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Unten werden bis zu 50 Ergebnisse im Bereich 331 bis 380 angezeigt.

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  1. On Nonlinear Perspectives in Science, Art and Nature‏‎ (3 Links)
  2. Generative Art and Evolutionary Refinement‏‎ (3 Links)
  3. Sam D. Verkoelen‏‎ (3 Links)
  4. Cycles - Blending Natural and Artificial Properties in a Generative Artwork‏‎ (3 Links)
  5. Changjun Hu‏‎ (3 Links)
  6. Mohamed Slimane‏‎ (3 Links)
  7. Sebastian Hølt Bak‏‎ (3 Links)
  8. What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity‏‎ (3 Links)
  9. Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings‏‎ (3 Links)
  10. Evolving images for entertainment‏‎ (3 Links)
  11. Jerome Sheahan‏‎ (3 Links)
  12. Determining an Aesthetic Inscribed Curve‏‎ (3 Links)
  13. Alessandro Re‏‎ (3 Links)
  14. The aMotion Toolkit: Painting with Affective Motion Textures‏‎ (3 Links)
  15. Computational Aesthetics 2013‏‎ (3 Links)
  16. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  17. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  18. Flattening the Viewable Sphere‏‎ (3 Links)
  19. Form Follows Function: Aesthetic Interactive Labels‏‎ (3 Links)
  20. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  21. Computational aesthetics based on gaze patterns‏‎ (3 Links)
  22. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  23. Suggestive Hatching‏‎ (3 Links)
  24. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  25. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  26. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (3 Links)
  27. Francisco Fernández de Vega‏‎ (3 Links)
  28. Random Discrete Colour Sampling‏‎ (3 Links)
  29. Manuel Muehlbauer‏‎ (3 Links)
  30. Nicolas Monmarche‏‎ (3 Links)
  31. Contrast Brushes: Interactive Image Enhancement by Direct Manipulation‏‎ (3 Links)
  32. Inadvertent - Ars Accidentalis‏‎ (3 Links)
  33. Generating Op Art Lines‏‎ (3 Links)
  34. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (3 Links)
  35. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  36. Miri Weiss Cohen‏‎ (3 Links)
  37. Catarina Maçãs‏‎ (3 Links)
  38. Interpretation-driven Visual Association‏‎ (3 Links)
  39. The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution‏‎ (3 Links)
  40. Co-evolutionary Methods in Evolutionary Art‏‎ (3 Links)
  41. Jim Smith‏‎ (3 Links)
  42. Zbigniew Michalewicz‏‎ (3 Links)
  43. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  44. Partially interactive evolutionary artists‏‎ (3 Links)
  45. Georgios N. Yannakakis‏‎ (3 Links)
  46. Josh Bongard‏‎ (3 Links)
  47. Global Contrast Factor - a New Approach to Image Contrast‏‎ (3 Links)
  48. Composite Digital Mosaics using Duotone Tiles‏‎ (3 Links)
  49. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  50. How Did Humans Become So Creative? A Computational Approach‏‎ (3 Links)

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