Seiten mit den meisten Links

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Unten werden bis zu 50 Ergebnisse im Bereich 1.081 bis 1.130 angezeigt.

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  1. Collage, Technology, and Creative Process‏‎ (2 Links)
  2. Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem‏‎ (2 Links)
  3. Filterscape: Energy Recycling in a Creative Ecosystem‏‎ (2 Links)
  4. Pmm Reference Implementation‏‎ (2 Links)
  5. Automated Collage Generation - With More Intent 2011‏‎ (2 Links)
  6. Stroke surfaces: Temporally coherent non-photorealistic animations from video‏‎ (2 Links)
  7. Population‏‎ (2 Links)
  8. Evaluating Search Engine Relevance with Click-Based Metrics‏‎ (2 Links)
  9. Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI‏‎ (2 Links)
  10. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  11. Time Beings : Quantum Beings for Art Exploration and Creation‏‎ (2 Links)
  12. Preference Learning and Ranking by Pairwise Comparison‏‎ (2 Links)
  13. Automatic Mineral Identification Using Genetic Programming‏‎ (2 Links)
  14. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  15. Toward genetic aesthetics: mutation of bio information and generative art system‏‎ (2 Links)
  16. Automatic invention of fitness functions with application to scene generation‏‎ (2 Links)
  17. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  18. Fractal art — a comparison of styles‏‎ (2 Links)
  19. Quantum Art‏‎ (2 Links)
  20. Autonomy, Signature and Creativity‏‎ (2 Links)
  21. Neural style transfer: a paradigm shift for image-based artistic rendering?‏‎ (2 Links)
  22. Fractals and Multi-Layer Coloring Algorithms‏‎ (2 Links)
  23. Holger Ferstl‏‎ (2 Links)
  24. New IEC Research and Frameworks‏‎ (2 Links)
  25. Ungegenständliche Kunst‏‎ (2 Links)
  26. Evolutionary Banners, exploring a generative design approach‏‎ (2 Links)
  27. Niall J. L. Griffith‏‎ (2 Links)
  28. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  29. Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization‏‎ (2 Links)
  30. Evolutionary Development of Mathematically Defined Forms‏‎ (2 Links)
  31. Using Grammatical Evolution to Parameterise Interactive 3D Image Generation‏‎ (2 Links)
  32. Learning Preference Models in Recommender Systems‏‎ (2 Links)
  33. Reducing Human Fatigue in Interactive Evolutionary Computation through Fuzzy Systems and Machine Learning Systems‏‎ (2 Links)
  34. Ian Butterfield‏‎ (2 Links)
  35. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  36. Learning to colour greyscale images‏‎ (2 Links)
  37. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Links)
  38. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  39. Generating floor plan layouts with K-D tree algorithms and evolutionary strategies‏‎ (2 Links)
  40. Techniques for highly multiobjective optimisation: some nondominated points are better than others‏‎ (2 Links)
  41. Image Warping for a Painterly Effect‏‎ (2 Links)
  42. Evolutionary generation of faces‏‎ (2 Links)
  43. Visual Hallucination For Computational Creation‏‎ (2 Links)
  44. Ludic Considerations of Tablet-Based Evo-Art‏‎ (2 Links)
  45. SBART 2.4: an IEC tool for creating 2D images, movies, and collage‏‎ (2 Links)
  46. Evolutionäre Algorithmen‏‎ (2 Links)
  47. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  48. A Computer Model for the Generation of Visual Compositions‏‎ (2 Links)
  49. Evolved Aesthetic Analogies to Improve Artistic Experience‏‎ (2 Links)
  50. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)

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