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- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Michael Witbrock (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Interactive evolution of images (2 Links)
- Gentropy: evolving 2D textures (2 Links)
- SBArt4 for an Automatic Evolutionary Art (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Interactively Exploring Picasso's Multi-dimensional Creative Process in Producing Guernica (2 Links)
- Modelling Human Preference in Evolutionary Art (2 Links)
- Exploring a Parameterized Portrait Painting Space (2 Links)
- Computer-Kreativität (2 Links)
- On the Role of Temporary Storage in Interactive Evolution (2 Links)
- Computer Software for Measuring Creative Search (2 Links)
- Motion Representation and Evolutionary Architectural Spaces (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- Searching for Surprise (2 Links)
- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
- Music Composition with Interactive Evolutionary Computation (2 Links)
- A Fitness Function for Creativity in Jazz Improvisation and Beyond (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Establishing Appreciation In a Creative System (2 Links)
- Painting With Triangles (2 Links)
- Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? (2 Links)
- Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Breeding on site (2 Links)
- A Meme-Based Architecture for Modeling Creativity (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- A Novel Human-Computer Collaboration: Combining Novelty Search with Interactive Evolution (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Creative Computers, Improvisation and Intimacy (2 Links)
- A Preference Optimization Based Unifying Framework for Supervised Learning Problems (2 Links)
- Creative Web Services with Pattern (2 Links)
- CGP, Creativity and Art (2 Links)
- Art-directed Watercolor Rendered Animation (2 Links)
- A Survey on ROC-based Ordinal Regression (2 Links)
- State of the ‘Art’: A Taxonomy of Artistic Stylization Techniques for Images and Video (2 Links)
- Evolutionary Design in Art (2 Links)
- Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem (2 Links)
- From Mondrian to Frank Lloyd Wright: Transforming Evolving Representations (2 Links)
- Steve Dipaola (2 Links)
- Evolutionary Image Transition Using Random Walks (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Ideas and Tools in Material Space - an extended spatial model of creativity (2 Links)
- Stippling with Aerial Robots (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Evolutionary Synthesis of Micromachines Using Supervisory Multiobjective Interactive Evolutionary Computation (2 Links)
- Time Beings : Quantum Beings for Art Exploration and Creation (2 Links)
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