Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 331 bis 380 angezeigt.
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- Mohamed Slimane (3 Links)
- On the development of evolutionary artificial artists (3 Links)
- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Jerome Sheahan (3 Links)
- Simple Art as Abstractions of Photographs (3 Links)
- Flattening the Viewable Sphere (3 Links)
- Software zur Evolutionären Kunst (3 Links)
- Form Follows Function: Aesthetic Interactive Labels (3 Links)
- Philip Cardiff (3 Links)
- Francisco Fernández de Vega (3 Links)
- Straight away on Curved Spaces (3 Links)
- Using genetic algorithm to improve information retrieval systems (3 Links)
- Generating Op Art Lines (3 Links)
- Nazanin Alsadat Tabatabaei Anaraki (3 Links)
- Synthesis of sound effects for generative animation (3 Links)
- R. Nabuurs (3 Links)
- Manuel Muehlbauer (3 Links)
- Viewpoint Quality: Measures and Applications (3 Links)
- Alessandro Re (3 Links)
- New directions for evolving expressions (3 Links)
- Inadvertent - Ars Accidentalis (3 Links)
- Color dependent computational aesthetics for evolving expressions (3 Links)
- Nina Rask (3 Links)
- Generative Art and Evolutionary Refinement (3 Links)
- Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design (3 Links)
- Watercolor Illustrations of CAD Data (3 Links)
- Composite diffusion limited aggregation paintings (3 Links)
- A Breeding Tool for Abstract Animations and Its Applications (3 Links)
- Double Meandering Algorithm (3 Links)
- An Information-Theoretic Framework for Image Complexity (3 Links)
- Evolving images for entertainment (3 Links)
- Interpretation-driven Visual Association (3 Links)
- Andrew Bishop (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Georgios N. Yannakakis (3 Links)
- Global Contrast Factor - a New Approach to Image Contrast (3 Links)
- Jim Smith (3 Links)
- Pannini: A New Projection for Rendering Wide Angle Perspective Images (3 Links)
- Josh Bongard (3 Links)
- Thesis: Accurate and Discernible Photocollages (3 Links)
- Artificial life or surreal art? (3 Links)
- Flocking Messengers (3 Links)
- Bradley Alexander (3 Links)
- How Did Humans Become So Creative? A Computational Approach (3 Links)
- Philip F. Hingston (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Evolution of Architectural Floor Plans (3 Links)
- Learning about Shadows from Artists (3 Links)
- Stigmmetry Prints from Patterns of Circles (3 Links)
- Frank Neumann (3 Links)
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