Seiten mit den meisten Links

Wechseln zu: Navigation, Suche

Unten werden bis zu 50 Ergebnisse im Bereich 1.081 bis 1.130 angezeigt.

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

  1. Computational Creativity Conceptualisation Grounded on ICCC Papers‏‎ (2 Links)
  2. Passive Solar Building Design Using Genetic Programming TR‏‎ (2 Links)
  3. Interactive evolutionary computation for analyzing human characteristics‏‎ (2 Links)
  4. The Role of Motion Dynamics in Abstract Painting‏‎ (2 Links)
  5. Gentropy: evolving 2D textures‏‎ (2 Links)
  6. Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits‏‎ (2 Links)
  7. Interior Illumination Design Using Genetic Programming‏‎ (2 Links)
  8. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Links)
  9. The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv‏‎ (2 Links)
  10. An Examination on the Modularity of Grammars in Grammatical Evolutionary Design‏‎ (2 Links)
  11. Exploring a Parameterized Portrait Painting Space‏‎ (2 Links)
  12. A Benchmark Image Set for Evaluating Stylization‏‎ (2 Links)
  13. The application of L-systems and developmental models to computer art, animation, and music synthesis‏‎ (2 Links)
  14. Morgan McGuire‏‎ (2 Links)
  15. Investigating Aesthetic Features to Model Human Preference in Evolutionary Art‏‎ (2 Links)
  16. Computer Vision for the Structured Representation and Stylisation of Visual Media Collections‏‎ (2 Links)
  17. FaceSpace: A Facial Spatial-Domain Toolkit‏‎ (2 Links)
  18. A Fractal Approach Towards Visual Analogy‏‎ (2 Links)
  19. An exploration-based evolutionary model of a generative design process‏‎ (2 Links)
  20. Picasso, Pato and Perro: Reconciling Procedure with Creativity‏‎ (2 Links)
  21. Mutation‏‎ (2 Links)
  22. A Knowledge Based Approach to Modeling Portrait Painting Methodology‏‎ (2 Links)
  23. Playing in the Pheromone Playground: Experiences in Swarm Painting‏‎ (2 Links)
  24. Three Ways to Grow Designs: A Comparison of Embryogenies for an Evolutionary Design Problem‏‎ (2 Links)
  25. Establishing Appreciation In a Creative System‏‎ (2 Links)
  26. Stylized Reality‏‎ (2 Links)
  27. Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?‏‎ (2 Links)
  28. Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes‏‎ (2 Links)
  29. Time Beings : Quantum Beings for Art Exploration and Creation‏‎ (2 Links)
  30. Evaluation of User Fatigue Reduction Through IEC Rating-Scale Mapping‏‎ (2 Links)
  31. Guided Exploration of Physically Valid Shapes for Furniture Design‏‎ (2 Links)
  32. Applicability of interactive evolutionary computation to mental health measurement‏‎ (2 Links)
  33. Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation‏‎ (2 Links)
  34. Karl Gerbel‏‎ (2 Links)
  35. Toward genetic aesthetics: mutation of bio information and generative art system‏‎ (2 Links)
  36. ArTbitrating: an evolutionary environment for visual and sound composition‏‎ (2 Links)
  37. A Study of Image Colourfulness‏‎ (2 Links)
  38. Creative Ecosystems 2009‏‎ (2 Links)
  39. Quantifying Creativity in Art Networks‏‎ (2 Links)
  40. Artificial Art Made by Artificial Ants‏‎ (2 Links)
  41. A closer look at creativity as search‏‎ (2 Links)
  42. Creatively Subverting Messages in Posters‏‎ (2 Links)
  43. RANDOMNESS, (DIS)ORDER, AND GENERATIVITY‏‎ (2 Links)
  44. Artificial Life Meets Computational Creativity?‏‎ (2 Links)
  45. A formal theory of creativity to model the creation of art‏‎ (2 Links)
  46. Ranking Cases with Classification Rules‏‎ (2 Links)
  47. Ungegenständliche Kunst‏‎ (2 Links)
  48. HyperRogue: Playing with Hyperbolic Geometry‏‎ (2 Links)
  49. Can a Genetic Algorithm Think Like a Composer?‏‎ (2 Links)
  50. Learning Lexicographic Preference Models‏‎ (2 Links)

Zeige (vorherige 50 | nächste 50) (20 | 50 | 100 | 250 | 500)

Abgerufen von „http://de.evo-art.org/index.php?title=Spezial:Meistverlinkte_Seiten“