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Unten werden bis zu 50 Ergebnisse im Bereich 331 bis 380 angezeigt.

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  1. Rajat Sodhi‏‎ (3 Links)
  2. I. Booij‏‎ (3 Links)
  3. Virtual Photograph Based Saliency Analysis of High Dynamic Range Images‏‎ (3 Links)
  4. Color dependent computational aesthetics for evolving expressions‏‎ (3 Links)
  5. Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design‏‎ (3 Links)
  6. SBArt4 as Automatic Art and Live Performance Tool‏‎ (3 Links)
  7. Composite diffusion limited aggregation paintings‏‎ (3 Links)
  8. Luís Pereira‏‎ (3 Links)
  9. Image retrieval based on multi-feature similarity score fusion using genetic algorithm‏‎ (3 Links)
  10. Double Meandering Algorithm‏‎ (3 Links)
  11. Evolved Ricochet Compositions‏‎ (3 Links)
  12. Manipulating artificial ecosystems‏‎ (3 Links)
  13. Yasser S. Arenas Rebolledo‏‎ (3 Links)
  14. Generative Kunst‏‎ (3 Links)
  15. Alessandro Re‏‎ (3 Links)
  16. Inference and Design in Kuba and Zillij Art with Shape Grammars‏‎ (3 Links)
  17. The Mutation and growth of Art by Computers‏‎ (3 Links)
  18. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  19. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  20. Morphable guidelines for the human head‏‎ (3 Links)
  21. Thomas Mitchell‏‎ (3 Links)
  22. Extracting the Essence from Sets of Images‏‎ (3 Links)
  23. Stipple Placement using Distance in a Weighted Graph‏‎ (3 Links)
  24. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  25. Evaluating Visual Aesthetics in Photographic Portraiture‏‎ (3 Links)
  26. Procedural Generation of Surface Detail for Science Fiction Spaceships‏‎ (3 Links)
  27. Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents‏‎ (3 Links)
  28. Truth to Process – Evolutionary Art and the Aesthetics of Dynamism‏‎ (3 Links)
  29. Ramakrishnan Mukundan‏‎ (3 Links)
  30. Artificial life or surreal art?‏‎ (3 Links)
  31. New Methods to Project Panoramas for Practical and Aesthetic Purposes‏‎ (3 Links)
  32. Christoph Klemmt‏‎ (3 Links)
  33. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  34. Colm O’Riordan‏‎ (3 Links)
  35. Target Curves for Pick-up, Carry, and Drop Mobile Automata‏‎ (3 Links)
  36. Leticia Cherchiglia‏‎ (3 Links)
  37. Complexism and the Role of Evolutionary Art‏‎ (3 Links)
  38. Composition Principles for Quality Depiction and Aesthetics‏‎ (3 Links)
  39. Image retrieval using heuristic approach and genetic algorithm‏‎ (3 Links)
  40. What is generative art? complexity theory as a context for art theory‏‎ (3 Links)
  41. Duotone Surfaces‏‎ (3 Links)
  42. Evolved diffusion limited aggregation compositions‏‎ (3 Links)
  43. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  44. In the Eye of the Beholder - Perception of Indeterminate Art‏‎ (3 Links)
  45. Zipf’s law, music classification and aesthetics‏‎ (3 Links)
  46. Evolving Pop Art Using Scalable Vector Graphics‏‎ (3 Links)
  47. Mats G. Nordahl‏‎ (3 Links)
  48. Simulating artist and critic dynamics - an agent-based application of an evolutionary art system‏‎ (3 Links)
  49. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  50. Perceptual and Computational Categories in Art‏‎ (3 Links)

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