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Unten werden bis zu 50 Ergebnisse im Bereich 331 bis 380 angezeigt.

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  1. David Glowacki‏‎ (3 Links)
  2. On Nonlinear Perspectives in Science, Art and Nature‏‎ (3 Links)
  3. Luigi C. Barone‏‎ (3 Links)
  4. Sam D. Verkoelen‏‎ (3 Links)
  5. ColourVis: Exploring Colour Usage in Paintings Over Time‏‎ (3 Links)
  6. Evolved Ricochet Compositions‏‎ (3 Links)
  7. Sebastian Hølt Bak‏‎ (3 Links)
  8. Generative Kunst‏‎ (3 Links)
  9. Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation‏‎ (3 Links)
  10. Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings‏‎ (3 Links)
  11. Alessandro Re‏‎ (3 Links)
  12. Mauro Castelli‏‎ (3 Links)
  13. Edward Davies‏‎ (3 Links)
  14. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  15. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  16. Enhancements to constrained novelty search: two-population novelty search for generating game content‏‎ (3 Links)
  17. Computers and Creativity: The Road Ahead‏‎ (3 Links)
  18. Extracting the Essence from Sets of Images‏‎ (3 Links)
  19. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  20. Tieta Putri‏‎ (3 Links)
  21. Tilings of Sequences of Co-evolved Images‏‎ (3 Links)
  22. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  23. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  24. Suggestive Hatching‏‎ (3 Links)
  25. Evaluating Visual Aesthetics in Photographic Portraiture‏‎ (3 Links)
  26. Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents‏‎ (3 Links)
  27. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  28. Building The Plotter - an Aesthetic Exploration with Drawing Robots‏‎ (3 Links)
  29. Random Discrete Colour Sampling‏‎ (3 Links)
  30. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  31. Nicolas Monmarche‏‎ (3 Links)
  32. Celtic Knots Colorization based on Color Harmony Principles‏‎ (3 Links)
  33. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (3 Links)
  34. Revising the evolutionary computation abstraction: minimal criteria novelty search‏‎ (3 Links)
  35. Color Search and Replace‏‎ (3 Links)
  36. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  37. Images from Self-Occlusion‏‎ (3 Links)
  38. Evolved diffusion limited aggregation compositions‏‎ (3 Links)
  39. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  40. Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis‏‎ (3 Links)
  41. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  42. Evolving Pop Art Using Scalable Vector Graphics‏‎ (3 Links)
  43. DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations‏‎ (3 Links)
  44. Partially interactive evolutionary artists‏‎ (3 Links)
  45. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  46. Genr8: Architects’ Experience with an Emergent Design Tool‏‎ (3 Links)
  47. Computer Generated Stereoscopic Artwork‏‎ (3 Links)
  48. Andrew Bishop‏‎ (3 Links)
  49. Eons of genetically evolved algorithmic images‏‎ (3 Links)
  50. A Local Search Interface for Interactive Evolutionary Architectural Design‏‎ (3 Links)

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