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- Learning Comparative User Models for Accelerating Human-Computer Collaborative Search (2 Links)
- Aesthetic Learning in an Interactive Evolutionary Art System (2 Links)
- Evolutionary Learning and Stochastic Process Algebra (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- Begriffe zur Evolutionären Kunst (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Representation and Mimesis in Generative Art: Creating Fifty Sisters (2 Links)
- GenJam in Transition: from Genetic Jammer to Generative Jammer (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Line-Based Rendering with Truchet-Like Tiles (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator (2 Links)
- Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- On Two Desiderata for Creativity Support Tools (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- On the Impact of Chat Communication on Computer-Supported Idea Generation Processes (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Man + Robots: Symbiotic Art (2 Links)
- Evolving Art Using Multiple Aesthetic Measures (2 Links)
- Mapped Pictures: Aesthetic Image Annotations (2 Links)
- Evolving Expression of Emotions Through Color In Virtual Humans Using Genetic Algorithms (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Improving the ranking quality of medical image retrieval using a genetic feature selection method (2 Links)
- Evolving Line Drawings (2 Links)
- An Interactive Electronic Art System Based on Artificial Ecosystemics (2 Links)
- Evolving Textures from High Level Descriptions: Gray with an Accent Color (2 Links)
- An approach to creating very large, high resolution artistic printed images (2 Links)
- Informational Aesthetics Measures (2 Links)
- Semantic Operators for Evolutionary Art (2 Links)
- Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach (2 Links)
- Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Interactive Evolutionary CAD System for MEMS Layout Synthesis (2 Links)
- Genetic learning for biologically inspired aesthetic processes (2 Links)
- Passive Solar Building Design Using Genetic Programming TR (2 Links)
- Evolving urban structures using Computer Optimisation Techniques (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits (2 Links)
- Mixed-Initiative Creative Drawing with webIconoscope (2 Links)
- Exploring Evolutionary Possibilities for Digital Doilies (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Exploring component-based representations - the secret of creativity by evolution? (2 Links)
- Architectural Innovation as an evolutionary process (2 Links)
- Extending grammatical evolution to evolve digital surfaces with genr8 (2 Links)
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