Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 1.081 bis 1.130 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. A Preference Optimization Based Unifying Framework for Supervised Learning Problems‏‎ (2 Links)
  2. Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation‏‎ (2 Links)
  3. Art-directed Watercolor Rendered Animation‏‎ (2 Links)
  4. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  5. A Survey on ROC-based Ordinal Regression‏‎ (2 Links)
  6. Fractal art — a comparison of styles‏‎ (2 Links)
  7. Henry Rowley‏‎ (2 Links)
  8. Knowledge Discovery of Artistic Influences: A Metric Learning Approach‏‎ (2 Links)
  9. Fractals and Multi-Layer Coloring Algorithms‏‎ (2 Links)
  10. Quantifying Creativity in Art Networks‏‎ (2 Links)
  11. Ungegenständliche Kunst‏‎ (2 Links)
  12. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  13. A cybernetic approach to aesthetics‏‎ (2 Links)
  14. How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity‏‎ (2 Links)
  15. RANDOMNESS, (DIS)ORDER, AND GENERATIVITY‏‎ (2 Links)
  16. Use of Interactive Evolutionary Computation with Simplified Modeling for Computationally Expensive Layout Design Optimization‏‎ (2 Links)
  17. Evolutionary Banners, exploring a generative design approach‏‎ (2 Links)
  18. Artificial ecosystems for creative discovery‏‎ (2 Links)
  19. Label Ranking Algorithms: A Survey‏‎ (2 Links)
  20. Hybrid Biological-Digital Systems in Artistic and Entertainment Computing‏‎ (2 Links)
  21. Ranking Cases with Classification Rules‏‎ (2 Links)
  22. Using Grammatical Evolution to Parameterise Interactive 3D Image Generation‏‎ (2 Links)
  23. Evolutionary Development of Mathematically Defined Forms‏‎ (2 Links)
  24. Learning Comparative User Models for Accelerating Human-Computer Collaborative Search‏‎ (2 Links)
  25. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  26. Assessing Progress in Building Autonomously Creative Systems‏‎ (2 Links)
  27. A preliminary investigation of evolution as a form design strategy‏‎ (2 Links)
  28. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Links)
  29. Automated Collage Generation - With More Intent 2011‏‎ (2 Links)
  30. Line-Based Rendering with Truchet-Like Tiles‏‎ (2 Links)
  31. Techniques for highly multiobjective optimisation: some nondominated points are better than others‏‎ (2 Links)
  32. Generating floor plan layouts with K-D tree algorithms and evolutionary strategies‏‎ (2 Links)
  33. Representation and Mimesis in Generative Art: Creating Fifty Sisters‏‎ (2 Links)
  34. Visual Hallucination For Computational Creation‏‎ (2 Links)
  35. Evolutionary generation of faces‏‎ (2 Links)
  36. Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI‏‎ (2 Links)
  37. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  38. Evolutionäre Algorithmen‏‎ (2 Links)
  39. Automatic Mineral Identification Using Genetic Programming‏‎ (2 Links)
  40. Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes‏‎ (2 Links)
  41. Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator‏‎ (2 Links)
  42. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  43. Evolved Aesthetic Analogies to Improve Artistic Experience‏‎ (2 Links)
  44. On Two Desiderata for Creativity Support Tools‏‎ (2 Links)
  45. Evolving Assemblages of 3D Objects‏‎ (2 Links)
  46. Automatic invention of fitness functions with application to scene generation‏‎ (2 Links)
  47. Man + Robots: Symbiotic Art‏‎ (2 Links)
  48. On the Impact of Chat Communication on Computer-Supported Idea Generation Processes‏‎ (2 Links)
  49. Generative Design: A Paradigm for Design Research‏‎ (2 Links)
  50. Autonomy, Signature and Creativity‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)