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Unten werden bis zu 50 Ergebnisse im Bereich 1.081 bis 1.130 angezeigt.

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  1. Creative Ecosystems 2009‏‎ (2 Links)
  2. Visual Hallucination For Computational Creation‏‎ (2 Links)
  3. Creatively Subverting Messages in Posters‏‎ (2 Links)
  4. A Computer Model for the Generation of Visual Compositions‏‎ (2 Links)
  5. Visualization of Four-Dimensional Spacetimes‏‎ (2 Links)
  6. Novelty and figurative expression-based evolutionary art‏‎ (2 Links)
  7. Learning Preference Models in Recommender Systems‏‎ (2 Links)
  8. A Fitness Function for Creativity in Jazz Improvisation and Beyond‏‎ (2 Links)
  9. Ian Butterfield‏‎ (2 Links)
  10. Ways of Seeing: Visualization of Artificial Life Environments‏‎ (2 Links)
  11. Can a Genetic Algorithm Think Like a Composer?‏‎ (2 Links)
  12. Learning to colour greyscale images‏‎ (2 Links)
  13. SBArt4 for an Automatic Evolutionary Art‏‎ (2 Links)
  14. Evolutionary Learning and Stochastic Process Algebra‏‎ (2 Links)
  15. A Meme-Based Architecture for Modeling Creativity‏‎ (2 Links)
  16. Image Warping for a Painterly Effect‏‎ (2 Links)
  17. On the Role of Temporary Storage in Interactive Evolution‏‎ (2 Links)
  18. Ludic Considerations of Tablet-Based Evo-Art‏‎ (2 Links)
  19. A Novel Human-Computer Collaboration: Combining Novelty Search with Interactive Evolution‏‎ (2 Links)
  20. GenJam in Transition: from Genetic Jammer to Generative Jammer‏‎ (2 Links)
  21. Searching for Surprise‏‎ (2 Links)
  22. Decision Tree Modeling for Ranking Data‏‎ (2 Links)
  23. A Preference Optimization Based Unifying Framework for Supervised Learning Problems‏‎ (2 Links)
  24. Collage, Technology, and Creative Process‏‎ (2 Links)
  25. Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings‏‎ (2 Links)
  26. Art-directed Watercolor Rendered Animation‏‎ (2 Links)
  27. A Survey on ROC-based Ordinal Regression‏‎ (2 Links)
  28. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  29. Semi-Automatic Digital Epigraphy from Images with Normals‏‎ (2 Links)
  30. Painting With Triangles‏‎ (2 Links)
  31. Combining Representational Domains for Computational Creativity‏‎ (2 Links)
  32. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  33. Evolving Art Using Multiple Aesthetic Measures‏‎ (2 Links)
  34. A cybernetic approach to aesthetics‏‎ (2 Links)
  35. Complex constructions based on symmetry breaking in simple three dimensional IFS‏‎ (2 Links)
  36. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)
  37. Artificial ecosystems for creative discovery‏‎ (2 Links)
  38. Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms‏‎ (2 Links)
  39. Evolving Line Drawings‏‎ (2 Links)
  40. Domain Bridging Associations Support Creativity‏‎ (2 Links)
  41. Interactive Evolution for Designing Motion Variants‏‎ (2 Links)
  42. Assessing Progress in Building Autonomously Creative Systems‏‎ (2 Links)
  43. Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation‏‎ (2 Links)
  44. Evolving Textures from High Level Descriptions: Gray with an Accent Color‏‎ (2 Links)
  45. A preliminary investigation of evolution as a form design strategy‏‎ (2 Links)
  46. Interactive Evolutionary Design in a Hierarchical Way‏‎ (2 Links)
  47. Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem‏‎ (2 Links)
  48. Automated Collage Generation - With More Intent 2011‏‎ (2 Links)
  49. Interactive operators for evolutionary architectural design‏‎ (2 Links)
  50. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)

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