Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 1.081 bis 1.130 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies‏‎ (2 Links)
  2. Non-Photorealistic Rendering of Portraits‏‎ (2 Links)
  3. Evolutionary Learning and Stochastic Process Algebra‏‎ (2 Links)
  4. Rekombination‏‎ (2 Links)
  5. Collage, Technology, and Creative Process‏‎ (2 Links)
  6. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Links)
  7. Rendering artistic light patterns‏‎ (2 Links)
  8. GenJam in Transition: from Genetic Jammer to Generative Jammer‏‎ (2 Links)
  9. Line-Based Rendering with Truchet-Like Tiles‏‎ (2 Links)
  10. Techniques for highly multiobjective optimisation: some nondominated points are better than others‏‎ (2 Links)
  11. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  12. Visual Hallucination For Computational Creation‏‎ (2 Links)
  13. On-line Knowledge Embedding for Interactive EC-based Montage System‏‎ (2 Links)
  14. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  15. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  16. Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings‏‎ (2 Links)
  17. On Symmetry, Aesthetics and Quantifying Symmetrical Complexity‏‎ (2 Links)
  18. SBEAT3: A tool for multi-part music composition by simulated breeding‏‎ (2 Links)
  19. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  20. A Comparison Between Representations for Evolving Images‏‎ (2 Links)
  21. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  22. An Introduction To Kolmogorov Complexity and its Applications‏‎ (2 Links)
  23. Schwarm Algorithmen‏‎ (2 Links)
  24. Man + Robots: Symbiotic Art‏‎ (2 Links)
  25. On the Translation of Design Data into Design Form in Evolutionary Design‏‎ (2 Links)
  26. Evolving Art Using Multiple Aesthetic Measures‏‎ (2 Links)
  27. Mapped Pictures: Aesthetic Image Annotations‏‎ (2 Links)
  28. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (2 Links)
  29. An informational model for cellular automata aesthetic measure‏‎ (2 Links)
  30. Improving the ranking quality of medical image retrieval using a genetic feature selection method‏‎ (2 Links)
  31. Optimized Design of MEMS by Evolutionary Multi-objective Optimization with Interactive Evolutionary Computation‏‎ (2 Links)
  32. Evolving Line Drawings‏‎ (2 Links)
  33. Selektion‏‎ (2 Links)
  34. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  35. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
  36. Animating Typescript Using Aesthetically Evolved Images‏‎ (2 Links)
  37. Informational Aesthetics Measures‏‎ (2 Links)
  38. Self Portraits with Mandelbrot Genetics‏‎ (2 Links)
  39. A New Musical Tool for Composition and Play Based on Simulated Breeding‏‎ (2 Links)
  40. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  41. Painting with Flowsnakes‏‎ (2 Links)
  42. Interactive Evolutionary CAD System for MEMS Layout Synthesis‏‎ (2 Links)
  43. Genetic learning for biologically inspired aesthetic processes‏‎ (2 Links)
  44. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  45. Evolving urban structures using Computer Optimisation Techniques‏‎ (2 Links)
  46. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  47. A Survey of Virtual Ecosystems in Generative Electronic Art‏‎ (2 Links)
  48. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  49. A Virtual Modeling System for Intuitive 3D Shape Conceptualization‏‎ (2 Links)
  50. Mixed-Initiative Creative Drawing with webIconoscope‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)