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- Evolved Ricochet Compositions (3 Links)
- Sam D. Verkoelen (3 Links)
- ColourVis: Exploring Colour Usage in Paintings Over Time (3 Links)
- Generative Kunst (3 Links)
- Sebastian Hølt Bak (3 Links)
- Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation (3 Links)
- Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings (3 Links)
- Mauro Castelli (3 Links)
- Alessandro Re (3 Links)
- Edward Davies (3 Links)
- A Breeding Tool for Abstract Animations and Its Applications (3 Links)
- Tieta Putri (3 Links)
- An Information-Theoretic Framework for Image Complexity (3 Links)
- Enhancements to constrained novelty search: two-population novelty search for generating game content (3 Links)
- Tilings of Sequences of Co-evolved Images (3 Links)
- Extracting the Essence from Sets of Images (3 Links)
- Computers and Creativity: The Road Ahead (3 Links)
- Ant Paintings using a Multiple Pheromone Model (3 Links)
- Evaluating Visual Aesthetics in Photographic Portraiture (3 Links)
- Studying aesthetics in photographic images using a computational approach (3 Links)
- Power to the critics — A framework for the development of artificial art critics (3 Links)
- Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents (3 Links)
- Suggestive Hatching (3 Links)
- Procedural Texture Evolution Using Multiobjective Optimization (3 Links)
- Building The Plotter - an Aesthetic Exploration with Drawing Robots (3 Links)
- How Self-Similar are Artworks at Different Levels of Spatial Resolution? (3 Links)
- Random Discrete Colour Sampling (3 Links)
- Nicolas Monmarche (3 Links)
- Celtic Knots Colorization based on Color Harmony Principles (3 Links)
- Regularity and Randomness in Bridget Riley's early Op Art (3 Links)
- David Glowacki (3 Links)
- Luigi C. Barone (3 Links)
- On Nonlinear Perspectives in Science, Art and Nature (3 Links)
- Evolved diffusion limited aggregation compositions (3 Links)
- Implicit fitness functions for evolving a drawing robot (3 Links)
- Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis (3 Links)
- Evolving Pop Art Using Scalable Vector Graphics (3 Links)
- Aesthetics of Hand-Drawn vs. Computer-Generated Stippling (3 Links)
- DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations (3 Links)
- Partially interactive evolutionary artists (3 Links)
- Genr8: Architects’ Experience with an Emergent Design Tool (3 Links)
- A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist (3 Links)
- Computer Generated Stereoscopic Artwork (3 Links)
- Eons of genetically evolved algorithmic images (3 Links)
- Graph-based evolutionary art (3 Links)
- Andrew Bishop (3 Links)
- Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation (3 Links)
- A Local Search Interface for Interactive Evolutionary Architectural Design (3 Links)
- Breaking the Pixel Barrier (3 Links)
- Supervised Genetic Search for Parameter Selection in Painterly Rendering (3 Links)
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