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- Image Warping for a Painterly Effect (2 Links)
- Taming nature: tapping the creative potential of ecosystem models in the arts (2 Links)
- A preliminary investigation of evolution as a form design strategy (2 Links)
- Decision Tree Modeling for Ranking Data (2 Links)
- Ludic Considerations of Tablet-Based Evo-Art (2 Links)
- Generating Artwork Using Previous Created Image as Coloring Palette (2 Links)
- Techniques for highly multiobjective optimisation: some nondominated points are better than others (2 Links)
- Visual Hallucination For Computational Creation (2 Links)
- Automated Collage Generation - With More Intent 2011 (2 Links)
- Collage, Technology, and Creative Process (2 Links)
- SBART 2.4: an IEC tool for creating 2D images, movies, and collage (2 Links)
- Evolutionary shape grammars for product design (2 Links)
- Visualization of Four-Dimensional Spacetimes (2 Links)
- Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI (2 Links)
- Ways of Seeing: Visualization of Artificial Life Environments (2 Links)
- Automatic Mineral Identification Using Genetic Programming (2 Links)
- Combining Representational Domains for Computational Creativity (2 Links)
- Scott Neil-Teilly (2 Links)
- Evolving 3D Morphology and Behavior by Competition (2 Links)
- Generative Art Inspired by Nature, Using NodeBox (2 Links)
- Complex constructions based on symmetry breaking in simple three dimensional IFS (2 Links)
- Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Function (2 Links)
- Generative Representations for Artificial Architecture and Passive Solar Performance TR (2 Links)
- Automatic invention of fitness functions with application to scene generation (2 Links)
- Domain Bridging Associations Support Creativity (2 Links)
- Organized order in ornamentation (2 Links)
- Generic Evolutionary Design (2 Links)
- Autonomy, Signature and Creativity (2 Links)
- P4m Reference Implementation (2 Links)
- Interactive Evolution for Designing Motion Variants (2 Links)
- Evolving an Aircraft Using a Parametric Design System (2 Links)
- Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation (2 Links)
- Painterly rendering using image salience (2 Links)
- Interactive Evolutionary Design in a Hierarchical Way (2 Links)
- Computational Creativity Conceptualisation Grounded on ICCC Papers (2 Links)
- ShipShape: A Drawing Beautification Assistant (2 Links)
- Interactive operators for evolutionary architectural design (2 Links)
- The Role of Motion Dynamics in Abstract Painting (2 Links)
- Simulated aesthetics and evolving artworks: A coevolutionary approach (2 Links)
- Model Proposal for a Constructed Artist (2 Links)
- Gentropy: evolving 2D textures (2 Links)
- Computational and Collective Creativity: Who’s Being Creative? (2 Links)
- The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv (2 Links)
- Introduction of Interactive Evolutionary Computation and Its Applications to CG Creativity (2 Links)
- The application of L-systems and developmental models to computer art, animation, and music synthesis (2 Links)
- Exploring a Parameterized Portrait Painting Space (2 Links)
- Computer Vision for the Structured Representation and Stylisation of Visual Media Collections (2 Links)
- Specific curiosity as a cause and consequence of transformational creativity (2 Links)
- FaceSpace: A Facial Spatial-Domain Toolkit (2 Links)
- A Computer Model for the Generation of Visual Compositions (2 Links)
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