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- Hybrid Biological-Digital Systems in Artistic and Entertainment Computing (2 Links)
- A cybernetic approach to aesthetics (2 Links)
- Learning Comparative User Models for Accelerating Human-Computer Collaborative Search (2 Links)
- Refinement Techniques for Animated Evolutionary Photomosaics Using Limited Tile Collections (2 Links)
- Using Grammatical Evolution to Parameterise Interactive 3D Image Generation (2 Links)
- Artificial ecosystems for creative discovery (2 Links)
- Novelty and figurative expression-based evolutionary art (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- Assessing Progress in Building Autonomously Creative Systems (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Line-Based Rendering with Truchet-Like Tiles (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- SBArt4 for an Automatic Evolutionary Art (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- On the Role of Temporary Storage in Interactive Evolution (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Man + Robots: Symbiotic Art (2 Links)
- Searching for Surprise (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Mapped Pictures: Aesthetic Image Annotations (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Improving the ranking quality of medical image retrieval using a genetic feature selection method (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- Evolving Line Drawings (2 Links)
- Semi-Automatic Digital Epigraphy from Images with Normals (2 Links)
- Informational Aesthetics Measures (2 Links)
- Painting With Triangles (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- Interactive Evolutionary CAD System for MEMS Layout Synthesis (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Exploring Evolutionary Possibilities for Digital Doilies (2 Links)
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