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  1. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  2. The Evolving Role of the Artist‏‎ (2 Links)
  3. Genetic Algorithms for the Generation of Models with Micropopulations‏‎ (2 Links)
  4. Measuring Creativity In Software Development‏‎ (2 Links)
  5. Ästhetik‏‎ (2 Links)
  6. Semantic Operators for Evolutionary Art‏‎ (2 Links)
  7. Evolving a Logo Design using Lindenmayer Systems, Postscript & Grammatical Evolution‏‎ (2 Links)
  8. Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture‏‎ (2 Links)
  9. Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach‏‎ (2 Links)
  10. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  11. Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining‏‎ (2 Links)
  12. The Markov Pen: Online Synthesis of Free-Hand Drawing Styles‏‎ (2 Links)
  13. The Painting Fool in New Dimensions‏‎ (2 Links)
  14. Passive Solar Building Design Using Genetic Programming TR‏‎ (2 Links)
  15. Autonomously Creating Quality Images‏‎ (2 Links)
  16. Interactive evolutionary computation for analyzing human characteristics‏‎ (2 Links)
  17. Genotyp‏‎ (2 Links)
  18. Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits‏‎ (2 Links)
  19. Interior Illumination Design Using Genetic Programming‏‎ (2 Links)
  20. The Virtual Ecosystem as Generative Electronic Art‏‎ (2 Links)
  21. Aesthetic image rating (AIR) algorithm‏‎ (2 Links)
  22. Exploring Persian Rug Design Using a Computational Evolutionary Approach‏‎ (2 Links)
  23. The case for a mixed-initiative collaborative neuroevolution approach‏‎ (2 Links)
  24. Morgan McGuire‏‎ (2 Links)
  25. Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes‏‎ (2 Links)
  26. Investigating Aesthetic Features to Model Human Preference in Evolutionary Art‏‎ (2 Links)
  27. Against Reductionism: Complexity Science, Complexity Art, and Complexity Studies‏‎ (2 Links)
  28. Grammatical Evolution: Evolving Programs for an Arbitrary Language‏‎ (2 Links)
  29. Picasso, Pato and Perro: Reconciling Procedure with Creativity‏‎ (2 Links)
  30. Mutation‏‎ (2 Links)
  31. Creative Ecosystems 2009‏‎ (2 Links)
  32. Feature Extraction Languages and Visual Pattern Recognition‏‎ (2 Links)
  33. Playing in the Pheromone Playground: Experiences in Swarm Painting‏‎ (2 Links)
  34. Creatively Subverting Messages in Posters‏‎ (2 Links)
  35. Filterscape: Energy Recycling in a Creative Ecosystem‏‎ (2 Links)
  36. Stylized Reality‏‎ (2 Links)
  37. Can a Genetic Algorithm Think Like a Composer?‏‎ (2 Links)
  38. Evaluating Search Engine Relevance with Click-Based Metrics‏‎ (2 Links)
  39. Guided Exploration of Physically Valid Shapes for Furniture Design‏‎ (2 Links)
  40. A Comparison Between Representations for Evolving Images‏‎ (2 Links)
  41. Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation‏‎ (2 Links)
  42. Karl Gerbel‏‎ (2 Links)
  43. Towards MCTS for Creative Domains‏‎ (2 Links)
  44. An Introduction To Kolmogorov Complexity and its Applications‏‎ (2 Links)
  45. An informational model for cellular automata aesthetic measure‏‎ (2 Links)
  46. Quantifying Creativity in Art Networks‏‎ (2 Links)
  47. Fractal art — a comparison of styles‏‎ (2 Links)
  48. RANDOMNESS, (DIS)ORDER, AND GENERATIVITY‏‎ (2 Links)
  49. Swarm Granulator‏‎ (2 Links)
  50. Decision Tree Modeling for Ranking Data‏‎ (2 Links)

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