Seiten mit den meisten Links
Unten werden bis zu 50 Ergebnisse im Bereich 331 bis 380 angezeigt.
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- Stipple Placement using Distance in a Weighted Graph (3 Links)
- Evaluating Visual Aesthetics in Photographic Portraiture (3 Links)
- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents (3 Links)
- Procedural Generation of Surface Detail for Science Fiction Spaceships (3 Links)
- Tieta Putri (3 Links)
- Tilings of Sequences of Co-evolved Images (3 Links)
- Rajat Sodhi (3 Links)
- How Self-Similar are Artworks at Different Levels of Spatial Resolution? (3 Links)
- Evolved Ricochet Compositions (3 Links)
- SBArt4 as Automatic Art and Live Performance Tool (3 Links)
- Generative Kunst (3 Links)
- Color dependent computational aesthetics for evolving expressions (3 Links)
- Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design (3 Links)
- Composite diffusion limited aggregation paintings (3 Links)
- Alessandro Re (3 Links)
- Double Meandering Algorithm (3 Links)
- Luigi C. Barone (3 Links)
- A Breeding Tool for Abstract Animations and Its Applications (3 Links)
- An Information-Theoretic Framework for Image Complexity (3 Links)
- Extracting the Essence from Sets of Images (3 Links)
- Mauro Castelli (3 Links)
- Bradley Alexander (3 Links)
- Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis (3 Links)
- Procedural Shading for Architecture: Adoption, Fabrication, and Implications (3 Links)
- Artificial life or surreal art? (3 Links)
- Ramakrishnan Mukundan (3 Links)
- New Methods to Project Panoramas for Practical and Aesthetic Purposes (3 Links)
- Abandoning objectives: Evolution through the search for novelty alone (3 Links)
- Christoph Klemmt (3 Links)
- Kyrre Glette (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- Colm O’Riordan (3 Links)
- Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection (3 Links)
- Evolving Pop Art Using Scalable Vector Graphics (3 Links)
- Leonardo Vanneschi (3 Links)
- Complexism and the Role of Evolutionary Art (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- Composition Principles for Quality Depiction and Aesthetics (3 Links)
- What is Complexism? Generative Art and the Cultures of Science and the Humanities (3 Links)
- Duotone Surfaces (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- Images from Self-Occlusion (3 Links)
- Implicit fitness functions for evolving a drawing robot (3 Links)
- Simulating artist and critic dynamics - an agent-based application of an evolutionary art system (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Perceptual and Computational Categories in Art (3 Links)
- Graph-based evolutionary art (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- Andrew Bishop (3 Links)
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