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- An interactive artificial ant approach to non-photorealistic rendering (11:59, 4. Nov. 2014)
- Classification of Digital Photos Taken by Photographers or Home Users (12:04, 4. Nov. 2014)
- Embedding movie into SBART – breeding deformed movies (12:08, 4. Nov. 2014)
- An evaluation of morphed composites constructed in a criminal investigation (12:13, 4. Nov. 2014)
- MovieGene: evolutionary video production based on genetic algorithms and cinematic properties (12:14, 4. Nov. 2014)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (12:40, 4. Nov. 2014)
- Interactive evolution of ant paintings (12:53, 4. Nov. 2014)
- Fractal geometry describes the beauty of infinity in nature (14:12, 4. Nov. 2014)
- Synthesis of photographic quality facial composites using evolutionary algorithms (14:22, 4. Nov. 2014)
- Evolving aesthetic images using multiobjective optimization (14:27, 4. Nov. 2014)
- Computational aesthetics based on gaze patterns (14:35, 4. Nov. 2014)
- The Similarity Metric (18:37, 4. Nov. 2014)
- Power to the critics — A framework for the development of artificial art critics (18:47, 4. Nov. 2014)
- Computer-aided aesthetic evaluation of visual patterns (18:54, 4. Nov. 2014)
- Aesthetic selection of developmental art forms (18:59, 4. Nov. 2014)
- An IEC-based support system for font design (19:00, 4. Nov. 2014)
- What is generative art? complexity theory as a context for art theory (19:01, 4. Nov. 2014)
- Painterly rendering using image salience (19:12, 4. Nov. 2014)
- Abstracted painterly renderings using eye-tracking data (19:20, 4. Nov. 2014)
- Artistic vision: Painterly rendering using computer vision techniques (21:10, 6. Nov. 2014)
- Color dependent computational aesthetics for evolving expressions (21:17, 6. Nov. 2014)
- Polyhedron Evolver: Evolution of 3D Shapes with Evolvica (21:25, 6. Nov. 2014)
- Exploring the effect of direction on vector-based fractals (21:48, 6. Nov. 2014)
- Assessing creativity: The importance of unexpected novelty (21:59, 6. Nov. 2014)
- Giving Colour to Images (22:04, 6. Nov. 2014)
- Layering fractal elements to create works of art (22:10, 6. Nov. 2014)
- Aesthetic fitness and artificial evolution for the selection of imagery from the mythical infinite library (22:28, 6. Nov. 2014)
- An engineering approach to evolutionary art (22:39, 6. Nov. 2014)
- Paint by relaxation (22:43, 6. Nov. 2014)
- Image Analogies (23:06, 6. Nov. 2014)
- Finding diverse examples using genetic algorithms (10:14, 7. Nov. 2014)
- Accelerating evolution by direct manipulation for interactive fashion design (10:16, 7. Nov. 2014)
- Art, emergence and the computational sublime (10:25, 7. Nov. 2014)
- Artificial creativity: A synthetic approach to the study of creative behaviour (10:33, 7. Nov. 2014)
- The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution (10:38, 7. Nov. 2014)
- Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation (16:12, 7. Nov. 2014)
- Art and artificial life — a coevolutionary approach (16:14, 7. Nov. 2014)
- Mathematical building blocks for evolving expressions (16:18, 7. Nov. 2014)
- Painterly rendering for video and interaction (16:28, 7. Nov. 2014)
- Genetic algorithm with knowledge-based encoding for interactive fashion design (16:34, 7. Nov. 2014)
- Aesthetic evolutionary design with data flow networks (16:42, 7. Nov. 2014)
- Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design (16:52, 7. Nov. 2014)
- NEvAr – the assessment of an evolutionary art tool (16:58, 7. Nov. 2014)
- A Digital Prototyping System for Designing Novel 3D Geometries (17:07, 7. Nov. 2014)
- Toward Alive Art (17:13, 7. Nov. 2014)
- Autopoiesis (17:17, 7. Nov. 2014)
- An algorithm for automatic painterly rendering based on local source image approximation (17:21, 7. Nov. 2014)
- Integrating drawing tools with behavioral modeling in digital painting (17:25, 7. Nov. 2014)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (17:30, 7. Nov. 2014)
- Artificial evolution of algebraic surfaces (22:45, 7. Nov. 2014)
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