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- Extending grammatical evolution to evolve digital surfaces with genr8 (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- A Fractal Approach Towards Visual Analogy (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Grammar-based Genetic Programming: A Survey (2 Links)
- An exploration-based evolutionary model of a generative design process (2 Links)
- Representation and Mimesis in Generative Art: Creating Fifty Sisters (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value (2 Links)
- A Knowledge Based Approach to Modeling Portrait Painting Methodology (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (2 Links)
- On Two Desiderata for Creativity Support Tools (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- On the Impact of Chat Communication on Computer-Supported Idea Generation Processes (2 Links)
- Applicability of interactive evolutionary computation to mental health measurement (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- ArTbitrating: an evolutionary environment for visual and sound composition (2 Links)
- A Study of Image Colourfulness (2 Links)
- Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence (2 Links)
- Henry Rowley (2 Links)
- Artificial Art Made by Artificial Ants (2 Links)
- Knowledge Discovery of Artistic Influences: A Metric Learning Approach (2 Links)
- A closer look at creativity as search (2 Links)
- Creative Ecosystems 2009 (2 Links)
- Artificial Life Meets Computational Creativity? (2 Links)
- Semantic Operators for Evolutionary Art (2 Links)
- A formal theory of creativity to model the creation of art (2 Links)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity (2 Links)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (2 Links)
- Label Ranking Algorithms: A Survey (2 Links)
- A genetic engineering approach to genetic algorithms (2 Links)
- Hybrid Biological-Digital Systems in Artistic and Entertainment Computing (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Learning Comparative User Models for Accelerating Human-Computer Collaborative Search (2 Links)
- Passive Solar Building Design Using Genetic Programming TR (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- A review on the application of evolutionary computation to information retrieval (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- A user-oriented image retrieval system based on interactive genetic algorithm (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Line-Based Rendering with Truchet-Like Tiles (2 Links)
- Automated recoloring of evolved designs using evolved palettes (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
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