (16:25, 7. Nov. 2014)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (16:30, 7. Nov. 2014)
- Artificial evolution of algebraic surfaces (21:45, 7. Nov. 2014)
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