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Unten werden bis zu 50 Ergebnisse im Bereich 331 bis 380 angezeigt.

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  1. Color dependent computational aesthetics for evolving expressions‏‎ (3 Links)
  2. Generation and evaluation of artworks‏‎ (3 Links)
  3. Luigi C. Barone‏‎ (3 Links)
  4. On Nonlinear Perspectives in Science, Art and Nature‏‎ (3 Links)
  5. Evolutionary pointillist modules: evolving assemblages of 3D objects‏‎ (3 Links)
  6. Aesthetics, Art, Evolution‏‎ (3 Links)
  7. Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design‏‎ (3 Links)
  8. Aidan Breen‏‎ (3 Links)
  9. Sam D. Verkoelen‏‎ (3 Links)
  10. Composite diffusion limited aggregation paintings‏‎ (3 Links)
  11. Double Meandering Algorithm‏‎ (3 Links)
  12. Sebastian Hølt Bak‏‎ (3 Links)
  13. Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings‏‎ (3 Links)
  14. Mauro Castelli‏‎ (3 Links)
  15. An Image Retrieval Method Based on a Genetic Algorithm‏‎ (3 Links)
  16. Andy Song‏‎ (3 Links)
  17. Anna Ursyn‏‎ (3 Links)
  18. Tieta Putri‏‎ (3 Links)
  19. Fast Techniques for Mosaic Rendering‏‎ (3 Links)
  20. Tilings of Sequences of Co-evolved Images‏‎ (3 Links)
  21. Feature selection based-on genetic algorithm for image annotation‏‎ (3 Links)
  22. A Visual Language for Darwin‏‎ (3 Links)
  23. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  24. A comprehensive survey of fitness approximation in evolutionary computation‏‎ (3 Links)
  25. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  26. Fitness functions for ant colony paintings‏‎ (3 Links)
  27. Suggestive Hatching‏‎ (3 Links)
  28. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  29. Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students‏‎ (3 Links)
  30. A novel evolutionary approach for optimizing content-based image indexing algorithms‏‎ (3 Links)
  31. Evolution and Collective Intelligence of the Electric Sheep‏‎ (3 Links)
  32. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  33. Random Discrete Colour Sampling‏‎ (3 Links)
  34. Nicolas Monmarche‏‎ (3 Links)
  35. Evolutionary Image Synthesis Using a Model of Aesthetics‏‎ (3 Links)
  36. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (3 Links)
  37. Evolutionary Search for the Artistic Rendering of Photographs‏‎ (3 Links)
  38. Aesthetic Placement of Points Using Generalized Lloyd Relaxation‏‎ (3 Links)
  39. Balancing Act: Variation and Utility in Evolutionary Art‏‎ (3 Links)
  40. Benford's Law for Natural and Synthetic Images‏‎ (3 Links)
  41. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  42. Images from Self-Occlusion‏‎ (3 Links)
  43. Complexism and the Role of Evolutionary Art‏‎ (3 Links)
  44. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  45. Composition Principles for Quality Depiction and Aesthetics‏‎ (3 Links)
  46. Duotone Surfaces‏‎ (3 Links)
  47. Partially interactive evolutionary artists‏‎ (3 Links)
  48. Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design‏‎ (3 Links)
  49. A Shape Grammar Study: Form Generation with Geometric Islamic Patterns‏‎ (3 Links)
  50. Fast Visualisation and Interactive Design of Deterministic Fractals‏‎ (3 Links)

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