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- Automated Collage Generation - With More Intent 2011 (2 Links)
- Selektion (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Implementation and Evaluation of an IEC-Based 3D Modeling System (2 Links)
- Self Portraits with Mandelbrot Genetics (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes (2 Links)
- Painting with Flowsnakes (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Evolving Line Drawings (2 Links)
- Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm 2007 (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Instance and System: a Figure and its 2^18 Variations (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Creative Ecosystems 2009 (2 Links)
- MediaFlies – A Video and Audio Remixing Multi Agent System (2 Links)
- Pavimenta: A Photo Tiling Tool (2 Links)
- Creatively Subverting Messages in Posters (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- Space layout planning using an evolutionary approach (2 Links)
- Michael Witbrock (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- Interactive evolution of images (2 Links)
- Exploring Evolutionary Possibilities for Digital Doilies (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Exploring component-based representations - the secret of creativity by evolution? (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Playing Music by Conducting BOID Agents - A Style of Interaction in the Life with A-Life (2 Links)
- Extending grammatical evolution to evolve digital surfaces with genr8 (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Grammar-based Genetic Programming: A Survey (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- Style-aware Robust Color Transfer (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Preconceptual Creativity (2 Links)
- Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
- Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm (2 Links)
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