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- Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Rebecca Luger-Guil (2 Links)
- A Survey of Virtual Ecosystems in Generative Electronic Art (2 Links)
- Construction and intuition: Creativity in early computer art (2 Links)
- Refinement Techniques for Animated Evolutionary Photomosaics Using Limited Tile Collections (2 Links)
- A Virtual Modeling System for Intuitive 3D Shape Conceptualization (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- A compiler for CPPNs: transforming phenotypic descriptions into genotypic representations (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Novelty and figurative expression-based evolutionary art (2 Links)
- Artificial creativity: A synthetic approach to the study of creative behaviour (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Creating New Informational Primitives in Minds and Machines (2 Links)
- SBArt4 for an Automatic Evolutionary Art (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Creating tiling by means of 2D graphics applications (2 Links)
- On the Role of Temporary Storage in Interactive Evolution (2 Links)
- Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems (2 Links)
- Creative Evolutionary Systems (2 Links)
- About a special relationship: abstract art - aesthetics - mathematics (2 Links)
- Building Artistic Computer Colleagues with an Enactive Model of Creativity (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Creativity, emergence and evolution in design (2 Links)
- Searching for Surprise (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- Henry Rowley (2 Links)
- Evolving Line Drawings (2 Links)
- Knowledge Discovery of Artistic Influences: A Metric Learning Approach (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- DESIGN ARCHITECTURE BY GENETIC ALGORITHM (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity (2 Links)
- Painting With Triangles (2 Links)
- Autonomously Creating Quality Images (2 Links)
- Daniel Shiffman (2 Links)
- Label Ranking Algorithms: A Survey (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Hybrid Biological-Digital Systems in Artistic and Entertainment Computing (2 Links)
- Learning Comparative User Models for Accelerating Human-Computer Collaborative Search (2 Links)
- Aesthetic image rating (AIR) algorithm (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity (2 Links)
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