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- Art-directed Watercolor Rendered Animation (2 Links)
- Fractals and Multi-Layer Coloring Algorithms (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- Can a Genetic Algorithm Think Like a Composer? (2 Links)
- HyperRogue: Playing with Hyperbolic Geometry (2 Links)
- Ungegenständliche Kunst (2 Links)
- Evolutionary Banners, exploring a generative design approach (2 Links)
- New challenges for evolutionary music and art (2 Links)
- Learning Lexicographic Preference Models (2 Links)
- Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Hyperspectral Image Analysis Using Genetic Programming 2005 (2 Links)
- Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization (2 Links)
- Evolutionary Development of Mathematically Defined Forms (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Learning of Rule Ensembles for Multiple Attribute Ranking Problems (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- Non-Photorealistic Rendering of Portraits (2 Links)
- Rekombination (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Rendering artistic light patterns (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- Low-complexity art (2 Links)
- Generating floor plan layouts with K-D tree algorithms and evolutionary strategies (2 Links)
- Evolutionary generation of faces (2 Links)
- On-line Knowledge Embedding for Interactive EC-based Montage System (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Evolutionäre Algorithmen (2 Links)
- On Symmetry, Aesthetics and Quantifying Symmetrical Complexity (2 Links)
- Maintaining Population Diversity in Evolutionary Art (2 Links)
- SBEAT3: A tool for multi-part music composition by simulated breeding (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space Models (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Evolved Aesthetic Analogies to Improve Artistic Experience (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Schwarm Algorithmen (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Evolving Assemblages of 3D Objects (2 Links)
- On the Translation of Design Data into Design Form in Evolutionary Design (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Generative Design: A Paradigm for Design Research (2 Links)
- In Praise of Evolution and Opacity (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
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